JAM Project Wants You!

To go to their show in Baltimore tomorrow!

Sounded from the forums that the Otakon Music Fest is still on. The venue has power and didn’t get wet, so it is a go as long as the flights don’t cancel (I’m guessing they aren’t). The last I heard was that this isn’t going to be some huge sell-out crowd. The venue is not small, but obviously it’s a challenge to see how many real anison troopers would show up for a thing like this. The guest list, if you haven’t heard, includes also Aso Natsuko and Faylan, both I believe are performing in the US for the first time (if not North America in general). JAM Project has been around the globe a couple times so it’s good to see them in the USA again after their Latin America tour.

You can find all concert details here.

I assume people know who JAM Project is and I won’t go on about them, although this time Fukuyama isn’t coming because he isn’t cleared to fly due to his recent medical condition. I guess the timing just isn’t right, besides the hurricane.

This is kind of the one song I want to hear from Natsuko:

And maybe this:

Faylan is a little trickier. Clearly, it includes:

Here’s a clip from Connichi in DE this year. I guess this is what we can expect, although there will be a live band.

This song is pretty much at the top of my Faylan list:

Both Faylan and Natsuko have 2 solo albums if I recall correctly. Somehow Faylan just gets more tie-ins…

PS. Despite having power now, I’m still lacking in XCOM time. Maybe next week, when hopefully things will return to normal! This no internet thing is, as you would expect, a major bummer.

PPS. Calls? Did anyone said calls? I hope Paranda knows them because a lot of Natsuko’s stuff is written with that in mind, should be a good time.


10 Things about Psycho-Pass

This is more like my impression after 3 episodes than actual facts about Psycho-Pass. Also, this is a little too Letterman for my taste, but that’s how it came out.

10. There was this anti-moe nonsense where one of the key creative people banned the word “moe” in some of their internal production discussions.  Big whoop. Only if by banning the word it makes the show not moe. Truth is, anything with Kana Hanazawa is probably moe. And maybe it doesn’t necessarily involve cute or female characters!

9. noitanimA shop is pushing some Psycho-Pass apparels. You can see this video for some examples. Kana wants you to keep watching.

8. FUNimation is streaming this every Thursday right after it airs. I don’t know why it doesn’t do the same for Robotic;Notes, but this is the Psycho-Pass post. I have been watching the simulcast via an elite account and it is working pretty okay. The player sometimes get finicky under Chrome but it works. I wonder if they throttle free users. If they do, they probably should advertise that!

7. Ling Toshite Shigure OP does not disappoint.

6. CLARA! TEQUILA!

5. The Dominator’s new mode as explained in episode 3 works just like the famous Doom superweapon, the BFG. Note that Tsunemori was standing on the other side of the drone, and the shot didn’t touch her at all because of LOS…

4. Sybril and the Psycho-Pass are two different things, among other things.

3. Momotato kind of likes it…!

2. People possibly walk around naked, under that holographic system of clothing. If the interior decoration is of any hint, maybe Tsunemori is wearing a green suit all the time. I wonder how that applies to makeup.

1. Written by Gen Urobuchi.

PS. Hurricane Sandy left me with a great time tweeting (since I guess I can’t be distracted once internet and power went out) about the howling wind and how I can feel my house move around while I doodled away on my PSP unlocking K-ON content. Oh, hey, I was going to buy Shiny Festa over PSN but I noticed I had only 5330 yen left (MSRP 5380 yen) and not too sure if I wanted to spring another 50 (or 10 I guess) just so I can play it a couple weeks earlier than the copy that is shipping to me. It’s way too much effort for an impulse buy. Oh, right, what’s the word about the hurricane that left me without power (probably for up to 5-7 days)? Walpurgisnacht? Yea that was how it feels–as far as an internet meme that helps you laugh about a real-life problem. Even though it really isn’t bad, and it gives me the opportunity to mess with all this camping gear. But unless I can juice up every day (maybe I could) I doubt I’ll get around blogging much (let alone watching anime), or get more XCOM-seiyuu killed.


The Anime in the Middle of Nowhere

I think it’s too early to close the books on Horizon in the Middle of Nowhere anime series. I sincerely hope it continues on to book 3 and keep on adopting. I’m not too sure if I actively look forward to them, but things feel rather inevitable given how well it is doing on the Japanese domestic home video sales front. I guess this post is a status check.

But rather than criticizing (I think JP pretty much nailed it, even if his hammer might be a little too unforgiving) it for its substantive content, I feel the biggest worry I have for subsequent Horizon adaptation is how it is kind of bringing little that is new to the table. And I don’t mean in terms of having razor blades in oranges or exploiting hooks from British history–I mean it in the adaptative front.

I really enjoyed season 1 in terms of its Jerome Bettis-like attitude towards the finish line and having to bring everything along despite that it just wouldn’t quite gracefully fit. It also kind of fits the nature of Horizon–everyone gets on the bus. It’s a battering ram that truncates what MP3s to what I think you can’t hear, the stuff that might not really be necessary for us to have a good time watching the show. Forget about procedures, explaining why, things making sense making sense, or any other standard operating procedure–we can’t afford the time in 12 episodes, not if one of these “light novels” are a billion pages long.

