Category Archives: Modern Visual Culture

Minoru Shiraishi Makes Me Proud

…to be a fanboy.

Because, after all, that’s how we get our grooves on. There’s no reason to adhere some preconceived notion of protocol and trivia. Granted it can be tiresome and bad for our bottom lines, spending our time and attention on trivia and coining words and phrases on the border of meme and fad, walking that preciptious edge a step away from the bottomless abyss of intarweb lunacy.

“Rise up,” Shiraishi said. And I think we will respond.

It’s no surprise that Shiraishi talks about this so-called “tsundere.” Lucky Star pays attention to that sort of thing, and within the bounds of its suspended reality we have at least one. No surprise there, Kagami?

But a rousing speech from this semi-important gag character is the least you’d expect. Albeit it is still a bit of a genre trope… a celebration of geek independence. We speak our own language, breath our own culture, and produce our own information products.

Don’t let the elitist know-it-all get you down! Rise up, cling to your own sense of justice, but also reason grounded in common-sense! Talk about tsundere!


Top 10 Seiyuu I Feel Like Talking About

Endangered Behavior

No, I surely did not get inspired by people like these. To be fair, even if I wanted to I don’t really want to rack my brain and post pictures of my favorite anime characters, who they are voiced by, and all that pretty waste of time. Let’s, however, do talk about them. Fun stuff.

As with anyone in the know knows, there’s that makura talk with Arts Vision and how the now-ex-president took advantage of some women and girls exchange to help their careers. That’s just downright bad stuff. A lot of dirt, as a result, has been airing the past weeks. Zepy posted some interesting Yui Horie related news.

<Momotato> hmmmmmmmmmmmmmmmmmmmmmm

We even had this. I LOL’d. It really is fans doing what fans do best. It’s a dumb thing to do, but it’s so dear.

Not too long ago I talked about Yukana. Yea, she’s also a bit of a controversial figure. But given what’s been said it’s no surprise that she’s on Hashihime’s list. The power of ero compels you? What irony in light of the whole Arts Vision scandal.

To a different topic: How do you feel about Megumi Hayashibara’s return? Since the 90s she has been really the super-star-ish seiyuu that entranced all these semi-ex otaku. I have some friends who don’t really follow anime and this stuff anymore, but would still like to see her live, or something. I’m not sure how wonderful a concert musician she is, but I’m sure being the multi-purpose catgirl that she is, Hayashibara will rise to the challenge. Now if we can just find out the goofs who ruined her visit at her one and only US con visit in 1995. If you’re “new” to the scene, look here.

Anyways, I was looking up Rika Morinaga sometime when Simoun was airing. She played the very excellent role of Mamiina (Good Girl Salute! o/) and I realized she was in this …interesting space anime. But what really stood out to me was how she was in the DVD extra when the voice actresses (lol no guys on this cast) played various games. Looking her up, this chipmunk-faced actress is also a model and involved in some kind of funky indie stuff. WTH is function code? Gothloli music is really, really hit and miss for me. Check their myspace for samples. I pass no judgment at this time; but will probably remember to try to get a listen when their new/first CD comes out.

Music-wise, I haven’t really come across any voice actress who can captivate like Nana Mizuki does. I’m not sure what’s her trick, because when I watch DVDs of her live, it seems sort of meh. But like these guys, it works for me. Not unexpected, Nana Mizuki has also got a lot of range when it comes to voice acting, so I’m still waiting for her to bust open with some real good drama in a fitting show. It seems too often that’s the catch–with so many crap anime out there, it’s hard to find a good role in the first place; even harder to get that role. I’d be the first to say that a lot of anime she’s in are kind of crappy :(

Five more to go?

Speaking of voice actresses [ORLY], I think some people probably already said that the somewhat famous Mamiko Noto is doing one of her more entertaining roles since Mitsuki Ikuta, in Sola. Sola is the sort of show that nails me in terms of “WOW GOTTA WATCH” but “this is actually pretty meh” because of the TEROGE-ness of it all. Still I think Noto’s Matsuri has been wonderfully delightful, along with the somewhat explosive Mai Nakahara playing as her counterpart in the last few episodes. Do all Nakahara characters explode? I mean, sure, that’s part of the schtik in Higurashi, but… I still think Nakahara’s best performance was Mai in Mai-Hime, even if that’s sort of a crap show (in a good way). It really shows her range. Funnily enough, so does Matsuri and Noto. Is it possible to predict plot elements through the voice acting cast? I think it’s doable in Sola.

