Category Archives: Conventions and Concerts

Anime Central 2024: Wrap

Acen 2024 came and went. It was a lot of fun and I’m home now enjoying that post-con glow. Just want to jot down all the key take-aways before I have to deal with the dozens of to-dos for next week’s con trip to Animazement.

For one, a big 30,000-ft view topic is that we are so back. I will need to bring back the blog post sticky of my events for 2024. Granted I still did a lot in 2023 that probably warranted it, but I am enjoying cons with other friends who also go to cons now that it just feels more right than last year to do it. I went to Acen 2022, 2023 and 2024 since the pandemic and it’s a good slice of what happened for the US con scene for each of those years.

Second, of course, it’s HiroMaya. Hiromi Hirata plays Makoto and I have been a MakotoP for ages now. That said, in a way I think it doesn’t excite me as much as seeing Mayako Nigo because to me Nigo is one of the cast members that makes 765Pro Allstars special, especially when you compare it with other similar groups. Either way, the two young moms felt quite at home on their new-ish radio show (about a year old now?) and they brought some of that healing atmosphere to Acen. The discussion and the manzai-but-not chemistry between the two is just wonderfully charming to me. Various Ps got their long-wish goods signed and dreams came true. I brought a life-size cardboard cutout of Makoto, and with the major help of friends able to bring it to Chicago and got one signed. I saw 2 other POPs there as well which is great. (BTW, Q&A panel notes here.)

Knowing a bunch of other Ps in the US meant I also saw a lot of them at Acen, which is always a good time to catch up since I haven’t seen many in a long time. It’s also fun to see those people see each after, after so long. We were able to do a big group dinner at Fogo de Chao (mainly because they can host large groups easily), and that was a blast (of meat eating). Three JP Ps also came to visit and it was their first time at a churrasco steakhouse. They are fellow P-friends from abroad that I’ve met several times already and they got the local greeting (even if most of us weren’t from the area).

Acen’s other seiyuu guests are also impressive. Tomo Sakurai is kind of rebooting her seiyuu-idol career after being invited to the con. She’s even doing some other event later this week? It’s nice to finally meet this showa-era seiyuu idol who voiced most notably, Mylene of Macross 7. I went to one of her panels and she did a karaoke performance to Friends. That was a surprise. (As an aside, Dan, who was interpreting for Tomo, also ran a booth at the artist alley which I failed to drop by because I only found out later.) I got my Shayla-Shayla fix when she signed my El-Hazard DVDs.

The most impressive seiyuu on the list was Sora Tokui, who hopefully helped all of us get the “nico nico nii” thing out of the collective attendee’s systems. The love for her was bountiful, from flower stands (the Midwestern Liver/idol group folks knew better so everyone got a stand, leaving no seiyuu behind) to a big banner. The people were out in force here. Meltdowns and other stuff that comes with the territory, stories about getting into and out of the scene thanks to the OG Love Live school idol herself.

Which leads to the last but hardly the least seiyuu guest, Sally Amaki. This present-day idol seiyuu’s story is well-rehearsed via her popular Trash Taste interview, but Sally is more than the sum of her parts. Or the number of RTs for her various tweets. It’s just like the other dreams-come-true stories in a way, but this time our 21st century Japanese idol in her prime is also a socal shitlord turned josei seiyuu, which is a word spaghetti that means also more than the sum of their collective meanings.

I got lucky and was able to attend her “autograph session” substitute given that she doesn’t do that kind of event anymore, but the meet & greet event was just so, so good. I hope other anime cons in America can replicate this whole thing Acen has made with SME and 22/7’s management to make Sally available, because she is the bringer of a busload of hilarious idol fun.

In some ways the four seiyuu guests at Acen this year paints sort of a past-present-future look at how things are in the seiyuu idol side of the biz. That sums up how powerful the draw this year was for me personally.

The nuts and bolts of the con this year are pretty similar to the past few years, although we are ever inching closer to 2019 Acen again. What’s different is Win Morisaki, who is mostly a Toku music guest, and Lotus Juice, who’s here to suffer the Knicks getting knocked off of the playoffs. It’s a bit too bad that I barely got any time to watch their stuff due to event conflicts, but these bros don’t bring down the house by themselves. Acen needed to give them a bit more help, for no fault of their own.