Well, I can live with the consequences. I’m more concerned about the music, so to speak. When I watched season two play out, it felt like the same cultural tourism again, except this time it is kind of a play on British/European history. I think I’m marginally more familiar with it than Japan’s local history. And to be honest what transpired in season 1 is so twisted and detached from the real world I don’t think familiarity really matters. But it does a little bit in season 2–maybe as a distraction. I think this is kind of the danger with anime tourism in the sense that we get this perception of something that the average Japanese thinks about this thing that is closer to us foreigners than how it appears to them. On one hand it could be pretty interesting, on the other hand, well, let’s just say it was a small issue for me when watching Baccano. And that one was definitely more meticulously researched.

I guess cultural imperialists like Americans just have to learn to live with it. Meanwhile I hope more anime would just put things in their now Neo Venezias, and I suppose Horizon qualifies with its alternative-universe fantasy. Which is why I’ve stuck with it and would stick with it some more.

PS. I had the most glorious XCOM battle this weekend, involving Rk. Aya Hirano and Sq. Kotono Mitsuishi, being ambushed by a nine-pack Muton scouting force. It was fierce and I didn’t know if I could’ve made it out, but thankfully I did–despite having no medkit, no support, and only one assault and one sniper in the task force. Largely thanks to their meat-shielding. Rk. Hirano was particularly courageous, having snuck into the landed UFO from behind and tased the only Muton in reach (considering the odds of hitting it from a “safe” distance was much lower than what the Arc Thrower offered). Those grenades, man, can make quick work of you.


Kick-Heart’s Next Step

Kickstarter project Kick-Heart has been funded. This was pretty much a sealed deal a few days into the project, as projected by Kicktracker and other metrics. Even I guessed it. But what’s next?

I think it is safe to say that there will be people who will follow in this path. At least that is partly why some people signed up, to do the proverbial “save anime” thing. Personally? I think “save anime” is bullshit. It doesn’t really need saving, although there’s always tons of room to improve, especially in terms of studios that crunch out the budget, tough stuff, and not as much with Production IG.

In fact you could say IG is one of the brighter spots in the industry. I think they’re doing good work, developing talents by working with, for example, Yuasa. Kick-Heart, though, reminds me of this labor of love, in terms of how some fans rally to it. I guess that’s fine in the end–people get paid making the stuff the people who paid, like. It is a win-win by the very definition. But what was true for Redline is probably NOT going to be true for Kick-Heart.

I mean, $60 for a 15-minute short? (The $60 tier is the highest pledge tier.) And you don’t even know if you will like it because it isn’t the personal baby of Koike and Maruyama for seven years? It makes me want to talk like the kawaiikochans: MAJIDE? I guess it’s okay if you backed $1 or $5 or something. Sure, I can forgive $15. I don’t even know $30 is a good value or not. I know the $10000 tier is pretty great because they’ll fly you to Japan for a dinner date with Oshii, and I guess some people have boners for Oshii since 1995. That is a long time coming. I mean, again, like I said, it’s about value. I think Kick-Heart Kickstarter does provide value, but it isn’t something so easily deciphered, like most Kickstarter projects. But you know what? Maybe that’s why so many people pledged for a Blu-ray. You can value that easily.

Speaking of Blu-ray, how many people bought Redline again?

I think it’s also worth addressing the notion some have that by not pledging Kick-Heart you are not saving anime or some kind of inverse statement of the same. I think that’s pretty much the feeling anyone has when anyone says anything about “support the industry” in regards to buying some DVD or merch that you don’t want to buy. Get used to it. I personally think it’s kind of bull. I’d rather cut a check for some creator I like than support some wretched scheme that extort money from their customers, although I guess I will do the latter as a compromise given the difficult of the former. (Again, that $10000 tier? Soooo close to what I like to do.) Unless they start handing out badges or plaques to people who actually support the industry, it’s kind of a worthless distinction I think. It’s all just self-gratification, and there isn’t any empirical basis to those claims most of the time.

So, to Kick-Heart, congratulations. I enjoyed all the hard work you’ve put into the Kickstarter, and I look forward to the end product and the road we’ll walk towards that (as backers) even more so. Just don’t startle any more old ladies in the neighborhood. To the rest of the world, let’s milk this Kickstarter for what it’s worth! It’s open season for people with money that want to be spent on great causes!

PS. I got a few more hours in, and the kill count included just one more: Rk. Yuko Gotoh. She really took charge and on her first mission, she wiped out a floater and a thin man, until she was undone when the plaster wall in front of her melted away as a couple stray plasma bolts landed oddly. The last bogey on the same enemy phase then ended her short career. Until then, she survive through poison and a few close matches as she took the initiative to get close and stunned at least one bad guy and pinned the other. Clearly it was very heroic.


Figure Liquidation 2012

This is a pinned/sticky post. It will be updated over time.

[Last update: Oct 11 2013 1800 EST, Sale is basically over~ Nobody got grabbags so uh.]

I’m selling some merch, mostly figures. Click for details!

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