Category Archives: Franchises

Side-English

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The Idolm@ster SideM idol subunit SEM stands for “Science English Mathematics” and supposedly the seiyuu team put on a hell of a show on the live stage. But it gets me thinking–these idols have the image of that futuristic exoticism that comes with these “SEM” notions, but how?

Science? OK I can see that. What’s exotic about English? Okay, maybe from a Japanese point of view there’s something exotic about the West. But Mathematics? What is exotic about mathematics? Maybe it can be kind of esoteric?

SEM also reminds me of another abbreviation, STEM, which stands for Science, Technology, Engineering and Mathematics, or what is commonly known as “curriculum that will lead to gainful employment that actually makes money.” The SEM idols are three ex-high school teachers who taught those 3 subjects, so it triggers the “public education policy” line of thinking and that leads to STEM.

And SEM is kind of like STEM–they are the hard line items in public education in Japan, which focuses on stuff that is going to be more important and relevant like how STEM subjects are.

If the last blog post I titled is any clue, I recently read a couple bio write-ups of Elon Musk who paints himself as a physicist-engineer-entrepreneur who happens to also be a genius and wants to send a million people to Mars. Is that the kind of appeal SideM wants to uh, emulate?

To mix it up, recently I came across a spoiler about the latest Metal Gear Solid (V), which in short, reminded me of Itou Project’s Genocidal Organ. In both cases, language is part of a greater science-fictional plot about killing a lot of people. I’m not sure, but this seems a very novel idea. Which is to say, does English have a place in STEM? I think it absolutely does.

Of course, this isn’t really the case if you are talking about public education in an English-speaking country, but English is the language of science, and not knowing English as a scientist or tech/engineering person is like being a weeaboo who can’t understand Japanese. I can’t imagine someone who is at the top of the game in those subject matters not know enough English to get around. Maybe they don’t speak it (since most of the time it’s reading and writing only) but it is just another kind of barrier, perhaps, that the Japanese feel especially. And I can see how some people would take that idea far enough–to equate English as some kind of symbol of western imperialism, or what comes more recently as American dominance of global culture, in popular or as a world police-type entity.

Well, making SEM seem sexy is all good in my book. Very positive development if you ask me.


Musk-Style Idoling

Bin1 sure loves its crossovers

I side with Elon Musk when he (subtly) complained about the comparison of what SpaceX has accomplished with what Bezos tweeted about landing a (part of a) rocket, back when Blue Origin announced its feat. I think we cannot overstate the difference between landing a big thing that’s in freefall at near zero speed at its apex with landing a big thing that’s traveling at something like Mach 7. Or however fast 16000 kilometers per hour is. And that’s just its lateral velocity.

This is what I feel stands between IM@S and Love Live. They are both about fake idols and are media-mixed IPs with the usual attachments to them. But in rocket speak, IM@S is somewhere between finishing its second stage burn and going to the third, far beyond its Max Q point. Love Live on the other hand is still rocking that main burner. And I suspect the two idol ships are not even going to the same places, taking the same trajectory.

Maybe that’s just how far it takes to go beyond the glittering future.

I think we will want both to do well. And not only these two, but WUG, Aikatsu, Pripara, SB69, whatever you got, right now, floats all boats outside of Japan. Because the west doesn’t get idols. Those who think so somehow understand it only in the context of the infamous AKB and all the drama that name brings. But we have to realize while the 48Gs revolutionized what that concept is in practice, they are not the idol industry nor are they even representative of it outside of the very mainstream. And mainstream Japanese entertainment was never really relevant to the West anyway, speaking on aggregates with broad strokes.

The more people who get LL, and it doesn’t matter if they get into LL or not, the better it is for everyone else. I think East Asia generally gets it; Koreans are a good example of improving on some of that formula, while sticking to what works for them. But it’s also different than the kind of less-glamorous, oddly homely and otaku-friendly version of these things. Still, writing as someone from the USA, it is a change welcomed.

With Love Live’s Tokyo Dome event on the horizon, and how the movie release shattering late-night anime records, I hope this is just the beginning of something more wonderful for everyone, not just livers. And I think while it’s okay to get nervous and jittery about going to LL 6th (RIP if you are attempting), don’t worry. If it was as awesome as IM@S 10th, you will be in for a treat, and it wouldn’t even be that severe to score tickets.

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I have posts to write, but I don’t have that much time. We’ll see. One thing for sure all those “Year in Review” posts will come after Christmas.


Cinderella Chiaking; Wives; Miscellany

I was reading this translation of Takahashi Chiaki’s write-up on the seiyuu business, her career and some notable past stories she wanted tell. It occured to me, the way she talk about seiyuu is really similar to how IDOLM@STER Cinderella Girls works.

