Category Archives: Seiyuu, Idol, Pop

Takagaki Ayahi Laughs and Cries

One of the intangible factor that floats seiyuu-idol pop group Sphere is its classically-trained vocalist Takagaki Ayahi. Ayahi (or Ayahime) is gifted with a decent singing voice and majority of Sphere fans probably concur that hers is the best, even if hers may not be their favorite. Indeed there are probably the fewest Ayahi fans out of the whole group, especially given her relatively few otaku roles on her relatively short CV. She gets outshined by her groupmates, who are popular on their own in a lot of ways.

There is this enjoyable irony, thus.

I think Ayahime works great in these PA Works T_T anime projects, Tari Tari being the latest. It’s a bit like her gig in Fate/Zero–the earnest girl that laughed and cried within the same episode. It’s what she did in Tari Tari 6. It isn’t that her acting is actually that great, but in a way Ayahi’s voice is something you just don’t hear very much of, partly because she’s just not in so many shows and her voice has enough of a uniqueness to it to take note. Enough for a lead character, enough for a cappella 5-piece, enough to stand out between a Noto-and-Hayami manzai gag (how many times has that happened anyway?), and enough to delight Noe supporters throughout the ages.

Which in retrospect plays to all of her strengths, and it’s a pretty tall list to stand up against. Then again my favorite Ayahi performance is still the brat from Mitsudomoe, so what do I know?

I certainly don’t follow her solo vocalist career, or what little bits of it. Thing is, even when you up the ante and play with operatic stuff, Ayahime comes across as, at best, a delightful, if pedestrian, passer-by who is best known for her seiyuu idol status, and not because she lights up the ball. Yes, we know she can sing, but is she any good? More importantly, does she have what it takes? She may be able to wrestle a standing fan (something most opera singers have not done, I imagine), but how about a whole bunch of them? I think the jury is still out on this, even after the third Sphere album. At least, I don’t really know.


Upcoming Anime Music Preorders

The goal of this post is to streamline what I want to buy in a post so I can click on it. If you would so kind and suggest in the comments things to add to this list, that would be excellent.

In general, my thoughts on Tari Tari is like this. I’m not gonna lie: the cheesy chorus music appeals to me in some primal way that is probably coded in my DNA. Also, partly what prompted this post.

Music Album: Music album: Utattari, Kanadetari

ED: Shiokaze Harmony

Masami Okui in my Horizon in the Middle of Nowhere season 2? I think the term is “Out of Nowhere.”

Season 2 ED1: Side SunRise: Sora no Uta

By wota idol standards, MomoClo is weapon grade catchy. They renamed themselves for Joshiraku ED and I’m happy to oblige.

ED: Nippon Egao Hyakkei (by Momokuroteiichimon)

I am on the fence, but Kurinoko doing an anison that is more like a power ballad is a good thing. Multiple editions to gorge your money, that Muv-luv Alternative: Total Eclipse anime…

ED: signs - Sakutsuki Hitoyo [CD/DVD Artist version]

ED: signs - Sakutsuki Hitoyo [CD/DVD Anime version LE]

My first foray into iM@S music will probably be the delayed Namassuka special #1. Yes, of course.

ANIM@TION MASTER Namassuka SPECIAL 01

Well that’s it for now. Any other suggestions? AFA is getting Sphere? Great, good for them. Just don’t drink their water now.


Earth Girls Are Easy – Third Planet Ver.

With Natsuiro Kiseki over for the time being, the summer of Sphere continues this week with their third album, titled Third Planet. Unfortunately the cheeky astronomical title didn’t help because I was listening to Red Planet all day long, resulting in a strong urge to make a Cowboy Bebop joke. It’s a jarring dissonance when you mash calming yet spine-tingling shrills from one of the best who’s touched an anime, against the popular yet generic idol pop that we have now come to know as Sphere’s music.

I think it’s safe to say that Sphere is a relatively inoffensive music operation, and by inoffensive as in if you don’t snob idol music per se. Simply put, that’s not their primary function. If easy-to-sing-to and easy-to-dance-to tunes can carry their image to the heart of their fans and uphold those wota calls and dances, as we have here, then that’s what Sphere will sound like. It’s not so much a testament of some extreme sense of savvy or some underrated skills the members of Sphere or their management are holding back on us, but simply solid, wise choices. To put it in perspective, I have heard better and worse.

In my Mars state of mind, however, I cannot quite fathom why anyone would take this particular, well, Earth-ly product,  so seriously. Ever since their ATMOSPHERE debut Sphere has been pretty much that one thing we expected them to be: seiyuu idols. Their slow rise in popularity merely confirms their solid play and planning, not to mention simply being hard at work. It’s like opening up to that page of a particular monthly seiyuu mag and it said “MINAKO Good Job!” I had to agree.

The simple, artificial feeling I get from Third Planet comes across best when I put on, say, “Feathering me, Y/N?” Because they’re a quartet and their music necessarily need to reflect this, the arrangements often feel kind of constrained. Only a couple of the songs play to the strength of the 4-woman format…actually, other than “Hazy,” I don’t really think any of the songs did a good job at this. Musically, Third Planet is marginally and incrementally better than Spring Is Here, a year ago; unfortunately that means very little. Perhaps nothing, even, if you can’t get over “Now Loading… Sky!” like many of us.

So why do I keep buying this stuff? I don’t know. It’s kind of like how I keep buying, say, Coca-cola. It’s just a common man’s drink, you know? It’s nothing special, but just pumped enough of sugar to make it inoffensive enough. It’s a known quality and a known quantity, in that you know what you’re getting.

Well, that’s pretty much just for plebs like myself. The rest of you can either move on or just look at the unboxing of the super-limited version of this album.


You Know You’re [Insert Age Group Descriptor] When…

…seiyuu around your age are tying the knot. First it was Maaya now RieRie? Actually that one isn’t so surprising; if anything I expected it to happen earlier. The exceptions like Michiko Neya are, well, exceptions. But who will rise to be the next cool single seiyuu Onee-san? More amusingly, where’s those pictures of torn copies of her photobooks? Or will I be able to find them in Book-off now? Joking aside, I don’t really want to see the depth of Rie Tanaka fandom surfacing; it’s probably safe to say that once she gets to be as old as she is, getting married is a good thing. I don’t think far majority of us really mind that.

Now some of us might be scratch our heads about something else. Actually this post is more like, my reaction-face equivalent. Yea, Kouichi Yamadera is pretty smooth but wow. Who saw this coming? I don’t even mind the 17-yo gap between the two but it’s definitely quite amusing and that makes a couple that seems just a tad unlikely in the beginning. I hope Yama-chan is good at Monster Hunter. At any rate, they have my best wishes.

If I have another chance to give her flowers, I still would. Just different kinds of flowers!


Pretty & Cute, Seiyuu Edition

I took a look at that Biglobe article about the prettiest seiyuu (and why am I linking to it I don’t know but) here and I’m like, wait, what is this then?

What is the difference between cute and pretty? I guess I understand it innatively, but maybe we can use the poll results as a way to describe things. For this post I’m just going to use the list as a qualifier, not so much talk about how random Biglobe polls are random and gamed and are not a representative sample based on momentary popularity and memes. Or actually, I’m just going to ramble down the two lists and talk about random things.

Continue reading