Category Archives: English Language Modern Visual Fandom

Comedy and Drama for Your Anime Mama

Well, supposedly today you can get a discount at Kinokuniya Manhattan if you dressed up, but be sure that instead of cosplaying I’ll be cooped up at home and down some shows with friends nearby who I haven’t seen in a while.

It beats eating ice cream while watching the Honey & Clover movie in celebration of an exciting but disappointing Saimoe 2007 final (not that I did that…). Instead, we went out for dimsum at this nice and hidden-away local place that served very delicious chicken feet and beef dishes. I suppose if I was by myself I’d rather distract and blank out by crunching a lot of sketches from Danbooru into VectorMagic. Damn you tj, damn you.

But what is really bothering me is how my taste for anime on TV has seriously derailed from the mainstream. It gets hard for me to find something to watch that my friends and I can equally share. It would have to be either something really funny or something that’s purely “shounen jump”-like but not as bogged down with terrible episode counts (like Naruto), or full of self-infused fandom (like Suzumiya Haruhi).

It’s a little sad to remind myself that I know of no seiyuu fans in my proximity. It’s only at cons where I get to talk to people about voice actresses face to face. Something like this requires consultation among the people! At the end, I settled for Ai Nonaka because she is pretty looking at least in pictures. While she can’t sing, her unique voice and competent acting skills balance things out. Also I guess this past year I’ve enjoyed her roles more so than ever. Sure she may have tried to pander along the lines of Yukarin or Aaya but I think she has a more natural air about it.

The strange thing is, 10 years ago we just couldn’t quite do this–even the most popular voice actresses were passable at best. Girls like Minorin didn’t really take on the more otaku-poi career route. Must be a shift for production and producers. And I’m sure good-lookers like Kanako Sakai probably would not have even bothered. What does that make Halko Momoi, who sort of started half in, half out? A trend setter?


The Melancholy of Kyousuke Tsutsumi or the Difference Between Normal and Ordinary

Lately I read a book that told the story of ordinary people doing radical things. They are not unlike you and I, with exception of their earnest belief that they are here to change the world in their ordinary capacity.

The fact that you and your neighboring commuter are traveling to work does not separate him or her from any other person commuting to work in the car or seat also next to you. What is different is beyond the ordinary–traveling to work–from the normal–that someone can tell all about you just by your commute. After all, if you’re reading this blog odds are you’re some crazy ass anime fanboy nut compared to the average person within a 50 meter radius of you. It’s not something you can easily discern usually. Yet,the cling to normalcy is a complex of an entire identity. A normal person is just that, normal. An ordinary person, however, doesn’t have to be.

Granted the distinction between ordinary and normal is nonsensical semantically, but it does serve to highlight the difference between something commonly seen versus the institution of conformity.

Ponder the following scenarios:

  • In Suzumiya Haruhi no Uuutsu, a girl who is fascinated with modern fairy tales of aliens, time travelers and ESPers, actually finds them hidden in plain sight, conforming to not just normal behaviors but stereotypes of aliens, time travelers and ESPers. Craziness ensues when male lead enters into the picture as a stereotypical, jaded audience of these modern fairy tales.
  • In ef – a tale of memories, the high school film club presses onward to produce a quality production, aiming to win a prize at a film competition. The main cameraman is seen as a person with some skill in the shots he take, perhaps impressionist, perhaps postmodern, but nonetheless draw fans and set the cameraman’s films apart from the common crop. However, rather than to be characterized through such distinctive streaks, the film club wanted to produce a popular hit with a film that conforms (realist?) to people’s sense of what is ordinary but yet captures the spark the star cameraman gives to his subjects. They are aiming for the grand prize, not one set for special but different films.
  • In Honey & Clover, an art prodigy escapes into secondary education to blossom under the care of her uncle in a university. She befriends a group of ordinary youth in a similar place in life looking for direction, for love, and for themselves.
  • In Kimikiss Pure Rouge, a 16 year old boy finds romance along with his wingman, a 17 year old girl, with another boy. Oh, the boy’s good male friend also finds his sister’s new friend somewhat cute? There be karaoke and giggles.
  • In Kamichu, an ordinary middle schooler is a Shinto deity in the flesh.

It’s ordinary, yet somewhat extraordinary. It feels attainable, its lure just within our grasp. For me it’s irresistible (at least when it’s done right).

There’s a thin line between what’s ordinarily extraordinary and what is just normal. I’m not sure where the line is, but you can tell when it stops being ordinary either by being just plain out there, or being just … a normal anime.

Capturing the tension that exists in the abnormal ordinary is a key element of a compelling storytelling style. Perhaps the biggest problem for the ef anime right now is that it is too odd to be ordinary, even if it is rooted so.


The Balanced Diet – Sorely Lacking In Kisses

No, this has nothing to do with the blog by a similar name.

Chairwoman Mao Yoshino

But the idea behind this rant is the same: there are different stories out there; as a genre or a medium, anime offers some variety of themes and stories. Even more importantly, anime offers a wide varieties of storytelling.

