Category Archives: Modern Visual Culture

Kamichu Is Really Good

Working on my “short” list of things to watch when I have the time, as recommended by others and reaffirmed by my own investigation and feelings, I’m nearly done with this ZOMG HOW CAN IT BE show. Yea, Kamichu, the high-production-value slice-of-life series from 2 summers ago.

If you read reviews like how this guy writes it, then this sort of show will probably get labeled as some kind of “little gem,” “nice find” or something flattering but not really deserving your full attention. And case in point; he hasn’t even “found out” about this show yet.

And it bothers me–not that he hasn’t, but so few people did generally. And it isn’t really off to say that Kamichu is a “little gem” or what have you. To translate it into specific, non-layman,  critic-language, the overall enjoyment value (as Star Crossed seems to do reviews around that perspective) of Kamichu is actually relatively low for the mainstream viewer. It is by no means a page turner; it is very much a show aimed at an older crowd who knows a thing or two about politics, history, and their heritage (as Japanese…and maybe other cultures too). The fact that it’s about a bunch of 8th graders in Hiroshima back in the 1980s isn’t going to hit home for most people.

But to call it a gem is injustice. It’s not even a “diamond in the rough” but just plain-o diamond. It is episodic–so automatically that’ll turn away probably half of the western anime fans who feed on serial discourse and plot-driven stories. It’s masterful. It’s cute. It’s just oozing with goodness (albeit also often mixed with some sort of awkward pitch at…some kind of nasty subcultural segment–lolicons, sisucons, even hardcore Japanese right-wingers?). It wins awards.

Strangely enough I remained unconvinced of all the things I just said, in a way, at least until last week. Well, if you asked me back in 2006 if Kamichu was any good, I wouldn’t hesitant to say yes. But it wasn’t compelling for me; I had seen just the first half of the series at the time and while I can recognize that Kamichu is that rare little gem, it isn’t anything that special to me. Heck, it’s a 2005 series that I had seen only half of by 2007. I didn’t feel the magic.

But after watching the episode about Miko and Shoukichi I was floored. If Asatte no Houko episode 8 did anything for you, then you’ll see that this episode of Kamichu is a reprise (well, Kamichu came first), but with sugar on top. They managed to express as much in your usual 22 minutes of late-night TV as a typical arthouse OAV could.

And perhaps “arthouse” is the right qualifier for Kamichu. It hasn’t transcended below the ceiling of common, everyday sensibilities in the way how Azumanga Daioh (or better yet, Yotsuba&) was able to translate its strange worldview in a way we all understand. It paints a picture of adolescence that is wrapped and coated by its slice-of-life tension (ie. not much) and all that ZOMG-She-Is-God nonsense that is a little bit “out there” to say the least. But for those of us who can see beyond that, Kamichu is a masterful reprise of a childhood to remember and the fun people had growing up. It’s just too bad most people are hung up with the details, like myself, to go far enough and see Kamichu for what it is. But hey, I eventually got past it. Thanks a lot to those people who did see it and push it like the mad good anime that it is!

It easily is one of the best anime anyone can buy right now in the US I think. If you call yourself a slice-of-life fan, well, add this to your “very short list” already!


Phisicalqantity Alternation Natural Deconstruction Organized Research ARRRRGGGUUUUHHHH

Killing me softly with crappy Engrish, yep.

What’s in a name? A whole lot, if you are keeping tabs on the gay marriage debate going on in the United States. But Darker than Black’s wrangling of PANDORA is just plain gay.

The past semester at school I worked with a client who is an aspiring writer. She came up with all kinds of neat words that are mnemonics for phrases–all of them actually made a lot of sense if you read them in full. Well, no duh, she has to make sales pitches to potential investors and publishers (and lawyers) who will work with her and believe in the causes she is working for. And give her money. And she lives in an English-speaking society necessarily requires that, well, you can’t use Engrish if you are serious about being a writer.

Ugh.

The thing is, is it really that hard to come up with a good … thing for PANDORA? What in the world is “Phisicalquantity”? Why must you do this, Japan? There’s NO EXCUSES if like, half of your industry revenue comes from abroad. Especially with a title like this.

UNINSTALL, UNINSTALL.

I mean, I would have been fine if no one ever explains to me what the hell PANDORA stood for. I would have been just fine if I didn’t know what HiME stood for (although that actually made some sense), but the Engrish was a good LOL for a show that isn’t to be taken seriously. Maybe we shouldn’t take DTB seriously?

And you would think after decades of anime watching I would care less about this crap. But alas.


Minoru Shiraishi Makes Me Proud

…to be a fanboy.

Because, after all, that’s how we get our grooves on. There’s no reason to adhere some preconceived notion of protocol and trivia. Granted it can be tiresome and bad for our bottom lines, spending our time and attention on trivia and coining words and phrases on the border of meme and fad, walking that preciptious edge a step away from the bottomless abyss of intarweb lunacy.

“Rise up,” Shiraishi said. And I think we will respond.

It’s no surprise that Shiraishi talks about this so-called “tsundere.” Lucky Star pays attention to that sort of thing, and within the bounds of its suspended reality we have at least one. No surprise there, Kagami?

But a rousing speech from this semi-important gag character is the least you’d expect. Albeit it is still a bit of a genre trope… a celebration of geek independence. We speak our own language, breath our own culture, and produce our own information products.

Don’t let the elitist know-it-all get you down! Rise up, cling to your own sense of justice, but also reason grounded in common-sense! Talk about tsundere!


