Category Archives: Franchises

Autumn 2012 Mid-season Checkpoint

I voted for more shows dropped and more time shooting aliens this November, but I got wet from Konya wa Hurricane. The net total is this post about random observations. If I didn’t mention a show here I probably dropped it, or on hold until whenever like E7Ao.

Chuunibyou demo Koi ga Shitai! – It’s less mentally offensive than Hyouka because it doesn’t try to engage me on higher level of analysis and thought, so it is much easier to watch. But in a lot of ways it’s definitely inferior. I suppose this is why Dekomori and Kumin exist. I said most of what I wanted last post.

Teekyuu – What I watched: Teekyuu. What I expected: Sofuteni. What I got: Zero Punctuation. Also, this is Mappa? Good on them. About 3000 yen for all of it on Amazon! [Side note: man, pagerank for CR on this keyword is horrible.]

Seitokai no Ichizon & Ebiten – I lump the two together because clearly both are being screened on Nico first (how about that US merger huh) and then picked up by a TV station the season after. HOPEFULLY this means CR will stream it starting in Jan 2013. As far as Seitokai no Ichizon goes I’m pretty okay with the new season, once I got used to the new Akaba voice. It was easier to deal with Mafuyu’s voice because it’s a very neutral tone, although I miss the very subtle tonal acting that was present before, that gave it an extra edge of melancholy. Oh, I probably should mention Seizon Lv.2 Episode 0 was AWESOME, because man, I miss Houko.

Oniai – On the merits, it’s probably worse than NakaImo, and it is more or less the same schtick–crazy girls tries to get into main guy’s pants, entertain mostly with OTT antics and not with so much fanservice, hides its plot/character chops. Takeaways are the two underage seiyuus in Ibuki Kido (as the main sister girl) and Sumire Morohoshi (the 12-yo manager genius). Kido is actually a year younger than Akiko, and Morohoshi a year older than Arisa. My favorite gag has to be the T-shirts. It’s like “Primary schoolgirls are great” but even better. Because I can wear something like Che Akiko and not get arrested.

Zetsuen no Tempest – I’m fascinated by this show, but it’s not the most engaging thing. All the characters are mysterious and hard to read, and you don’t really know what’s going on. How can they build a compelling plot on that? Just turn a bunch of people into metal and have giant eyes float out from the ground, I guess. Oh, add a romantic triangle involving some really messed-up interpersonal relationships. What’s the best about all of this is that it’s done with the precision of a Shakespearean play, instead of something more, well, relatable and visceral. What’s the worst is that it’s all posturing and TL;DRs, with the reasons and rhymes in thoughtful dialogues and monologues. Yeah, it can be kind of dull. It’s no surprise that I like Tempest; I’ve always liked shows like this. Having Bones behind it just make it a lot easier and makes it possible that I can talk to some people who may be drawn in for those superficial reasons. Book of Bantorra, anyone?

Hidamari Sketch S4 – Really digging it so far. Although, as others pointed out, unless they do something with the new first years in a major way, this is going to be pretty much more of the same for another 13 episodes. What they did in episode 6 is exactly what has to happen for Nazuna and … the girl with the PC.

Jormungand S2 – Eh, it’ll do. A lot of the suspense is gone with the second season. Maybe I should write a blog post about sequels like this. And Hidasketch.

Space Bros – It’s gotten to the point where the anime just has to make one more mistake before I drop it (for the manga). Invariably it makes a mistake and I’m like, man, I don’t want to read manga, because I just don’t have that mode of consumption handy in the way my routine is. But invariably, also, Space Bros redeem itself in some minor way for me to keep putting up with it.

Psycho-Pass – I can put up with this. At least it rewards with some pretty cool ideas. And a strangled Ayanyan.

Robotics;Notes – This anime is my Yoshino Nanjou coming-out-of event. Granted at this point it’s all kept in the dark, plot-wise, so I can’t really say anything about this anime besides that it’s already seeding important details, as all non-linear narratives invariably do. I’m not sure it has given me enough to go on but I’m just blindly rolling along with Tall Robot Nerd Poplar. And is Kai a jerk? Who cares?

