Category Archives: Modern Visual Culture

The Role of Harassment in TV Anime; Mori

I’m just going to talk about how lately when I watch GJ-bu, I think of Kotoura-san, and I laugh. And I’m not sure if it is appropriate.

It’s kind of the weird meta joke. You see, in Kotoura-san, the main character is a mind-reader. Her major love interest/friend would tease her by having some naughty thoughts in his head, in which she would play tsukkomi while nobody else is any wiser (until they figured this out). This joke plays out quite a few times.

There was one episode where a rival love interest turned friend, named Moritani (CV: Yurika Kubo), got her embarrassing childhood past exposed as a joke to the group of friends that makes up Kotoura-san’s reoccurring cast of characters. This joke involves Moritani’s family business, which is a local martial arts school. And you probably know how that is. Moritani is the decided heiress of the business, being the only child and the “most powerful” in her school of martial arts. However her parents were not so keen about marketing, so when Moritani was younger they took some now-embarrassing photos of the family and made them into advertisement flyers, some are now in the hands of Moritani’s friends/love interest today.

The joke involves a specific pose, and an enthusiastic yell at the same time: “Mori!” It’s not something you will find much of in GJ-bu–that show is all about chilling and being laid back–but the “Mori” call evokes that image. Instead, GJ-bu features a character named Mori. Mori (CV: Ayumi Tsunematsu) is this older (not sure how old actually) woman who serves as a live-in maid for the family of a few characters in the show. The funny thing is she would always do this one trick every time she shows up, and invariably it reminds me the exact same trick in Kotoura-san. And that trick is also funny too. So it’s very weird.

The greater point I want to make is that I am beginning to feel like a lot of these laid back, “let’s sit around and chit-chat” type anime are beginning to make their slapstick-harassment based jokes more obvious. It’s like watching a Japanese variety show minus the obnoxious on-screen text and picture-in-picture reaction face cameras. I guess it’s funny? But I’m not really a big fan of those kind of programming. It feels both enjoyable and laughter-inducing at times, but also kind of awkward.

Thankfully, at least we get the “Oh Japan you-so-weird” kind of harassment that is only possible in late-night anime. Like brushing hair. Or via extra-sensory perception.

Mori

PS. Mori > Gill > *

PPS. Why don’t people do that for Kotoura-san?

PPPS. So many great maids this season!


Winter 2013 Week 7-8

The Civilization Blaster kids

Just want to do the TL;DR equivalent to reaction faces. I’ll try to keep it spoiler-free. Think of this post like “this week’s anime ‘turning points’ or ‘highlight’ or ‘peak episode’ or whatever.”

Shinsekai Yori Episode 21:

You know it is coming, it’s heavy and painful but yet full of drama potential, dripping with faint hopes, antagonism, despair, and a sense of loss. The watermill bit was brilliant. The writing in the sky is cool and I wonder why they don’t do it more often. The babies, well, are thankfully not as grotesque as it could have been.

The revealing of the key character in this episode was done well. It fooled me briefly but I guess it was kind of what I expected as the “worst case scenario.” The numbers all made sense chronologically. It’s the sort of conclusion you know it has to be. And it was. Yet you are powerless against it even if you knew what was coming.

Zetsuen no Tempest Episode 20:

Speaking of chronology, the biggest clue that wasn’t in this week’s episode was when… How do I talk about the 2nd half of Tempest without spoiling the first half? Let’s just say there is this character who got this power, and when he was introduced he briefly mentioned something about when the power began to manifest. That was a pretty big clue. It’s a clue that I kept in the back of my mind during the “This Week in the Being-Samon-Is-Suffering Logic Quiz Class” discussion as to what is the plot logic problem of the week. However I didn’t put two and two together. I knew whats-her-face is going to do whats-her-other-face in, but I didn’t know it was going to be like this. And let me just say that if you want to enjoy this show, you should do your best to not find out whats-her-face is going to be like this. Because it’s such a delightful surprise.

I ought to highlight Zetsuen no Tempest actually. It’s shaping up to be a very enjoyable watch. I think a big issue is that in order to praise it I have to spoil it, and without spoiling it all I can say is in a couple paragraphs. So here goes.

At heart Zetsuen no Tempest is a plot-logic-driven narrative. The story revolves around a defined boundary condition (or two or three) where the characters have to figure out what is the best thing to do, like a Clue game in terms of determining who is what is like how and when. The characters don’t really “develop” except for, strangely, the character who starts out dead.

The character that does develop is the second reason why Tempest is great. It’s like the one glimpse of romanticism, the Shakespeare quoting girlfriend that drives a revenge plot forward in which two best friends will end up at each other’s throats, with the fate of the world hanging in the balance. This beautiful character is at odd with the story’s logic in the same way that too is the part of the puzzle that paints a rational image of irrationality. It’s enough to obfuscate even simple logical conditions; she is the ultimate lampshade, to borrow TVTropes (who just borrows from, aptly, Shakespeare). In a nutshell:

https://twitter.com/geassed/status/307335131557949440

And what’s more, it has some kind of significance in the story. It’s a theme.