Speaking of range, I’m still a big fan (and I would put her in my top 3 in a heartbeat) of Houko Kuwashima. And for me it began from her debut role, Yurika Misumaru. Her radio-no-nonsense voice is sort of soothing, and it’s one great thing in Saiunkoku Monogatari. Those Claymore fans should note that Houko plays Clare. There’s just something to her voice. I don’t know. But thankfully that’s where it stops…her songs are so-so and she’s not the cosplay puppy that this grasshopper is. Keeps the import spending budget down.

Range is a subjective and somewhat illusive concept, if you ask me. Nor does it really matter. Satsuki Yukino visited the US few weeks ago (and I couldn’t go >_<) but even as masterful and huge-ranged as she is, someone like Shizuka Itou (who isn’t at all terrible, but not as good) can really, really hit the spot and get a lot more attention. I know there are a ton of people who watched Pumpkin Scissors probably just to unconsciously duplicate the same effect as listening to this CD. That said, Yukino is, from the reports, a very charming person in reality as well–overbearingly cute maybe. There’s something about the older-school seiyuu who don’t do it for the image-career track, but just because they like it. But, hey, Shinon is plain geek-sexy!

That’s 10. Let’s stop before I get out of hand and actually start to insult people who can insult back!


Missing

I miss Kotono Mitsuishi.

Kotono Mitsuishi is the best!

She hasn’t been doing a lot of voices lately. I realized this when I took attention on Yukana… Admittedly Yukana is a wonderful actress as well, but so few in the industry scratches my itch as well as Captain Ramius (or any of her other role) does.

It seems unnecessary to go into Mitsuishi’s extensive voice acting history. Well, it really is extensive and it feels better lived than read–watch the shows she was in rather than read about them. Hopefully if you’ve been following anime for a while you’ll had the opportunity to run into some of her more serious roles…Evangelion, Paranoia Agent, Noir, or Utena, for start.

And her crazy-insane roles that she’s probably more notoriously famous for. Mink, Excel and Ebichu to start. I like Celsia as well…

But yea, not a lot of shows lately. She is getting older (turning 40) and has a family and all. What can you do? What can I do? Sigh.

Go go Yukana!


Science Fiction Anime

You can always fit a mecha in any anime

There are a lot of anime with a sci-fi backdrop. And I mean a lot. Some are silly little things like Aria and Manabi Straight. Some are long and grand like Legend of Galatic Heroes and all those Gundam shows. Some are sort of pandering like Vandread or Gravion. Every once a blue moon we get a mind twister like Serial Experiments Lain or Megazone 23. But more interestingly, we’ve got everything in between as well, as anime in a science fiction setting.

Trying to pin it all down is sort of hard, at first glance, but somehow it feels like they fall into three, non-exclusive, all-encompassing categories:

1. Drama-oriented. I’d squarely put shows like Manabi Straight and Gundam in here. Often times the plot revolves around some sci-fi/fantasy device based on the setting (eg. hijacking a school-wide video podcast or fighting some never-ending war between Earth and the Colonies), but for the most part the viewer can give a damn about them. In other words, these are the same old stuff, but lightly flavored to give us something special and neat. Some other examples would include Utawarerumono or Eva; LoGH is totally a space opera show, for obvious reasons. Tenchi Muyo is a franchise that, for practical purposes, is a Star Wars rip off…and no one cares. We just care who gets to sleep with the guy.

2. Setting-oriented. To be fair, setting here includes also the subject matter for discussion. Feeding the gnome-sized Tom Clancy fan in me, GITS:SAC is a whole lot of fun because of that elaborate geopolitic backdrop in a what-if future that’s all too humorous. It’s what makes Starship Operators so awesome, partly because of the politics but also of its focus on low-tech space warfare. Everyone’s favorite PLANETES does this very well. Last Exile has cute characters and developing personalities, but the steamy setting takes your breath away. Early and late episodes of Evangelion really hones in on this as well.

