Category Archives: Modern Visual Culture

Manhattan-Run

HD does this regularly, and it’s rubbing off on me. I hope this is the only kind of thing that does, and the only time I do it. But here goes: an excerpt of my NYC Manhattan shopping guide or what I did last Saturday.

Golden Triangles Everywhere

Speaking of triangles, East 41st and 5th, 45th and Madison, and the Rockefeller Center are the points that form my main shopping triangle in midtown Manhattan. It’s not that you can’t get good stuff elsewhere, but these places are where you’re going to get anything authentic at all with a real selection in the city, AFAIK.

Personally I like the Bryant Park area–free wifi, a Chipotle near by, and the home of a freaking large library. On top of that, it’s conveniently located between Time Square and 15 minutes by foot to Penn Station. Well, most of midtown are all close to each other, so that’s not something that special–it’s like saying there are Starbucks near it (which there are).

Well, who am I kidding. I like it because Book-Off is right next to it. It’s nice when Japan’s largest used media chain opens a store in the middle of the city (inside a half-block of other Japanese establishments). And I stress “used.” You can actually pick up a lot of used English-language stuff there; all kinds of books and CDs. I was close to picking this up for $3 today, for example. Book-Off, despite its fair inventory, is very much hit-or-miss when it comes to looking for a purchase-worthy CD or DVD (let alone a particular one you want). Its main strength lies in its superb manga collection–easily the largest Japanese-language manga depository in the greater NY area. Nonetheless because everything is used, it is super affordable. God bless the First Sale Doctrine. I think almost half of my import CD collection is from Book-Off. I snagged nice CD sets or that super-rare Out-Of-Print CD more than once. I think I spent a good amount on artbooks as well.

From East 41st it’s a brisk 5 and a half block uptown to the reincarnated Asahiya. In 2003(?) Asahiya’s old storefront in Manhattan closed down. However when it reopened mid-last year, I didn’t find out until earlier this year; a pleasant surprise it was indeed. The new Asahiya is located off Madison, which is way better than their old location off Mulberry, right next to Grand Central. That said my last shopping spree I took a different path, so we’ll revisit Asahiya after I hit up Kinokuniya.

Kinokuniya at Rockefeller Center has been a landmark for many years now. The walk up 5th from 41st takes you through some of the more glamorous shopping areas in midtown, which includes both a CompUSA and a Best Buy; two Borders; plus God-Knows-How-Many caffeinated beverage vendors and apparel stores. That said, Kinokuniya is much like Borders; it seems kind of lame to get your anime/manga/music fix there. Well, it’s not so bad. Kinokuniya is the largest corporate B&M vendor out of Japan after all, and being such a flagship symbol in midtown they’ve recently (well, for a couple years now) retooled their store to have a strong anime media focus. Well, it is a fad in the States, right?

That’s all good for me. Kinokuniya has probably the largest import artbook selection now (and as hard as I looked, never a copy of Flamboyant; but they have a couple of those coveted(?) Sphere++ for $47 a pop…). Blah. What’s more interesting is that they do make an effort to stock at least all the latest jpop hits, plus some of the more mainstream offerings (which made the Joe Hisaishi fan I shopped with splooged quite a bit) like a healthy dose of new game music and anime CDs from shows on the air (I didn’t know Re: Surface was used in Yakitate Japan! for example). Plus what you’d expect from a Kinokuniya in terms of Japanese manga and books, it also now carry a healthy selection of domestic anime and manga.

Kinokuniya still is a good place to shop despite their ridiculous prices. At the least, if not only because Asahiya charges more. However, when I was looking around at Asahiya, I felt the need to take a couple pictures just because they were total Kodak moments. First, I found a new copy of Masami Kobushi special edition. That may not be a big deal, but to me it is about as shocking as seeing your favorite musician’s picture on the wall of a restaurant you’re patroning for the first time. And it’s not just a picture, but it’s a picture of your favorite musician in a pose with the establishment’s owner. Complete with autograph.

I think I might have downplayed that analogy by quite a bit, but you get the idea. It’s way notable than finding the new Eureka 7 albums there (which was quite notable)–I didn’t know The Best Of came with a DVD (and ZOMG, goodies); and I was nigh close from buying OST2…I guess eventually. What’s probably just as shocking was seeing this. I guess this makes me an official Nana Mizuki convert? Or just to make the truthful statement that pirating mp3s make me end up buying them? Something in between. I guiltily paid for it, with little comfort knowing that the copy of Love and Bubble I picked up at Kinokuniya was $3 less than the one at Asahiya.

