Category Archives: Teekyu

August 12, 2015

Early Decisions: Summer 2015 Season

By omo

If SAO is our standard bearer of Mary-Sues in recent memory, what makes of GATE and Overlord? This is a rhetorical question I suppose. But I find myself honing in on the political undertones first.

Million Lives

Even before that though, there needs a hook, sometimes. What is the hook in Gangsta? Crime and violence? Sex and violence? Grit? Ha. Hahaha. Maybe the whole dogtag thing? Maybe it’s just the mood I’m in but it almost felt like the show is an insult of actual criminals and gangsters? Which may be okay. Perhaps even more okay, if it turns out that way, is if Gangsta becomes an insult of the genre. I don’t know and wouldn’t know, though, because I missed the hook; a reason to watch the next episode. Other than Mamiko’s character not dying in the first episode? Didn’t these people watch Cowboy Bebop? I guess if you were one of those people who watched Bebop as a result of its critical acclaim, maybe I’ll join you on Gangsta.

On that note, if Haramii is the standard bearer of “boob voice” then that could explain why is she in another MMORPG anime? I mean don’t get me wrong I love her role in Overlord. It’s a lovely hook. That show is also my favorite of the season for some reason. It’s like Log Horizon for me. If Log Horizon for you was shipping and the adoring of a little assassin character, maybe Overlord is not for you. Still, the two have some strong similarities in the narrative approach and setting. I realize people don’t prioritize these things the way I do but I feel Overlord is an improvement on the setting building aspect of Log Horizon in some ways.

Speaking of hook, I thought School Alive had a wonderful pilot. It’s the perfect embodiment of that famous(?) fan fiction about Bottle Fairies and split personalities. It doesn’t go that distance however, and I’m pretty meh on zombies. And maybe even more so on crazy (in a clinical sense) anime characters. It does seem quite entertaining so I’m not hung up on the fact that I haven’t gotten around to it. Another season with no time to watch everything I want to watch, is just a fact we have to deal with.

I’m not even hung up on the fact that I didn’t get around Prison School. I thought I would by now but I guess I thought my time would be better used to make maids in eroge or something. Probably not too different than being up to date to the Wife Is the Student Council President except more time consuming.

I feel good about the Hackadoll anime next season–believe it or not it’s my most hyped upcoming show that I can remember off the top of my head. The other shows on the same anime blocks this season are all pretty okay, and they are all served well by the 8-minute format. Even Wooser… I guess. That one seemed a little borderline because some of the recent episodes felt it went on for just too long. In a weird way I’m also looking forward to the cameo they could mix. I mean it’s clear that Miss Monochrome and Wooser are shows that are open to straight cameos. Hackadoll is even more so when the “IP” itself is about discovery of other IP, to the degree that it outright endorses and what not. Kind of like if Gamers or Animate made their own serious shows, what would be in them? I mean the Hackadoll namas… If you are into the WUG seiyuus (and Ueda Reina) they’re a must watch, and you’ll get what I mean by cameos (maybe).

Supposedly that Hayamin anime with Red Riding Hood naming is good. That’s like people saying Oremonogatari is good. It would be nice if someone can go into details and elaborate on how they could be relevant.

I am also watching Rokka. It’s not that good, in fact every episode felt off-putting. It does serve well with a choppy pace of things, so in this instance I enjoy the plot more so than anything. It takes its time during these “unusual” moments, almost awkwardly, so that could be why every week it feels off-putting. It’s like you  know a cliffhanger is coming but the show misses its timing in telling you what you already know. Maybe I’ll drop at some point, but I’d like to give all the new characters a chance to make an impression. So far only the main dude guy is of any interest… Pikasha playing the lead female is well-deserved but the precarious princess probably won’t get her day in the spotlight until much later.

The opposite problem happens in Million Doll. The concept and story are both right up my ally and the level of meta-ness is perfect, but the anime is lacking to say the least. I kind of hoped the animation is at least good enough so I remember everyone’s names by like 5 episodes, but given the very short length I can cut it some slack. Crunchyroll recently streamed episode 5.5, which means we now get to see Yuiton’s full length legs with English subtitles. That I can accept, since she is just there the whole time, but of the entire length of the fan meeting, why those segments? Specifically, why the segment that points out she’s from Osaka? LOL. I guess it works.

That nicely segue into Sore ga Seiyuu, which is obviously a must watch for me. It’s sad people compare it to Shirobako when the two are actually nothing alike. Of course, they are also entirely alike in their glamorized/deglamorizing view of the industry, but why would anyone watch something like that? Joke aside, it’s nice to finally see some drama this week. It’s funny to see how Kugyuu and Hocchan are in their cartoon flesh. It’s especially amusing if you think about the various versions of herself that Horie had to play in the recent years. That said unless you are a seiyuu otaku of some measure this is not exactly going to be enjoyable. In a lot of ways, Sore ga Seiyuu gives you the inside look at a voice actress’s internal thoughts rather than the internal working of an animation project. It’s much more personal and also a lot less compelling/hit or miss, unless you have already a hook there.

