Category Archives: Modern Visual Culture

You Know It’s Been a Good Year for Comedy When…

Author is writing about people’s perception of 4koma presentation and breaking things up. I think it is a matter of personal interpretation but the switch between a seamless medium and 4koma is part of the tricks of the trade of comedy and presenting manga. After all, all manga begins on a blank piece of paper. “Koma” is added to give presentation its structure, and we stop at 4 identical framing for various other reasons, to give it even more structure.

The same applies in anime as well. Seitokai Yakuindomo mimics that by giving those “second joke” cuts with flying stamps, transiting from scene to scene, or strip to strip. On the other hand Lucky Star is almost entirely devoid of it. Thinking back to Azumanga Daioh, the first otaku anime 4koma smash hit, does it make sense?

And why AzuDai, even? It’s just my lens in which I view the situation. Azudai is broken up into 5 segments per episode, where as you can see a similar kind of breakdown in SYD. More so when the punchlines are flying in the air. Not so much in Lucky Star. But that is a stylistic choice. I mean, Lucky Star feels a lot more like K-ON (that’s 4koma too), and that’s because both are similarly presented. And who cares about transitions in K-ON?

Look at Working!! for example, does that feel like 4koma to you? Now that is where AzuDai is. A much more perfected blend of television narrative with jokes that hits like sewn-together sitcom punchlines, that it is textured without trying very hard, because you were laughing when the story changed from frame to frame. The original 4koma material is like dough for this new baked good.

But I think that’s not to say it is the only way or even the best way. Seitokai Yakuindomo is meant to flaunt its panel-switching cuts since it is a running joke as well; it doesn’t hide its transition, but rather uses it as a joke. Of course people who gets turned off by that seemingly-seamless-seam-switching might enjoy it more. It’s not so much that I would be laughing when the anime changes from strip-to-strip: I was too busy trying to process the joke and on-screen text to notice.

However, I find it hard to believe that Lucky Star is underrated. It’s gotten so much hype during its hay days that few shows deserves, if any. Maybe among Author’s reads, I suppose.


Crunchyroll Rolls a Squid’s Hat

Whose idea is it to run promos on Christmas weekend…

But hey, if they’re cool seiyuu vids with autographed prizes to go with, you can roll it whenever you want! I think it’s pretty awesome that CR is doing all these things. It’s like NISA’s thingy with AX but this is fine too, if even more fair to those people who can’t go to cons (read: most people).

More importantly, if you are a CR user you would know that their anime contests 90% of the time are some kind of “collect x badges!” or some other random crap thing you get by running the video and get badges within a certain time frame. Which is totally not helpful for people who are watching something already. Something like this seems at least fun for everyone and possibly more fair, lol.

See this thread for the contest rules and information on how to do it.

Also see this interview. LOL. Get your share of Hisako Kanemoto, who’s made two big splashes this year and at least one more next year(?) in Makoto Shinkai’s new film.


Year in Review: I Read Books

At some point in September I bought a PSP so I can play a couple games that I wanted to see. It turns out that on average it takes more than just a few hours to finish a game like Valkyria Chronicles 2. It’s too bad, because I haven’t finish a book on my backlog as a result of this.

Until that point, I was struggling with going through Haikasoru’s lineup. In fact right now I have two books (three if you count Loups-Gaoru) lined up, plus a couple other non-Viz titles. If I wasn’t playing VC2 and was reading instead, it would have taken me about a month or two to finish all that. Which is about the right speed, since it is about as fast as they publish those things.

However, I can’t say I’m really missing out. In the 12+ months before I got stuck in VC2, the hit and miss ratio is not exactly flattering. The Haruhi books, for example, were kind of horrible until you get to Disappearence. Unless you are a really forgiving reader of SF, Haikasoru’s offerings were often either too weak or too mundane, and while they’re usually interestingly flavored, they are not always something you enjoy the aftertaste of. And not to mention all the non-SF pieces that I avoid on genre grounds. (Well, I did read a few non-SF this year.)

Still, because the turnaround speed for a book is much faster than some 40-hr video game, I was able to read a lot of them, and as a result, hit some interesting titles. I guess that’s also because Japanese SF is this fairly big genre after all. Going into it blind is not exactly the best strategy, kind of like going into Japanese animation blind, etc. I was glad to read Harmony and Yukikaze this year, as I really enjoyed those two.

