Category Archives: Conventions and Concerts

Hottest. Otakon. Ever.

Danbooru On The Go

If you think she’s hot, guess again.

Times like this I almost envy those skimpy FFX-II or DOAXBV cosplayers!

[updated +7 hours]

Otakon is a ritual for me. In some ways I’ve come to term with it in that my motivation to go to Otakon annually (9th one this year) is partially on momentum. But on the other hand it is a convention where I do meet up with a giant horde of people that I know, and it is very much so a social gathering. In that the washed-out old school con goer crowd would mostly admit that’s what cons boil down to for con goers, it’s still somewhat a different venture for fans.

And it isn’t for every fan, either. It is like watching Utena–some enjoy it for the lesbianism, others for its surrealness, yet some other do it for direction, style, and music. Even more do it for the drama and character expositions. Some even do it for the funnies. Such is trying to run a con with 20000+ attendees, pleasing all is simply not possible.

In as much as I can talk about Otakon like that, it shows just how jaded I have become… Yet I think I can be pretty happy about the whole adventure? That’s what a good concert will do for me, so see you fangirls 8:30am sharp tomorrow!


Wanted: Con-Going Bloggers

Modus Operandi of Takamachi Nanoha

I just went through quickly Otakon’s list of panels, and AX2006‘s list of panels. It’s an impulsive thing, but it just struck me as odd–

Where are the bloggers?

I vaguely recall last there there was a blogging panel at Otakon, correct? There is a webcast/podcast panel this year at Otakon, and I didn’t catch anything even remotely like that on the AX list.

I fully realize such sort of thing could come from all kinds of reason, many of them irrespective of anything substantive to the nature of anime blogsphere. For instance, I know Otakon at least have fairly lax standards with panel applications, and I think if you can get a crowd going you can be pretty motivated. However panel applications have a short window of opportunity, and it is actually hard to get a decent audience at a con with a lot of other worthwhile stuff to do. Perhaps more frequently a panel exist because a dedicated individual, who knows how the system works, was on the ball with the application and promotion in a small venue (like a mailing list, or on a website itself, or a forum), as a semi-official “gathering.” There is a general-public aspect to it, but it tends not to draw as many people. And certainly even if the interest is there, without that key, catalytic individual, it doesn’t happen.

The bothersome thing for me is that we have plenty of huge internet communities with big Otakon panels–4chan.org, for starters. Granted the average /b/-tard probably does not read anime blogs, most of the /a/-tards probably do. Maybe it’s time for an animenano or blogsuki panel? I know it has readers, and some go to cons. If not, why not?

Enough conspiracy theories for one day…


A Collision of Snarks

It comes to me as no surprise that these three people are going to Animelo to perform. The intersection between anime, music, and idol personalities has always been one of my most liked aspect about Japanese Visual Culture. My favorite jpop personality is probably one of those people spearheading this thing from the beginning a few years ago…probably also not by accident, both ways.

Oh, actually what really tipped me off was watching Suzumiya Haruhi 12. Somehow things worked out that I watched Nana 10 right after, and double-stacking the band-ness really created this strange chasm of feelings. I guess that’s what Haruko Haruhara means when she pulled Kanti out of Naota’s head.

But this impromptu announcement matched the plot within episode 12. It’s probably a coincidence in as far as a contractual obligation (such as MUCC’s announcement with Otakon, if you’re familiar with that story), but it may be the same obligation I’m talking about. If that is the case, whoever did it is snarky to a deranged degree.

A Tribute to Lordi

Then again, Suzumiya Haruhi and its production generally have been rather sharp. It comes from both the fans, as well as individuals with KyoAni. Intelligence and a high level of coordination are generally seen so far both within the show as well as with what people are doing with it. Will the sequence of smart things continue for this soon-slotted-away TV series? It’s not going to run silent, but will it run deep?


Undineに大切なこと

Akari Says This Is Not JAL's Blog!

I think invariably those of us who spend a lot of time getting acquainted with popular culture get used to the lingo, the methods, and the mechanics of mass media. Words are cheap. Pictures may be worth thousands of words but what does it me to us? We look for something that makes us feel, that stirs our passion.

The same can be said of worship (to toss the Christian-ese in). Reading about KOTOKO’s show down at Texas made me wanted to be there pretty badly. Well, that’s half of the reasons why, but the nihilistic cowgirl (for that is her costume at the show, to match her Mountie gig in Toronto) can probably go a long way to justify for me to buy whatever merchandise that may come of her two North American stints this year. I say this because I am passionate about her as a fan. And very specifically, as a fan of her shows and her live personality. It brings me a big grin, makes me jump and wave until I am very sore, and put up with long lines riddled with irritating fanboys and fangirls.

It also doesn’t help that I’m somewhat of the schoolchild of Christian Hedonism. After growing up with it (spiritually) for so many years now I realized the only true hole its teaching misses out on–it makes some presumptions that doesn’t apply to everybody. In such a way that I think a man or woman can be so twisted that he or she lives in derail with his or her emotions, it can be difficult to understand, as a stoic, the point to live passionately. Stoic love may still be love, after all. Imperfection riddles everyone’s soul, spirit and body, yet God honors all who seeks him by faith. That’s not even to mention the very possibility that some of us are born stoics. It may be why some have a hard time with living for what you are passionate about when that passion coincides with godly living; or when you live godly lives that are passionless.

Ultimately, however, worship is the act of praise and adoration. It is a response of love. It is what drives the Nielsen rating. It’s what drives people to talk about that movie at the water cooler. It’s why I go to church. It is possibly why God created the universe. In some ways that is also why people are driven to procreation. Being around a lot of toddlers and and even younger kids lately it makes me apperciate just how much more their parents love and apperciate those little people.

Yet worship is just the quiet, under-hyped half of its twin: goodness. We worship only what is, in our opinion, worthy of worship. I would like to just say that only good stuff is worthy of your attention. For many it means that they only watch “good anime.” Fair enough. For some it means we watch Aria because it is good; also fair enough. But for Aria viewers many more watches it because we know slice of life is good! Some coffee is good to the last drop and we praise them so. Even more drink coffee because it’s good to have some of that stuff in the morning.

Passionate, lively living adores goodness, expresses emotively, and it drives those who live that way to seek greater goodness. We love what we do because we’re doing what we love. It’s a blessed catch-22. It is a shadow of the heavenly realm. It is the story of Aria. Is it the story of you and me? Or him?


Sing, Sing Like You Want to Win!

Con season means karaoke season.

Demon-Possessed Bishoujo Band

Bakakozou had their fansub idol competition with e-cash as prizes. Oddly enough I actually heard of it in time before the contest started…if I wanted to participate, I could have. Alas, the trip was in the way so I didn’t do anything.

What’s much more interesting is this website. ZOMG. ZOMG again. HAHAHAHAHA. I just have to contribute something. And I did.

Since 2002 I’ve been doing one song (or more) at Otakon annually. I try to pay attention to various con’s karaoke setup (AN2006 had a karaoke hour 11pm on Friday, but I couldn’t go to that; partly because I just got out the car about then. The jrock idol thing was pretty ok and I was there for most of that). It’s a very different experience than some otaku singing in front of their computers by themselves and goof around with audio editing software. Live is better. For good and for evil.

But it’s just that much easier to sit in front your computer and belt out the words to some songs you don’t know that well. Heck, you can even use various singing aids. And it’s something people can point and laugh repeatedly! Better than my deserted and lost-forever karaoke website?

Enough. It’s time for action! Sing! Dance! Watch Evangelion!