[Here’s an aside. Take Yoshimura Haruka as an example. She’s still a “newbie seiyuu” in the technical sense, soon to graduate out of that bracket. It seems that she shares some of these exact anxieties our protagonists share, if you read this interview. Even the way she name dropped Pe and Nu, or her coleads from Shirobako… Also, thank goodness for IDOLM@STER, right?]

What is always enjoyable is great seiyuu performances. I feel like that every time I watch Monster Musume because there is nothing else redeeming about the show. The voice acting is carrying it. Well, maybe one other thing: the political undertone. I mentioned in a chat once but if we think about MonMusu as a harem with fantastical creatures combined with harem characters, we realize isn’t the only IP on the market with that concept. Even Bakemonogatari and the like, really, is merging the plight of a young girl with the notion of some eastern phantom. And it’s not alone. Normal, quiet guy’s life gets upended by rowdy and over-excited young women trying to bone him? Except this time, they’re not Cat Planet Cuties. The monster fetishes aside, isn’t this what we can call, for the lack of a better term, a “gaijin harem”? The immigration issues too certainly highlight this. How does a normal, if model, Japanese specimen deal with these foreign intruders? They clearly mean well but they’re a handful, as they gaijin smash into your heart. What to do?

Joke aside, Monmusu doesn’t deserve 2 paragraphs, let alone faint praise in the form of thematic exploration of its parallel with western notion of liberty and romance (and other aspects of everyday life…Cat Planet Cuties does, though). Maybe Charlotte does, but I can’t watch that show objectively devoid of my Mocho biases and tendencies. It’s a great show and her character is decidedly similar to her business persona. The story and characters are who you expect them to be, knowing Charlotte’s Maeda Jun roots. I hope for the best, and PA Works so far is doing a good job. And knowing that, we are way too early in the game to pass any real judgment on it, even if the story has been placing hints along as expected.

The other original title I like this season is Classroom Crisis. It can be really good, it can be mediocre, but it probably won’t be bad. It’s a little boring but I’m ossan enough to enjoy that kind of boredom. Cobalt is a great song and probably my favorite this season. There’s also some social commentary as undertone here that’s pretty enjoyable, if kind of wrong-headed.

Shimoseka is clearly socially interesting, but it’s also interesting from the seiyuu perspective. And beyond that, the story is a little interesting. I don’t think it’s tapping into the full potential of the premise and I’m not sure I like how it exists in the school context because that puts the weird things it can pull in line with other stories in the same setting, but I’m willing to let it prove me wrong. At the very least it can be fun on the basis that the anime is about a bunch of perverted jokes.

I tried the first episode of several shows above and dropped them, but also Aoharu x Machinegun, Actually I, and Ushio & Tora (which had a really good episode 1 that’s just like the one I saw 15+ yr ago). I don’t think I would mind watching more but there wasn’t anything compelling. Actually the first one up there was particularly tough, since it’s not my kind of thing? I probably would be watching Symphogear except I cannot be arsed to undrop shows from years ago. Praise it more guys, maybe I will change my mind (lol).

On the notes for sequels, I am enjoying Non Non Biyori a lot, and this take is brilliant. Less brilliant is Working season 3. It puts me to sleep. In fact it inspired me to track often each show this season has done so:

[Title]: [Ep count that I fell asleep on]/[Ep count watched]

Working!!!: 4/5
Monmusu: 2/6
Classroom Crisis: 0/6
Gate: 0/6
Non Non: 0/6
Rokka: 1/5
Gatchaman S2: 1/3
Charlotte: 0/6
Shimoseka: 1/3
Sore ga Seiyuu: 0/6
Overlord: 0/6
IMAS CG: LOL/Every episode twice

I think I fell asleep on an ep of Wakaba Girl. Anyways, I ignored the short stuff because of the obvious reasons. Back to Working. I think it’s the A/B format each episode uses, it would mean the slow part of the ep puts me away and I would wake up on the good part or vice versa. Not much I can do besides trying to watch it not when food coma is coming or at a time when I am not tired. I guess a positive way to spin this is that Working is disarmingly funny, and relaxes me. The negative way to spin this is that it’s just a boring same-recipe-every-time gag that has expired last season.

I’m also of two minds on Gatchaman Crowds Insight (two different minds), so I’ll keep that to myself for now and make a call later once I am more caught up. It’s on the to-watch list for sure.

