Category Archives: Sakurasou no Pet na Kanojo

Winter 2013: Played Out

I think we’re at the point of the season where new shows are either cleaning up from their explosive and intriguing pilots, or holding on to its cards until the final stage of the game. I feel the lull.

AzusaShiori

I think this is where a lackluster anime can really fly its colors and get people’s attention, now that the TV anime mix has stratified from sedimentation; the unforgiving centrifuge of short attention span will float those Senren Kaguras on top and hard campers like Shinsekai Yori and Psycho-pass on the bottom. Not that either is particularly value-assigned good or bad, mind you, and certainly that means the Jojos of this world is probably somewhere in between. Man, what a show that is.

But is there anything really outstanding? It’s kind of like how all this people who harp on Magi, either way? I mean, yea, I see animation mistakes and the like, but I wouldn’t call it bad. Or else nobody would watch anything SHAFT makes (at least on first pass). At least there has to be that proverbial cabbage, and it wasn’t there anywhere this season. But anyways, why do people chime after Magi, besides that it ended a story arc in the middle of the season? Maybe that was it. At least it didn’t do what Chiyomaru’s Robotic;Notes (almost) did, which is grow a little too long in the tooth. No matter how moe Frau is, we want to know what happens next.

It reminded me of that show with flying panties a few years back. I mean, all you need is just a little bit of whack. Maybe Kyoto Animation can make Tamako Midori burst into a tango duet with Dera? Or in Magi’s case, a cute Haruka Tomatsu character doing a gap moe dance routine (and unlike Frau, that clip is spoiler-free and context-free). Or maybe what it takes is Urobuchi killing some more people gruesomely in his Psycho-Pass (surely that is tired). Maybe it has to do with gothloli maid character bouncing around in a dance routine with a bunny sharing the same rack size with Kurokami Medaka (complete with hair color change)? I’m looking forward to that. (And I hope someone tells me Medaka’s are larger, because they may be.)

That said, if there’s anything reassuring in Winter 2013, it is that boobies only get you so far. Who’s still watching Senren Kagura again? Maoyu’s sacs of fat is a somber reminder that boobs are really no big deal in the real world–we all have them, it’s more about how you use it. It’s much like how SHAFT, try as they might, can only do so much in Sasami-san episode 5 because that material is so Haruhi in this post-Haruhi environment, that the Based God herself (CV: Asumi Kana) goes meta over her own desires, in which becomes the plot driver. At least now we can claim that the combination of Haruhi anime with incest is actually a thing, or Haruhi with untranslatable puns is a thing. Plus the only booby character is the loli (who is fully clothed at all times, God willing). On the other hand, adding the right amount of boin (and it could be in all forms, from Kanade “Boin-chan” Oue to the cast of Da Capo III–Da Capo Sakura Drift) does give your show a little bonus juice. It’s about time we’ve gotten that formula right. (Is calling Kana-chan “boin-chan” the, uh, the 1000AD version of “Titty-ko”?)

On the other hand maybe this is why Aniplex is going for butts in Vividred and Lantis & ASCII Media Works are putting money on the surging idol trend. It is free market at work, folks; the industry is growing to meet your ever finicky and ephemeral demands. The only question is which people group are they taking feedback from? Surely not from people not paying any money into that exorbitantly problematic financing model. Maybe the final hook from Vividred would be the “OMG my body is an elite combat machine from the future and I’m just a plucky 14yo girl who wants to make friends using world-destroying weapons, but now I can’t do anything because I’m a zombie like Grandpa and I will never get married.” That would be such a cop-out. A more direct way to make sales is to just give us some bonus throw-ins, like how they deal with those rednecks from Osaka.

Or if you’re like me, you’re still glued to this show called Hyoubu Kyousuke, because it’s actually the most anime-y and best anime-y anime on the air. Why hello there Aya Hirano. If I had any regrets, it would be that shipping Hyoubu and Hinomiya is probably the canon thing to do, even if one (or both) of them is a real lolicon. I almost regret to be able to introduce the show for those “oh why are anime full of teenagers” crowd, but Hyoubu Kyousuke does work for them.

What is up with all these lolicons, anyway? I think there are probably a couple more than usual this season. Not that I actually keep track–it just feels weirder. It’s just like how Oreshura takes that oddish turn as it continues to introduce the girls in a mid-flight attempt to boost its solid if lackluster drama, borrowing from both Haganai (which continues to be problematic, for better or worse) and maybe even Chu2koi? I don’t know and I don’t even. It’s probably way too hopeful to expect it to be like Sakurasou, since I think a lot of us were expecting Sakurasou to be like Tora Dora, which is already way too hopeful. Does that mean Hocchan > Asumiss > Yukarin? It feels that way certainly when it comes to luck of the casting draw.