Moyashimon is an inspiration of sorts for this post: The Eskimos cuisine, kiviak, was the center of a joke when Dr. Moleman came out and sucked the juices of dead birds, straight from a dead seal. The show went on and explained that as Eskimo cuisine started to use cooked meat instead of raw meat, the Eskimo then used fermented seabird juices to supplement their vitamin-lacking diet as heating the meat broke down some of the essential vitamins within the food. Indeed, it was not like taking a multivitamin pill in the morning as you rush off to school or work.

Point: all people enjoy a wide variety of stories, but delivered in a format that works for them.

A fine example of this is Higurashi no Naku Koro ni. To be honest the story behind it is pretty uninteresting once you know what it is, but because it’s packaged in a fairly fresh, layered and intriguing way, with a lot of superimposed and juxtaposing moe and gore, it works. Indeed, compared to shows like Shigurui, Higurashi is almost like an episode of Dragon Ball Z.

But I am not saying DBZ is bad. It is good, at times. It’s like while delicious steak is delicious, you probably don’t want to have that for breakfast everyday. It’s okay to learn about life through a kid’s dialog with a ghost while playing go. It just won’t have the same effect of learning about life through a kid’s dialog with her friends while planning a school festival. Or a kid’s dialog with his friends while riding on a giant robot. Or a kid’s dialog with her friends while riding on a dog. We need all of them, at different times in our lives, for different people.

The bigger framework here is simple: there are stories, and there are different ways to tell it. A character-driven monologue-heavy narrative will have different effects than a crew-gathering boss-fighting mecha show. Both kind of shows will draw different crowds even if the underlying story and theme is pretty much the same, with characters running on the same set of outlook and perspective, in drastically different situations

Problem: Perhaps you are like myself and watch a lot of new anime. If you follow what’s new and fresh from Japan’s airwaves then you are prone to not having a balanced anime diet. We are at the mercy of whatever delicious morsel of cartoons fansubbers, anime studios, and your preferred means of obtaining these shows, to deliver what captures your attention. Instead, we should also seek to watch some other shows to balance out of what you have seen the near past. Variety is a cure in of itself, let alone enabling a more balanced view of anime both as a hobby and as a medium. If all you watch is tentacle porn, I guess that’s fine too but that might be a bit Eskimo-esque, and you might want to look into something odd to keep your perspective fresh. Same can be said of people who watch mostly action anime, or mecha anime, or shoujo, or romance, or generally not getting a good grip of what it is like out there, what anime generally can offer to its viewers. A balanced diet is recommended, even if it’s in the form of a weird alternative. What’s key is with the right delivery. For example, Touka Gettan on DVD… or Colorful?

I jest.

Actually, I think I just wrote this up because I just can’t quite fathom my obsession with Mao and Kimikiss anime. After giving the weird impulse I had some thought, I think, besides the “hot for <insert chara name here>” factor, I have this deep craving for a good shounen/seinen pure romance story. I know there was a “Shizuka” thing a year ago, but that was no where near as … moe. The delivery didn’t work for me. I suppose the Ah My Goddess TV series counted too, but those are more like “old” stories rehashed. Shows like H&C and Nodame were great, but they’re incomplete substitutes as josei manga adopted. In other words, there’s just a lack in this category of anime in recent years. A bishoujo game adaptation just doesn’t work like that unless it’s rewritten alike to Kimikiss Pure Rouge.


Cute Microbes Looking for Warm Fansubbing Home

To be honest the real reason I’m blogging is because I can’t have such an inviting picture of Mao Mizusawa on my website, for so long. It’s not exactly safe for work, and it’s actually a distraction… I guess I’m just weak against her.

Moyashimon needs more marketing. Or less, because its author won awards, it’s been out for a couple years as an appropriately odd but appealing manga series for an older crowd, and it’s on Noitamina. Noitamina has an incredible track record with me and I don’t see why I won’t like the story about educating the public about microorganisms that have been coexisting with mankind for thousands of years.

As well as, well, odd culinary preferences. It’s not lutefisk but more like surstromming? Anyways. This show reaches enough technological complexity that it needs subs to explain which microbe lives in which food and what it means when you get a saggy brown blob floating in the air instead of a youthful brown blob floating in the air.

And those microbes are cute looking. One thing that struck me immediately was that in the context of agriculture, we are to embrace our germ-like overlords. I know in America people are much more likely to be germophobic and this is a very healthy counter-message to that effect. Maybe the world in general needs to just learn more about these things so it spends less money buying useless crap that kills germs unnecessarily so. It’s nice to put a happy face on those friendly microbes because they are some of man’s best friends.

And if you haven’t heard from anyone yet, please check out the OP/ED. They are fantastic, odd (along the lines of Honey & Clover OP), and just wow.


ROW ROW FIGHT DA POWAH

DNAra +4

It deserves repeating.

A nice rap song for a nice clock show. No matter if you liked or disliked Gurren Lagann, in whole or in part, its a show that has a deep message. It inspires, but it also breaks people’s hearts. That’s the power.

It doesn’t help that I’ve been in a “fight the power” mood lately either.

But a English-language rap song for a clock show? Heck, that’s gotta do more for the English-language literacy rate for Japan than any other anime out there right now.

GG Taku Iwasaki. I hope you get my share of monies spent on this little album set. It’s big and proud but also finely sliced like gourmet sashimi. Yummie! Oh by the way I’ll promptly discard the DVD and other CD that may come with it…merf.