Category Archives: Franchises

Release the Spyce Preview @ Otakon 2018

I was still working on my Otakuthon post before I went to Otakon, so uh, here’s the timely nugget first.

Otakon 2018 featured two premieres, High Score Girl and Release the Spyce. The latter seemed more feasible schedule-wise so I attended it. That said, I was a couple minutes late so I walked into the opening action set piece.

I wanted to write about it because this show is really up my alley. It’s a fun spy/ninja piece about a bunch of young women who gain superhuman powers after biting on special spice. Spice, as in stuff you put in food, not the drug from Dune. The main character is a 11th grader who stumbled upon the secret organization in her town, Tsukikage, after her 99.99% percentile perception powers let her spot some shadowy figures flying around rooftops one night.

The lead character, Momo, who is voiced by Anzai Yukari, is a “shopping street kid” type character who seemed to lost her father to something. I won’t go too much into it but a truck ton of foreshadowing was laid down during the 2-episode pilot. And yes, it is a 2-episode sort of thing, which is why they showed 2 episodes at the con I assume.

If you have been following the marketing of Spyce over in Japan, which I have in a very casual way, you would know they have had some live stages featuring the voice cast. The main gang of the story is the Tsukikage group of ninjas Momo becomes in association with, and they’re joined in pairs by master-student setups, where the girl each have to train a successor since once they get too old, the spice super power gimmick stops working. This is partly how Spyce features a really solid of current-day voice actresses. Only a handful has been credited online, but after seeing the full credit after ep2 I can say that this is a show that scores well on that front. Well, it’s a Pony Canyon thing I guess.

The other non-spoiler-ish info I can share about the plot, I guess, is that there is an enemy group opposing Tsukikage. And it seems they’re full of female voice overs, too. That seems like the initial main conflict for now.

There are a lot of pieces of the setting that tickled my fancy–the use of curry for example. There are a lot of spice-themed things in Release the Spyce. There are also some actual spy kind of things, like manipulative interpersonal skills and 007-esqe gadgets. There are some solid parkour animation here and there, and the action leans on movement more than clashing of weapons. The 2-part pilot even ended with a car chase. It’s also the feeling you get when you witness the two sides of a pun moving in slow collision in the form of a TV anime. It’s like when galaxies swallow each other up in the course of millennia, despite being an exciting astronomical event. Or maybe a super slow-mo video of a vehicle test crash. I like it when a pun takes on a life of its own I guess.

Momo and her shishou Yuki (CV: Numakura Manami) use a stick of cinnamon-like thing as their power trigger. One of the other girl uses a bay leaf I think. There are a total of 6 active ninjas in Tsukikage as far as episode 2, and each of the student-teacher pair use the same spice, for up to 3 different spices. The media-mix property is already getting a novelization and manga adaptation since earlier this year, so it’s probably written in there.

I’ll leave the big spoiler on twitter. Well, big on impact, very small on substance. Anyways, the series is slated to air in Japan in October. No word on international streaming yet, but I’m guessing whoever typically Pony Canyon works with being the good bet (HiDive?). The full credit roll of the two-part screening was translated into English, so I’m guessing that’s the case.


Random Thoughts, June 2018

Just some free wheeling thoughts.