The other photo-worthy statement was just something words cannot describe. Typically all three of these stores are inhabited by native Japanese. You get the whole “Irrashaimase! Konnichiwa!” treatment as you pass through the door (at least in Book-Off). The cashier hands you your receipt and credit card with two hands and I get mistaken as a Nihonjin more than once. It’s often that Japanese housewives visit these places for leisure while their kids stew around at the children’s literature section. It happens that there’s a small TV playing Laputa (raw, btw) at the children’s literature corner at Asahiya, and there was a little boy about 3 feet away from the screen watching it. The TV was set up so it was embedded into a display so it looks like a part of a tree, and the display was set up to be a corner piece between two shelves. There are some carpeted steps (think of a swimming pool’s wading steps) leading up to that tree display. The boy (about 4′ tall) was kneeling on the middle step.

It was just messed up. Alas, words still fails to describe, but I tried. It’s a fateful reminder that worshipping materialism and anime is no good, even in fact that’s what we do often times. Don’t get too deep into it, even if culture programs us to!


Blogging 203 – Informational Virology and Introduction to Memetics

iHaruhi

Life exists in more than just the mechanical – it exists as information as well. History is important as well as memories; not only these things constitute the sum of our existence as a civilization and as each individuals but it is a thing unto itself. People who shares your memory lives on in your memory when they pass away in a very sensible way. Generations after generations may have come and past but they leave their fingerprint on everything they’ve touched for the next generation. Indeed, humans live to express, to communicate with the world and each other. It is an innate desire to produce something original and imaginative. The same fundamental force of nature applies to writing. It’s one of the primary way to express, and people have done it for millennia. It’s important to realize that the moment you put your idea into words and wrote those words down, it is just the first step to breathing life into them. In today’s mass-media-saturated world, it is easier than ever to breath life into ideas. Take William Hung for instance…

But I’m jumping the gun. If you’re familiar with this train of thought you should know what I meant. Ideas live, good or bad. How it lives and how long it lives are other kinds of questions. Below, we’re going to focus on how it lives, through the study of memes, trolling, and the meaning of…meaning. How do these things help a blog is up to you to apply them. Hopefully I’ll have some simple examples to show you.

Memes. What’s so fascinating about the modern use of the internet and the World Wide Web is the proliferation of memes. I think we can trace them back in the days when most people use the internet for email and usenet. IRC had a big hand at growing some of the key memes we still see today, such as l33t-speak and other memes that exists in form. Email and usenet memes tend to exist in the substantive, OTOH, as chain letters, things you email your friends because it’s a funny read, or even simple pyramid schemes.

That’s not to say, though, that meme didn’t exist or proliferated prior to the internet. What is special, however, is the internet’s ability to connect people not by geographical proximity but by thought proximity. When you look up something on the internet, odds are you are also thinking about it. Perhaps you are even interested in whatever you’re looking up–news, sports, a TV show, whatever. Odds are the funny email that got forwarded to you was sent by someone who thought you would apperciate it, or because you’re on a mailing list regarding something you are obviously interested enough to sign up with in the first place.

Memes, in short, are mind viruses. It’s a bit of a stretch to call them viruses, when in reality they are unitary ideas existing sort of like a virus–they sit just like every other idea on the text of a website. But when an “infected” person reads it, it triggers something which evokes this (relatively uniform and consistent) idea. When two people infected with the same meme communicate this trigger, they both will relive the meme. Furthermore, a meme by nature is replicative. Ideas by nature is diffusive and grows from person to person. A real meme, however, exists not just within the medium of communication (say, a sentence), but it becomes, in some ways, the medium itself (such as an allusion). Someone who doesn’t understand the meme, when confronted with a meme trigger, would ask for clarification and explanation, and the meme is passed on.

Memetics (the study of memes) is a relatively controversial and new area of study. For the most part academics look at it through the parallel of memes as organisms to microevolutionary mechanisms for biological organisms, but we don’t really need to go there. For our purpose we need to simply recognize that ideas that share much similarities tend to be accepted by people who already share other ideas that are similar (see memeplexes), and some memetic traits makes them more or less acceptable by other people, as well as changes the likelihood of replication of the meme both in terms of how fast it spreads and how long it’ll stay with us.

