Category Archives: Seiyuu, Idol, Pop

Gakuen IDOLM@STER 1st Period Harmony Star Impressions

I attended the Gakumas 1st concerts this weekend. It’s called “1st Period” but it’s actually not the first concert for the media-mix mobile game franchise. It’s just the first show (or 4 shows, spanning 2 weekends) that features the full cast, after the roughly-dated anniversary of the game’s live service a year ago. Since the game (and really before the game was released, including all the lead-up marketing) became available it has done well in the rankings and players generally have good things to say about the latest entry in the IDOLM@STER series. A lot was on the shoulders of the staff and cast to make this hotly-anticipated show a success.

There was a set of tours where 3 cast members form a team and tour Japan’s 3 largest cities (Tokyo, Osaka, Nagoya), each team doing 3 stops within a month, in almost back-to-back months. One of the stops was postponed by a typhoon, while the last set of 3 had a gap until February of this year. The appropriately called “Hajime” Tour needs to be mentioned because this is the cast’s actual first live stage experience, except one member. The tour definitely gave the stage experience to many of the newbies in the Gakumas cast, and more importantly it gave the fans a glimpse of what fresh grasshoppers were like close to a year ago.

The importance (or however little it is) put on seeing the growth of the idols is a core tenant in the design of the game, which various interviews have listed. This is just another aspect I suppose, but I appreciate how they made the live performance aspect parallel to its digital version. Or rather, I appreciate them knowing what it ought to be like on the receiving end.

As a Million P for many years, it feels tortured, it basically feels the opposite of it–things we would love and be hyped about often don’t happen when they ought to, or happens at all. Some things are delayed by over 10 years. Maybe delay is the wrong word, but at some point it just became sort of this deep barrel or well where we are glad to have anything being pulled out of, even though we know the contents can make for something much more.

Anyways, for a good example, when Our Chant dropped on Day Two of Harmony Star, we know (since the SSR) there would be a flag just like how Chiisana Yabou, Wonder Scale and Clumsy Trick all had their props. So Gakumas surprised and delighted us by adding Saki to the picture when she walks in with the flag. In fact, after seeing the Hajime Tour version of Wonder Scale and Chiisana Yabou we already think there would be props, just like how the game versions did. For even more foreshadowing, Harmony Star featured a duet (or trio in one case) of cast members joining in another idol’s solo song (and for this weekend it was limited to the B-side solos) so by the point on the second day when Our Chant happened, it felt like a perfect match when you stick the right jigsaw puzzle piece in the right slot.

For details, here are the links to the official site posts for the show, for posterity, and the usual imas-db links. Onward with the rest.

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Anime Central 2024: Wrap

Acen 2024 came and went. It was a lot of fun and I’m home now enjoying that post-con glow. Just want to jot down all the key take-aways before I have to deal with the dozens of to-dos for next week’s con trip to Animazement.

For one, a big 30,000-ft view topic is that we are so back. I will need to bring back the blog post sticky of my events for 2024. Granted I still did a lot in 2023 that probably warranted it, but I am enjoying cons with other friends who also go to cons now that it just feels more right than last year to do it. I went to Acen 2022, 2023 and 2024 since the pandemic and it’s a good slice of what happened for the US con scene for each of those years.

Second, of course, it’s HiroMaya. Hiromi Hirata plays Makoto and I have been a MakotoP for ages now. That said, in a way I think it doesn’t excite me as much as seeing Mayako Nigo because to me Nigo is one of the cast members that makes 765Pro Allstars special, especially when you compare it with other similar groups. Either way, the two young moms felt quite at home on their new-ish radio show (about a year old now?) and they brought some of that healing atmosphere to Acen. The discussion and the manzai-but-not chemistry between the two is just wonderfully charming to me. Various Ps got their long-wish goods signed and dreams came true. I brought a life-size cardboard cutout of Makoto, and with the major help of friends able to bring it to Chicago and got one signed. I saw 2 other POPs there as well which is great. (BTW, Q&A panel notes here.)

Knowing a bunch of other Ps in the US meant I also saw a lot of them at Acen, which is always a good time to catch up since I haven’t seen many in a long time. It’s also fun to see those people see each after, after so long. We were able to do a big group dinner at Fogo de Chao (mainly because they can host large groups easily), and that was a blast (of meat eating). Three JP Ps also came to visit and it was their first time at a churrasco steakhouse. They are fellow P-friends from abroad that I’ve met several times already and they got the local greeting (even if most of us weren’t from the area).

Acen’s other seiyuu guests are also impressive. Tomo Sakurai is kind of rebooting her seiyuu-idol career after being invited to the con. She’s even doing some other event later this week? It’s nice to finally meet this showa-era seiyuu idol who voiced most notably, Mylene of Macross 7. I went to one of her panels and she did a karaoke performance to Friends. That was a surprise. (As an aside, Dan, who was interpreting for Tomo, also ran a booth at the artist alley which I failed to drop by because I only found out later.) I got my Shayla-Shayla fix when she signed my El-Hazard DVDs.