Industry/production side, the one that caught my eyes the most was PILI, or the Taiwanese production group that made the Thunderbolt Fantasy puppet show. Some of their puppeteers came, and they messed around with the doll with the fans. I couldn’t find time to see the Colorido guests doing their premiere or the Kinema Citrus guests, but I did pick up the Colorido shirt from their new Netflix movie.

I couldn’t get any tasting for the Saburomaru whisky tasting because Acen booth’s lines were super long and they couldn’t process transactions fast enough, so I came back when everything was sold out to pick up the shirt and the Sally cheki thing. On that note, the biggest public enemy at Acen this year had to be the security theater. It was not very well organized and during peak morning hours people had to wait quite a while, up over 30 minutes? There were 6-7 scanners at the main con entrance and one at the hotel overpass. I’m not sure if there’s one also over the Embassy Suites side though. Anyways, for the most part it wasn’t an issue for me, but I did hear some problems over internet chatter and others I talked to, while most didn’t have much of an issue.

The autograph situation was somewhat better for me this year than the last, and some people really got it figured out. Turns out to get all the sessions you wanted you will need to create new accounts as sessions conflicted with each other. On the flip side it sucked if you didn’t get any, and some folks I know basically struck out. The system is merciless and not well-documented beyond this tweet, I think. One of the JP Ps was able to get FOUR sessions across all 3 days right away and none of the Sally oshis who flew here got hers. It’s rough. Our GR dude Sujay even translated the procedure into Japanese with pics for the 22/7 fanbase…I wish the non-Japanese even got that lol. I mean, I suppose it only tells you to install Guidebook and sign up for an account, which gets you just half way there.

The setup from last year mostly translated to this year, with most folks hanging out by the back tables at the street level of the Hyatt and the lineup going around it. It was chill and a good time to trade P cards? It was old timers reunion and good time to meet new people.

I personally was able to get both Hiromaya sessions (they were together) after coming off the waitlist, a Tomo Sakurai session, a PILI session, and one with Soramaru on Sunday. All of this is punctuated by that aforementioned lucky Sally M&G pickup. Man that was a great session. Normally this level of programming is reserved for the rare “VIP” panels that you pay $$$ for, but because Sally can’t do the normal signkai stuff, she gets to hang out with 60 of us for about an hour and a half as a compromise. It was so wonderful and it was as if her dreams are coming true and we’re all in it, and I guess we were?

One more thing to add: fan projects. It seems the con is finally set up for flower stands, so if you want to make Acen smell better, that’s one way…I jest. Hopefully we will get some kind of written method to hook those up. This year everyone got flowerstands as mentioned. Soramaru also got a banner and some other stuff. I made two business card binders with message boards from people in line as usual.

I’ll end with this. If you want to see your favorite imas or LL seiyuu (or Sally) come back, request it in the feedback form.

PS. Fooding at Chicago was so good this time, but also in general. I stayed for almost a week on this trip so I got some decent options, basically ate pizza everyday but Sunday and Monday (when I landed at 10pm). Pizza (deep, normal and tavern style), italian beef, the Chicago dog, cake shake, and others were consumed. One night I was theorygaming Vancouver vs Edmonton with friends at “the” Uno Pizzaria bar and that was an one of a kind experience. One of the JP Ps also brought me a visiting gift, his favorite butter “sando” from Hokkaido, and it was heavenly too. At the con I ate out with friends and hit up Gibson’s and the aforementioned Fogo also, which both hit the spot after long, long days at the con.

PPS. I didn’t forget Kawaiikon! But Raleigh awaits…


Takes: THE IDOLM@STER MILLION LIVE! 10thLIVE TOUR Act-3 R@ISE THE DREAM!!!

I probably left my AX2023 writeup in the trash somewhere, and between then and now was a very fun AWA2023, but let’s not let it get in the way. Million Live’s 10th tour part 3 in Fukuoka just commands my mind right now, so thus the needs to get it written down.

Yes, it’s Next Life O’Clock.

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Anirevo 2023 Summer: Wrap

After being teased about great seiyuu guests earlier in the year, Anirevo comes through with Itou Miku, Ohashi Ayaka, and Machico along with veteran Morita Masakazu. Their big summer event delivers on top with Animusix concert and Hololive shenanigans.