In detail, even if you and I are inundated by information everyday, only the ones we find interesting we end up remember, and fewer still are the ones we tell others about, or use in our writing. Schools and education is remarkable in that it innoculates us with a set of fundamental memes, from the ground up. However outside of that, and any self-learning that you do, not much will stick. What make these memes stick? What makes them worth propagating? How do different people measure this calculus in their heads?

Understanding memes is just one way to look at this age-old question, but understanding this framework yields some interesting answer to the same age-old question. We now turn to some real applications: Just what makes a good idea viable idea? Or in our application, how should we editorialize in the meta?

Trolling is just one of the many ways people use to pitch their ideas. However, a troll’s primary distinction is to rile up a reaction, not so much to pitch an idea. The subtle troll thus is one who shapes a meme through creating that allergic response a normal person has against trolling. It’s partly why Rush Limbaugh or Jack Thompson get their minutes of fame. More importantly let’s see how a memetic framework explains the power of trolls.

There are several ways why trolling is a powerful way to send out your message in a nutshell. Crafty writers all do this when they want your attention (the first and foremost element of a good blog is one that people pay attention to). It’s an easy way to take a carefully constructed counterargument or lateral attack and make it entertaining and effectively communicated (both are helpful to make your ideas interesting and easy to understand). An emotional response is also highly memorable (for a lasting meme) and it tends to get people talking about it (fast replication).

On the other hand trolling is only best in moderation. Excessiveness has its place but generally it only works if you are already building a memeplex (ie. preaching to the converted) or expressing it for its own sake (artistic). Otherwise it is likely to be not taken seriously (people will forget it over time) and it gives other competing memes more leverage over it (basically, makes your idea much less persuasive). Another way to see how trolling works is in a Marketplace of Ideas framework: the way you market your idea (trolling) should be tailored to who you are selling it to. You can make more people buy a less worthy idea by marketing it better, than a more worthy idea; and alternatively you can market wrongly and cause the same effect, as well.

One of the important lessons about trolling is knowing your audience. Anyone who is an experienced writer can tell you that. It makes all kinds of sense. Don’t troll if your readers are looking for affirmation. Do troll if your readers are looking to hone their edges. Make your memes meaningful and on the same wavelength as who you want it to click with.

With that we’re coming back to the heart of it–meaning. To people who are looking at simple means-ends communication (for example, “how to fix my computer”), that is easy stuff. But for people looking for more, it becomes an increasingly complex if impossible task to give them something really meaningful in such a package that they not only understand it, but apperciate it. Education is valuable to society because it provides a format to obtain meaning to the questions people have. Religion and culture are valuable to society because it gives meaning to asking those questions. Friends and families are valuable because they help you answer those questions.

But don’t get me wrong. Meaning is optional. An evolutionary perspective would say that a meme that survives best is a meme that makes the person who it inhabits lives and teaches the best. In that way memes that relates to happiness, health, and relationships easily are the most successful and popular memes. Anime bloggers stand zero chance.

But do they? Medical schools, for example, teach all kinds of information that only highly educated and qualified individuals receive, and these doctors practice those information for people’s better survival and physical well-being. However very few people, relatively, knows any detail about doing a hysterectomy (the 2nd most common surgery for women in the US). Many more knows who William Hung is. Why? Is William Hung more meaningful? Not by any means.

However the fact remains that knowing how to do surgery is something droves of intelligent people would toil over for years (in med school and residency) in order to be able to actually practice it. In that sense, these med students and residents are asking a different question than those who knows about William Hung. Is logetivity and physical well-being more important? In the long run, no, obviously. But in the short run, it is fairly irrelevant.

In that sense, a successful blogger answers the right question. The answer is meaningful only because the question makes sense. I can talk about how wonderful Jesus is all day long, but it means little to someone else; however if someone ask me about Jesus I can answer their question and there is some meaningful communication going on. In other words, the blog needs to connect with its reader on a much more fundamental level before a meme can successfully be transmitted. Remember the very beginning of this dissertation? The internet is a powerful tool in this regard precisely because it allows people who are already in the ballpark to look for other fans in the same. People who stumble on your site are likely already asking the same questions you are asking. Take advantage of that.

