Category Archives: Modern Visual Culture

Sing, Sing Like You Want to Win!

Con season means karaoke season.

Demon-Possessed Bishoujo Band

Bakakozou had their fansub idol competition with e-cash as prizes. Oddly enough I actually heard of it in time before the contest started…if I wanted to participate, I could have. Alas, the trip was in the way so I didn’t do anything.

What’s much more interesting is this website. ZOMG. ZOMG again. HAHAHAHAHA. I just have to contribute something. And I did.

Since 2002 I’ve been doing one song (or more) at Otakon annually. I try to pay attention to various con’s karaoke setup (AN2006 had a karaoke hour 11pm on Friday, but I couldn’t go to that; partly because I just got out the car about then. The jrock idol thing was pretty ok and I was there for most of that). It’s a very different experience than some otaku singing in front of their computers by themselves and goof around with audio editing software. Live is better. For good and for evil.

But it’s just that much easier to sit in front your computer and belt out the words to some songs you don’t know that well. Heck, you can even use various singing aids. And it’s something people can point and laugh repeatedly! Better than my deserted and lost-forever karaoke website?

Enough. It’s time for action! Sing! Dance! Watch Evangelion!


The Raw Illiterati Conspiracy

Anime speaks a familiar tongue to me. The unspoken language.

Older Tiz

If you are like me, you are in good company. I mean, there are over 6 billion people in the world, but less than 1/40 of them speak Japanese. That’s right, 39/40 (and more) of the world population do not.

It feels like one of those “think of the children!” moment, but it is something to think about. We don’t really care that most people can’t speak Japanese, but if we were to concede that what makes anime anime is partly cultural, then it is speaking something that goes beyond the language and culture which rings true to those of us who can appreciate it and not being a part of its primary audience.

That seems like a handful. Let’s break it down.

In disguise it is a “what is anime” question re-visited, but what is unique about it? A cross-cultural exchange of the human experience isn’t unique to anime, but is there something about this exchange substantively different? Maybe, I don’t know. I know that some people ended up watching anime because it is quite different than what they’re used to see on TV, so there’s that.

In form, however, there is definitely a stylistic bend to anime that others are missing. The obvious one is what you see–art style. BESM and all that. But that’s kind of shallow: OEL manga is a good example how this is shallow (when it fails) or where the real difference lies (when it doesn’t). In fact, looking at it closely gives you a better clue to the gap between style and content and what makes anime (or manga) just that different. Serial narratives are also something fairly typical in anime but not common in the mainstream. The narrative styles and tropes, sure…

Does that explain why at all I post so much at the MT forums? Probably not.

Honestly, though, that’s not why I’m writing this blog entry. I want to document how someone who can’t speak a word of Japanese to save his life (well, I dunno about that) can watch raw anime and actually understand most of it. When I say most of it I mean it–most of anime series, most of an episode of an anime, most of the dialogues and certainly mostly what is going on narrative-wise.

Would this be true of an episode of Spongebob Squarepants? Dora the Explorer? Ok maybe for children’s programming…but The Simpsons? Futurama? Family Guy? Robot Chicken? Well, maybe it’s true for Over The Hedge or Ice Age 2, but how about Team America? I ask because I don’t know.

But what we could first think about is the children’s programming barrier. Presumably children’s animation are more visually expressive in terms of exaggerated motion to make sure the viewer doesn’t miss the visual cue. So when a show like Love Hina or Suzumiya Haruhi no Yuutsu is so expressive, they’re clearly meant for … you get my point. So is that because they are relics from anime and manga’s earlier days, that it was meant for children but the tropes and meme stuck on? Maybe.

But on the other hand some anime are not that visually expressive; or that they are more akin to acting? Jin-Roh comes to mind. It’s a fairly expressive film when it comes to character drama and the characters’ expressions. Or shows like Cowboy Bebop and Genshiken?

But that still doesn’t explain why it’s rather easy to understand these things. Maybe it wasn’t ever a hard thing to understand, after all? Or maybe it’s something that just comes to you after you’ve seen enough? Certainly possible.

But it is a silent conspiracy. A lot of raw watchers outside of Japan probably don’t really speak much Japanese at all. Why do we do it? Is the language just not a barrier? Or better put, is comprehension not a barrier? Or the fear of miscomprehension/incomprehension not a barrier? I imagine that’s one big thing people get hung up on, at least from the people I talked to.


Anime North 2006 & Miscellanous Canadia Lore

Kujian Cosplay Group

Toronto was like, the dark evil twin universe of The West Side. There were just too many odd things that happened outside the con-chasing chain of events while we were there. It started out when my friend told me that his two WoW guildies, natives to the locale and playing our tour guides, share names with myself and our third in the party.

I guess this is the second time I’ve been to Toronto ever, and it was pretty close to what I remembered a long time ago. Things has changed for the better in a lot of ways but I just went to different places this time. I could’ve spent a couple more days there, for sure. Maybe we’ll save that for a future visit. AN alone was more than enough, and plus what outings we did it was actually a packed day-and-a-half.

