Monthly Archives: October 2013

Manga Is Just Comics

Sorry Sixten.

OMG SO MANGA

If Champagne is just the French word for sparkling wine, then maybe you have a point.

I think it doesn’t really matter what is called what as long as it’s consistent and meaningful. What is manga? Is it so hard to see that it could mean both “comics from Japan” as well as “comics drawn in style commonly found in Japanese comics”? Could it be defined as something else, too? I guess so. Why get bent over by the definition? 漫画 in Japan get called “comics” all the time, so are they no longer manga? I don’t see Adam Warren going nuts just because he draws his comics a certain way sometimes. I mean, seriously, unless you are a marketer why does anyone even bother? Bored nerd thing to do, I guess?

To cut to the chase, the ultimate problem (or the horse I have in this race) is one of marketing. Because I buy stuff like this, and marketing directly interacts with my consumption. Lately it’s also because I increasingly have to swim through PR junk from publishing companies (and in some ways thankful that Tokyopop is no longer doing this nonsense). It’s okay to call your artwork manga or manga-styled or whatever, as long as people understand what you are trying to say. But it’s perfectly okay if you don’t, and just say it’s comics from some dude, because that’s what it is (unless this is untrue, I don’t know, maybe it’s not comics or not from some dude).

Do you ever recognize how the same words can mean different things in different languages, let alone different contexts?

It seems that by calling any comics “manga” you are indeed applying what certain French people do with their alcohol. So, why do you do it? Why commit this internal inconsistency in your argument? Why do the same things you implied as “not a good thing”? What is your horse in this race? Wouldn’t it be more accurate to say ZUN is one of your influences? Tezuka maybe lol? If “anime” or “manga” is your influence, are you actually serious enough about your influences to at least identify the people and the distinctive contributions they bring to the “genre”? To cut through the skin-deep level of analysis and marketing bullcrap that makes up the bulk of the things we see following this scene?

Because the Japanese government certainly has at least one horse in this race. It uses MANGA in all caps for a reason, when you go look at the page linked there, which is AFAIK an affiliate of the Ministry of Foreign Affairs. Yay politics! At least I know when the French government wants to protect the term, they are just interested to protect a brand and their local businesses. They care about $. We understand this clearly. Japan OTOH is up to their usual soft power nonsense, which, in some ways, is much worse. It’s straight-up government propaganda, one that I hope everyone realizes? (And in this case it’s okay to do so–it’s just a pretty sad thing to do so without knowing it. Because nobody really cares that much about what manga is defined as, unless you are a marketer or is affected by it. And Japan is home to far majority of marketers of manga, it makes sense for that island country government to take care of that business.)

And let’s use Dan Kim’s book for example. I am a backer, and the book is a free download for anyone interested. Would I call it manga? No. I think it’s sufficiently format- and genre-blending that it’s just what it is. Most people would probably have their expectations betrayed if they went in only knowing it’s a manga (and not knowing about such twisted nightmares from Kim’s usual magical hole of an imagination). Sure, Kim can surely call it manga, because people would know what he is talking about in the context of Dam Kim saying his work is a manga. But would some guy reading what Omo has to say know the difference? I’m not so sure.

Call it what it is. Manga. Comics. Cartoons. Anime. Webcomic. Butts. Whatever. I guess unlike cartoons, comics today don’t carry precisely that “for kids only” connotation that our western animation still kind of has. Which is okay, as long as we recognize that and communicate clearly.

We see and know the horror of OEL marketing piggybacking on the weeaboo wave. Just talk to its perpetrators. I don’t think anyone prefers that sort of an experience over one where people are judged by the merits of their works, not some gimmick word like “manga.” [And for that matter “gamer” or “geek” or “nerd” or “otaku” or “cosplayer” or “visual novel” or insert your favorite label.] Or that by perpetrating this stylistic illusion, be able to sell a few more books or get some more eyeballs. That’s what’s unfortunate about this situation, about going to these commercial and government entities to look for meaning on what defines your work. There are no authority who is able to sort things out.

So, tl;dr:

  • Please don’t go on and say your work is a manga and cite the Japanese Government >_>
  • Your definition is just one definition in the sea of unsettled definitions. Or mine for that matter. What is my definition? I don’t think I even know.
  • Please respect the fact that in Japan people use Japanese and at times words mean different things than our imported context and are applied differently. To an extent, this applies to Japanese companies operating in English as well.

PS. But you know, is pixiv really interested in this debate? Or do they just want a user-friendly interface that encourages more submissions=more pageviews=more users=more $=etc? You tell me.


Autumn 2013 Thoughts And Clippings

Part two.

AmiMami

Outbreak Company has, if anything, got the fanservice right. I think that will usually seal the deal for 3 episodes on my books, but it also had to add that Cool Japan jab. Not sure if the show will actually get beyond 3 for me, as I will have to enjoy the antics of the main character first. I think with a little more polish he can be a modern day Kintarou Oe, but at this point he is just an otaku without any restraint. On the fence, I guess.