Magi – I think this is my top show this season. But it’s one of those “watch but don’t buy” kind of thing since the show itself is just excellent, but not something I’d obsess over. Maybe it will change and upgrade into something worth owning.

Busou Shinki – This is pretty lame. Limp, even. Especially when it’s less like Strike Witches and more like… Infinite Stratos? At least that’s how I’m watching it–for the mecha battles. The animation is what I like best, along with the tech/setting. But I’m not sure how else it appeals to the cute-girls-do-cute-things demographic. Maybe I’ll punt it after all?

K – The music is so pimp that I feel like playing Persona 4 Golden. Might punt it. And yes, this show works great as a comedy…and that’s it.

JoJo – OMG. On the other hand it’s just as I expected from David Pro.

Girls und Panzer – This show is brilliant. Not only it capitalizes on what is obvious as the concept became a thing, it did enough of a twist to make the whole venture seeming worth the while. Its ensemble-cast style organization yet focusing on a handful is a gamble ultimately, not because they’re doing that, but they better be focused on the best five girls out of that lot of dozens.

Medaka Box S2 – I guess this anime took the Negima turn? Not that I mind; Medaka makes a good protagonist, although it’s really just a 2-person show between her and Zenkichi vs. the world at this point. Not that I mind that, either.

Shin Sekai Yori – It’s the “different” anime this season, although how it’s different is unclear. I think it’s at least something interesting for a more “mainstream” audience (because it isn’t really mainstream) but this is definitely overrated. If I had to criticize it, two things–the pace is horrid and the direction and scripting is clumsy. Usually these two things cause me to drop shows, but the setting sort of redeems it. Or the underage sex, I’m not sure. I predict at least one commentator at the end of this cour will complain how it does not fully utilize its setting.

Muv-luv Alternative: Total Eclipse – Lots of BETA action in the first half. Second half is more about Total Eclipse of the Heart amirite.

Little Busters – It’s the sort of moment when you recall every Key/VA anime event you’ve personally experienced since the beginning and you go, “we’ve came a long way.” It isn’t to say the visual novel to anime mechanism has improved to the degree that those products are something worth while–maybe it has. But Little Busters was originally the concept, and now it has arrived; perhaps its only flaw was this anime existed starting after Angel Beats. None of that, however, heals its deadly pangs of boredom.

Initial D Fifth Stage – I guess no one sleeps in Tokyo in the night of fire about love and money. And I still would like to test out a FR-S/BRZ sometime.

Sakurasou no Pet na Kanojo – The Pet Girl of Sakura House? Inn? Guilty Crown? I enjoy the roomful-of-lunatic approach to the series and it is very much got everyone looking at the characters as characters, and that is already a win for the anime. As usual I have a harder time buying in, but the array of otaku references makes the low production-value pill easy to swallow. [LOL I forgot about this show srsly…now it is included!]

I really want to keep watching Kamisama Kiss, but I have to drop something in exchange. I might.

At a glance you can tell Funimation is pushing a lot of new titles this season. It’s a promising thing because in the past 18 months they are major slacking on new acquisitions in my opinion, given the share of home video releases they put out. On the other hand, while I have been test driving their premium account across my phone and PC (mostly on the PC), their quality of service is still rather lacking. It’s better than just embedded Hulu streams that TAN is doing, but that’s like comparing your current self with yourself in 2002. At least I can get things to work after enough experience “jiggling” the various nobs and switches. Like how in Chrome when you change resolution to 720 it autoplays, and half the time it tries to play 2 streams in the same player if you hit the wrong buttons in the wrong in sequences.

At times like this I wish I was the kind of otaku who only watched anime off the tube, so I can cut it loose and just stick to this sort of services, paid or not.

There are three fronting shoujo series this season. Two go to CR, one to Funi and AN gets one of the two from CR. Not sure which one wins but that sounds at least fair.

