Category Archives: Modern Visual Culture

Akari’s Pet Peeve

With wrapping up of Amagami SS we have first witnessed the arc-based treatment of a non-cumulative narrative, or more commonly called omnibus, format for your average multi-branching ADV game.

The girls are fine, and as I said before [would link if my blog is up w] each will appeal to someone, neither variable may be the same. Even the last bonus girl Risa is quite amusing in the sense that even what she did is horrible it is portrayed in a humorous light, and even in its composite-recap nature adds to characterization of the six protagonists earlier.

I just don’t want to hear people cry how she gets a better ending than Rihoko. Because it makes Akari go yandere.

No, more seriously, Rihoko is doing her token osananajimi thing, which is perfectly okay if she puts herself in the friendzone, because that is where she likes it best. It is similar to Risa’s perspective, except Rihoko is truly selfless. Because it would be up to Junichi to take it to the next level, at his leisure. Rihoko doesn’t want to stress him at all, and she really doesn’t. Because as long as you are together…what does it matter, right?

To-Heart is over 10 years old now, but it is still the best representation of a core aspect of bishoujo anime/game/culture today. Give it a whirl if you haven’t.


Sphere Observation

Just a few minor things to note, probably not exactly the most flattering thing to say about the girls in Sphere so I apologize to the fans I might piss off ahead of the time. As entertainers I have nothing but respect for these girls.

1. There is a reason why people don’t like Ayahi. I think she is nonetheless an important part of the group in both the way it’s presented visually and in the way the four girls sound together. In essence she covers a lot of holes. However at the same time I’m not sure what she brings to the group that appeases the target audience.

2. However there are a couple really good pictures of her in there, in Tentai Kansoku, that works well, in the sense that I didn’t know she can have that look. Namely in the first section.

3. Megane is a great equalizer. However Aki doesn’t look that good with them, not sure why. It’s more like, for boring faces, glasses add something; for great faces, it can equalize or add to. So generally you can’t really lose if you’re a seiyuu.

4. Speaking of looks, Minako still has the best face, in that she expresses well in photos, and can solicit a good range of feelings at least when I look at it. The other girls at best look “pretty” except Haruka, who can occasionally go beyond that. Occasionally.

5. But once we take into the whole package, Haruka still hands down wins. I guess you do have a much harder time to be a model if you are short, which both Minako and Ayahi are. I think they clocked below average even for Japanese girls.

6. In the same way, Aki looks pretty cool in some shots because she is taller, and it gives her body that balance that most seiyuu types don’t have. But I guess she still looks better not trying to stretch that.

7. In the same way, again, Haruka doesn’t do very well when she tries to. I haven’t had the opportunity to look at her photo books but from what I saw from scans, yeah, she tries and it doesn’t work that often.

8. The prom shots are still the best overall set.

9. I like Minako’s twin tail shots in the school outfit set, there’s just something with that hair.

10. Everyone’s seen that picture of Haruka looking calm with the white dress, it is one of those examples when they keep it simple, it comes off very well.

11. Ayahi in the kimono shot is LOOOOL. I thought she also look way better in candid shots.

12. Every musician type doing this kind of “business” should release a photo album/book that records all that stuff-concert tour goods, outfits, pictures from lives. It’s nice!

13. I totally like the title of the book. Not sure if it is, but it feels like a tribute to all the astro references. Like a page from Sora no Manimani (which was one of the first Sphere anime).

Going to end with an image and some discussion. This isn’t from the book, but it’s from one of the promo sets Sphere did this year.

This is one of those not-quite-candid shots where the girls need to express naturally, smile, all that stuff. It’s a fun picture, so it needs to look…fun. I think Haruka’s strength really comes through here since she is the best actress in the group. Aki always look pretty natural, so she automatically passes.

Minako is a little caught in between, but if you’ve seen her film you probably know she really can’t act anyways, so that much is probably just natural for her. However Ayahi is just… well, she’s doing the right thing, but it looks pretty fake. The problem is the way we human beings detect facial expressions. A lot of it has to do with the way you emote with your eyes, how your face muscles move them while you smile. It’s like she needs to do this somewhat, and isn’t doing it.