Pilot + seiyuu doesn’t quite exist in CG universe, or is there? Maybe in SideM… I guess, it’s okay to be the best French or Russian or Esper or Rock or Mushroom or Creepy or Smiling or Flutist or Dairy Farmer or whatever. You get the idea. Who knows what will happen to you?

Just to talk about Chiaking a bit more, recently, she participated in the Aice5 Reunion as a part of the Sore ga Seiyuu event featuring Aice5. There was the drama about her torn achilles heel, possibly a stress injury as a consequence to her knee problem from a couple years ago. It happened during the Aice5 event rehursal, and people were obviously upset over that. The silver lining was that she was very much up for the event regardless, and there was enough time between her immediate recovery and the event to plan around having a Chiaking who can’t walk unassisted. Namely, a cool couch and someone to push it around.

It’s pretty neat.

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Nonohara Akane, Happy Birthday!

I searched my blog to see when and how often I use the term “waifu.” The first hit date was in 2010. Recently more and more I feel otherwise about the term, however.

The bottom line problem here is that waifu is equivocal to the “yome” in “ore no yome.” Japanese otaku claim their wives, 2D or 3D, it doesn’t matter, in this way. But this is not exactly with that tinge of irony that a weeaboo-ized term of the same literal meaning carries. In this sense you are just declaring your wife in that otaku context. It still can be ironic, but this is not why it’s done. But I think when westerners co-opt this concept in “waifu” we do it in a way how we use “otaku” to equivocate “fans.” And I mean this is the super-gate-keeping, lock-us-up-and-throw-away-the-keys kind of way. It really should only mean “hardcore fans” at the most, but that’s not how marketing out west handles it. Obviously in glorious year 2015 of our Lord the O word no longer carry the thick stigma of yore in Japan, but when a blessed nerd finds and declares wife (or husband), this is done without irony, East or West. Because it would be disrespectful otherwise.

And this is why I find waifu problematic. The term is built-in with irony. Like, at best, we use the term to signify the context in which a wife is declared, like an anime nerd and his or her animu character. But this context is always never positive; maybe it’s pretty much neutral usually, but why even bother? If you call Shimakaze your wife I don’t think anyone will be confused, or at least no more than if you were to call Shimakaze your waifu. So why the linguistic twist? What does it mean?

If people were calling their wives ironically in Japan I don’t think I would be as bent over this. Or maybe I just don’t have the same notion about marriages in general, since I probably lean conservative in those topics? I don’t think that even matters.

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It’s that month of the year. I have stuff planned. Will write. God speed in Deresute.


DereSute Week 12: The Passion Compression, Luck

We’re still being tested on.

The event cycles are shorter this second go-around. If we mark the start of the NB event to the start of the Ponkutsu event that marks a cycle. The start of the NB event to the eventual start of the Orasapp event will be the second one, beginning on 11/20.

All the events in this go-around are shorter. As a result I only scored 10 Azuki SRs, when I squeezed out 15 Honoka in the first caravan. That is a bummer but I can live with this.

I did okay in the medley event. I didn’t like it much, but I begrudgingly admit it helped my game by forcing me to play songs too hard or uncomfortable for grinding. I spent more stamina dying than ever. I also spent like 100 jewels on continues. Learning when to quit was important, but thankfully I didn’t have that many opportunities to do so. At the end I was at the cusp of the 50k rank border but I was only aiming for 100k anyway.

I hated it, in retrospect, because it required you to play songs back to back with no ways to adjust system settings. It was only good in that you can burn all your stamina without playing anything, then find a chunk of time to grind out 8 songs in a row a few hours later.

But, how long will the OraSapp event run? This is an inflection point.

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Just today I had a discussion on the daily 60 jewels. It’s a no-brainer that the odds of getting a nice card from doing it is better per-jewel than the 2500 pull. But the human mind doesn’t work this way. To break it out:

  • You will always get 1 SR or SSR from a 2500 pull.
  • There’s a roughly 66% chance of getting 2 SR from a 2500 pull.
  • There’s a roughly 66% chance of getting 1 SR from 9x 60 jewel pull.

So the satisfaction is good on 2500 pulls. Yeah, there’s a third chance that you will not go home with more than 1 SR, but that’s less often than not.