Going to try to do this con report slightly differently–hey, like a Character-Driven Narrative? I think that makes more sense this time around, partly because the three main characters (in this story) all had different agendas. Maybe I’ll toss it up like an anime website. Plus some fictionalization, yay!

Introduction

Anime North is this growing convention up in Toronto annually. It used to be this pissant little thing (like most cons) but where can the sizable Toronto population get their convention fix? Most East Coast cons are way down by VA or below and what little offering in the NY Metro area has been lackluster at best, leaving those Canucks in the cold. Toronto is a pretty nice city in its own right and the huge Asian population there demands some kind of anime festivity.

But why am I, an American, going to AN? Plus two others no less? We’re about to find out.

Characters

  • Zekmyr
    The main character in the story; in a lot of ways only because his disposition is neutral. Friends with Omo and Ming for a long time IRL. Somewhat of a new anime fan, as well, making that POV even more sympathetic?
  • KOTOKO
    The lead antagonist/female interest in the story. Concert musician from Japan. Has a posse.
  • Ming
    The fearless ranger and master of Canadian Lore. No “About” or “Eh” escapes his well-trained ears. Plays a raid-happy rogue in World of Warcraft in his second life. Well-connected with Canadians.
  • Omo
    The mastermind behind the plot, yours truely. KOTOKO fan and scores high on anime convention lore, at least he thinks so if such things exists.
  • Lord of All Evil
    The Inside Man. Little is known about this mysterious character.
  • Sinbios
    The Resident Comic Relief Maid Boy.
  • SS
    Plays the straight guy for Comic Relief, RL friend of Sinbios.
  • Hayama
    Silent yet infamous clutch comedian. Master of screen cap blogging and free porn game fans.
  • Ed
    Clutch translator of stereotypical proportions.
  • The Random Security Guy
    Nice con volunteer. A true fan. Bilingual and wants to get on in with LOAE.
  • Ex-Military Ops
    Ex-Military people. Communicates with hand signals. Comes with sunglasses.
  • The Geneon Guy
    Fan at heart but now a corporate interest. Master of rock paper & scissors.
  • The Crazy Fangirl Party
    This group of 4 fangirls, ages 16-18, is inseparable entity of MSN handle stalking glompers.
  • Go Nagai
    Old school anime con guest. Pimp.
  • DJ Izumi
    DJ and Master spinner of anime video/audio. Evil Man Maid.
  • The Good Twins et al.
    Ming’s guildmates and our tourguides.

Story & Episode Synopsis

Episode 1: KOTOKO’s harbringers came by and foretold of great fun and fortune and excitement. Like all good intelligent people, Ming and Zekmyr are skeptics of all harbringers, let alone this one. Omo tried hard to make it work–but most of the episode flashes back to a shared experience between Zekmyr and Omo a year ago with KOTOKO. Just what it was is unknown…

Episode 2: After some off-the-screen shuffle Ming mysteriously becomes pro-trip and Zekmyr joins the power of three on this journey. With mild panic at the national border all was well. Most of this episode features dreary landscape of western Pennsylvania.

Episode 3: Down but not out, the trio makes landing at the appointed hotel at the appointed time. Toronto is the land of free wifi and Omo makes contact with the Inside Man. Secrets and money were exchanged. The party ends the night at the inn with a shocking reappearence of KOTOKO, but she did not notice(?)

Episode 4: The new day was indeed new. Inside Man botched (but not his fault) so the party expended some of the local currencies in pursuit of underaged (yet legal) booties and badges. Lines were to be waited, free Full Throttle kept things upbeat and security guards confused. The episode ends as a cliffhanger: special KOTOKO tokens were needed to obtain entry to the Concert; will Hayama pull out something to help the gang when Sinbios and SS failed?

Episode 5: Plenty excitement is to be had when the three secure three of the last thirty Concert tokens. To that end, we split up and did the usual convention thing: dealer’s room. Advance reports from Hayama indicated a poor offering, and it was so. However expectations varied and Ming and Zekmyr nonetheless scored good loot. Omo grows wary, however, and tension is to be had. The group was brought together under the magic of clay dragons.

Episode 6: Lore of the Con says that lines are to be waited, so Omo split off in anticipation of KOTOKO’s coming. Zekmyr and Ming continued to chase underaged booties. Sinbios and SS meet with Omo. After a time Hayama returns to swap info with Omo, but resulting a partial mission failure as line waiting got slightly botched.

Episode 7: The line. Yep. Lots of pics but mostly line. Just line. A line. Inside man swapped more info. Anticipation. Line. At the end of the episode we slowly build up to the start of the concert. Inside Man guaranteed us front row seating. The Crazy Fangirl Party makes their debut.

Episode 8: Lots of jumping, pumping in the air, screaming, chanting, and adoring KOTOKO. And a lot of KOTOKO, too. A chat with The Random Security Guy kicks off the show with some honest to goodness words about fandom. Ex-Military Ops makes a showing too, just to expend budget. There was also glomping, tickling, being called names and not able to recognize people’s faces. Shouts to sit or stand? Glowsticks? So much in the climax episode.