Still up to date on Food Wars and Baseball A.

Yeah I’m watching IM@S CG. Lately it’s been good. Not sure that is because the episodes are good or I’m still under the influence of 10th. Most likely both.

Last but not least, Teekyuu backlog ever increasing. And I don’t mind the least.

Leave a comment | posted in Charlotte, Classroom Crisis, Gatchaman, Idolmaster, Modern Visual Culture, Overlord, Shimoneta to Iu Gainen ga Sonzai Shinai Taikutsu na Sekai, Sore ga Seiyuu, Teekyu

November 19, 2012

Autumn 2012 Mid-season Checkpoint

By omo

I voted for more shows dropped and more time shooting aliens this November, but I got wet from Konya wa Hurricane. The net total is this post about random observations. If I didn’t mention a show here I probably dropped it, or on hold until whenever like E7Ao.

Chuunibyou demo Koi ga Shitai! – It’s less mentally offensive than Hyouka because it doesn’t try to engage me on higher level of analysis and thought, so it is much easier to watch. But in a lot of ways it’s definitely inferior. I suppose this is why Dekomori and Kumin exist. I said most of what I wanted last post.

Teekyuu – What I watched: Teekyuu. What I expected: Sofuteni. What I got: Zero Punctuation. Also, this is Mappa? Good on them. About 3000 yen for all of it on Amazon! [Side note: man, pagerank for CR on this keyword is horrible.]

Seitokai no Ichizon & Ebiten – I lump the two together because clearly both are being screened on Nico first (how about that US merger huh) and then picked up by a TV station the season after. HOPEFULLY this means CR will stream it starting in Jan 2013. As far as Seitokai no Ichizon goes I’m pretty okay with the new season, once I got used to the new Akaba voice. It was easier to deal with Mafuyu’s voice because it’s a very neutral tone, although I miss the very subtle tonal acting that was present before, that gave it an extra edge of melancholy. Oh, I probably should mention Seizon Lv.2 Episode 0 was AWESOME, because man, I miss Houko.

Oniai – On the merits, it’s probably worse than NakaImo, and it is more or less the same schtick–crazy girls tries to get into main guy’s pants, entertain mostly with OTT antics and not with so much fanservice, hides its plot/character chops. Takeaways are the two underage seiyuus in Ibuki Kido (as the main sister girl) and Sumire Morohoshi (the 12-yo manager genius). Kido is actually a year younger than Akiko, and Morohoshi a year older than Arisa. My favorite gag has to be the T-shirts. It’s like “Primary schoolgirls are great” but even better. Because I can wear something like Che Akiko and not get arrested.

Zetsuen no Tempest – I’m fascinated by this show, but it’s not the most engaging thing. All the characters are mysterious and hard to read, and you don’t really know what’s going on. How can they build a compelling plot on that? Just turn a bunch of people into metal and have giant eyes float out from the ground, I guess. Oh, add a romantic triangle involving some really messed-up interpersonal relationships. What’s the best about all of this is that it’s done with the precision of a Shakespearean play, instead of something more, well, relatable and visceral. What’s the worst is that it’s all posturing and TL;DRs, with the reasons and rhymes in thoughtful dialogues and monologues. Yeah, it can be kind of dull. It’s no surprise that I like Tempest; I’ve always liked shows like this. Having Bones behind it just make it a lot easier and makes it possible that I can talk to some people who may be drawn in for those superficial reasons. Book of Bantorra, anyone?

Hidamari Sketch S4 – Really digging it so far. Although, as others pointed out, unless they do something with the new first years in a major way, this is going to be pretty much more of the same for another 13 episodes. What they did in episode 6 is exactly what has to happen for Nazuna and … the girl with the PC.

Jormungand S2 – Eh, it’ll do. A lot of the suspense is gone with the second season. Maybe I should write a blog post about sequels like this. And Hidasketch.

Space Bros – It’s gotten to the point where the anime just has to make one more mistake before I drop it (for the manga). Invariably it makes a mistake and I’m like, man, I don’t want to read manga, because I just don’t have that mode of consumption handy in the way my routine is. But invariably, also, Space Bros redeem itself in some minor way for me to keep putting up with it.

Psycho-Pass – I can put up with this. At least it rewards with some pretty cool ideas. And a strangled Ayanyan.

Robotics;Notes – This anime is my Yoshino Nanjou coming-out-of event. Granted at this point it’s all kept in the dark, plot-wise, so I can’t really say anything about this anime besides that it’s already seeding important details, as all non-linear narratives invariably do. I’m not sure it has given me enough to go on but I’m just blindly rolling along with Tall Robot Nerd Poplar. And is Kai a jerk? Who cares?