I hope I can finish VC2 and get back to books soon, because like books, 40 hours is a long time spent on a single thing.


Akari’s Pet Peeve

With wrapping up of Amagami SS we have first witnessed the arc-based treatment of a non-cumulative narrative, or more commonly called omnibus, format for your average multi-branching ADV game.

The girls are fine, and as I said before [would link if my blog is up w] each will appeal to someone, neither variable may be the same. Even the last bonus girl Risa is quite amusing in the sense that even what she did is horrible it is portrayed in a humorous light, and even in its composite-recap nature adds to characterization of the six protagonists earlier.

I just don’t want to hear people cry how she gets a better ending than Rihoko. Because it makes Akari go yandere.

No, more seriously, Rihoko is doing her token osananajimi thing, which is perfectly okay if she puts herself in the friendzone, because that is where she likes it best. It is similar to Risa’s perspective, except Rihoko is truly selfless. Because it would be up to Junichi to take it to the next level, at his leisure. Rihoko doesn’t want to stress him at all, and she really doesn’t. Because as long as you are together…what does it matter, right?

To-Heart is over 10 years old now, but it is still the best representation of a core aspect of bishoujo anime/game/culture today. Give it a whirl if you haven’t.


Sphere Observation

Just a few minor things to note, probably not exactly the most flattering thing to say about the girls in Sphere so I apologize to the fans I might piss off ahead of the time. As entertainers I have nothing but respect for these girls.

1. There is a reason why people don’t like Ayahi. I think she is nonetheless an important part of the group in both the way it’s presented visually and in the way the four girls sound together. In essence she covers a lot of holes. However at the same time I’m not sure what she brings to the group that appeases the target audience.

2. However there are a couple really good pictures of her in there, in Tentai Kansoku, that works well, in the sense that I didn’t know she can have that look. Namely in the first section.

3. Megane is a great equalizer. However Aki doesn’t look that good with them, not sure why. It’s more like, for boring faces, glasses add something; for great faces, it can equalize or add to. So generally you can’t really lose if you’re a seiyuu.

4. Speaking of looks, Minako still has the best face, in that she expresses well in photos, and can solicit a good range of feelings at least when I look at it. The other girls at best look “pretty” except Haruka, who can occasionally go beyond that. Occasionally.

5. But once we take into the whole package, Haruka still hands down wins. I guess you do have a much harder time to be a model if you are short, which both Minako and Ayahi are. I think they clocked below average even for Japanese girls.

6. In the same way, Aki looks pretty cool in some shots because she is taller, and it gives her body that balance that most seiyuu types don’t have. But I guess she still looks better not trying to stretch that.

7. In the same way, again, Haruka doesn’t do very well when she tries to. I haven’t had the opportunity to look at her photo books but from what I saw from scans, yeah, she tries and it doesn’t work that often.

8. The prom shots are still the best overall set.

9. I like Minako’s twin tail shots in the school outfit set, there’s just something with that hair.

10. Everyone’s seen that picture of Haruka looking calm with the white dress, it is one of those examples when they keep it simple, it comes off very well.

11. Ayahi in the kimono shot is LOOOOL. I thought she also look way better in candid shots.

12. Every musician type doing this kind of “business” should release a photo album/book that records all that stuff-concert tour goods, outfits, pictures from lives. It’s nice!

13. I totally like the title of the book. Not sure if it is, but it feels like a tribute to all the astro references. Like a page from Sora no Manimani (which was one of the first Sphere anime).

Going to end with an image and some discussion. This isn’t from the book, but it’s from one of the promo sets Sphere did this year.

This is one of those not-quite-candid shots where the girls need to express naturally, smile, all that stuff. It’s a fun picture, so it needs to look…fun. I think Haruka’s strength really comes through here since she is the best actress in the group. Aki always look pretty natural, so she automatically passes.

Minako is a little caught in between, but if you’ve seen her film you probably know she really can’t act anyways, so that much is probably just natural for her. However Ayahi is just… well, she’s doing the right thing, but it looks pretty fake. The problem is the way we human beings detect facial expressions. A lot of it has to do with the way you emote with your eyes, how your face muscles move them while you smile. It’s like she needs to do this somewhat, and isn’t doing it.