Author Archives: omo

About omo

I run the site, too.

In Fandom, the Grass Is Always Green

Haruka Saigusa

I may or may not be tsundere when it comes to “go to koshien” stories, but I do have a soft spot for anime characters playing recreational sports in fan recreations. When the fiction itself is not prose, that gets me over the hump of dealing with people’s slashes or whatever. So, for some reason, I’m reading the brief recaps from the Anime Studio Baseball tournament and I’m in stitches.

I mean, I guess because I also read Murrican Sportsball writing in my spare time, so I really could see how all of this can be threaded narratively into a hilarious story between two distinct but unrelated matching. The jokes not only write themselves, it’s so ripe that you can probably write jokes you didn’t even know that exists. Calaggie over there does a good job generating the scores and results (although I guess the game has started already, I can’t bracket them up at this point), and there’s a small write-up, but I feel like we can spin this out more. A lot more.

And this is where I can see myself doing something. A big thing about sports narration is explaining who everyone is and coming up with the story that threads the game together, the players together, and give context to what is happening. A big part of this anime baseball nonsense is knowing the characters. Even I don’t know everybody, but I do know many, so it should be fun to come up with something. Maybe that’s why I find this funny?

Like Minko putting up baluts inning after inning. Or Lulouch went 3 for 6 against a Iri, Ryougi Shiki, and a penguin. Tsunemori Akane’s bat is bigger than Tendo Akane’s.

The schedule, which is probably the most important thing, is here. The roster is posted on the team pages. Can Haruka handle the hot corner? Their first game rightly puts them against one of the toughest (sounding) lineup in the tournament: Pretty Cures & Salior Scouts. I guess we’ll find out next week.

As for the nuts and bolts, Anime Baseball is actually just a simulated sort of thing, using a simple dice rolling system called Home Plate. I can’t even find it on BGG, so I have no idea how it works. The roster is biased towards what the guy organizing the tournament likes, but it’s pretty representative anyway. I’m going to assume the play-by-play data is available but you’ll have to get @Calaggie to export it from iScores.

Lastly, something to think about.

PS. This isn’t all that different than those replay fiction that turns into light novels, huh.


That Was a Good Last Episode

Genshiken Nidaime E11

In English, “last” can mean “final” or “previous”; this pun is made possible by translation, although by syntax it infers the “final” definition in common use, as in “the last episode.” Instead, “The last episode was good” would suggest the punned meaning. Anyway, as you can see this is really about episode 11 of Genshiken Nidaime.

Octoballs

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Dehumanizing Uchouten Kazoku

By “dehumanizing” maybe it is better to call it “tanuki-fying.”

The Eccentric Family

Here’s a thought experiment. Rewatch Uchouten Kazoku. Whenever you see a human-form tanuki, try to imagine it as tanuki-form instead.

What does this do? When Yasaburo looks longingly at Benten (maybe at the ED, maybe when they’re walking in the moonlight, whenever), the meaning becomes obvious.

When Yashiro looks at  Benten behind his brother’s back and takes her doughnut, what does it look like?

Is this why Soichiro can’t stay in shape? Or rather, doesn’t that explain why, in a thematic sense?

The family of tanuki take shapes from humans to live in this society, but they cannot betray who they are, their blood so to speak–as tanuki, as fools, as whatever. When mom was living with her rescuer, she looked at him with those eyes, and it says everything universal that has to be said. It’s this message that goes beyond the bounds of what makes them tanuki or human or tengu. It’s like Yasaburo’s filial piety-like devotion to Akadama-sensei, even if he is not one of them, although now we’re treading on iffy grounds since I have no clue what tengu and tanuki are suppose to do with each other. It’s like when 8Ken has to eat to love (and to live). And you thought I was joking (entirely)?

Another concern I have in parallel with this is that unless we are mindful of the whole “blood” connection and in regards to what a tanuki is, it’s not entirely obvious that this layer of the story exists. Especially from western eyes, it’s too easy to forget that these human-looking things do not have minds and hearts of humans, although they too carry admirable qualities. In other words, think Natsume Yuujinchou. I mean, a tengu is a youkai. I’m not sure what qualifies for a transforming tanuki though. Maybe this is just a man-animal-supernatural sort of a sandwich. But we cannot subject Yasaburo and his family to the same standards as we subject other human beings in the same context. Or rather, this is how we can tell when the story is trying to make a point.