For those who have been to the big anime event at Vancity, it’s likely old news for you, but this kind of sleepy con is actually the ideal hybrid of Western con culture with Asian sensibilities. Yes, it’s run by Chinese people, but I think they’ve done a good job overall. First off there’s appropriate tiering to better monetize the smaller demo of con goers and keep things cheap enough for the masses. What’s more amusing to me was while waiting out in line to get in on an early Sunday morning, two clear-eyed Japanese tourists was wondering about the anime event and the nearby cosplayers in display, and wanted to go. It’s that kind of an Asian-cosmopolitan mix. Just random Asians of all types walking around the waterfront on a sunny Sunday…

The 3-day event starts in the morning where people linecon to get their badges. With premiere I was able to get around this and line up for a nice spot during opening ceremony, while meeting up with friends from nearby and afar alike. I also ended up working for much of Friday morning and didn’t get back to the con until late in the day. I guess I also went out to eat with some friends at Richmond since nothing on the schedule was particularly a big draw. I guess this was the day I could have met Takadera-san again but it just didn’t work out time-wise.

Morita was suppose to have a photo and autograph session on Friday, but those were cancelled due to some issue on his end, probably related to his physical condition. He was able to make it to the Friday evening panel which I was able to catch. It’s all good stuff. At the time we were hoping to use those sessions to figure out how the con will deal with line control and photo sessions for the rest of the weekend, because the rules and setup are different this year.

Since I sat out of the Hololive stuff, I ended up having an early supper with friends who weren’t going, and a later dinner with friends who did. At the end I felt pretty tired after all the walking, working, and socializing…and having to wake up early for Eastern time work activities. It does make waking up early on Saturday easy? I also went to Richmond for a late lunch, which might make things more tiring (but more fulfilling).

Somehow when the big day came, we got down to the premiere line nice and early, and was easily in the first group to go in. We also had pretty good positioning thanks to the splurge on hotel. For some reason, Anirevo decided to schedule the 3 female seiyuu photo and sign sessions at the same time, so unless you have premiere you can’t really hop them. There were various issues with the premiere lines for those sessions, but I was about to get 4 out of the max of 5 Saturday gets, so I considered that good enough.

The Saturday concert was, well, very delayed due to technical issues from the 2 Vtuber openers. It was just real-time karaoke streams, but one of them were unable completely to do anything, and the other one had 3 songs, one which suffered from audio sync issues.

The other half of the show features Hasshi, Mikku, and Machico in that order, each performing just 3 songs. Set list here:

Anirevo, I hope you got your money’s worth, because this concert was so, so short! That said I am pretty happy with what was in the concert, so maybe it’s okay that each only performed THREE songs. I don’t mind paying more if the concert was longer, but I also flew in cross-country mainly for this so your mileage will vary. If there was a silver lining, it was that it was easy to go all out for all 9 (or 9.5) songs, since it was so short. It was about 45 minutes for the 3, including the encore.

We spent a few hours camping (since before 2pm) for a show that was suppose to start at 7 but didn’t really start until 7:45. OK maybe it was more than just a few hours, now that I wrote it down… It was good social time with friends who flew in, and a few who didn’t. We mostly got front row seats, and even the friends who were non-premiere had decent seats. That said the room wasn’t full, maybe 80%? Or less? Still we had a huge room this year, twice as large as prior years for Anirevo main event, so that was probably fine.

I’m also super glad we got Wagamama Mirror Heart because some of us were there mainly for that song, or it’s a big reason. It was special to see Hego and get that 1-on-1 treatment. She was pretty much exactly what you would expect, and in 10 years in, her answers to the Q&A (mostly straight-laced) are as solid as they come. If anything it’s a tad too rehearsed, but maybe we just don’t ask really good questions.

Same could be said of Mikku, although there was slightly less anticipation to her songs than her photo sessions and Q&A. I’m just glad someone asked about Anyuri and Mikku dragged Natsukawa into the answer. Otherwise, Mikku really kept her answers on point and short, which help go through more questions than the others.

Machico was a bit more giggly and fun in her Q&As, but otherwise the formerly-Horipro answered similiarly.

Other than the lining-up being different, the autograph session this year differed that you can only get a shikishi signed (and they charge you $20) versus your badge (free). No personal items is kinda the compromise we had but I think this was OK. No photo tickets, but the spirit of the photo booth this year wasn’t really different than prior, just that the demand is higher. So high, in fact, on Sunday the printer ran out of ink and paper.