Sekatsuyo on the other hand is all about screaming Ayachi and that is something to behold. The Asumi x Ayachi combo also makes me “I Can See the Ending” and in this case I kind of do. The production value is worse than expected, which says something–I’m not really expecting anything. I mean, how can you? I guess the least we deserve was seeing quality holds animated and I don’t think Sekatsuyo cleared that bar. It’s a mixed blessing that I am not really a martial arts person so I can’t make it out what’s right or not half the time. The fanservice is pretty okay, but I’m not S enough to fully enjoy it? Maybe?

Kingitsune: Maybe for a little while, let the squidgirl heal you?

Walkure Romanze: Maybe for a little while, iM@S seiyuu aside, because this jousting thing is ridiculous. Also, the CG horse animation is a little mesmerizing; the way they were able to animate the actual joust sequences by taking advantage of digital composition via the armor animation is great.

Magi S2 is Magi, which is okay in my book. I missed this version of Kyari~

White Album 2: I really like it. It’s like Kirakira all over again…except the music already gained significant stock with me from the first series.

Are we ready for another week of new anime? I am.

One more on Kill La Kill, and I think this is a pretty good read–if only to have someone explain why they like and hype the show, the assumptions and concepts that underpins some of the decisions people may make on the show. Unfortunately it’s also one of those cases where before I get to the point he (?) tries to make (maybe more importantly, before I give up paying attention), I already count 2-3 simply wrong statements that he made. It’s like the same perpetually inaccurate things film people hold to regarding Japan and anime for the past 30 years.


Autumn 2013 Clippings And Thoughts

Haruka & Fenway Park

Yep, just random nonsense.

Kurogane on IS S2E1

Oh god, Germany is invading France again. [Gotta see the image to make this caption work]

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Please let the entire episode next week be 24 minutes of Chiwa Saitou giggling.

j1m0nes on … panties?

This has GENERIC written all over its lovely little red checkered panties.

Sometimes reading blogs on these things I wish I had some kind of contraption that lets me slap someone on the head with a harisen. I mean, anyone who calls Yuushibu “low budget” LOLOLOL. It’s basically got the best animated boobies on this side of Gainax, at least at episode 1. I mean, take it from a pro:

[T]he series does seem to have quite a big budget, but here is the thing: you do not simply assign all of your inbetweeners to your boob shots.

I mean, alternatively, YOU COULD animate on the 2s for all your money shots. I don’t mind. Because no amount of budget can fix poor source material! You might as well spend it on something that is worth the while. Just to drive my point home, Chris B. rated episode 1 an A- and Kill La Kill a B. Although that is probably a pretty biased thing to quote and shows that first impression posts with a letter grade means about as much as nothing.

Kill La Kill: Has it gone Redline? You decide. It’s certainly not yet free-to-watch however (makes me think that this is just a ploy ala Little Witch Academia). It’s basically the one show most people enjoyed watching, even if it’s not necessarily their bag. I think everyone needs to realize this–it’s just not a show for everyone. Same as Redline! And it ain’t gonna save any industry.

Aint it cool?

Other first-episodes:

Log Horizon: Yawn, but not bad.

Kyoukai no Kanata: Yawn, but sakuga.

Coppelion: I’m waiting for the fanservice part of the thing to start, lol.

Nagiasa: TT. To its credit, it’s the most uncomfortable anime I’ve seen this season.

Miss Monochrome: She works at a Lawson, folks.

Golden Time: Budget harisen aside, did anyone pull the “hey the’re not high school kids” card yet in their blogs, because LOL.

So far this season feels overall more fun than last season, although last season was a pretty solid block without too many outstanding shows. Maybe we’ll get more than one or three this Autumn?


Idolm@ster Channel & Shiny Festa TV First Takes

So I spent a night with iM@S Channel (ie., 30 minutes) and here’s a very rough take. Well, you will do well to read this first.

Iori & Tropicana Field

Idolm@ster Channel, the game is a free download from the Japanese Playstation Store. It’s a game. It is about 3GB, and took me ~25 minutes to pull it and maybe another 20 minutes to install it, I didn’t keep track (was away from PS3). Each song pack is about another 2GB. Yayoi (pack 2) was slightly smaller than Haruka (pack 1). [Insert joke here.]

The iM@S channel game takes you to a landing page with some options you can select left and right. On start it phones home for new content updates, so you probably need to be online if not logged in? I didn’t get to test. The background music in the main page is off-vocal versions of the iM@S classics, although it kept on playing relations when I was in the main menu.