I’m starting to think Asumiss is the Morgan Freeman of the otaku anime world. でんがなまんがな! Or maybe more appropriately, PUCHIM@S!


Sakurasou no Pet na Kanojo 7: The Narrative of What We Despise

The Pet Girl of Sakurasou (Sakurasou no Pet na Kanojo, Sakurasou) had a gap episode between last week and this week, in the form of episode 7. I just want to say that I thought that episode, tonally and in terms of the type of content, fits well within my expectation of Sakurasou. However it doesn’t seem to be that way among not only many anime bloggers (I guess I should link to some) but also just casual viewers. Well, here’s what I found off Animenano:

Well, I guess it wasn’t so negative. That says 50-50, depending on how you interpret Kurogane’s reaction. I omitted one entry because it seemed too neutral to be categorized. Hypothesis: some people really go sour on a show if it has that little sister cliche/plot hook/joke. I guess this is not really new? What’s probably more amusing is how some then go on and try to justify their outlook. I guess I love vanilla ice cream because chemically they are less complicated than most alternatives. Yea, that’s it. This blog post and observation is brought to you by the opinion that I think Sakurasou has consistently remained more or less the same across every episode. If you think episode 7 is somehow way worse than 1-6 (or way better, for that matter), maybe you are hiding something. Dig deeper and search your feelings. You know it to be true.


Autumn 2012 Mid-season Checkpoint

I voted for more shows dropped and more time shooting aliens this November, but I got wet from Konya wa Hurricane. The net total is this post about random observations. If I didn’t mention a show here I probably dropped it, or on hold until whenever like E7Ao.

Chuunibyou demo Koi ga Shitai! – It’s less mentally offensive than Hyouka because it doesn’t try to engage me on higher level of analysis and thought, so it is much easier to watch. But in a lot of ways it’s definitely inferior. I suppose this is why Dekomori and Kumin exist. I said most of what I wanted last post.

Teekyuu – What I watched: Teekyuu. What I expected: Sofuteni. What I got: Zero Punctuation. Also, this is Mappa? Good on them. About 3000 yen for all of it on Amazon! [Side note: man, pagerank for CR on this keyword is horrible.]

Seitokai no Ichizon & Ebiten – I lump the two together because clearly both are being screened on Nico first (how about that US merger huh) and then picked up by a TV station the season after. HOPEFULLY this means CR will stream it starting in Jan 2013. As far as Seitokai no Ichizon goes I’m pretty okay with the new season, once I got used to the new Akaba voice. It was easier to deal with Mafuyu’s voice because it’s a very neutral tone, although I miss the very subtle tonal acting that was present before, that gave it an extra edge of melancholy. Oh, I probably should mention Seizon Lv.2 Episode 0 was AWESOME, because man, I miss Houko.

Oniai – On the merits, it’s probably worse than NakaImo, and it is more or less the same schtick–crazy girls tries to get into main guy’s pants, entertain mostly with OTT antics and not with so much fanservice, hides its plot/character chops. Takeaways are the two underage seiyuus in Ibuki Kido (as the main sister girl) and Sumire Morohoshi (the 12-yo manager genius). Kido is actually a year younger than Akiko, and Morohoshi a year older than Arisa. My favorite gag has to be the T-shirts. It’s like “Primary schoolgirls are great” but even better. Because I can wear something like Che Akiko and not get arrested.

Zetsuen no Tempest – I’m fascinated by this show, but it’s not the most engaging thing. All the characters are mysterious and hard to read, and you don’t really know what’s going on. How can they build a compelling plot on that? Just turn a bunch of people into metal and have giant eyes float out from the ground, I guess. Oh, add a romantic triangle involving some really messed-up interpersonal relationships. What’s the best about all of this is that it’s done with the precision of a Shakespearean play, instead of something more, well, relatable and visceral. What’s the worst is that it’s all posturing and TL;DRs, with the reasons and rhymes in thoughtful dialogues and monologues. Yeah, it can be kind of dull. It’s no surprise that I like Tempest; I’ve always liked shows like this. Having Bones behind it just make it a lot easier and makes it possible that I can talk to some people who may be drawn in for those superficial reasons. Book of Bantorra, anyone?

Hidamari Sketch S4 – Really digging it so far. Although, as others pointed out, unless they do something with the new first years in a major way, this is going to be pretty much more of the same for another 13 episodes. What they did in episode 6 is exactly what has to happen for Nazuna and … the girl with the PC.

Jormungand S2 – Eh, it’ll do. A lot of the suspense is gone with the second season. Maybe I should write a blog post about sequels like this. And Hidasketch.

Space Bros – It’s gotten to the point where the anime just has to make one more mistake before I drop it (for the manga). Invariably it makes a mistake and I’m like, man, I don’t want to read manga, because I just don’t have that mode of consumption handy in the way my routine is. But invariably, also, Space Bros redeem itself in some minor way for me to keep putting up with it.

