Category Archives: Seiyuu, Idol, Pop

Animelo 2006 on DVD = Animelol

So these babies came in the mail. LOL only means that it reminded me I already downloaded the DVD ISOs before new years. Time to watch!

Just for your information, if you didn’t know: I am a HUGE Masami Okui fan. I’m not even going to say why because I can’t bear to see my fanboy inner flesh sprawled out for no reason. By extension, I really dig JAM Project as well as some of Makkun’s (her fan nickname) collaborations. Makkun is also a very prolific anime musician, and over time she worked with a lot of different other musicians who have attachments with the anime scene. Chihiro Yonekura (and ROR/S), Minami Kuribayashi and Yoko Ishida are just a few.

But 2005-06 mark the years of Nana Mizuki’s biggest splash yet. She’s a pop cultural flag for the Densha Otoko generation, so it’s not a surprise to see her headlining this giant concert that is Animelo 2006. Animelo is this annual thing, for a couple years now, that the JAM Project folks have been throwing. It’s a lot of fun. And 2006 is their biggest show yet with the first time release of the show on DVD.

If you want to know how the show was, this is a much better read. For the sake of not reinventing the wheel I’ll just get the nitpickery regarding the DVD release out of the way and put in my two cents.

The DVDs, released by King Record (volume I) and Victor (volume II) are produced pretty much together. The design, art, the poster insert that you can put together for a full-size poster, and video production sync so they’re likely to be from the same production team. The release, however, are from two different labels. It’s no surprise because there are a bunch of different labels represented by the artists themselves, not even including our Suzumiya Haruhi trio: Aya Hirano, Yuko Goto and Minori Chihara. Their sole performance, Hare Hare Yukai, didn’t make the cut. Boo.

Other than that, all the acts seems to be on the discs. The DVDs also come with a behind the scene snippet, showing the day when all the performers arrived early in the morning, snippets of the rehearsal, people relaxing in the back room, people getting pumped before heading out to the stage, and stuff behind the scene during the massive roll call at the end. The featurette ends with individual post-concert interviews, each group telling us how Animelo 2006 was for them. The behind the scene bonus is on both DVD, and it’s exactly the same!

The DVDs divide the show up by gender, sort of. Naozumi Takahashi‘s two songs went with the male medley on Victor’s disc (along with JAM Project’s songs, and Ali Project). Kuribayashi’s taunting outfit along with the very cute Aiko Kayo landed with the female medley on King Record’s disc. The division is begging someone to come along and rearrange it to the concert’s proper order.

Ah well, onward with the impressions.

I’m honestly shocked: this would be my first time watching ALI PROJECT live, and she (Arika Takarano)’s definitely a looker. And I mean it in a high class model kind of way–she’s got the built and she takes care of her face. I suppose that’s a must if you’re going to look good on camera prancing around in that hardcore gothloli getup. The goth drag queens as backup dancer was neat, and I have a hard time saying no to Rozen Maiden Traumend OP.

And it took me years to realize Chiaki Ishikawa is the other half of See-Saw. Or rather, it just didn’t stick when I read her name back when Kajiura was hitting the popular waves here. I even have a copy their old CD…well, she does have curly hair now. I like her songs, naturally–they’re crowd pleasers as See-Saw’s new stuff tend to be.

But I should’ve known, Ishikawa actually wrote and compose entirely the OP to Simoun, which she performed on stage. When I first read of Animelo’s content, this didn’t even register. Who would’ve known what that meant six months later? Savage Genius also performed Simoun’s ED at Animelo 2006, and … yeap.

I think I said Aiko Kayo is cute. She really is. And it’s not the frail kind of cute that the SOS-Dan trio seem to be. I think Kageyama cracked a joke on Matsumoto over it.

Minami Kuribayashi definitely wins the provocative dress award, even giving Takarano’s oddish gothloli thigh+cat-o-nine-whip a good run. Her white dress during the medley part is very nice.

Nana Mizuki has legs. But I am always happy with that Eternal Blaze going.

I think the real highlight of the show for me is the 9-man raid full of SKILL! You got the JAM Project folks plus Yoko Ishida, Chihiro Yonekura, and Minami Kuribayashi. I think Fukuyama spent more time on the DVD screaming than saying decipherable words. It doesn’t help that I’ve done group karaoke over that stuff before. It really is hella fun.

Runner up would be Kuribayashi and Makkun’s duet for Mask. I always like that song.

It’s a ton of fun. The DVD reproduction is just a fraction of its total energy, but even then it’s one (or two) of the most enjoyable concert DVDs I’ve had the chance to watch. If you’re a person into anime pop, this is hard to pass up. At 4800 yen a piece I snagged both during the holiday season when it was 20% off from Amazon Japan (ftw!). Even with fast shipping I spent less than $85, overall.

Totally worth it, worth beyond its impressive song list and guests.

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Animenano Idol 2006 – A Primer

Hung’s karaoke contest is pretty rocking. I never would imagine that about half of the entries posted are female vocals. That’s just awesome.

