Category Archives: Conventions and Concerts

Why Otakon 2015 Shrunk

I was reading the ANN Forums thread for this post. Why? Because reading the Otakon boards on the same topic doesn’t get you the same kind of discussion, and I’m not sure where else I can read to see people chime in with their 2c. The key takeaway in the forum was that Bronycon, which is the MLP con that runs in Baltimore just before Otakon (traditionally the week before) had about a 500-people increase. Most people attribute to the decline in Otakon’s attendance between 2014 and 2015 to also several other factors such as the pre-reg issues this and last year, the price increase, and the less-than-stellar guest list, and most of these were unmentioned in the ANN column.

The Bronycon increase is important as a control, because that con, presumably, has a similar age and location demo as Otakon, and I’m assuming it did not have a price hike or a prereg debacle. Maybe there are some factors that made it different than Otakon in the context of this discussion, but it’s hard to see them at a glance.

From WUGBAN 4

That ANN Ask Justin article is basically, fear mongering, according to a certain person who is a big Eva nerd. I partly agree with him after that factoid. Partly only because I don’t think Justin is wrong in his central point, just the way that post came across seemed that way. Maybe it’s just my confirmation bias, but nobody I went to the con with was that concerned about the Baltimore riots in August. We were definitely concerned about it in May, but it helps that I know somebody who works in the City and he is pretty much not concerned since the riot days. I certainly didn’t pay it any mind while I was there, as I never go out of the inner harbor anyway. If that article was fear-monger-y, it was likely unintentional and reflects Justin’s personal biases.

I would have believed aforementioned Eva nerd less if that ANN article had facts to justify that the con attendance dropped not because of other things unrelated to the civil unrest (and I understand why Justin wasn’t thinking about these other things), or in general, based less on hearsay (and not even hearsay of insiders or people in a position to “know”). For example, anecdote about the pool of blood is simply unnecessary and, why is it even there? I can see why some may accuse that article of fear mongering.

The real reason, I think, has more to do with other events and cons. Justin applied his experience with AX and how after years of failure people still came back, and that’s sensible. Despite fare increases, botching pre-reg and at-con reg, screwing up line control, dicking with GOH treatment, endless management drama, and countless other screw-ups, AX kept growing. Maybe this is why he didn’t list any of the factors Otakon goers thought that could attribute to the issue. Unlike any other US cons though, AX is in a very different boat, as there’s nothing quite like it. Now that it has rocketed out in terms of star power, compared to any other North American con, it can afford to keep screwing up and people will continue to return. AX is also located in the largest asian nerd demo region in North America, which guarantees lots of interested attendees at any given year.

Otakon, on the other hand, now seems to fall in line with cons like Anime Boston, ACen, Anime North, and even Anime Next when it comes to guests and attendance. And unlike the US Northeast, and despite the repeated attempts at starting something, SoCal remains firmly in AX’s grasp, as it distinguishes itself from the other non-anime, mega nerd events in the area. Otakon locals can get their fix from established and familiar events like Magfest, Katsucon and Anime USA, and that’s not to mention the smaller ones in the area. People in a 2-hour radius have a lot of options, including cons down south, up to Boston, or even Toronto/Montreal (which both have 20000+ anime cons now!). Even if you go by the numbers, The DC metro area is 3rd largest in the US and the SD/LA metro area is the largest. The demand out west is much larger and less supplied, so to speak, than the one in DC/Baltimore.

And this is a relatively recent thing. Just going back 5-6 years, other than Katsucon, these other events were nascent and unremarkable. As there is only so much nerd money in this pot, and with the new Otakon price hike in 2015 ($100 at door), it’s going to hit a point where people will stop coming because of all these factors, including the persistent crowding due to the con outgrowing the facilities and other perceived negative experiences.

So my hypo is simply that the con-goer landscape in 2015 is drastically different than even 2010. There are more events that vie for our disposable incomes. Con-goers are more sensitive to pricing and other negative factors such as how a con is run. Not to mention, at some level, AX anecdotes don’t apply to Otakon? One common thing that comes up is the increased fees for Otakon as compared to AX. AX 2015 had a $60 entrance fee for 4 days while it hosts paid large events (like the Masquerade). But it’s an apples-and-oranges thing as even if you don’t go to any of the paid events there is plenty else, free, to do at AX. (I mean, %-wise, most AX attendees probably don’t go to these paid events, as the largest of these halls only hold like a 5th of the total attendees?). I’m not entirely convinced that one AX admission dollar goes less far than one Otakon admission dollar. It’s probably close value-wise, which makes the cheaper of the two much more attractive.