Yeah I looped a lot. This is what a friend did for Itou Miku:

I didn’t do much better… I mean if the photo booth for Miku on Sunday ran out of people to shoot and there were no line left 30 minutes into a 60-minute session, what were you suppose to do? Nothing?

We stayed at the Pan Pacific using Amex FHR, and it was pretty okay. The hotel’s main clients are cruise goers who need to hang around Vancouver without going far, as it’s literally part of the terminal. It’s got 5 star service in a 4 star accommodation, in a way, so it was more for us the ability to use the lounge, and be literally the closest hotel to the entrance of the con. Vancouver hotels in August are sky high in price so we split many ways to make it affordable. Maybe next time we’ll stay at another similar hotel in the vicinity.

The guests also wrote about their trip. Miku about the whale, Machico about the lobster they ate? Hasshi said something. I did this thing that Machico has confirmed delivery. We could not have been finished with it without your help.

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Otakon 2023: Wrap

What an Otakon was this year. I got some insider look at how the sausage was made this year, so at first I was a little apprehensive. But it turned out this year was actually better than the usual years because the seiyuu guests came through big time.

There were actually 5 JP voice talents at this con, so that’s already above-average. There were two of them actually older than me, so props to Otakon for catering to its boomers I guess? One of them was Ikezawa Haruna, who is best described as literary princess as seiyuu-turned-SF purveyor. She also writes her own SF and more importantly, came up with a very welcoming way to describe some of the key cultural notions that she represents, so to be able to present them in a very brand-ambassador-y way. It’s clear to me that she has put a lot of thought into the world of voice acting and SF lit. She embodies two things that I am interested in (RIP Haikasoru), in one package.

The panels Ikezawa presented were a lot of fun. The SF lit panel was cohosted with Jim Vowles, the long time Otakon chair/GR dude. Nobody really brought up SF lit when Ikezawa was just asking it from the crowd, which struck me as humorous. But she was mindful and had statements on things like generative AI, labor, and the concept of kawaii. She is a voracious reader it seems, so she name dropped her recommended Seiun award winners during the SF lit panel. She even namedropped Haikasoru and how it died, lol. There was just so much I want to actually discuss with her with SF, despite how poorly-read I am.

In her kawaii panel, Ikezawa explored the concept of kawaii and about character creation from a seiyuu-voicing-mascot point of view, which was also refreshingly rare. It’s not just a biographic perspective, but it was discussed kind of like an academic-abstract style with real life examples and audience interaction. Only if my law school profs were cute seiyuus kind of vibe?

I think just her content made Otakon for me. Otakon was always more of a cerebral con versus the average anime con, with creators who geek out their own stuff. More over, its Japanese guests had consistently delivered really high quality content on this. Just ask anyone who went to Kawamori’s panels, for example. So Otakon was a great fit for Ikezawa I think. On Sunday Ikezawa also cohosted a dubbing-around-the-world panel with MX dub legend Mario Castañeda and FFXIV’s Alisaie CV Bethan Walker from the UK. That one was more normal, off-the-cuff, but for those of us not familiar with dubbing in other countries, it was definitely enriching.

The other senior Japanese voice actor, Iwao Junko, talked about her life experiences. Unfortunately I was only able to go to her panel on Sunday but it was her telling her story from the start to today. She gave us a nice present by singing the lullaby from Card Captor Sakura and it was just quite amazing for an early-Sunday-morning Otakon panel. I also talked about the one thing she dropped about Shine Post here. If I hadn’t have to work on Friday I probably could have went to her other panels, unfortunately.

The voice actor fun times continued with TMS’s crew. They brought over the editor for the manga and two seiyuu from the upcoming anime adaptation of the Four Knights of the Apocalypse, which is the sequel to the Seven Deadly Sins. Having to see us horse out with Nakamura Kanna was just delightful and I am floored that I got something signed. Somehow this also meant we went to all of TMS’s presentations, which was, I guess, fine, and I took some very basic notes here.

Turned out a fellow trainer that we hung out at the con with was really into Narita Top Road, and here we were. It wouldn’t be exaggeration to say that seeing all the interaction we had with Nakamura, and, more over, the anticipation to it as the days leading up to the con, was a big source of joy at and surrounding the event. At the same time, Nakamura is still a newbie seiyuu. I don’t know how many characters Nakamura has played, nor how many times had she interacted with fans to this degree, I only hope we have given her some good memories to take home with.