Psycho-Pass – I can put up with this. At least it rewards with some pretty cool ideas. And a strangled Ayanyan.

Robotics;Notes – This anime is my Yoshino Nanjou coming-out-of event. Granted at this point it’s all kept in the dark, plot-wise, so I can’t really say anything about this anime besides that it’s already seeding important details, as all non-linear narratives invariably do. I’m not sure it has given me enough to go on but I’m just blindly rolling along with Tall Robot Nerd Poplar. And is Kai a jerk? Who cares?

Magi – I think this is my top show this season. But it’s one of those “watch but don’t buy” kind of thing since the show itself is just excellent, but not something I’d obsess over. Maybe it will change and upgrade into something worth owning.

Busou Shinki – This is pretty lame. Limp, even. Especially when it’s less like Strike Witches and more like… Infinite Stratos? At least that’s how I’m watching it–for the mecha battles. The animation is what I like best, along with the tech/setting. But I’m not sure how else it appeals to the cute-girls-do-cute-things demographic. Maybe I’ll punt it after all?

K – The music is so pimp that I feel like playing Persona 4 Golden. Might punt it. And yes, this show works great as a comedy…and that’s it.

JoJo – OMG. On the other hand it’s just as I expected from David Pro.

Girls und Panzer – This show is brilliant. Not only it capitalizes on what is obvious as the concept became a thing, it did enough of a twist to make the whole venture seeming worth the while. Its ensemble-cast style organization yet focusing on a handful is a gamble ultimately, not because they’re doing that, but they better be focused on the best five girls out of that lot of dozens.

Medaka Box S2 – I guess this anime took the Negima turn? Not that I mind; Medaka makes a good protagonist, although it’s really just a 2-person show between her and Zenkichi vs. the world at this point. Not that I mind that, either.

Shin Sekai Yori – It’s the “different” anime this season, although how it’s different is unclear. I think it’s at least something interesting for a more “mainstream” audience (because it isn’t really mainstream) but this is definitely overrated. If I had to criticize it, two things–the pace is horrid and the direction and scripting is clumsy. Usually these two things cause me to drop shows, but the setting sort of redeems it. Or the underage sex, I’m not sure. I predict at least one commentator at the end of this cour will complain how it does not fully utilize its setting.

Muv-luv Alternative: Total Eclipse – Lots of BETA action in the first half. Second half is more about Total Eclipse of the Heart amirite.

Little Busters – It’s the sort of moment when you recall every Key/VA anime event you’ve personally experienced since the beginning and you go, “we’ve came a long way.” It isn’t to say the visual novel to anime mechanism has improved to the degree that those products are something worth while–maybe it has. But Little Busters was originally the concept, and now it has arrived; perhaps its only flaw was this anime existed starting after Angel Beats. None of that, however, heals its deadly pangs of boredom.

Initial D Fifth Stage – I guess no one sleeps in Tokyo in the night of fire about love and money. And I still would like to test out a FR-S/BRZ sometime.

Sakurasou no Pet na Kanojo – The Pet Girl of Sakura House? Inn? Guilty Crown? I enjoy the roomful-of-lunatic approach to the series and it is very much got everyone looking at the characters as characters, and that is already a win for the anime. As usual I have a harder time buying in, but the array of otaku references makes the low production-value pill easy to swallow. [LOL I forgot about this show srsly…now it is included!]

I really want to keep watching Kamisama Kiss, but I have to drop something in exchange. I might.

At a glance you can tell Funimation is pushing a lot of new titles this season. It’s a promising thing because in the past 18 months they are major slacking on new acquisitions in my opinion, given the share of home video releases they put out. On the other hand, while I have been test driving their premium account across my phone and PC (mostly on the PC), their quality of service is still rather lacking. It’s better than just embedded Hulu streams that TAN is doing, but that’s like comparing your current self with yourself in 2002. At least I can get things to work after enough experience “jiggling” the various nobs and switches. Like how in Chrome when you change resolution to 720 it autoplays, and half the time it tries to play 2 streams in the same player if you hit the wrong buttons in the wrong in sequences.

At times like this I wish I was the kind of otaku who only watched anime off the tube, so I can cut it loose and just stick to this sort of services, paid or not.

There are three fronting shoujo series this season. Two go to CR, one to Funi and AN gets one of the two from CR. Not sure which one wins but that sounds at least fair.

Overall a pretty mild season without a smash hit, unless that boring Urobuchi show turns out to be a gem or Sakurasou becomes the second coming of Toradora. The various continuing series are all pretty strong and they will entertain, where as new series will have to flounder a bit before they find their footing. We’re at the half way point now, but I think shows like Garupan and Oniai have no real grasp on the audience at this point. Maybe that’s okay for those kinds of shows.

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