Another factor that could have impacted the Otakon attendance is the fact that Otakon this  year ran in July, which is the same month as E3, SDCC and AX. That’s a packed month if you are from the west coast. And I feel the people who are most likely rattled by Baltimore’s rough patch since the riots are most likely people from way out there…


Japan 2015 Trip #3: Reaccounting, Counting the Costs

From Osaka

At some point during my trip a few of us who shared a room in Japan (in 3 different cities!) started calling ourselves “Meiwakrew” for fun, because we were a bunch of crazy eventers up for crazy things. Like typical kids from the USA, we were in Japan to party. Well, to a degree. At the same time this trip was definitely an odd one with various mishaps but nonetheless fun and rewarding.

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Otakon 2015: Wrap

I flew back to the States on Wednesday 2 weeks ago. Technically I landed in SFO on that Tuesday evening out of a red eye from HND, but my connecting flight out of SFO is yet another red eye to EWR. It was pretty rough, considering I started that calendar day in Osaka.

A day later I was in a Baltimore bar eating wings. I’m not sure if that was the smartest of ideas. I still don’t know, now that I’ve gotten the con done and away with, back to the daily grind. (I think the Shake Shack on Sunday before my drive back home was a worse idea. But now I know they leave cans of Old Bay on the tables there, presumably for your fries.)

Again...

Otakon 2015 is perhaps most notable for being less crowded than the past couple years. I forget if they released the numbers but everything felt spaced out. This is most notable the few times I had to cross the 300-level bridge in the BCC and the walkway to the Hilton. The dealer’s room felt less crowded too, according to some of my friends. I didn’t see a big difference personally.

It also feels like this year’s Otakon, as a result, ran pretty smoothly in general. I only lined up for one autograph, although I probably could have gotten more. I wanted to take it easy, you see, so I tried. It was a little funny to see the same faces I saw in Japan just the week before, but such is how things go.

If there was a major fail, it was me missing out on face time for Toyonaga. I stuck firmly on the Park Romi track, sans the Garo panel on Friday. I think even her Saturday autograph session was not too difficult if you woke up early enough for the line up going in. In person, she’s quite playful, perhaps an even more uninhibited Yuzunee. When they said at AX about this Kill la Kill cast…is like this, it’s true. It’s something to say about theater types I guess.

Other than that, the only panel of note that I attended was the Aldnoah Zero panel where Joanna punched through a deck of production materials while Aoki-kantoku and producer Nagano talked shop. They’re pretty serious about this so the panel was on the dry side. Loot-wise though they gave out some scripts, which was pretty sweet.

I attended the Love Live 3rd live screening thing. The abridged video didn’t have Snow Halation. I gave out some UOs in advance because people were asking for it (and I just have some on me). I guess they got trolled. Watching Love Live in the flesh is pretty fun, and there’s something to be said about the dance choreo when it matches the songs that has anime or CG PVs. I’m not sure what else there is to it though. It’s as if the concept relies less on individual charm but more on the “idoling” concept? Not quite, because the individuals do get their usual spots and memory bomb moments. I don’t have the right words here to describe it, but it’s a little different than what I’m used to.

The dealer’s room was okay. Nothing to write home about, besides that I ended up buying some LTHs to fill out my collection. I guess this is the second set of IM@S CDs I have collected. Another way to spend money I suppose, with Live Theater Dreaming on the horizon.

I again spent more on food than on merch this Otakon. Go figure.

The rest of the con time I spent doing lines and concerts at the end of the lines. To just get it out there, Oreskaband is legit and very good. They had a show this past Thursday downtown and I was too tired to hit that up, but you should’ve if you aren’t allergic to ska, and have a thing for Japanese girl bands. I feel that’s the same schtik with Draft King, just sub ska with rock, but their show could have done more to inspire confidence, let’s just say.

The former-Stereopony-turned-new-leaf band did a bunch of covers at their show. I think they have promise but it didn’t feel like the band is all together yet. With that said, they were still entertaining. I also managed to not go to their panel (or Oreskaband’s). Was Nohana always this rocking? She was rocking.

Back-On performed on Thursday at the Otakon matsuri and that’s a more familiar kind of thing for me. They’re an oddly fitting group for Otakon’s music set this year. I can rep them. The turnout was pretty okay for their show, probably a few hundred people, but that’s the Matsuri in a nutshell.

Well, it’s really the usual this year. I went to hang out and eat meat. And maybe shake the jetlag while at it. I don’t think it all quite worked out, but I’ll live and learn.