Having to work the day job one out of the 3 days at Otakon does crib a lot of my exposure. I missed out on the creative team on the Quints anime, and I missed seeing Watari again this year. I also somehow missed out on the Yaiba concert, probably because I had to find time to eat dinner between all the things.

I even almost missed all the Kawamori/Macross stuff, but I did get to sit in on his panel with Aramaki for a while, and it’s more or less what you’d expect. Even the Q&A was pretty okay. On the Macross note, I did buy some Big West authorized Macross Delta stuff. I mean, what merch are even there to buy for Delta? I got a Mylene badge, a Walkure badge, a VF31 pin and both YF19 pins.

I was able to drop by in Idolspace, which is Otakon’s ever-slightly-better indie idol content track. This year they had even more programs than ever and shows lasted into the night. There was even a separate idol show. This Phoebe person seems, I don’t know, amusing. Got to see also a friend belting it out. The Aniwaza folks which are a wotagei group were doing degen stuff at the Idolspace also. Feels like that area is just full of that “stuff.” How do you articulate that chikaidol-driven wota stuff versus the normal music things you see at otaku events?

I also got to see some rare guys like Dave, the usual suspects working autographs and GR, and LOL this guy–

Joke aside, it was a rich Otakon experience, the convention did its best to not get in my way after things started. Worries like how TMS might block us from getting Uma autographs melted away in the sheer force of opportunity. Even autographs were super smooth and not super crowded versus prior years for some reason.

There were plenty of time to hang out with friends too, we had time to spend with Sujay which was amusingly unexpected. It all made me warm up for that same party-with-friends vibe that I hope we can recreate in Vancouver in a few weeks. I really appreciate all the folks I got to hung out with.

On a more personal note, I probably got more random loot shipped to me home over the weekend than I got from Otakon dealers. It was pretty crowded but the room was laid out very well and spread out, so it didn’t feel bad. Artist Alley also wasn’t too bad. I did walk it this time and it wasn’t bad, just nothing jumped out at me, no more than the occasional bunny Karin from Blue Archive would. Still I probably spent like, $100, between the one collapsible penlight from YeahLights, the con shirt, and at the Macross booth.

PS. Foods. We went back to the Cuba joint down the street on Sunday and did not really take any pics, sorry. Inflation sure was a thing. Also spent and ate more at the Dignitary just because it’s so convenient.

The real culinary expedition was at Busboys and Poets, which is a solid soul food chain by most means. I guess it’s suppose to be more African-inspired? The fried chicken was very solid.

PPS. Yeah I also have an AX post coming up soon-ish..as soon as I finish watching ML10th act 2 I guess.


Otakon 2023: Day 0

I’m so behind on the news cycle in that I basically didn’t comb my usual news sources for about a month and an half, but I had gotten back to this. Anyways, going to be Otakon this weekend and taking it easy.

The main draw this year will be not just the usual set of creators, also whatever Macross news that’s going to get out this year. I’m glad there’s at least a con that draws Kawamori to it every so often. Somehow, Watari also returns.

I’m probably going to see if I can get to see Haruna Ikezawa somehow. She is not only a fairly established seiyuu for a while, but also now a SF author. I’m actually not sure if she does that much dubbing these days, but the 00s were dotted with her voice.

I mean she was a regular cast member on Marimite! There are four more seiyuu showing up at Otakon, three of them are fairly unknown and the other is, uh, Iwao Junko. Junko Iwao makes her return to the East Coast. I’ve seen her a couple times now but please go see her at Otakon too, this veteran seiyuu is a lot of fun to see in person.

As for the other three, one of them is only really known for her role as Narita Top Road from the Road to the Top Umamusume Youtube anime–Kanna Nakamura. Only that Nakamura and fellow newbie Shou Komura are here on behalf of the new Seven Deadly Sins anime. Also, Runa Katagiri is with Kia Asamiya (or whatever his other anime staff name) to promote Asamiya’s new project. Guess I’ll try to pop out and see.

Given the terrible state of my PTOs this year I will probably have to work at Otakon for a day, but again, just going to take it kind of easy where I could. Otakon this year boasts a big guest list though so I think there’ll be something to do every day.

PS. When will I get time to watch ML10th Act-2…? I think I still need to watch Uma 5th Wish somehow before this weekend…

PPS. A former version of this article omitted some seiyuu and I regretfully apologize.