Year in Review: Films

2010 is the year of films. I suspect 2011 to be not as bad, but probably on par, with 2010.
  • A rag tag gang of military men, nurse, spies, scientist, token kid and a Japanese joshikousei forms the gang of protagonists in the SF survival flick King of Thorn.
  • Join Shinko and Kiiko in their childhood fantasy of a rural Japan, with magic that takes you back even further, 1000 years ago, in this Ghibli-esqe tale of friends, growing up, and coping with the rapidly changing world in Mai Mai Miracle.
  • It’s Alice in Wonderland, except it’s the littlest penguin otaku known to man and a goblin named Chaley. This time the cute little girl has to save Chaley’s friends from the bully in the mysterious world, to fulfill the prophecy in Yona Yona Penguin.
  • High schooler Haruka falls into a similar rabbit hole and finds herself in the island of forgotten trash, and saves its population from exploitation in the story of Oblivion Island: Haruka and the Magic Mirror.
  • It’s called Redline because it’s fast as hell.
  • The Celestial Beings reveal their origin in the return of Gundam 00 in the Gundam 00: The Movie.
  • Tow Ubukata’s masterpiece, now in part one of three animated feature films: Mardock Scramble: The First Compression. Megumi Hayashibara returns as the protagonist in this adaptation of the namesake award-winning novel about all that 80s cyberpunk goodness.
  • Vash trashes up the badlands again in Trigun: Badland Rumble. The whole cast is back!
  • Does seeing Saber sick and heavy while wearing a pretty little dress get you excited? Then get to the theaters for Fate/stay Night: Unlimited Blade Works, the animated adaptation of the most exciting and inspirational saga in the Fate/stay Night storyline. Spoilers: let there be dolphins.
  • Join Alto, Ranka and Sheryl in the first (and soon second!) part of the theatrical retelling of Macross Frontier: The False Songstress.
  • The world without Haruhi is one that is calm, peaceful, and full of collarbones. Find out why in The Disappearance of Haruhi Suzumiya.
  • Learn to make friends with the friendliest little girl by seeing her in action in Magical Girl Lyrical Nanoha: the Movie. See Nanoha and her magical ferret Yuuno make their first friend, complete with full body transformation scenes and over nine thousand in power levels. Learn the reason why fans call her the White Devil.
  • It’s called Strong World because the critters are hella strong! See Luffy and the Straw Hats in their latest high-budget bind as they rescue their navigator in a pinch in One Piece: Strong World!
  • She may eat books, but she is the nicest girl you know. Find out how this mysterious being saves a girl from her self-destructive ways in Bungaku Shoujo: the Movie, the theatrical animation adaptation from the same-titled light novel series.
  • Catch the exciting finale to the Noblesse Game in the two-part theatrical continuation of Eden of the East: The King of Eden and Paradise Lost.
  • Do you enjoy the Time of Eve? If you do, definitely check out Nagi’s coffee house now in its theatrical rendition, with over 12 minutes of new animation in The Time of Eve the Movie.

Damn, that’s a lot of movies. And damn, I’ve seen too many of them.


On Shopping Lists: Consumption with Monetary Costs

In our media-rich economy we do a lot of economic pushing and shoving (read: consumption) that revolves around the media. In other words, we buy and sell a lot of things because of media. Usually just buy. So in the two circles of blogs that I read, which are anime/manga types and gadget/personal electronic/tech blogs, shopping guide for the holiday season is not uncommon.

Shopping guides are something worth thinking about. At some level, core otaku fandom has to have a “monetarily active” wing of it that is focused on consumption. In the stipulated context of available and free programming it is all very natural. It would be no different than being a fan of, for example, Glee. That is a foundation in which we build a perspective about Japanese anime fandom.

For Americans, it’s definitely not quite so much the case although some generations of fan do come from that. Those who caught it on Sci-Fi, or those who caught Sailor Moon, or those who saw Speed or Astro Boy, and so on, are not too different as they start. However the focus on the fandom soon shifts from that.

I would go so far and to say that American anime fandom is overly concerned about consumption, and not enough about what they are consuming and why that is the case. I think the anti-moe thought has at least challenged some people’s notion of that, but that is just one opinion in a sea of them.  I think a big reason why this is the case is because that anime fandom in the west is rooted in that illicit but also low-monetary-cost, high-human-resource-cost form of consumption that is known as old school fansubbing.

And realistically speaking, consumption of anime as a pure medium is not where the money is. Anyone who’s seen Japan’s industry-wide reports about where the money is when it comes to anime/manga/game franchises know that it’s in merchandising. Or for that matter you can find out about this through any of the variety of books or websites that detail how mainstream anime business models are–often times they are ads for toys or for other products. The money is in those things. The animation is more of a vehicle.