Overall a pretty mild season without a smash hit, unless that boring Urobuchi show turns out to be a gem or Sakurasou becomes the second coming of Toradora. The various continuing series are all pretty strong and they will entertain, where as new series will have to flounder a bit before they find their footing. We’re at the half way point now, but I think shows like Garupan and Oniai have no real grasp on the audience at this point. Maybe that’s okay for those kinds of shows.

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Chuu2Koi 7 Is Fleeting, Alternate Reality

Much like Hyouka, I have a love-hate relationship with this season’s Kyoto Animation product, Chuunibyou demo Koi ga Shitai! I love it because visually it is a cornucopia of all things that power anime and make it an enjoyable medium. I don’t like it because ultimately it’s the same tiresome teenage-coming-of that Kyoto Animation has done a dozen times before…most recently in Hyouka. Its saving grace, probably, is in the two anime-only characters. Dekomori, specifically, simply made the show a lot more fun as far as her fast-pace personality and those gags for a character smarter than her pay grade.

I want to specifically talk about episode 7, because throughout this episode the dreamy Kumin-senpai reminded me how things would be like if Kyoto Animation animated The iDOLM@STER. This random post is brought to you by the seiyuu connection between Kumin and Yukiho, Azumi Asakura.

Isshiki probably did not say that Kumin looked like a Showa idol in the novel, but in the anime it is quite the trigger, at least for someone with my disposition. It means Kumin channels those old-timer (well, ’60s-80s) TV and stage personalities (I suppose the term applied to only women) who stood tall and sang, giggled gracefully as they mingle with various MCs on variety shows or visiting soldiers on tours of duty. It’s that kind of image you see inside run-down Japanese bar restrooms, on beer posters. It also personifies, today, a kind of lost past that some people long for. A lot of ink has been spilled in the recent years about Japanese idols generally, but this kind of thing is more about a class of people who conduct themselves in a certain way? It’s charming.

[This blog post is also brought to you by Animazement, an anime con that has consistently brought over Japanese voice guests that personify this idea.]

As a matter of comparison, Yukiho Hagiwara is no Showa idol. She’s more like your timid AKB48 understudy, except proficient with the shovel. Someone like Takane or Azusa is closer to that concept. Kumin, on the other hand, is slowly getting enough screen time to show off her after-school regalia, complete with a strategically placed mole. As Isshiki said, Kumin fits that ideal to a tee, right down to her white, one-piece swimsuit. How quaint, I guess.

And it is quaint. Dekomori and Rikka may be in a world to themselves, but Nibutani sets a different kind of ideal–the one I’m more used to. I’m not sure how realistic Nibutani’s attitudes are, as far as what goes for “normal,” but it seems reasonable. Here we have a totally someone from the left field in Kumin and, well, it’s kind of nice, not to mention it is entirely natural. It’s like having a visual (Rik-)kei idol next to an ’80s idol, and then you have Britney Spears-tani right here. To that end I’m not sure what the show has to say about any of this, besides that Isshiki would shave his head for any one of them.

For North Americans, you can catch Love, Chunibyo & Other Delusions!, Ep 7 “Reminiscences… of Paradise Lost” at the AnimeNetwork, with a subscription. The translated episode title happens to describe Showa-era nostalgia too, doesn’t it?

PS. There is one strangely technical aspect about Chuu2 that I like: Nijine is the composer. I previously stumbled on his work from Hatsukoi Limited, and the same weirdly fitting music came across in Chuu2 as, well, weirdly fitting. I really like that overly sentimental take from Hatsukoi Limited but as far as I know I am the only person ever who took note from that show’s music (outside of the OP/ED and Marble connection). In this anime, well, I’ve not made up my mind yet. But I think this Nijine person really has it together, given this pretty impressive list. Impressive only because I like a lot of these songs.

PPS. Seiyuu X-COM is kind of on hiatus, partly because of the approaching holiday, and also because I have a current-season backlog that I’m trying to hack away. It is as if I’m barely getting by and keeping my face above the surface, but only to be overwhelmed on every Thursday. Losing a week of broadband internet because of Sandy certainly didn’t help. With Thanksgiving coming up hopefully that means I’ll have time to catch up for good. Or maybe I’ll drop even more shows.


