Category Archives: Modern Visual Culture

Hataraki’d Out

What sort of irony is it that I relax to episodes of Hataraki Man after work?

That said, this is one show that is full of ironies. And in a way a very much a show after my own personal experience (and all too common of one). If Matsutaka’s episode-ending statement in episode one didn’t grip you, you probably would have given Hataraki Man a pass?

Well, regardless if you do or do not, be wary that at the end of this TV series there’s a very down-to-earth reality check. Coated with somewhat unreal circumstances, as anime often do, but one that brings this series some street cred. In some ways the Dilbert-esqe experience check is required for full enjoyment of this office interpersonal drama, it probably will appeal not to just those who are dealing with it or have dealt with it, but more so to those who struggles with these fundamental issues in a more honest manner. How do you live your life?

That said I’m not even sure the typical blog-reader would care for titles like this; it’s designed to give realism and express through a cartoon-like exaggeration that makes this all the more charming (instead of the slapstick delivery real actors would have to do for the same) than a live action show. It’s not that it couldn’t be done, of course… But these characters aren’t drawn to be fap targets, so right off the bat there’s a lot less to distract the viewer.

Slogging through the episodes, now that I’m done with watching all the fansubs (a probable requirement for full enjoyment of the show), that exact question bothered me repeatedly: just why is this show animated? Perhaps the answer I drew up didn’t satisfy me, but somewhere between my 2D complex and being distracted by people and not drawings of people lies the key. It smells a bit like loneliness, but even that is ironically appropriate for a blog entry about Hataraki Man.

Just that, if I were you, I wouldn’t take any of the advices it gives seriously, as true as they may seem…

Candid Advice


In the Stillness, There Is Big Hair

While I am no less vulnerable against the sensual, frilly designs sported by Touka Gettan and Carnelian’s usual fare, I am very sensitive about hair.

Witches of the West

In brief, most anime character designs rely on hair as the primary distinguishable trait. If you’re a Touhou fan, you might notice this is a very visible trend for the mass number of Touhou characters. It just sort of bothers and intrigues me that the same works for Carnelian’s characters. I guess that is why I’m still watching the darn show. (Well, I suppose all the fanservice does help.)

The similarity doesn’t stop there. The frilly tresses and flowing bangs and the curious headgear on top of the mystical, miko-ish motifs. In fact, aside from the fan-injected nature of the characters themselves, I can see how even the feel of Touka Gettan can translate into a Touhou anime.

So… yea. This is what I’d like to see if there’s ever a Touhou anime. Somehow I get the feeling it might not be such the case for the various Touhou anime projects.


Seasonal Impression Mashup

“Anything you can do I can do better!”

“I can do anything better than you!”

“No you can’t.”

“Yes I can.”

“No you can’t.”

“Yes I can.”

“No you can’t.”

“Yes I can! Yes I can!”


Red Garden Salad

She's not Alice

Red Garden is a very much, mixed bag. To get it out of the way, you should know that the 22-episode TV run does not resolve the story entirely, and it continues on in OAV form slated for August of this year.

But I think I was pretty satisfied with the run. It didn’t stray from my expectations, and it was an entertaining climb to the climax when the series shifted gears at around the half-way mark (accompanied by a new ending that clued us in as to its theme).

Actually, if I had to draw comparisons to Red Garden, it would be with Gilgamesh. If you enjoyed Gilgamesh, you probably will enjoy Red Garden as well, I guess; the persona of Kiyoko is split amongst our four protagonists, and you get the Countess in all of the female cast put together.

But unlike its post-apocalyptic slosh of Babylonian decadency, Red Garden paints a very…weird picture of upper-class NYC urban utopia? I suppose having first and second-hand experience with a lot of the stuff in the show makes me look at it with a particular bias, but I think it’s quite safe to say that don’t believe a thing from Red Garden that actually is true in New York. Heck, I’m not even sure they got Coney Island right, and that they can just mimic from actual films!

Aside from the general dysfunction and failure for a Japanese anime to mimic American urban life (looks like they just used Tokyo urban life for the average Japanese and added a few NY quirks to it), the show has a bit of pacing problem. Part of it comes from its unusual homage to musicals, music, and the dramatic. For one, what the hell was with breaking into songs in the first 4 episodes? I guess, sure, music does play a big part in the show, in setting the mood, in cluing us in from the OP and ED themes, and some of it is even substantive (like in episode 23), but…? I don’t get it.

Well, enough slamming. I thought the show ended much like how a classic tragedy would. Once they opened up the can of feuding clans and ancient curses, I didn’t expected much aside from a classic, Shakespearean brawl (complete with tragic dying speeches) to put it to an end. It was amusing, it was dramatic, it was a bit of a farce (but not as bad as Gilgamesh), and it was solid entertainment. Nothing less for Tomohiro Yamashita I guess.

And not only that, it’s well-decorated. The JP site has some sets and designs for you to browse through. Just how many outfits did Claire go through in 22 episodes? God knows. I can really dig some of those Homepage illustrations though… Hrm.


Yukari: A Stylish Rocket Girl

I don’t know how hard it is to tell geography by visuals when you’re in low earth orbit, but Yukari can do it. For some reason I got the impression that it is rather hard? For one, you don’t look at things north-up.

Eri Sendai’s performance as Yukari Morita in Rocket Girls is strangely familiar with a pinch of indignity and mild irritation. It took a while for me to find why but I narrowed it down to her role as Yuuhi from Neo Ranga. And in some ways, the mean streak continues on with Yukari when she fights and consents to the various trials and strangeness that makes a high schooler going into space something to be taken slightly more seriously (than not at all). More than a bunch of washed-up idol singers, at any rate.

But in exchange, maybe Matsuri should be in Wadaba Style instead? Maybe Rocket Girls should make reference to Lisa Nowak? Anime fans like determined girls with a streak of insanity, I suppose?

In some ways all of this pseudo low-tech sci-fi gets on my nerves like a confused bee grazing under a blooming Spring sky. Is it like Gundam? As in, an event several decades ago that changed the minds of the animators and creators forever? Are we bridging that gender gap? My parents saw the momentous Apollo 11 landing broadcast live across the world and told me about it when I got older, and most of you reading this blog probably hasn’t, or too young to remember. Is it just a staple genre that old Japanese guys buy to remind them the memories of fascination and dreams they had as children? I don’t know.