For example, Yasaburo loves humans. Think about it–he is the single visible tanuki that has extensive interaction with humans, within the story. The only other character that comes close to him is Mom, whose backstory explains why she does what she does. What does this say about Yasaburo? What does this say about Benten?

PS. It’s like “blood of the fool” in the way I draw out overarching themes across different shows that I watched recently. You know what they say about the human cognitive ability of pattern-seeking and forming.


OS! EGOIST

This post is about music from anime that gets panned. Not quite about EGOIST per se but clearly that one is one of those.

For the most part, EGOIST is just Chelly produced by supercell. I’m thinking that at some point or another Hiroyuki Sawano might have had some hand in them, but I can’t find out any links off hand. Sawano’s own soundtrack to Guilty Crown is also, perhaps, overlooked because people didn’t like the anime so much. It’s easy to say this because the similarly-sounding Attack on Titan tracks do much better with popularity. I mean, the same people did a similar thing for both shows, with exception that maybe Kyoujin OST is the bigger of the two. Pun-wise and in terms of the sounds.

Walking back the path of time via the Animusictourney, it’s easy to see how weaker soundtracks get lifts from stronger source material or emotional attachment to the IP. One of my favorites from a few years back was Sphere’s debut anime, Nijine’s Hatsukoi Limited anime soundtrack. And I kind of blurbbed about that. But who liked that show?

It’s times like this–by this I mean while writing this blog post–that I miss the old #MALKEIONBU, because I’d have at least a clue on what to listen for. Also because this particular section of the brackets just makes me cry. I would say it makes an old man cry but calling myself old is an insult to actual old people.

Shifting gears a bit, let’s talk about Os-Uchuujin. Or Os-宇宙人. You know what that song reminds me of? 90s rock music. In fact it makes me think of this song.

Because it’s pretty fly for seiyuu music. The thing is, Ogame speaks like a normal little (size-wise) Japanese girl. She’s not quite KaneTomo-class, but she’s still that shrilly Asian vocalist when speaking normally. You can tell from the video, as she speaks a bit in the beginning. The guys playing the song is a major label band and the lead vocal normally sounds not too different than the seiyuu-san vocalist anyway?

And of course, it’s all in the lyrics.

Which is all to say, it’s okay to dislike it and speak your personal biases honestly, but don’t discredit what you don’t know! That is not the spirit of things.

PS. Happy Birthday Kotori-san!

PPS. Happy Birthday Dreamcast-san!

PPPS. ⑨


Uchoten Kazoku: When You Got Sauce in Your Wasabi

By that I mean when you got saudade in your wabi-sabi.

Or when you got anime in your Kyoto-style life.

Or when you got moe in your tanuki.

I see why they like Kaisei.

Kaisei Ebisugawa - She doesn't go Hitode on them

More seriously, while there’s nothing particularly problematic about Uchouten Kazoku as a whole, the more I watch the show slowly unravel itself in typical Asian familial tragedy manners, the less I feel compelled by its narrative. Maybe it is partly due to the whole PA Works animation angle. Maybe it has to do with the relatively contemporary setting. Maybe it’s because Yuasa’s Tatami Galaxy set a false and unrealistic standard/tone to what I thought this sort of a story could be. It’s kind of like falling in love with somebody only to realize that person is not who you think it is, in a good, “hey I can live with this” sort of way. It’s fine and practical but largely devoid of glamour.

I guess this is the ultimate problem when every other show you get hyped about has to do with some social taboo like Twincest for the Win or A Little Sister Is Fine Too or Oh Man That Pig Is So Cute And I Want to Eat Him. And I’m not even talking about Silver Spoon. Fantastical Tanuki Family Bickering Foolishness has a tall wall to climb. But then again Kaisei is close enough for incest in some jurisdictions, assuming if she and her mate are human. I guess this is where Uchouten Kazoku could’ve really played things up. Let the tanuki be tanuki.

Which is to say, 8Ken will never make it as a Friday Fellow because what defines true love for him is some shallow shadow of its true nature.