As the difficulty of media piracy (and fansubbing) drops over the past 15 years, we see pretty clearly that the nature of consumption has changed among fans. More importantly we also see the nature of consumption changed among some non-fans, or specifically, pre-fans and casual fans (that’s an oxymoron amirite). I’m talking about people who are not quite fans, but those who did grow up watching Pokemon and is otherwise curious about a couple franchises. We’re talking about the average Millennium Generation American. I highlight this group just to note that the problems they bring to the table is mostly unique to them, but being such a large group of people, it also presents an unique challenge for companies trying to make money off them. This is where we can segue into a rant about New Media and what have you.

But those fans who actually spend a ton of money, at least before 2002, would remember the days where buying VHS at $30 a pop for 2-4 episodes is piece of cake since you were spending several hundred up to the 4-digit range regularly on imported LDs, and more importantly, shipping (or worse, plane rides). Today we enjoy luxuries such as DVDs and Blu-Rays, and better shipping (though the exchange rate right now is horrid, and nowhere as cushy as the 120+ to 1 valuation from the 1990s) options. Online sites provided easy access to Japanese goods versus human proxies that you had to contact by phone or mail. Life is good for the anime prosumers today.

In as such, writing a shopping list for the average English-language internet user in 2010, even in the world of anime and manga, is kind of “mainstream” don’t you think? It’s no different than making one for sites like Engadget or Kotaku. When I wrote mine I thought about things I actually owned or would like to own, and had some kind of novelty factor that made writing and reading about why I own them more interesting than their intrinsic value. Except the Detolf. Because that’s just one of those “if you knew about this, you are truly an insider, a 仲間, the real deal” kind of thing that more people should know. And you should know; it’s not really a gift-giving kind of thing, it’s more a “better living in 21st century as a geek” kind of thing.

For the real you-should-buy this holiday season kind of list, everyone who really needs it has it, and if you’re shopping for one of those people, you can only ask. I mean my list would be like, “hey, go to j1m0ne’s blog and pick something.” Most genuine anime fans are pro at consumption; they  know what to buy (if they can afford it). The real adages about gift giving is true always–you just have to know who you are caring for.


Year in Review: The Funnies

Over yonder at the blog-in-data-recover, I’ve written a list of the amusing stuff that happened this year. I guess I could have added the bouncing boobs from High School of the Dead on the list because it’s one of those Grenadier moments. You know? Except it only looks amusing and really doesn’t do anything. I don’t think breasts are good absorber of recoil, and whats-his-face Komuro should have gotten beaten over the head by Miyamoto for giving her purple boobs. That’s just the beginning, and the one anime probably everyone watched (outside of JUMP crap).

This year is an amazing year for comedies in anime. While we never had an outstanding title this year on par with FMP: Fumoffu, there were scores of great shows that will make you laugh out loud. At least it made me. Then again I laugh a lot.

The one I want to highlight is Seikon no Qwaser. It’s like Yosuga no Sora but without the pretense of seriousness. Plus, it’s got none of the “boning your twin sister while your girlfriend (soon-to-be-ex) stands and watch, along with ero-minded Iichou-san” big ball of fire mess; or rather, how do you top that? On the other hand, I thought the “keeps on going” thing works better with Nao being boned and Sora watching, but that’s just how she is. Qwaser just has unslightly people being unslightly, mostly doing all kind of weird stuff that defies imagination. I mean in some sense, the whole walking-on-the-sex-scene bit was not unexpected. It’s gawking, but it isn’t out of mind. Stuff like boob hypnosis is.

It brings up this notion that you can bridge the gap between awful and comedy. It’s kind of like how Fist of the North Star is enjoyable, but it’s also enjoyable. You get what I mean? There are too many shows making that gap this year it is starting to bleed into proper comedies.

But with offerings like Seitokai Yakuidomo, I can’t really blame them.

To wrap this point up, I’m just going to say that 2010 is an abnormal year in anime comedies in that I’ve seen more moments in anime this year that made me laugh than probably 2009 and 2008 combined. Maybe it speaks as much to how bad 2009 and 2008 was in terms of comedies, but really, if you are not laughing this year, you are not watching the same anime I’m watching.

The sad thing is there really wasn’t just one show that stood out besides the Qwaser, which is remarkable for other qualities besides that it’s hilariously over the top. That it’s terribly hilariously over the top.