OTOH, I think there is a serious lack of gag entries. It would’ve been pretty fun to stand shoulder to shoulder with TJ and bring some real laughs, but I’ve been having problems recording–basically somehow my vocal recording would always be out of sync with the karaoke track, even when I recorded using it. I’m not sure it’s because my playback is out of whack or because my instrumental mp3/cdda import method is out of whack or what. In the end that entry of Grand Blue is just this old recording I did when the single first came out God-knows-when ago.

I might have to pull a Jal and get this Skill recording mixed later. Sigh.

By the way, I voted for that uncanny rendition of Daichi no la-li-la. It’s freaking good. I suppose whoever was singing Yasashii Gogo was just as good, but that’s an easy song that I can even do (in fact, I can prolly do a nice butchery of that once sufficiently intoxicated); or I should say, Daichi no la-li-la is hard to sing. Yubiwa is another song with some difficult parts in it. But, man, singing your own harmony is hard enough, let alone in Oranges & Lemons style and then taking the time to record it like that? Just wow.

But, yes, the point here is that there are so many great entries. I already mentioned Yubiwa and Yasashii Gogo, but whoever is doing that Star Ocean EX song should go sing something that’s got more bite to it; such a waste of talent ;). Ten is scary; or rather I mean she needs to get some friends who can mix her voices right, because it can sound a lot better than how it sounds like from the karaoke page.

And … uh, a girl singing LoveLoveLove no Sei na no yo! That’s so unreal…in a “Can I have your babies” kind of way. That song is so set up for butchery, yet there’s this sweet and honest entry! I’m moved.

I suppose that’s what always happens. In an exhibition it takes a certain level of insanity, self-confidence, talent and courage. I’m all for “everybody let’s sing” but it’s just unavoidable that the rest are put to shame by these great performances. Sometimes it helps to be a penguin, I suppose.


She Is Hawt, Attack Run, Merry Christmas

Adult Swim's Manhattan Billboard off 7th

That fuzzy road sign to the right corner says “West 34th St.”

If you’re familiar with American traditions, you’d know that New York City is a special place to be this time of the year. To me most of that magic is nonexistent, or rather, disassociated with the holiday season as much as just what happens. The city is lit up with lights, new store displays, multitudes of shoppers and tourists, and there’s the brisk, biting Arctic air. I think if any one of those is missing, it’s just isn’t the same. Because this happens every year, and pretty much I make at least one run during the holiday season, it is just a matter of course.

But this time there was no biting Arctic air. I really missed that.

Walking around midtown hot and bothered, I turned to the thought of Patricia Jaa Lee and her Haruhi “LOL I am playing Haruhi” job in the viral promotional video. And yes, she is actually pretty hot. I thought she was just a typical young actress back during her Power Ranger days (about 8 years ago, so in her early 20s). If you know me well, you’ll know I almost never make these kinds of comments, out of some kind of progressive notion of feminism respect and that I just don’t feel comfortable sizing up real life girls that way. And to be honest, she isn’t THAT hot. But compare her to Aya Hirano is really comparing a typical voice actress with a typical Hollywood actress…and that’s who they are. In other words, no comparison, sirs. I think the candid camera aspect of the video also helped, but it’s a whole different class.

Now that I’ve returned with various loot (like Kanon 2002 OST 2…and a first print copy of Heaven’s Kitchen…and some Shiina Ringo CD…and a calendar and a gift). I’ll put my mind towards the effect of aging and improving a person’s skill in the useful arts. A lot of people may think ill of the lolicons especially with all this Hongfire talk. Why? It’s not that we just want to protect kids–that’s fine and all, but these people just have it wrong. It’s like suddenly there’s a group of people telling the world, for them, 2 plus 2 is 733.61. Sure, it doesn’t hurt anyone, and on their job application and exams they very well can pretend that they can add 2 to 2, but it’s all besides the point. Some amount of aging is good! People are like wine, sometimes, y’know? They get good, then turn sour.

Well, to be fair, let’s give Aya Hirano a few years. I think there’s still some promise there.


Lament – Motto Motto

Life got in the way, so I’m to apologize for missing out on the Animesuki karaoke shoutcast even in its entirety (it’s like 7 hours long). What’s equally worse is that I didn’t get to submit a song as various real-life things got in the way of that, too. I really should post “we demand re-airing!” or some nonsense.

But at least I can return Jal a favor by doing a request from someone else. (Did that make sense?) You hear that? I managed to record something a few days ago, but it didn’t come out well so I didn’t mix it (it sort of desynch’ed). Alas, it also means I didn’t get a chance to do so until right now, really. And even then I didn’t arse around with the entire clip. Enjoy the terror.


Sing Like You Want to Win – Animesuki Edition

It’s a while, but the sixth annual Animesuki karaoke competition is taking entries until the 29th. The contest will “showcase” by a live streaming of all the entries. This year they even have a separate site all set up for it.

It’s one thing that if I submit something (I probably will), but I think it’ll be fun if you can also get a lot of other people to terrorize a captive audiencejoin the fun. The particular format of streaming audio, mixing bad entries with good ones…a disaster in the making!

Of course, it’s just fun to also participate in good faith, because I sure would like to hear JAL sing! And I know I’m not the only one.

Actually, if you read this blog and is participating, I want to know! It’s just more fun to do it as a community, like the AS forum folks do.