At the end of the day, looking at memetics tell us that sound writing advices from ages past are likely to last simply because they work empirically, but a theoretical confirmation helps us apply these techniques better. Importance of network, especially, is highlighted by looking how memetics affect your audience base. It seems that when it comes to blogging, word-of-mouth or comment-linking seems to be the better form of dissemination of memes rather than, say, Google. In the ever differentiation of blogs how we ask ourselves and how we ask of our reader becomes the key in defining a blog being what it is, as an editorial ultimately asks questions. Trust your readers, and they’ll likely to trust you back if you have something to offer everyone.


Mimei Sakamoto’s Waiwai Rant

I apologize; originally I had ready a different rant (but metaphysically related) about memetics, but this seems to be the hot news that came since last Friday. Or rather, by this Friday it won’t be so hot, so I gave it priority. Sorry to those who might wanted to read it because I told you about it earlier. Look at the funky-expressive Alicia-san and forgive my funky-blog.

The only thing gushing on here is the waters of Aqua...

The original news article is here.

I feel the need to expound on what many others have said, even if what Sakamoto is doing here is nothing really new. I wonder if she has any children of her own; it is something you want to drill into your kids’ psyche as Asian parents: take life seriously and don’t do the escapist thing.

Well, much good it did me. Anyways, the controversy itself warrants some discussion. The antagonistic patriot that champions personal freedom says that a healthy dose of trolling really brings the issue and its discussion to the fore. This is just that.

But even before we couch Sakamoto’s rant (or better put as HD would have it, Waiwai’s slanted sensational journalism, by the way, a well-constructed nitpicking if you care for a read) in the right light, I think no matter what your opinion is regarding the controversy, the fact you have one means it is warrant enough of the value yellow journalism (which is not quite where Mainichi is, yet) to society.

My view of the situation is that Japan is transforming socially. Ever since the 80s we have had waves of young people expressing themselves as youths would. Sakamoto’s perspective, on that note, is not only critical not of otaku, but of the otaku movement, and specifically the Japanese otaku movement. I get the feeling a lot of the criticism in the English language misses these two points.I also have to confess that I’m not at all familiar with the Japanese otaku first hand. Well, I do know one personally and while his English is not conversant, we do communicate over the internet with some frequency. He’s not a hikikomori, nor does he exhibit a lot of the serious otaku problems you see on TV or on specials or exaggerated in terms of out-of-place images (like a bunch of them with their hugpillows, for instance). What makes him representative to me is his attitude and his flavor in the media that he consumes: self-interested, puts society first, and distinctively pedophilic.

All people are self-interested to some degree. You can make exceptions but they are just that–exceptions. What does that mean in terms of a Japanese-otaku sense? That means they are not going to watch a show they don’t enjoy. They are going to be bothered by people they can’t stand (Genshiken has some great examples of this) or by certain kinds of behavior. They’re generally edgily passive-aggressive (as with the stereotypical Japanese). Empathy is only existent on a social level (as in, following norms) and even then it’s frequently used in a self-serving way.

And like many Japanese people, they treasure who they are in society. Kogals are kogals because they like that inclusiveness–kind of like how gangs work in the US. To that end we have J-rockers, gothlolis, people who are going to Toudai, etc. The otaku label is just yet another one of these things people wear. The only real difference is that today, with things like Densha Otoko, it is no longer wore as a badge of shame and disgrace (like being an ex-hikikomori). Otaku generally are shy, somewhat introverted, uneasy with girls, what have you–that’s just a commonality that separates jocks from nerds, if you want to use some different labels. That is not to say there are no shy jocks or aggressive nerds, but there is some kind of commonality that is shared within each of the labels in terms of personality that not only reinforces these behaviors, but badges them.

To that end, otaku do things otaku does, often because that’s what they are and what they do. They might line up for that new hot video game coming out the night before, for one. Or spend a lot of money so Hare Hare Yukai gets bumped up on the Oricon rankings. You know how it goes. The reality of it is also that they do things Japanese people do with a label–ride that group with pride; they don’t criticize themselves (even if there’s something obviously wrong), and generally don’t leverage that organization to their advantage. Politics? No way–that’s reserved for scums and untrustworthy people wanting to manipulate the public.