The most impressive seiyuu on the list was Sora Tokui, who hopefully helped all of us get the “nico nico nii” thing out of the collective attendee’s systems. The love for her was bountiful, from flower stands (the Midwestern Liver/idol group folks knew better so everyone got a stand, leaving no seiyuu behind) to a big banner. The people were out in force here. Meltdowns and other stuff that comes with the territory, stories about getting into and out of the scene thanks to the OG Love Live school idol herself.

Which leads to the last but hardly the least seiyuu guest, Sally Amaki. This present-day idol seiyuu’s story is well-rehearsed via her popular Trash Taste interview, but Sally is more than the sum of her parts. Or the number of RTs for her various tweets. It’s just like the other dreams-come-true stories in a way, but this time our 21st century Japanese idol in her prime is also a socal shitlord turned josei seiyuu, which is a word spaghetti that means also more than the sum of their collective meanings.

I got lucky and was able to attend her “autograph session” substitute given that she doesn’t do that kind of event anymore, but the meet & greet event was just so, so good. I hope other anime cons in America can replicate this whole thing Acen has made with SME and 22/7’s management to make Sally available, because she is the bringer of a busload of hilarious idol fun.

In some ways the four seiyuu guests at Acen this year paints sort of a past-present-future look at how things are in the seiyuu idol side of the biz. That sums up how powerful the draw this year was for me personally.

The nuts and bolts of the con this year are pretty similar to the past few years, although we are ever inching closer to 2019 Acen again. What’s different is Win Morisaki, who is mostly a Toku music guest, and Lotus Juice, who’s here to suffer the Knicks getting knocked off of the playoffs. It’s a bit too bad that I barely got any time to watch their stuff due to event conflicts, but these bros don’t bring down the house by themselves. Acen needed to give them a bit more help, for no fault of their own.

Industry/production side, the one that caught my eyes the most was PILI, or the Taiwanese production group that made the Thunderbolt Fantasy puppet show. Some of their puppeteers came, and they messed around with the doll with the fans. I couldn’t find time to see the Colorido guests doing their premiere or the Kinema Citrus guests, but I did pick up the Colorido shirt from their new Netflix movie.

I couldn’t get any tasting for the Saburomaru whisky tasting because Acen booth’s lines were super long and they couldn’t process transactions fast enough, so I came back when everything was sold out to pick up the shirt and the Sally cheki thing. On that note, the biggest public enemy at Acen this year had to be the security theater. It was not very well organized and during peak morning hours people had to wait quite a while, up over 30 minutes? There were 6-7 scanners at the main con entrance and one at the hotel overpass. I’m not sure if there’s one also over the Embassy Suites side though. Anyways, for the most part it wasn’t an issue for me, but I did hear some problems over internet chatter and others I talked to, while most didn’t have much of an issue.

The autograph situation was somewhat better for me this year than the last, and some people really got it figured out. Turns out to get all the sessions you wanted you will need to create new accounts as sessions conflicted with each other. On the flip side it sucked if you didn’t get any, and some folks I know basically struck out. The system is merciless and not well-documented beyond this tweet, I think. One of the JP Ps was able to get FOUR sessions across all 3 days right away and none of the Sally oshis who flew here got hers. It’s rough. Our GR dude Sujay even translated the procedure into Japanese with pics for the 22/7 fanbase…I wish the non-Japanese even got that lol. I mean, I suppose it only tells you to install Guidebook and sign up for an account, which gets you just half way there.

The setup from last year mostly translated to this year, with most folks hanging out by the back tables at the street level of the Hyatt and the lineup going around it. It was chill and a good time to trade P cards? It was old timers reunion and good time to meet new people.

I personally was able to get both Hiromaya sessions (they were together) after coming off the waitlist, a Tomo Sakurai session, a PILI session, and one with Soramaru on Sunday. All of this is punctuated by that aforementioned lucky Sally M&G pickup. Man that was a great session. Normally this level of programming is reserved for the rare “VIP” panels that you pay $$$ for, but because Sally can’t do the normal signkai stuff, she gets to hang out with 60 of us for about an hour and a half as a compromise. It was so wonderful and it was as if her dreams are coming true and we’re all in it, and I guess we were?

One more thing to add: fan projects. It seems the con is finally set up for flower stands, so if you want to make Acen smell better, that’s one way…I jest. Hopefully we will get some kind of written method to hook those up. This year everyone got flowerstands as mentioned. Soramaru also got a banner and some other stuff. I made two business card binders with message boards from people in line as usual.

I’ll end with this. If you want to see your favorite imas or LL seiyuu (or Sally) come back, request it in the feedback form.

PS. Fooding at Chicago was so good this time, but also in general. I stayed for almost a week on this trip so I got some decent options, basically ate pizza everyday but Sunday and Monday (when I landed at 10pm). Pizza (deep, normal and tavern style), italian beef, the Chicago dog, cake shake, and others were consumed. One night I was theorygaming Vancouver vs Edmonton with friends at “the” Uno Pizzaria bar and that was an one of a kind experience. One of the JP Ps also brought me a visiting gift, his favorite butter “sando” from Hokkaido, and it was heavenly too. At the con I ate out with friends and hit up Gibson’s and the aforementioned Fogo also, which both hit the spot after long, long days at the con.