FWIW, here’s some more to think about

  • Odds of getting 3 SR or better in a 2500 pull: ~11%
  • Odds of getting 4 SR or better in a 2500 pull: ~3.7%
  • Odds of getting 1 SSR in a 2500 pull: 4.9%
  • Odds of getting 2 SSR in a 2500 pull: ~0.2%

That 11.5% chance of pulling a SR or better everyday for 60 jewels sounds pretty good now doesn’t it. And I think this is why I do the 60 jewel pull–it’s kind of fun, cheap, and you can do it everyday.

I didn’t do it everyday. I didn’t keep track which days I missed or skipped, or the days I double-dipped due to new cards being released (you can pull 2 times on those days, once before and once after patch). Say I did it 80 times since the start. I have just 5 SR from all of it (my luck sucks). That still means I did better with 4800 jewels than if I rolled 2500 jewels twice for 20 pulls–a median case of 4 SRs, accounting for very average luck (close to half the time this is the result). And 5 out of 80 is pretty shoddy luck if my chances are 11.5% of getting something that good or better.

When she goes Mika dayo I just laugh because

Now that the TP hip thrust is for the public, how do you guys feel about it? I think the concensus is that Anzu no Uta is still the hardest song (and I have not yet cleared it on Master!) while TP and Legne are just below that (I cleared those pretty okay actually). Romantic Now is now my favorite song to play, and for 27 stars it’s really easy? I have less problems with it than Let’s Go Happy.

Man, Kirari and Mika voiceover for event announcement. That’s advancement in mobile gaming if anything.


Saekano

I don’t remember ever giving my 2c on Saekano on the blog, so when I read Evirus I felt a response here is apropos. It is likely the most meta late-night otaku bait in recent memory, after all.

Saekano employs regular meta nods and winks. It also peers past the fourth wall periodically. It does these things successfully, but the show teeters precariously while doing so. In fact, the show is constantly on the verge of disaster but manages to avoid calamity each time.

Isn’t it a mistake to say Saekano employs regular meta nods and winks? Isn’t Saekano, on the whole, an exercise in the meta? When the story is wholly meaningful on its own but yet predicated on the meta, is it still meaningful without taking into account that how baked it is? I guess if you approach this story on different wavelengths, you can arrive at the same conclusion. But if, say, Seitokai no Ichizon was the story of a bunch of people talking both about and being harem otaku narratives while being a harem otaku narrative, is it even meaningful to say Seizon employs nods and winks about meta things? Like how Shirobako is an anime about making anime, would references in Shirobako about making anime (or better yet, reasons why anime are poorly made) worth talking about? I guess neither has to be the case. I suppose it is fair to say that it does such things, but at the same time saying it doesn’t really describe it, or mean very much.

Rather, maybe it is a measurement of how meta it is, I guess. How “yo dawg” is a meme about putting what you like into something you like. Like, visualizing it like a series of “o”s after a “y” in “yooooooooo dawg.” Versus “yo dawg.” Like as if the number of the repeating characters can mean something. There are those of us who read a blog post without really going into that level of a read, and some who do. Or even the same person who does and does not on a whim. I feel the worth of expression about meta regarding Saekano is about the depth, the how deep, that you can go within its inception. That’s the dimension in which Saekano, probably, earns its spot on noitaminA. Well, who am I kidding, given the main attraction of the show comes from its ludicrously well-executed fanservice moments, capping off some competent character narratives that shoots through the heart of a bunch of circus tricks befitting an otaku property getting a second season.

[Insert your imagined impression of me doing the ANIPLEX bumper.]

Maybe this is where Evirus and I agree: I think there’s a certain amount of class that our well-starched potato-kun of Saekano can impact the series. Ethics-kun or whatever she calls him. (And honestly you can’t get more starched than ethics, I’d think. If you want to meta some more in the meta, isn’t Saekano largely about ethics in journalism and video game development?) But maybe that’s it. That our doujinshi-making heroine draws ero and finds BL a little harder to deal with is suppose to do what in this context? Are we still talking about noitaminA? How does Saekano “manages to avoid calamity” mean something beyond the finer digestive elements of a modern consumerist “pig”? Who will go “buhii” when Megumi/Utaha/Eriri/Izumi/Michiru asks you to do so? I mean, it sounds like all the hand-wringing of these sad people who are forced to watch something good. At least the pretense is pretty thin for Evirus.

Happy Birthday Tomoka!

As you can see, Saekano is in the wheelhouse of my wheelhouse, yooooooooo. And I didn’t even mention the fact that this meta-anti-meta duplicity is the crux of Saekano’s success, in that by its meta-fantasy-fulfilment it also achieves per se fantasy fulfilment. How good (or ethical?!) that actually is remains an outstanding question, but I don’t think the popular discourse surrounding Saekano is going to drill through all those layers any time soon.