The bit of analysis that HD really left out that Sakamoto addressed (a little) in the article touches on this: because marketing and businesses of selling franchises are also of scums, untrustworthy, and they’re all about manipulating the public (at least, no more so than politicians). In this case, the otaku generation. Why do people spend their money on loliporn? There is a HUUUUGE industry for this crap, we all know. It’s not to say otaku are pedophiles, but there sure are a lot of pedophiles in the mix. Things like Negima is rather more ephebilophilc rather than pedophilic, but why do people spend money on this crap? Because that’s the “otaku” thing to do? I just don’t see any redeeming value in that. Ok, sure, it can be entertaining, and I am surely as guilty as any of them in spending money on guilty pleasures…but is that it? Is the economic power of the otaku (IMO their greatest asset) at the whims of dirty pleasures? Certainly a trip at the stores in Akihabara’s media stores will impress you in that exact way. What happened to the good, solid stuff that we westerners recommend to everyone to watch and read as anime and manga? Is that just assigned only to the mainstream?

Because if that IS it, then I’m 100% behind Mimei Sakamoto. It doesn’t matter at all about moe or syntax. It matters that this is a group of people who share beliefs that are just unfit and unhealthy. It is a real social problem, and while it may be brought to our attention because it trolls blanket statements like moe is pedophilic and otakus are lock-in scums, but just how close is that to the truth?


Schedule of Choice

Magipokan Illusion

Crazy wine people make wine tasting an experience in of itself. Enjoyment of wine can be casual and serious; you can bust open an affordable Californian variety to entertain, or something a little dearer like Chateau Margaux to share with someone intimate. Or as I know it, as a fund raiser.

The same can be done with TV watching. Indiscriminate use tend leads to brain haze and hours wasted (like alcohol!), but if you are watching for something very specific the TV potentially can be equally rewarding.

In constructing the framework I concede that anime on TV is just like anything else on TV. That’s not where I stand on the issue–films shown on TV isn’t the same as films shown in theatres, but for the sake of this mental exercise let’s just presume you consume anime like a typical North American–Adult Swim and other TV outlets, DVDs; and while we do watch them occationally through a club, a con, a movie screening, on the computer or iPod, it’s not in the scope of this exercise.

So with that out of the way, common sense dictates that you should spend good time to watch stuff you want to enjoy. If you’re going down memory lane and popping some classic show you own on DVD into the player, you can probably afford to do it wherever and whenever, because it is not likely to change the way you view the show and the show isn’t likely to affect you. On the other hand you’re check out some edgy new show you heard about being odd or visually weird, it’s important to keep a clear mind and be able to pay attention to the thing. Don’t do it while you’re half-falling asleep; or busy doing something else (unless it’s as important to you as that). The important thing is to understand like everything else you do, how you perceive depends on how much attention you give it; how much effort you are putting into perceiving and thinking about it; and having as little getting in your way as you can.

That much is common sense–it’s just a matter of thinking about it and realizing it and caring enough to do something about it. I think most of us watch TV the way we do because that’s how we treat it. But does that befit an otaku? Regardless of how much of a geek you are when it comes to anime, however, there are some much more subtle things you can think about too.

The expected audience. Believe it or not, not all anime are made by the same people, for the same people. Duh. Despite that (and get this), some shows can be very similar in terms of content yet are meant for very different people. There are genuine magical girls shows, and there are magical girls shows made for drooling pedophiles, for instance. There are angst-filled robot shows for teens, and there are angst-filled robot shows for adults. Get this right. It’s not to say just because you are category B and the show is for A, you won’t enjoy it–plenty of drooling pedophiles likes Card Captor Sakura and Wedding Peach. But those who like Nanoha A’s for its silent angst and 80s stylistic comments is going to find most other Magical Girl offerings quite the bore. This is rather elementary, and it ties in nicely with the next point.

It helps to know the broadcast schedule. More importantly, is this a prime-time TV affair or a midnight otaku-only sell? Take Eureka 7 for example, it’s got a primetime weekday slot. This kind of stuff you can show to just about everyone. By the same token Emma, the British Romance, by all means a much tamer existance, is a late-night show. What does that mean? Sometimes it can help you distinguish between “for fans” versus “for everyone” in the case of Card Captor Sakura, for example, but other times it gives you other clues about what kind of an expectation you should probably have. Now I unfairly used Emma as an example because it is rather the counter-example to this rule as it is made with a serious, and non-otaku appeal in hope that it can reach that market segment. On the other hand, this kind of thing is exactly the tip-off you can get by looking at the time slot. The most useful application of this rule applies in weeding out children’s programming. After all, large amount of TV anime in Japan is still kids programming in the most typical sense–think Dora the Explorer and their ilks. YMMV, anyways.

