Category Archives: Franchises

Bloging 101 – Creation-Traction

In the big inning, God soloed.

Babe Yuki

The internet, the blog, and you. How do you ripple your readership’s heart-string? Find their weak spot? To dazzle by brilliance, or to baffle by bullshit? To surprise, to educate, to entertain. To brighten up their life; to be “the link” people pass around at work or at school? How do you relate to them? How do you create traction?

When the world was simple and there weren’t a lot of things, there were a lot of space to innovate. To take anime blogs for example–Jascii’s review and preview site served an important purpose. It was convenient because he would watch those raws anyways, and it becomes a good first-glimpse that many of us in the internet fan community can use to gain a grip to what’s coming down the pipe.

But Jascii’s is pretty simple. It’s not fancy nor elaborate like many blogs today. It is dead, frozen in perpetuity. To give it credit, it was one of the first blogs to gain enough traction through lifting of contexts. Given that anime fandom on the internet is still mostly a fan-run machinery, doing something Newtype USA does goes a long way before Newtype USA fits the niche was rather big, if you ask me.

And NT-USA does fit the niche to an extent. Problem is, for the most part, as marketing, it smelled like marketing. It smelled like Japanese, low-grade imported bastardized marketing for the large US market. Let alone the fact that it isn’t an interactive forum like how a blog can be–there’s not much of a community alone through the publication. There is a lot of grasping but not a lot of traction. Fact is the internet fandom gets their news, like every subcultural following, from other fans straight off the internet. NT-USA doesn’t have the right context. It’s grasping at straws in an aquarium.

The shiny, pictorial editorial is very obvious form of grasping, so to speak. It takes no time before we have what we have here today–a massive sea of anime bloggers who speaks as much as through their caps as through what little (or a whole lot) they have to say. If you’re reading one of these blogs I guess you’re probably interested either as a prospective audience or as someone who saw the stuff and want to hear what the bloggers have to say. Of course framing is very important, and these blogs frames both the caps and the episodes we watch in the bloggers’ various contexts respectively.

But once you start doing that, you’re left with very little context to innovate. Recall Jascii’s blog–that was mostly innovation (granted it was an obvious idea). Now all we can do is differentiate between what shows we blog about, how our site looks like, and how we frame each episode we blog. That’s just bleh for me. For one thing, like framing pictures, you can go to a store and look at the various frames, and the pick some and see if your painting looks better in whichever one. The analogy goes, at least, with various perspectives and various shows. If I want Frame-Hayama, I can imagine just how he’d frame a show like, The Reptilian Brain. Which is to say, the only time where I get excited about reading that kind of blog is when I can’t imagine how the framing would work out with the painting. It happens fairly often, approximately only when each new season comes about, though.

How else can we bloggers innovate? If you blogged or read blogs in its first rising years (2002…?) you’d find out that a lot of blogs are just soap boxes. I personally have a slight distaste for them simply because informativeness is a virtue. Or at least, the work bloggers put in should be somewhat constructive. A LJ-style ranting doesn’t go very far no matter what you’re blogging about, unless it’s hella funny (and 90% of the time people are laughing at who wrote it).

Well, I guess I rather should say that I dislike pure soap boxes. On the other hand, I rather like those editorials that have a good point and provoke thought. I also like those editorials that simply tackle lateral/meta questions (The Harem Fallout), or latent yet interesting questions (although it can get a little too academic very fast). For example: the genre and medium divide of anime–defining what it is. Another one I like is the marketing perspective of cultural commoditization when it comes to anime and manga franchises. One thing that is pretty cool is that there are an increasing amount of academic work published about these kinds of thing. The problem I have is most of them still draw from academic contexts that I just don’t have. I’m no pop-cultural anthropologist–it’s not quite gobblygook but I find myself unfamiliar with some of the ideas and constructs/frameworks that gets referred to. But a brainy anime blog, eh. Who’s up for that kind of thing?

Maybe that’s why I still read Heisei Democracy. Not to say that porn doesn’t have traction–it gropes and sucks like all kinds of nasty. Problem with that is it becomes kind of lame and it’s fairly near sighted. But yes, this brings us to the next innovative paradigm–content. I’m sold by content. It’s what keeps me reading Penny-Arcade. It’s what I pay for when buy gyuudon from Yoshinoya. Indeed it’s not just merely ranting, or merely capping, but actually saying something interesting, too.

It’s what you do once you grasp what you gained traction?


Millions of Jesuses, Jesuses for Me.

Misuzu [Angel Mode]

The “Jesus” archtype in modern pop audiovisual narratives are not uncommon. They tend to evoke certain sort of mysteriousness so their uses are limited. People who live outside the box are probably the most common version. Alanis Morissette’s role in the film Dogma serves as the mode of operation for most other notables. In Buddhist literature as well as other religious stories, these types of people commonly exhibit that same traits that make us normal people feel a certain way.

Aside from the question that how extraordinary is Jesus in real life, the imagery of Jesus has become a type of savior-of-world-at-what-cost trigger. Imagine a mysterious girl in an anime whose past is hidden and no one knows or talks about; she would stare–into a book, into the horizon yonder the crashing waves, a pebble, whatever. A character tries to engage her and she’d not say very much, if anything at all. She’d say random things that makes no sense to the audience but it probably answer every question you’ll ever have and then some. She’d thread plots together like a self-insert fanfic writer from hell. She’d probably do an Obi-Wan, or maybe just disappear when the fight gets on; or maybe even pull a River. Wisdom and foresight, mediative and transformative, otherworldly surreal. She’s invincible, even if you kill her.

But in a love story where does our localized Jesus fit in? Eureka 7 made me ask this very question, and we’re given something of an answer that is not too far from Air’s Misuzu and Yukito. It’s reincarnated love. Eureka’s transformation and Renton’s (admittly in a very different way) coming-of-realization is as close as a positive retelling as it gets. Complete with kids of their own. Thankfully Renton doesn’t have to turn into a bird. He’s got good companies. Norbu comes to mind as the de-facto Jesus; but to stretch the analogy even more Norbu is the God-head. Jesus is Holland (especially with his relationship with Dewey). But who is the Holy Ghost? I don’t know.


Rahxephelion 3: The Second Summer of Love

I kid you not.

As much as I want to just do a stream of consciousness dump of my reaction to Eureka 7, and the trip that it is, I wanted to figure out just what will come out before I start.

Maybe it had to take 9 years to perfect The End of Evangelion? The brilliance in the magnificent construction of E7’s world and the underbellies is mind boggling complex. That would be my favorite part of the show except the music and designs are even better. I mean, seriously. Multiple-satellite-solar-powered orbital death ray meets under-ground earth? Standalone complex? Skateboarding giant robots? Tree of Life? Survival living? Monkeys? Soccer? Middle-school life? Rave music? Microwave pizza? Merger of religion and science? How can all these things be in the same show? Did I mention skateboarding giant robots?

But romance? Romance. A boy meets girl story? If you ignore the part that the girl is an emotionally underdeveloped killing machine from the native alien population. Or if you take the Dominic and Anemone parallel…gosh. The two of them are just better, more desirable foils. That’s not even talking about Charles and Ray. Holland and Talho are the adult version of our flailing protagonsts, I suppse?

Man, I feel sorry for Axel Thurston right about now. But in the same way I can feel how he feels, so it isn’t a bad deal after all.

Because, in the end, love is the answer. Only if the Second Impact involved more caressing and tender loving moments, maybe people won’t be depressed and act all crazy on internet message boards after watching that crap. It saved Sakuya. It saved Eureka. It saved Anemone. It may even have saved Ray and Charles. It certainly saved Holland and Talho.

The picture of life a loveless man painted is even more powerful; to that end Eureka 7 kind of failed to do a good job telling us Dewey’s story. Almost Monster-like, but alas, Holland isn’t born female.

So what does it say? Be a man! Go steal the heart of the girl you like! Love life! Kick ass and chew gum!


Caring for Karin

Karin's Grandmother Doing a Haruko Haruhara

Sometimes an old idea just gets played out the right way. Karin is just that.

Macabre was its upbringing on print; yet the somewhat embarrassing interpretation leaves those unfamiliar with its darker shades in a better place. Alas, all of us are familiar of a romance polygon, high school uniforms, and relational trades such as home-made lunches, confessions, and walking home together.

To be fair, Karin’s vampiricism wouldn’t make a dark interview. What it would make is uncertain, but taking its fair blend of traditional ideas about vampires, Karin paints with a smart brush that leaves us with little to ponder in mechanics, and much more in a generic, plot-device sense. The familial vampire is already an oxymoron; the high-schooler vampire with a family is above and beyond.

Karin’s adherence to tradition leaves only the mechanics in the dust and cobwebs of gothic arts, thanking the morning star. Karin deploys the most expectant, comfortable, and clear methods to plot. Parallels, foreshadows, foils, monologues, flashbacks, norms, jesters, and a wonderful pace. There may be few sophistries, if any, but there is no mistake.

Just how did Karin rise above the horizon of mediocrity? One could nod at the direction of its crazy antics; the artistic rendition of the fount of life–the one that comes not from the Throne of Grace but the nose of a grasshopper? Or merely at the fount itself, as earlier alluded; convolution brings the curious much like a freakshow.

Smarter money rests, probably, on just how it channels the macabre without death and decay; a tragic Juliet in the making as opposed to merely yet another flower aside the well-tread path. Karin demonstrates that sometimes it is good to walk that path, when the sun isn’t out.

A fierce Juliet also helps. /MILF/ anyone?


Emerging Trends – Reffing On Haruhi-ism

Renton Reffing

Day in, day out, a stereotypical wage slave minds his own business. He may chat up something with his cube mate, go out to lunch with some buddies in the neighborhood or within the same company. He would probably maximize his commute from home with a nice cellular phone plan or some time to himself and his car stereo.

But for someone who watches anime day in and day out, do we even go that far? Well-off aficionados deck out their dens with HDTVs, walls of shelving, and probably a portable DVD player so they can put in the time on the mill and squeeze in something while at it. Of course, the more deranged of us probably have room full of other stuff too; figures, hugpillows, drawn porn, what have you.

That’s nice and all, but somehow I feel we need to strive beyond that. Month by month? Year by year? How long down the road do our anime sugar daddies like, say, UFOTable, timetable their projects? Long-term corporate strategies? How to become a leader in the industry? Does the various anime companies have their hands on the otaku pulse? Or are they going after the big bucks a.k.a. the Mainstream?

For those of us who feel concerned about things like that, the immediate question is, why? Do we watch American Idol, caring about the slew of reality TV shows modeled after it? What are the implications? I think indeed if I spend so much of my time and attention, it’s gotta be worth the price. After all, that’s what TV ads are paying for. I’m sure some are worried about their wallet, too. There’s also the always artistic tension that exists in a mass media format; would artists be free and get paid? Will the networks and producers get paid?

The fact that Haruhi has taken the fandom by storm is probably one manifestation of some emerging trends. It also reassures me that I’m not alone. It seems that plenty of people, consciously or not, actually do mind emerging trends. They notice how things were, and how things are.

I am not sure just how popular Negima was. I am not sure just how Gundam Seed Destiny was. I am not even aware of all the shows they watch over there. But if they’re like me at all, they’re probably pretty tired of harems. They’re tired of comedy based on the same routine they can see on TV and in hundreds of episodes of other shows in the past. They want fresh. They don’t quite want realism, because that’s everywhere; even on TV. But like everybody we want to be able to sympathize and yet surprised and intrigued. Some things works; tried and true–like team para-para. Some things always work, like top-notch animation quality.

But that’s just scratching the surface of emerging trends. Dilbert, for instance, was a successful harvest of such collage of ideas and forging an identity. While that budding force got snipped when corporate America got nailed from 9/11, Haruhi-Ism is just starting. We’re at the forefront of something, if someone took charge to tend to it; to put a name and face to it.

Someone to ref it!

But that said, it can go either way. I am no oracle and I cannot see this bubbling wave’s eventual apex. It takes a lot of power and money to ride this kind of a wave. Not of water but of otaku mindpower and influence. Not for exhilaration (well, possibly) but for mass profit. But unlike a surfer, if you fall you’re not going to be able to just bounce back up and watch for the next Big One.

Or, rather, the likes of Kyoto Animation has been in the shallows chasing waves for a few years now. It’s just that they’ve finally tapped a new one. It’s not like Ghibli and their own private beach, nor are they Gonzo, who’s got some kind of jet ski thing going. Or Bones…I suppose they’re really reffing after FMA now, huh?

Ultimately I guess all I’m trying to say is…look at the big picture sometimes. Watching your favorite anime is not like watching Holland doing a nice drop back turn, but seeing Talho and the rest of the Gekko State doing an orbital launch. It’s a team effort–some guy out there has to have the IP bit, and everyone pitches in their work product, feeling their way. It marks the difference between an experienced, well-financed, well-managed group with a real good idea, versus anyone else.