The first option launches you to Shiny TV and it’s basically a PS3 port of the Shiny Festa game. Instead of the “story mode” or watching an anime or whatever, you just play the song packs in the “stage” mode or do challenges in the “Shiny TV” mode. The game engine is notably different in the following:

  • Calibration. You can calibrate to adjust for lag. It has an “auto” feature where it does a sound sync and then TV timing sync. You can also manually adjust the delay slider (but it uses arbitrary units from -10 to +10).
  • Silence is a default chime tone, for those of you who want your presses to be silent (like me).
  • The scoring has changed a little, if not the timing window. Or so I feel it’s a little tighter than on PSP/iOS. I think it’s a lot easier to get a lower grade, but that might just be me sucking it up.
  • Gravure Mode, which I will describe below.

Honestly I haven’t had that much time to tease out the details even if I spent most of my time playing this. Machiuke Prince is a very…AKB48-style song, and it’s a nice change of pace. For some, that alone is worth the price of admission.

iM@S Channel’s free download comes with one song, We Have A Dream. It’s a little funky but could grow on you…after God knows how many times like the majority of iM@S music. As for song packs, if you sunk money for Shiny Festa already, then this kinda sucks because about 2/3 of it is stuff already on Shiny Festa. For example in song pack 2 you get READY which is exactly as is from iOS/PSP, Hamburger is new. I didn’t look at VampKyun and Yakusoku, but they have the same line up as iOS/PSP so I expect the same (especially since VampKyun is great already, no need to change). Machiuke Prince is new, but it repeats on every pack so far. Finally Kiramekirai is almost exactly as is from PSP/iOS, except for Gravure Mode.

Gravure Mode….basically gives you a third video track to the stage mode to Shiny TV. One song per pack (should be obvious which) will have this feature. When enabled in the stage mode, instead of the usual video to that song, you get the G4U experience instead. I think this is a great improvement; instead of camera UI hell, you get to play a game with Haruka or Yayoi in the background, making cute poses. Can’t go wrong with that.

Totally worth the 1500 yen. Ahem. Maybe it is time to remember Tanake is next up.

G4U mode seems to be the same, I didn’t really go into it, but for 300 yen you can unlock the same kind of game play as those Blu-ray bonus items from iM@S anime or the LE PS3 game. I wonder if they’ll hike the price. The free download also comes with the “demo” version of G4U #1 which does what you think it does.

The rest of Idolm@ster Channel features some voice clips and you can cycle through which idol graces the main menu, and thus who is talking to you. The sub menus have different background tracks. The home page selection opens the web browser. DLC page takes you to PS Store. There are two additional “???” place holder spots in the main menu. There’s also some kind of log in bonus and you can unlock pictures. I’m going to assume it grafts into the G4U image sharing service as advertised, so you can send it over the internet easier. Not that I have tried.

I guess I better play some more tonight. Learning the timing on PS3 is kind of annoying, now that I have to do the same songs over again.

What I can say is, even if you don’t buy anything, it’s a good value for a free download. If you do end up buying something, it probably is a good value too. Because if you did it, you probably did it for a reason, and I can say that these reasons are probably good reasons. Do you know what I mean?

PS. The EN iOS version of Shiny Festa has some songs with toned-down graphics. The one I can confirm is Kimi wa Melody, where in the PSP version Takane juggles that dance routine at the beach and on iOS she does it in the meadow or something, wearing a winter school uniform (one of them DLC outfits like from Vol. 16 or some such). But there are probably others, I don’t remember. I wonder if JP iOS versions are the same? Anyway, I bring this up because Kimi wa Melody would probably be the Gravure Mode song from pack 03, which is just ironic.


Intermission: The Value Add of Legal Streaming

Rui Ninomiya

Support the industry blah blah blah. No, I don’t really care about that per se. Here’s something I care more deeply. To quote a blog post I wrote about why it’s cool to see CR take off versus the wild west of illegal fansub-on-stream sites:

It restores the relationship between consumer and content producers. Rather calling them criminal, call them for who they are–fans. Sometimes hardcore fans. Sometimes they might still just be criminals, because there are sure a lot of people who are just doing it for whatever, not because they are all that invested in the content being pirated. Instead getting tripped up by that, it’s just better to figure out how to eek out something positive from the situation. It’s okay, for example, to talk about watching legal streaming anime in front of industry reps or in fan forums because it’s legal. ANN can do their reviews without coming off as endorsing fansubs. What have you. Legal streaming sites provides marketing data as well, although arguably similar data is available even without legal streaming sites. Legal streaming is also a form of marketing, rather leaving it to free fansub files floating on the internet, streaming efforts makes coordinating these kind of marketing possible.

Too bad the rest of that unpublished blog post will never see the light of day. Cool is being able to see the autograph of seiyuu in, say, this contest. Because like, it’s got Maaya Uchida or whoever.

PS. That ending is so Nakamura.

PPS. Here’s a 3o-second tumblr-style parody concept: Gatchaman Crowds removes agency from women completely by making the prettiest one a man.

PPPS. Intermission because I’m busy, damn it.