Magi – I think this is my top show this season. But it’s one of those “watch but don’t buy” kind of thing since the show itself is just excellent, but not something I’d obsess over. Maybe it will change and upgrade into something worth owning.

Busou Shinki – This is pretty lame. Limp, even. Especially when it’s less like Strike Witches and more like… Infinite Stratos? At least that’s how I’m watching it–for the mecha battles. The animation is what I like best, along with the tech/setting. But I’m not sure how else it appeals to the cute-girls-do-cute-things demographic. Maybe I’ll punt it after all?

K – The music is so pimp that I feel like playing Persona 4 Golden. Might punt it. And yes, this show works great as a comedy…and that’s it.

JoJo – OMG. On the other hand it’s just as I expected from David Pro.

Girls und Panzer – This show is brilliant. Not only it capitalizes on what is obvious as the concept became a thing, it did enough of a twist to make the whole venture seeming worth the while. Its ensemble-cast style organization yet focusing on a handful is a gamble ultimately, not because they’re doing that, but they better be focused on the best five girls out of that lot of dozens.

Medaka Box S2 – I guess this anime took the Negima turn? Not that I mind; Medaka makes a good protagonist, although it’s really just a 2-person show between her and Zenkichi vs. the world at this point. Not that I mind that, either.

Shin Sekai Yori – It’s the “different” anime this season, although how it’s different is unclear. I think it’s at least something interesting for a more “mainstream” audience (because it isn’t really mainstream) but this is definitely overrated. If I had to criticize it, two things–the pace is horrid and the direction and scripting is clumsy. Usually these two things cause me to drop shows, but the setting sort of redeems it. Or the underage sex, I’m not sure. I predict at least one commentator at the end of this cour will complain how it does not fully utilize its setting.

Muv-luv Alternative: Total Eclipse – Lots of BETA action in the first half. Second half is more about Total Eclipse of the Heart amirite.

Little Busters – It’s the sort of moment when you recall every Key/VA anime event you’ve personally experienced since the beginning and you go, “we’ve came a long way.” It isn’t to say the visual novel to anime mechanism has improved to the degree that those products are something worth while–maybe it has. But Little Busters was originally the concept, and now it has arrived; perhaps its only flaw was this anime existed starting after Angel Beats. None of that, however, heals its deadly pangs of boredom.

Initial D Fifth Stage – I guess no one sleeps in Tokyo in the night of fire about love and money. And I still would like to test out a FR-S/BRZ sometime.

Sakurasou no Pet na Kanojo – The Pet Girl of Sakura House? Inn? Guilty Crown? I enjoy the roomful-of-lunatic approach to the series and it is very much got everyone looking at the characters as characters, and that is already a win for the anime. As usual I have a harder time buying in, but the array of otaku references makes the low production-value pill easy to swallow. [LOL I forgot about this show srsly…now it is included!]

I really want to keep watching Kamisama Kiss, but I have to drop something in exchange. I might.

At a glance you can tell Funimation is pushing a lot of new titles this season. It’s a promising thing because in the past 18 months they are major slacking on new acquisitions in my opinion, given the share of home video releases they put out. On the other hand, while I have been test driving their premium account across my phone and PC (mostly on the PC), their quality of service is still rather lacking. It’s better than just embedded Hulu streams that TAN is doing, but that’s like comparing your current self with yourself in 2002. At least I can get things to work after enough experience “jiggling” the various nobs and switches. Like how in Chrome when you change resolution to 720 it autoplays, and half the time it tries to play 2 streams in the same player if you hit the wrong buttons in the wrong in sequences.

At times like this I wish I was the kind of otaku who only watched anime off the tube, so I can cut it loose and just stick to this sort of services, paid or not.

There are three fronting shoujo series this season. Two go to CR, one to Funi and AN gets one of the two from CR. Not sure which one wins but that sounds at least fair.

Overall a pretty mild season without a smash hit, unless that boring Urobuchi show turns out to be a gem or Sakurasou becomes the second coming of Toradora. The various continuing series are all pretty strong and they will entertain, where as new series will have to flounder a bit before they find their footing. We’re at the half way point now, but I think shows like Garupan and Oniai have no real grasp on the audience at this point. Maybe that’s okay for those kinds of shows.

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12 comments | posted in Busou Shinki, Chuunibyou demo Koi ga Shitai!, Ebiten, Girls und Panzer, Hidamari Sketch, Initial D, Jormungand, Joshiraku, Magi, Medaka Box, Modern Visual Culture, Muv-luv, Onii-chan Dakedo Ai Sae Areba Kankeinai yo ne, Psycho-Pass, Robotics;Notes, Sakurasou no Pet na Kanojo, Seitokai no Ichizon, Shin Sekai Yori, Teekyu, Uchuu Kyoudai, Zetsuen no Tempest