Episode 9: Managing to lose the Crazy Fangirls at the post-concert exedus, the trio also managed to lose a chance to get KOTOKO swag. There were a lot of waiting but we scored autographs!

Episode 10: Recoperated and relocated–Inside Man goes to get drunk post-concert. We aim to not get outdone. Ming returns triumphant, as he usually does; Zekmyr and myself took it safe. The Good Twins et al. are great locals, and even offering us the meat market scene with their guidence. The food was good, girls hot, costs were sensible, and LOAE is a funny drunk.

Episode 11: Things come to an end. There were exchanges of thankfulness and hopefulness. More nice Chinese food was had. KOTOKO makes her last appearence at the panel; Zekmyr and Omo both won hoodies! Alas, goodbye Canada. Thanks for all the Hikkikomori encouragement!

Episode 12: The way home was much like Lando & Chewie in Episode Six. Except they just have to go very fast where as we have to go very fast and slow down when we see cops. We made record time, nonetheless, and had more fancy foods.

Episode 13: Happy end–the three celebrates the end of their vacation with a movie and meeting more friends in the local area.

Screenshots

Now Printing? Whatever. Check this website periodically for updates.

Goods

Samurai Champloo Hoodie (free!)
About a bijillion KOTOKO concert flyers (except I don’t have them anymore) (free!)

Yes, I didn’t buy a single merchandise at this con. First ever.

Links & Props

Big thanks to AN itself: its staffers and organization. To LOAE I owe my …something. I guess a future IOU if he needs legal advice or something. A <3 to KOTOKO and the guys who made it possible. A \o/ to the fans. Zekmyr and Ming both deserves lots of prop for good sports that are willing to spend more than 24 hours out of a long weekend on the road.


Speccing Idolmastery

It’s expensive. So expensive.

Aice5

It makes me want to cry. Chasing after these real things are worse than chasing after tornados or hurricanes, but probably more plesant. It costs airfare and pricy hotel spaces and friends and putting off what you ought to be doing for what you want to be doing. Sucks that they aren’t even that real. You can truely witness the awesome power of nature under a nice storm, but here you have a highly produced entertainer. Or someone who is only really good at what she or he does, and it just happens not to be a guest at an anime convention.

Every summer I hope “Okay, this year I’m cutting back on cons!” But for the past 5 years it just hasn’t quite worked out that way. To that extent I really just have to thank certain groups, like Geneon and Otakon guest relations to be able to deliver what I long to see.

The sad reality is that cons are time consuming and it cost a lot of money to go to them. It’s kind of worth it to take a vacation weekend every year, but 3? 4? I don’t know. Maybe I’m just a poor boy. But then again, it takes a whole weekend; rich people tend not to be free of a lot of those either.

This weekend (hopefully when you’re reading this) I’ll be at Anime North 2006 to enjoy a KOTOKO concert, and to hang out with friends. If I’m lucky I’d have scored some cheap Chinese food and met some new people. If I’m even more lucky I’ll truely, truely enjoy the convention. That is what I am after.


Partly Passionate Past

It is hard to part with the past.

Robin Sena

Especially when it makes a great story that others enjoy hearing. This is the story of Robin Sena for me. Often times when it’s playing on the screen, I just look blankly and smile. Thankfully I rarely see her on TV.

Oldies are goodies sometimes, when what the old stuff evoke isn’t some higher power brain function but a simple emotional response. It makes us turn into little kids. It’s quite different than what I think is “moe” or what is plainly attractive or sexy. This feeling is layered, seasoned emotion. You taste euphoria by remembering how it was euphoric. It’s like ABC gum, but the flavor never goes away. Or Star Wars: A New Hope. Or lazying around with some old friends doing nothing.

Or is it? I think when I rewatched Witch Hunter Robin last week as it was being rewatched by someone else (does that make me a mere by-stander?) I realized this show, vintage 2002, is really well done even by today’s standards. Maybe that’s just me watching my own DVDs for the first time (at least, the first time I remember it) and all I can mostly remember is my first impression from the off-air digisubs that made me a believer, but aside from the awkward lines here and there by the animator team trying to do Shokou Murase’s designs justice…it looked really nice.

I think all fans have memories like these that make them the type of fan that they are. Come to think of it, the gothloli fad was making its way just about then in Japan in force. Maybe I have this show to blame for my strange, elegant slant. In a way this is really the kind of idol-effect that I really need to be aware of. Naturally what I adore, I praise and follow…

It all makes sense. Genres are pioneered by massivly popular hits into the mainstream. Gateway drugs-type experiments open the door to greater differentiation and diversity (and more gateways) when they’re successful. We all have to thank Astro Boy? What and who is responsible for all the lolicon in anime? If we can trace it, that is.

Sitting Pretty & Slacking

Yurika Doujima: …
Robin Sena: …
Yurika Doujima: