Category Archives: Modern Visual Culture

Rocket Girls: Wandaba Style Reprised

Wandaba Style was like shock therapy: you hurt so bad that you come to like it out of psychological desperation. Admittedly it has some redeeming value but only if you can pierce through the…noise. Wandaba Style is, for the uninitiated, the nightmare that spawned nightmares of Akira Kogami.

Rocket Girls, is, in some ways, the same flavor but without the noise. Our protagonist is a very spirited young woman who has discovered that there’s more to life than the dutiful society that cradled her for 17 years. Taking her no-nonsense mother she became the first teenage astronaut. Why a teenage astronaut? I don’t know; but the last 3 episodes proposes some kind of a rationale. Unlike shows like Stratos 4, RG is not pretentious. And unlike Stratos 4, RG is a bit more appealing to realism…even if it’s more ludicrous at times.

I think there’s some kind of charm coming from the overall team of the cast. While the large bulk of the show focuses on Yukari, Matsuri and Akane, it’s the most enjoyable when the overbearing Yukari loses some of her lines to the workers on the island base. Once Matsuri joined in, things got into a good balance and I began to be able to tolerate Yukari better.

It was hard to write about Rocket Girls. It’s a fun show but somewhat uneven at times. It tries to be heartful but it makes you wonder if it works or not. It’s not exactly high profile, and it’s comedy nature only makes it feel cheaper.

What it was, at the end, is a show about growing up and accomplishing something. I think that much was a “mission complete” for this little anime otaku piece. Not much in terms of anything else besides a good tease, maybe.

Without having to drive its viewer insane,  I suppose.


Manabi Strikes Back

The Amused Muse

Unfulfilled, overbearing desire breeds moments of idiocy. But sometimes, it can be confused with the muffled cries of the Muse, opening doors you were too afraid to open for one reason or another.

This post has turned from vision to creation. Hosanna (work in progress preview, 39.5mb Xvid). My first AMV EVAR zomg.

Manabi Straight Banzai!


A Memorable Sky

Cuteness doesn't go far.

It’s not just about Manabi Straight anymore, honest!

The realization came when watching Sola 7 – the show has changed from that mysterious lukewarm eroge-anime-wannabe to …well, a more memorable eroge-anime-wannabe. Realizing the show has “gotten good” it sort of poked me into thinking about how it did so.

But first, it wasn’t so much the show has gotten good, but rather that it has gotten somewhere. Sola is still a show cloaked in mystery and they managed to reveal as little as possible without making it like Higurashi. But what’s great about Sola in the first place is that it isn’t the mystery that is driving the viewers, but the characters and their unsettling relationships. It’s not the same as how NHK ni Yokoso is memorable because that’s just shock and “interesting social issue.” It’s not the same as how Paprika is memorable by being “very pretty and thought provoking.” It’s not even like how Toki wo Kakeru Shoujo was memorable as charming and moving. Sola is memorable because it is “unexpectedly charming” and “cute.”

And I don’t know about you, “cute” doesn’t go far for a redeeming trait for an anime. It’s almost a genre definition. To be honest I don’t know what would go far, as people find different things to be remarkable and memorable. But one thing that makes memorable is something that echo with the audience’s experiences in a visceral way. Like FLCL’s first episode.

Uninstall is a good example of being memorable in the short-term through something more visceral.

To be fair, Sola is still in limbo: it’s going places but where will we end up when we get off the bus? Will we roll out of a train wreck or get high like a cable car up Hakodate? And that’s the other sort of impression, the one a lot of us like: impression through superior story and theme.


Cherry Blossoms United

:3

This is just a list of really neat things that I’m putting together (with help from many others; you know who you are) that makes Manabi Straight’s ending such an awesome experience. It’s proudly a contender for my Best Ending Evar.

Needless to say, SPOILERS. But such good, warm, fuzzy spoilers.

  • Loli’s in a Mini.
  • The realization that the outfits they wore in the OP are the same as the ones in Mikan’s return, and Mikan’s outfit was the same with her outfit in her dream from episode 7. Plus that the OP actually took place in the show’s continuum!
  • The most awesome and meaningful Victory Pose.
  • The guitar riffing with Mikan’s feet.
  • The guitar riffing + special ED + what happened to everyone afterwards
  • Momoha’s publication.
  • A Happy Life.
  • Mucchi and Mei fussing in traffic on the way to the airport.
  • The scene on board the train; not just Mikan’s tearful reprise, but how it answers the question implied in episode 1.
  • Manabi’s hovercraft.
  • “Sempai” talk.
  • The allegory of a cherry flower in bloom (see picture below–configured like a cherry flower), how in episode 11 (which is where that picture comes from) was the blooming, and episode 12 they part (in which you see plenty of fallen blossom) like cherry blossom in season (see episode title).
  • It’s still extremely cute.
  • A lot of Momoha lines.
  • Merorin Q!
  • Completing the humanist message.
  • Mei and Takako in the credit roll.
  • Tagging up their alma mater.
  • Resolving Mika’s dream in episode 7.
  • :3
  • The sweet sorrow of parting.
  • The clapping.
  • “Do you enjoy your happy life?”

Damn you Funimation, better get on with it!

Feel free to add your own to this list in the comments or anywhere!


Re: Heroic Age 7

I guess this needs a comment.

[your_mom] delivers!

“Did anyone notice DNA‘s ass”? You bet I did. Actually if you paid attention the past 7 episodes you would realize depending on the angle of their butts, definition vary. And this applies indiscriminately to all the characters in the show. Normally I’d chalk it up to cheap production values; after all this is not a show that is suppose to wow you with great animation; it’s by all means pulp space opera. Naturally when you just want to get some character on the screen, you pay attention to their upper body and face, but their lower body is mainly just for walkinglooking like the character is like a human. How do you draw flabby or flat butts anyways? Throw two generic curves in and we’re all set! At least she has correct looking chops in the OP.

Of course, the comment comes in an inopportune time, in my opinion. The end of episode 7 was fairly impressive; unexpectedly finding help in the form of the largest-boobed fleet commander (am I making an accurate statement here?), right after some awesome Iron Tribe fireworks is something refreshing and “yay.” And if you’re like him:

You know where your eyes are pointing at.

Yukana is Love

So I guess it’s only because I’m watching episode seven for the second time that I actually paid DNA’s ass any attention.