PS. Food wise, Fogo served us the $30 special. We went to Kona Grill and while the food was pretty good the service was super slow. We were seated at around 10:15 and some of us didn’t get our food until almost midnight. Pre-game on Thursday was more or less the same. I had to slowly amp up my eating over the weekend due to an illness that started while I was in Japan, but by the end of it I think I still made things work out with no issues. We did hit up the new Chipotle that replaced the Cali Tort location and it works out as you’d expect. The lines were a little on the slow side but it’s a good break from JJ if you wanted something on par with streetside food but with more QC. And of course, the aforementioned Shake Shack.

PPS. Doing a con after an exhausting 10th trip was not the best idea. I was zombie all week after and slept all day on the weekends to recover. I think it was more 10th than Otakon, though. It was a really, really exhausting trip, partly because of my usual packed agenda (besides eventing I went all over), but also you should never underestimate Seibu Dome in mid July. Seesh.


IM@S 10th First Take

10a

Rather than write a post 3 months later that’s like 10000 words I’ll just piggy back on the other producers’ hard work. For simplicity’s sake, you can get the set lists at the below links and I’ll try to only annotate.

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Tenth And Beyond

One of these days I’ll have to pin that eventer post again.

The truth is work and 10th prep have killed most of my free time since ANorth. I was able to catch up on some anime still this past weekend, by not going to AX, but AX sounded like it was pretty cool. Only one thing there (that I currently know, anyway) that kind of killed me for missing out was seeing A1 Pictures give away a Goripon Miki sketch and Akai-san’s Asterisks sketch to the random masses. I hope those two found good homes.

I am still going to Otakon. I think of it as winding down by killing myself some more, but I probably will take it easy there. Between now and then remains furious preparation, performing the miracle of packing everything in one not-too-big luggage, coordination of many parties and some live concerts and whatever that I do in Japan. Hopefully not all that much.

I did watch some of the new stuff this season, but let me just put to rest the things I finished:

Fate UBW was pretty okay. It did what I thought it did, which is unable to wrap around the tension of the last two main encounters together in a nice set piece sort of thing, as the UBW movie showed us how it can be done. What made it better was the epilogue. How can we not forgive it after that?

Euphonium – I wish I was at AX. Also Moyochi was great. The best episodes was 11 and 12. Yurigoggle types shed delicious tear which was an unexpected bonus.

Danmachi – This is what anime is for a lot of us. And this one was pretty good.

Etotama – This is what cartoon is for a lot of us. And this one is pretty good. It also is the first anime that I honestly thought the 3D parts were sometimes even more preferred than the 2D. It’s just done better. Rieshon and all the newbie Ponycan seiyuu were bonus. Also, I wish I was at AX. Hanabe looked like she could’ve used more support.

Oreguile 2 – S1 was better.

Triage X – Fun show but I am glad it’s over. Can’t take too much of this.

Plastic Memories – Solid and I like how this anime is not really about robots.

Punch Line – Probably my favorite of the season. It is like making chawamushi or baking a flan, like everything goes in there right but it doesn’t always come out right. Close but no cigar for Punch Line.

I’m still mawing away at Kekkai Sensen, Ninja Slayer and a couple other shows I haven’t decided to drop. Picking up Shoukugeki no Soma is good for health methinks, but the last episode rubbed me the wrong way: if they think a soufflé omelette is a limited timed good, then they have never had good eggs benedict. By all means the shelf life of those things are way shorter than how fast bubbles collapse when fluffy eggs get soggy. IMO they screwed up the science here…

Seems like I’m topping out at 10 shows a season huh. Can I fit enough on my iPad for the round trip to Tokyo to catch up? I think so. Just need to delete some namas and lives on it.

===

As the merchandising for the possibly largest IM@S event approaches its fervent peak, we got to see a lot of cool new illustrations put out on top of things to sell. But the best one had to be this tokuten for Nishigori’s new artbook.

OMG SO GOOD GORIPON

And it’s not just official merchandise. Fans are putting together their tribute. For SSA last year I spent just a meager one hundred American dollars on commissioned artwork. This year I’m about to spend three times that in just American alone, plus about another two and a half 万 to get some semi-pros to do art for flowers. And that’s just me. Which is to say there should be a lot of cool artwork from fans for this special occasion.

[And that pales to the amount we’re spending on the actual flowers themselves. And just the ones I’m organizing (not all of HPT). It adds up to a lot. A LOT. And I’m glad 10th is not going to happen again. So going to not YOLO next year.]