Top 10 Seiyuu I Feel Like Talking About

Endangered Behavior

No, I surely did not get inspired by people like these. To be fair, even if I wanted to I don’t really want to rack my brain and post pictures of my favorite anime characters, who they are voiced by, and all that pretty waste of time. Let’s, however, do talk about them. Fun stuff.

As with anyone in the know knows, there’s that makura talk with Arts Vision and how the now-ex-president took advantage of some women and girls exchange to help their careers. That’s just downright bad stuff. A lot of dirt, as a result, has been airing the past weeks. Zepy posted some interesting Yui Horie related news.

<Momotato> hmmmmmmmmmmmmmmmmmmmmmm

We even had this. I LOL’d. It really is fans doing what fans do best. It’s a dumb thing to do, but it’s so dear.

Not too long ago I talked about Yukana. Yea, she’s also a bit of a controversial figure. But given what’s been said it’s no surprise that she’s on Hashihime’s list. The power of ero compels you? What irony in light of the whole Arts Vision scandal.

To a different topic: How do you feel about Megumi Hayashibara’s return? Since the 90s she has been really the super-star-ish seiyuu that entranced all these semi-ex otaku. I have some friends who don’t really follow anime and this stuff anymore, but would still like to see her live, or something. I’m not sure how wonderful a concert musician she is, but I’m sure being the multi-purpose catgirl that she is, Hayashibara will rise to the challenge. Now if we can just find out the goofs who ruined her visit at her one and only US con visit in 1995. If you’re “new” to the scene, look here.

Anyways, I was looking up Rika Morinaga sometime when Simoun was airing. She played the very excellent role of Mamiina (Good Girl Salute! o/) and I realized she was in this …interesting space anime. But what really stood out to me was how she was in the DVD extra when the voice actresses (lol no guys on this cast) played various games. Looking her up, this chipmunk-faced actress is also a model and involved in some kind of funky indie stuff. WTH is function code? Gothloli music is really, really hit and miss for me. Check their myspace for samples. I pass no judgment at this time; but will probably remember to try to get a listen when their new/first CD comes out.

Music-wise, I haven’t really come across any voice actress who can captivate like Nana Mizuki does. I’m not sure what’s her trick, because when I watch DVDs of her live, it seems sort of meh. But like these guys, it works for me. Not unexpected, Nana Mizuki has also got a lot of range when it comes to voice acting, so I’m still waiting for her to bust open with some real good drama in a fitting show. It seems too often that’s the catch–with so many crap anime out there, it’s hard to find a good role in the first place; even harder to get that role. I’d be the first to say that a lot of anime she’s in are kind of crappy :(

Five more to go?

Speaking of voice actresses [ORLY], I think some people probably already said that the somewhat famous Mamiko Noto is doing one of her more entertaining roles since Mitsuki Ikuta, in Sola. Sola is the sort of show that nails me in terms of “WOW GOTTA WATCH” but “this is actually pretty meh” because of the TEROGE-ness of it all. Still I think Noto’s Matsuri has been wonderfully delightful, along with the somewhat explosive Mai Nakahara playing as her counterpart in the last few episodes. Do all Nakahara characters explode? I mean, sure, that’s part of the schtik in Higurashi, but… I still think Nakahara’s best performance was Mai in Mai-Hime, even if that’s sort of a crap show (in a good way). It really shows her range. Funnily enough, so does Matsuri and Noto. Is it possible to predict plot elements through the voice acting cast? I think it’s doable in Sola.

Speaking of range, I’m still a big fan (and I would put her in my top 3 in a heartbeat) of Houko Kuwashima. And for me it began from her debut role, Yurika Misumaru. Her radio-no-nonsense voice is sort of soothing, and it’s one great thing in Saiunkoku Monogatari. Those Claymore fans should note that Houko plays Clare. There’s just something to her voice. I don’t know. But thankfully that’s where it stops…her songs are so-so and she’s not the cosplay puppy that this grasshopper is. Keeps the import spending budget down.

Range is a subjective and somewhat illusive concept, if you ask me. Nor does it really matter. Satsuki Yukino visited the US few weeks ago (and I couldn’t go >_<) but even as masterful and huge-ranged as she is, someone like Shizuka Itou (who isn’t at all terrible, but not as good) can really, really hit the spot and get a lot more attention. I know there are a ton of people who watched Pumpkin Scissors probably just to unconsciously duplicate the same effect as listening to this CD. That said, Yukino is, from the reports, a very charming person in reality as well–overbearingly cute maybe. There’s something about the older-school seiyuu who don’t do it for the image-career track, but just because they like it. But, hey, Shinon is plain geek-sexy!

That’s 10. Let’s stop before I get out of hand and actually start to insult people who can insult back!


Missing

I miss Kotono Mitsuishi.

Kotono Mitsuishi is the best!

She hasn’t been doing a lot of voices lately. I realized this when I took attention on Yukana… Admittedly Yukana is a wonderful actress as well, but so few in the industry scratches my itch as well as Captain Ramius (or any of her other role) does.

It seems unnecessary to go into Mitsuishi’s extensive voice acting history. Well, it really is extensive and it feels better lived than read–watch the shows she was in rather than read about them. Hopefully if you’ve been following anime for a while you’ll had the opportunity to run into some of her more serious roles…Evangelion, Paranoia Agent, Noir, or Utena, for start.

And her crazy-insane roles that she’s probably more notoriously famous for. Mink, Excel and Ebichu to start. I like Celsia as well…

But yea, not a lot of shows lately. She is getting older (turning 40) and has a family and all. What can you do? What can I do? Sigh.

Go go Yukana!