PPS. I didn’t forget Kawaiikon! But Raleigh awaits…


Million Live 10th Tour Act-4 Recap

The feeling seeing Machico randomly confessing to Ueshama. The chill of the Tokyo Bay wind hitting your face as you’re teeing up GenP for a friend behind you doing English. The exhilaration of hearing Todakun telling us to “get down.” Nansu wiggling her butt because of the button tail on her outfit. Mocho and Koroazu crying. And countless other moments this past weekend. This is the “hyakuman power” that was sleeping under the sheets with a JUNGO face printed on it, and woke up for a weekend. This is Million Live.

The story of Million Live isn’t just that they are the sub-brand of IDOLM@STER that carries the torch of 765PRO ALLSTARS, but that it is a refreshing of the IDOLM@STER franchise with some of the top seiyuu performers of that generation. That generation is now 11+ years into its existence. Everyone has been through a lot. If I had time maybe I can dig into each one of them, including the two new ones that joined the team half way. Long story short, their success as individuals, or lack there of, speaks volumes to the “refresh rate” or how hard it is to make it as a seiyuu idol in this day and age.

The result of 10 years of hard work is this extremely emotional but also extremely fun, awesome, and fulfilling two-day concert. Unlike what happened during 4th Live, which is the accumulation of promises and wishes, Act-4 of 10th Tour is the result after fulfilling those things. Or at least partly.

  • We now have an anime
  • We have had more concerts where 765AS sang with the Million (Hotchpotch…and Hotchpotch 2 on the horizon)

I literally left 4th with big-time brain fog, but I left act4 with clarity of mind and purpose. So much have changed. Kokkochan’s chant to summon Hoshii Miki may have summoned something else, perhaps more delicious. Anyways, Act-4 was the true real Million Live anniversary decennial! Or rather, Acts 1-4 all together? But this was the one.

I have more thoughts than time to write them down cohesively, so this is more a recap than a review post… I think Kasshi did a great job with GenP on the second day so please watch that, and day1’s recap.

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THE IDOLM@STER Million Live! 9th Live Impressions, Thoughts

After the missing years of COVID, I was able to return and attend a Million Live solo show. Before 9th, I attended stops of 3rd, 4th, 5th, and 2 stops of 6th.

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Hitomi Suzuki, 26 Years Old, Way Too Early to Go

When I first read about Hitomi Suzuki in or around 2016, it was a line item under the concept of “NOW ON AIR,” a seiyuu idol unit produced by Lantis with agency Office PAC. It didn’t stick. The second time I read about Hitomi Suzuki, it was looking up which color Yuki Tanaka was in NOA when she was added to IDOLM@STER Shiny Colors as Asahi.

I’ve not really seen NOW ON AIR at all, as they were low profile, and other than two of their anime tie-ins I have barely heard them either. Still, that was enough for me to “get” what it was like once I connected the dots. In 2021, NOW ON AIR was put on indefinite hiatus.

Reading about Hitomi Suzuki recently, it was the news of her passing from cancer at the age 26. It seems she was part of Office PAC during her entire seiyuu career. At first I didn’t even realize she was formerly of NOW ON AIR. Then the realization came. Cheers to Crunchyroll calling it out in the headline.

It’s so weird how that little bit of context adds so much–because you can now imagine how a Hitomi Suzuki tanoshi’s life is like? Can you imagine the feelings the NOA cast and staff had to deal with the last 18 months? Your struggling seiyuu dreams crushed by COVID and the rest of your future robbed due to terminal illness? That just seems way too much.

https://www.youtube.com/watch?v=HhKm9lCTGE8

Since NOA disbanded in 2021, Momoe, Misako and Mina have left the agency as well. Momoe seems to have completely retired from show biz. Misako and Mina found out about Suzuki’s passing through social media and it’s rough to see their now-freelance reactions on social. Here’s also a shout-out from Aira Yuuki who worked with the group in the past. The remaining members were still connected via their agency, and they work together in the agency’s vocal unit, “Coe-mony.”

What’s really tragic isn’t so much of all of the hang-wringing I’m now reading up on, but that “Coe-mony” has a live show on Jan 15 2023. Hitomi Suzuki is listed as a cast member still for that show. I’m assuming “Coe-mony” has a regular program and they talk about this throughout, and have some kind of plan to put everything in perspective given that Suzuki’s agency should be in the know throughout her health journey. But I’m just guessing.

https://www.youtube.com/watch?v=gkhbVXB8MIw

To me, the most memorable thing was finding out that NOA participated in Machi Asobi one year and did the race within the city. Was it a half marathon or something? It was pretty amusing to see seiyuu idols go through it, which is why it stuck. I’m just hoping everyone affected by Hitomi Suzuki’s passing can find some solace in these pretty harmonies.