Initial D Fifth Stage, Shipping Companies with Promotions

This past Saturday I had the cable box tuned to BBC America all afternoon, and in the process absorbed a lot of Top Gear by osmosis. It also put me in the right mood to watch Initial D again, which is probably the first time in like, 6-8 years, since I’ve touched the franchise. As far as I know, the manga is still going strong, yeah?

So the naturally the first thing I asked myself while watching it was: just how much of the new Toyota 86 launch promo budget went into making this anime? I say this not as a rhetorical question, but more like voicing a nagging suspicion. It’s one thing to point at the various anime projects in the past ~12 months from the various Japanese car makers. It’s another to see a long-time, car-enthusiast focused manga return as an anime to coincide with the launch of the FR-S/BRZ. “Coincide” by about 6 months, sure, but it’s too close for comfort.

For those who are not entirely familiar, Toyota and Subaru have teamed up to produce a line of cars that “rides” its famed AE86 heritage. It’s kind of ironic because these days Subaru is more of the automotive engineering powerhouse and Toyota is more known for its ability to sell a lot of cars that people actually want to buy. In the late ’90s and early ’00s Toyota killed off most if not all of its low and mid-range sports offering, where as Subaru still has its staple rally-inspired carriages going strong today, best summed by Subaru’s famous WRX line of vehicles. These all-wheel drive rally cars, to be honest, are the kind of cars that owns Japan’s winding mountain roads. I suppose that’s probably what inspired Subaru’s engineers in the first place, and why Takumi ends up driving one (or something like it) eventually in the anime.

Naturally, inside the new Toyota 86, Subaru’s 2.0-liter boxer engine is not only sweet for power-to-weight, it also sips gas at 35MPG on the highway. It works well in Toyota’s marketing for the “new” AE86-class of affordable automobiles, as powerplant offers a plenty 200 BHP, putting it in the right place as far as MSRP goes (in the US it’s starting at around $25,000). It’d be really retarded to sell an expensive 86 after all. Being an “86” means that it is front-engine, rear-wheel-drive, which also happens to be a type of car that I personally enjoy driving.

Well, is it any surprise that Initial D gets its new season in 2012, given the Toyota 86 debuted in the 2012 model year? Episode one of 5th Stage starts out with Takumi driving home in his dad’s Subaru (classic WRX blue) coming home after a tofu delivery. The episode ends with Takumi giving his newly refurbished Toyota Trueno a test run up and down Akina’s(?) winding roads. Toyobaru? This is one true pairing indeed.

PS. I don’t know, if I was Hatsune Miku I would rather promote the FR-S! Why is this not licensed in America yet? What’s holding you up, Toyota?


10 Things about Psycho-Pass

This is more like my impression after 3 episodes than actual facts about Psycho-Pass. Also, this is a little too Letterman for my taste, but that’s how it came out.

10. There was this anti-moe nonsense where one of the key creative people banned the word “moe” in some of their internal production discussions.  Big whoop. Only if by banning the word it makes the show not moe. Truth is, anything with Kana Hanazawa is probably moe. And maybe it doesn’t necessarily involve cute or female characters!

9. noitanimA shop is pushing some Psycho-Pass apparels. You can see this video for some examples. Kana wants you to keep watching.

8. FUNimation is streaming this every Thursday right after it airs. I don’t know why it doesn’t do the same for Robotic;Notes, but this is the Psycho-Pass post. I have been watching the simulcast via an elite account and it is working pretty okay. The player sometimes get finicky under Chrome but it works. I wonder if they throttle free users. If they do, they probably should advertise that!