3. Idea-oriented. Here I’d categorize any show that harps on the idea over the substance of its setting, and the expression of the central idea(s) shadows the character drama. GITS is a bit in this realm, especially if you’re talking about the theatratical films. Serial Experiments Lain seems apt. Bubble Gum Crisis, maybe; but it really relies on the setting as well. Maybe the Eva movies.

Some anime are really strong in all three departments, but I think all sci-fi shows fall into at least one category. Just to practice on a few, something like Haruhi Suzumiya would be sort of setting and drama oriented, even at heart the show revolves around one idea. The plot as a juvenile sci-fi mystery focuses on “what happens” but the viewers are also concerned about “who and who’s” relationship. Eva is in all three categories, but it really focuses on the drama to get its basic ideas across. When it does, the show goes postal. A show like Scrapped Princess is also very similar, structure-wise. It has a simple theme so it didn’t have to beat you over the head. The elaborate setting, like Eva, is to just reel you in. Ergo Proxy, Solty Rei and Kurau all have that fantastic setting to get you started but those shows are just character drama with a sci-fi mystery plot as hook.

I guess I’m just trying to say that all these three things are while present in the genre categorically, they serve very different purposes. Asking for one is not likely to help you satisfy the want of another.


Buyer’s Regret Strikes Back, Too

Maybe watching that expensive brick oft called “The Melancholy of Haruhi Suzumiya” volume 1 special edition from Bandai Entertainment USA can put Manabi Straight away for a moment. Oh how ironic that I turn to gnostic pleasures to forget my higher calling…? LOL.

Anyways, this post is sort of a review of that brick that got here. And in short, it is so not worth spending nearly 3x more money on the expensive brick. To put it in perspective, the limited edition episode 00 R2 DVD (volume 1) was 4600 yen, volumes 2-5 were 6600 yen each for the limited edition, and volume 7 LE was 4600 yen. If we exchange 110 yen per dollar, that’s only about 60-70 dollars to match MSRP of $64.98 times 4. Even if volumes 2-4 of the R1 release is $5 less, it makes you wonder if you get what you paid for.

Maybe I’m just slow on the uptake, but when Bandai reneged on the broadcast order thing, either I heard about it and paid it no mind (forgetting I pre-ordered the box), or just entirely forgotten about it. I was even looking forward to that…

Anyways, yea, buyer’s regret. But the main source of it isn’t because the DVD and R1 release was crappy (as it wasn’t–in fact I liked the dub a lot (but still hated Ryoko’s voice though…) and the production was solid). The extras was good and the box was…neat. What I hated about it was its … how should I put it… lame design. There’s no mind paid to how the box art should look, or the purpose of this luxurious box. Hey, it’s got magnets, yay. So I spent an extra $30 on that? It looks like someone went and designed a neat box mechanically and some doof just plastered official images all over it (when some of them I’d fully consider as SPOILERS?) paying no mind of the overall vibe the box gives off. I hate it.

But that’s no compare to what actually is contained inside the box. I never was a big fan of “worthless trinket” like the iron-on or the ribbon, although I’m partial towards the ribbon. Art collections like pencil boards or post cards are more my thing, but even then that just “tickles” my collector’s senses and unless you’re Range Murata you’re not going to see me jump after them. After opening the box I scratch my head, trying to ease that sensation of “I just got sooooo ripped.” It was just sad how, not unexpectedly, this fanboy got played.

To be fair, Bandai did one thing awesomely as far as the packaging: including the CD single AND ALSO RELEASING IT FOR INDIVIDUAL SALE at the same time. I’m so happy about it I bought the Hare Hare Yukai US release separately, because it was cheap and LOL, I’m just happy that this was possible.

Because it totally removes any reason whatsoever to buy those crappy boxes with nothing good in them.

Sigh. I wish more things were released like Scrapped Princess. Now those limited release box sets rocked the house. If you want my otaku dollars, you can’t just bank on the lame-ass collector’s mentality that too many of my peers suffers from. I’m more than ready to buy volume 2 in its simple, DVD-only form.