Unfortunately, also, it is not an adventure anime, even if it poses as such. It’s a dumb show where the characters tries to figure out some weird mystery that is basically “magic” and unless you’re invested, it all seems kind of trite and you really empathize with Samon. Poor Samon.

gdgd season 2 Episode 8

Best episode of anime of the season. Prereq thing to watch. If didn’t see it before, try reading this. Or the TL;DR version. It also helps if you played Monster Hunter or played Mario Kart or something, but meh.

Da Capo III Episode 8

Oh. Yeah. Yeah. Yeah? Maybe. Only if Senren Kagura was like this? Thankfully Senren Kagura isn’t like this. It’s been a very long time since I last saw an episode of Baywatch but this is kind of like it no?

Vividred Operation Episodes 7-8

The power of friendship is a very sweet set of jets. Akane gives you wings. Vividred Operation, naturally, gives you a lot more than that–all the fireworks, all the drama, the tearing bedside in the hospital. It was, truly, a … self-titled sign.

Vividred Operation... lol

Runner ups:

The Unlimited: Hyoubu Kyousuke Episode 8 wraps up the inevitable flashback arc. It’s kind of a let-down honestly but it got the job done.

Seitokai no Ichizon Lv.2 Episode 7: If you were following Seizon S2 (it’s on air, after all), this week is Ringo’s proper intro. You remember Ringo right?

 


Sasami-san@Ganbaranai Episode 7, New Gods

I don’t know what passes for new gods. From my Judeo-Christian upbringing I can only say that, “Man, Japan, there’s way too many.” That said, Tama and Kagami are both fine specimens. I’m sure companies like GSC or SEGA will come out with something worthy for a household shrine. Oh, spoilers ahoy.

Tama

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Seiyuu Idol Debut Season

Congrats 2 Hiromi Hirata!

It might or might not be duck season or rabbit season, but it’s definitely seiyuu idol album debut season. Beware of the ref links, sorted by release date.

Ayahi Takagaki – Relation, Apr. 17.

Shizuka Itou – TBD, Apri. 17.

Ayana Taketatsu - Apple Symphony, Apr. 10.

Mai Aizawa – moi, Mar. 27.

Kana Hanazawa – Claire, Feb. 20.

Mikako Komatsu - THEE FUTURES, Feb. 13.

u’s – Love Live Best Album – Jan. 9.

StylipS – Step One – Jan. 9.

On the horizon is Yoko Hikasa’s “compilation album,” too… And YuiKaori is probably due in 2013. I’m probably missing someone. I have to give it to Yoko Hikasa’s Pony Canyon website for dishing it up, that’s exactly how you should approach selling her stuff.

Don’t even ask if they are any good. I guess we can actually admit that Hanazawa’s is something you can listen to, but nothing here is going to change the world or anything.

This is, of course, on top of all the other crap coming out. Looks like it’s going to be pretty busy up till April.


Problem with Mutants Is the Problem with Anime

So I was watching The Unlimited — Hyoubu Kyousuke as it slowly turns into this psychological study of the backstory of Hyoubu Kyousuke, the namesake character at the center of the story. We see how there’s all this ZKC trapping to the show and for the most part that is the fun and game part of ZKC and Hyoubu Kyousuke. It also turns from this internationally-wanted terrorist group slash Psi-user humanitarian effort into this made-and-born-in-Japan episode about where a human experiment project (in the form more like the X-Men) come about.

What I’m trying to say is that as the show progresses, it gets increasingly Japan-centric both in terms of the setting but also in terms of the characters. I guess it can’t be helped that ZKC is mostly a Japan-based thing so the characters and their organizations and the underlying government ploys are tied to that geography. It cannot be helped that Kyousuke is this foreign-born (from Manchuria in the 1930s) Japanese in the first place. Just as it cannot be helped that anime is really a made-for-Japan sort of thing.

I don’t really think it is particularly problematic, but it’s interesting to point out how over the course of the series, the age of the characters appearing and having lines slowly decreases on average. At first it’s basically Kyousuke, Andy, and the guys and girls who are in the tough business of whatever international-spy-intrigue things. Then it gets the Japanese kids involved, like the ZKC themselves. Then the little girl character Yugiri gets a lot of screen time. Then now we go back to the past when Kyousuke is just a wee lad.

I’m not sure what to make of it, I just want to know how did my bro-tastic, superpower-intrigue genre anime turn into this.

Episode 7, Hyoubu Kyousuke

You know, if the War on Pants came AFTER this show, I might be more receptive to it. At this point, however, I’m just hoping the ending to this doesn’t suck. Which is probably a futile thing to wish for, given how it is sort of a prequel-slash-spinoff. Just like how Hyoubu Kyousuke is probably struggling with some deadly condition, in which every time he goes “Unlimited” it robs some of his life, maybe this anime is also the slow decaying mess that slowly loses part of what it’s good for with every passing episode. I don’t know.