7. Ling Toshite Shigure OP does not disappoint.

6. CLARA! TEQUILA!

5. The Dominator’s new mode as explained in episode 3 works just like the famous Doom superweapon, the BFG. Note that Tsunemori was standing on the other side of the drone, and the shot didn’t touch her at all because of LOS…

4. Sybril and the Psycho-Pass are two different things, among other things.

3. Momotato kind of likes it…!

2. People possibly walk around naked, under that holographic system of clothing. If the interior decoration is of any hint, maybe Tsunemori is wearing a green suit all the time. I wonder how that applies to makeup.

1. Written by Gen Urobuchi.

PS. Hurricane Sandy left me with a great time tweeting (since I guess I can’t be distracted once internet and power went out) about the howling wind and how I can feel my house move around while I doodled away on my PSP unlocking K-ON content. Oh, hey, I was going to buy Shiny Festa over PSN but I noticed I had only 5330 yen left (MSRP 5380 yen) and not too sure if I wanted to spring another 50 (or 10 I guess) just so I can play it a couple weeks earlier than the copy that is shipping to me. It’s way too much effort for an impulse buy. Oh, right, what’s the word about the hurricane that left me without power (probably for up to 5-7 days)? Walpurgisnacht? Yea that was how it feels–as far as an internet meme that helps you laugh about a real-life problem. Even though it really isn’t bad, and it gives me the opportunity to mess with all this camping gear. But unless I can juice up every day (maybe I could) I doubt I’ll get around blogging much (let alone watching anime), or get more XCOM-seiyuu killed.


The Anime in the Middle of Nowhere

I think it’s too early to close the books on Horizon in the Middle of Nowhere anime series. I sincerely hope it continues on to book 3 and keep on adopting. I’m not too sure if I actively look forward to them, but things feel rather inevitable given how well it is doing on the Japanese domestic home video sales front. I guess this post is a status check.

But rather than criticizing (I think JP pretty much nailed it, even if his hammer might be a little too unforgiving) it for its substantive content, I feel the biggest worry I have for subsequent Horizon adaptation is how it is kind of bringing little that is new to the table. And I don’t mean in terms of having razor blades in oranges or exploiting hooks from British history–I mean it in the adaptative front.

I really enjoyed season 1 in terms of its Jerome Bettis-like attitude towards the finish line and having to bring everything along despite that it just wouldn’t quite gracefully fit. It also kind of fits the nature of Horizon–everyone gets on the bus. It’s a battering ram that truncates what MP3s to what I think you can’t hear, the stuff that might not really be necessary for us to have a good time watching the show. Forget about procedures, explaining why, things making sense making sense, or any other standard operating procedure–we can’t afford the time in 12 episodes, not if one of these “light novels” are a billion pages long.

Well, I can live with the consequences. I’m more concerned about the music, so to speak. When I watched season two play out, it felt like the same cultural tourism again, except this time it is kind of a play on British/European history. I think I’m marginally more familiar with it than Japan’s local history. And to be honest what transpired in season 1 is so twisted and detached from the real world I don’t think familiarity really matters. But it does a little bit in season 2–maybe as a distraction. I think this is kind of the danger with anime tourism in the sense that we get this perception of something that the average Japanese thinks about this thing that is closer to us foreigners than how it appears to them. On one hand it could be pretty interesting, on the other hand, well, let’s just say it was a small issue for me when watching Baccano. And that one was definitely more meticulously researched.

I guess cultural imperialists like Americans just have to learn to live with it. Meanwhile I hope more anime would just put things in their now Neo Venezias, and I suppose Horizon qualifies with its alternative-universe fantasy. Which is why I’ve stuck with it and would stick with it some more.

PS. I had the most glorious XCOM battle this weekend, involving Rk. Aya Hirano and Sq. Kotono Mitsuishi, being ambushed by a nine-pack Muton scouting force. It was fierce and I didn’t know if I could’ve made it out, but thankfully I did–despite having no medkit, no support, and only one assault and one sniper in the task force. Largely thanks to their meat-shielding. Rk. Hirano was particularly courageous, having snuck into the landed UFO from behind and tased the only Muton in reach (considering the odds of hitting it from a “safe” distance was much lower than what the Arc Thrower offered). Those grenades, man, can make quick work of you.