  1. Eventing is expensive, but it is a good stress relief for me.
  2. Unfortunately eventing causes backlogs on my weekly viewing. I’m slowly breaking them down, but I really need to prioritize Hinamatsuri, so it’s up next. When I went to Japan last month and saw Rietion do her solo stuff, it was really good that I had been up to date on Hinamatsuril. It also had been good that I was fond of the show, and her character Anzu. It made the event just that much more better. But what was surprising was that Hinamatsuri wasn’t even the most crass anime this season. That title belongs to Golden Kamuy.
  3. Golden Kamuy is a western. I didn’t know I wanted a western as an anime until I started to watch this. It’s a great blend of cartoon humor (of the dick and poop variety) with good world building and a compelling overall story, but also these elements that are undeniably Western, such as a “white man” working with a “native woman” surviving outside of the civilization. It’s even got a murder hotel episode. It also makes me think of the Quintin Tarantino films that evoke this kind of a feel but going at it via “cool” rather than “soul.”
  4. Soul is what I’d use to describe Megalobox. It’s a bit of a regressive work thematically because it wants to have two dogs fight each other, no matter what. If salvation of our souls come down to this kind of depiction it is no surprise humanity can’t have nice things. At the same time it is a pretty somber homage to the whole Ashita no Joe concept, even not including the literal homages. The package overall felt like it has a lot of soul going for it, whatever that means, so I guess it is okay. I just slightly struggle with its science fiction roots.
  5. Maybe this is kind of like Hisomaso, where the story is very clearly about women in the JSDF (and in Japan generally) with what they do with their lives, but I cannot be bothered with it because of 1) fighter jet dragons, 2) fighter jet dragons, 3) this aesthetics + fighter jet dragons. So goes the level of discourse.
  6. Which is also to say, Shokugeki no Soma this season does a better justice of Hokkaido than Golden Kamuy arguably, and that’s a feat worth celebrating. In as much I want to give a SO to food celebrity Tony Bourdain and his passing, it is works like his, and this, that really brings out the soul of why people eat the way they do.
  7. Recently I’ve seen people refer to IP/cartoons/games with idol characters as idol things. I see why, but I feel people are not really using those terms to describe those things while understanding the differences between the two. It bothers me because the performance of people pretending to be fictional characters is different than the performance of people who are, as described best as, idols. An actor acting as an idol is going to do the same thing as real idols on stage, but they’re not the same. One goes home from a job, the other is in actual idol industry. More importantly, one is fiction, the other is reality. At best it is some kind of reality where fiction plays a role, and it deserves to be recognized differently than the other kind of reality that I’m referring to.
  8. This is also a funny way where fiction and reality blurs, and a lot of Westerners don’t seem to realize the difference–it is admittedly not the easiest difference to keep in mind, and part of it has to do with the way language evolves. This headline is one example of what I’m talking about, and it’s probably the most egregious mistake I’ve seen (partly because it’s just wrong, like if this was written by a JP site it would probably get corrected by industry). On twitter people casually use the term but that’s where it also happens.
  9. Otakon this year will coincide with a demonstration involving that Charlottesville white supremacist group in downtown DC, which will likely draw not just counter-protesters, but a lot of police. It’s reasonable to be aware and concerned about it, but it is unlikely to repeat the same tragedy last summer because, frankly, the police failed big time in Charlottesville. The DC police will unlikely repeat–it has protestors just about year-round.
  10. Otakon…I guess summer is here. Back to worrying about the party I will throw at AX and how I’m dying trying to break even! LOL. Are you going to AX? Please come to my party and have a good time. We are even trying to bring a new JP DJ to the lineup and I’m dying to announce him.

THE IDOLM@STER Million Live! 5th Live: Brand New Perform@nce!!!

The racetrack of my streaming thoughts run like a loop not unlike Microsoft Visual Studio’s logo, or is that just an Eternal Harmony I’m hearing? In an ever-lasting marketing machine designed to milk 10000s of people, parting humans from monetary possession, what counts for success and failure? Is there meaning in capitalism when Art Needs Heart Beats is literally the product sold to me, an intellectual? Maybe I should just watch how Theater Days is made, where the hot dog factory operate on Unity on Android (and iOS). At least it’s not Union. Or Onion.

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Enjoying the Grancrest Wars

Oh, hey, finally that Sakugablog post on the Record of Grancrest Wars. I say finally, because this show has always been a wild ride on the animation front since its early days last season. The visuals are laden with artistry, if unpolished, and you wouldn’t think twice about it since the story runs on at a neck-breaking pace.

A hair of spoiler material ahead, but nothing that ought to matter.

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THE IDOLM@STER M@STER SPARKLE Series Review

I’m writing hot takes for all the songs from THE IDOLM@STER (Million Live!) M@STER SPARKLE series! The 8-CD series ended last month when the 8th and final disc shipped. I bought all of them in some form or way, but what I can say is it’s nice to not have to tag the rips since Mora does that for you when you buy it there… I listened to them a lot over the past 8 months or so, via a variety of headphones, IEMs, speakers, car speakers, what have you. I’m writing this post while streaming hires flacs from my phone to my home theater system. Welcome to the 21st century I guess. It’s an incredibly easy way to control the music lol.

General takeaways:

Sparkle is the third solo go around for Million Live, not including the two new members. This time, the OG 13 idols are omitted. There are some themes as follows:

  • More of the same. Some are better polished than before, YMMV.
  • Musical ~DIVERSITY~ in that specific genres or themes are being aped for character reasons – Nao’s and Noriko’s are the obvious examples. But really, guys.
  • Produced by Lantis artist:  Some tracks are pretty much specific Lantis act’s thing. Aside from SasakiP of nano.RIPE, at least. Those who went to see Lisani this year would have an idea what I mean. But there’s also a very fhana track in there.
  • Introductions – Being the first series for Theater Days, some songs do a more obvious job explaining the characters.
  • Playing to live performances. Some songs feels like they can go straight to a live, plug-n-play. Star Trip in particular, when you consider the acoustic guitar part.

The CD series started back in August 23, 2017. We are about 4 months away from its anniversary. So the first couple discs already sound very nostalgic, where as the last couple are still too fresh. My mind is still working on them.

The covers reflects a seasonal or holiday theme correlated to the month of that CD’s release. Check out this youtuber lol. Meanwhile I linked to the CD sample playlist off Youtube in each of the sparkle titles for your easy access.

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