Prime your mind. When you’re sad, watch something either really sad or that will uplift you. If you’re low on attention and high on spazz, watch something spazzy and require little attention. Here’s a corollary, too: if you want to watch something slow, tire yourself out first by watching something else if you don’t feel like you’re in sync with that kind of pace. Sometimes by watching the OP instead of skipping it, that could also do the trick. Listening to the right kind of music beforehand also works, and I do this.

Mood is important when watching with friends. Some things are just funnier to watch as a group, but other things are easier to get engrossed with when you watch alone. Some things can come out differently depending on who you watch it with. Experienced and well-connected people can watch the same thing two different ways just with who they watch it with. High level technique! An easier application is when you want to show something to your friends. Be a little sensitive not only to their tastes, but also to their moods. This should be a no-brainer, but it helps if you ask.

And so is ambience. Keep things bright! I don’t get why North Americans dim things when they watch tube TV. I guess glare can be a problem but more often than not it makes you more tired while watching TV. Selecting the right show at the right event–party, background noise, whatever–takes just a little thought but can make a big difference.

Pacing is very important. Anime as a TV form are often aired weekly as 22-minute segments of actual material. Marathoning is rarely the designed mode to consume anime, as a result. If available, chart out good chunks of the show to watch, in pieces, if you know how the show will pace itself out. If doing an episode at a time is too slow, or you’ve hit a stretch in a long TV series where it’s just too slow/too exciting, use your flexibility as a home video owner to pace that so you can get through it faster or with more enjoyment. One thing to consider is to actually force yourself to watch climaxes that spans over episodes in pieces and not all at once. Sometimes it helps you enjoy the show more if you take a break and let your brain work over the material. It will help you understand the material and give you more insight to what’s going on. If it’s a really good show it will even challenge your imagination. I personally found that when you marathon a show you tend to not enjoy it as much because you don’t have the time to grow to like it. Of course that also depends just as heavily on what the show is doing, so I don’t know how much that is a real effect. Certainly, though, watching slower shows in small doses works much better.

Try to listen to it, too. Anime are often consumed with subtitles, but the music can make or break a show. Don’t skip out on it unless you’re sure you can live without it. On the other hand for ou dub watchers, voice acting can make and break a show too. Pay it attention, and experiment with the different dubs you can find on a DVD. In my own experience the dub track make pretty lame background noise if you’re the kind of person who always leave the TV on; but then again those kinds of people don’t nitpick like what I’m doing now.

There are a lot of other tricks you can use to suit yourself and maximize your enjoyment when you watch something. Most of these principles applies generally and doesn’t limit itself to TV watching nor anime watching. Of course, they’re all just things to think about and may not apply in specific instances. Friends don’t let friends drive drunk; friends don’t let friends waste time watching anime you recommended to them and end up “not getting it” either.


Ai wa Bubble Bubble Trouble

Magipokan Surprise!

Love is trouble
Love is trouble
Priced like truffle
We are baffled
Makes me babble

Love is a bubble
A growing puzzle
Poetry, a riddle
or bloggable hassle
Almost predictable

Love is trouble
A harem debacle
Male leads fumble
the romance polygonal.
Totally serviceable

Love is bubble
Just like a bubble
Pops like a bubble
Realizations subtle
We all roffle (anyways)

Love is trouble
A big trouble
Vampires cackle
Lycanthropable
A Hamster troubled?

Love is bubble
Plagerizable
Shoujofiable
All adorable
Loli? Certifiable!

Love is trouble
Love in a bubble
Expectation shatterable
Anime cliché-able
Call the blog constable!

Love is a bubble
Full of trouble
Ideals Romancible
All in a fable
Archtypical

Because, after all…

Love a riddle
A poetic riddle
Cryptic trouble
Magipokan babble
Totally blog-able

Love is Trouble
Copyrightable
And Parodi-able
Like Love a Riddle
An aural miracle