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Idols with Smarphones

Smartphones were already a thing when OFA came out in 2014, but it hasn’t taken over the game like it did for Platinum Star. This is a quick impression piece on the latest console entry to the mainstay IDOLM@STER games.

Overall, it’s OFA in hyper mode, but where the song minigame in one is figuring out the timing of bursts and bombs, now it’s just Project Diva EZ-edition. Make no mistake, though, Platinum Stars is not really a rhythm game. This is more like the usual idol production sim with a rhythm game delivery mechanism. By delivery mechanism, I mean everything comes down to these climatic lives in which you have to not screw up doing rhythm gaming. Doing well at it gives you a slight edge but it pales to the amount of work that it takes to get far in the game regardless.

  • The idol mobile mail has been a long a cherished thing in these games, and the additional 3000yen or whatever it is enables this idol with smartphone thing, so please go grab it if that intrigues you.
  • P Drops is exactly what you think it is. I went for it because I am now a firm Kakkin-type player and to be honest I sort of wish I didn’t. It makes the game a little easier because when you miss, often times you get consumables which all tend to upgrade your stats in some way. So you end up leveling up your characters/songs pretty fast. Do you get nice gear fast too? More on that.
  • The game has now implemented two ways to balance gear. Outfits now have types that usually have to match with the live type to get max use of its appeal stats. Idols wearing items higher rank will also see reduction on the appeal benefit. This for the most part works but I imagine a lot of new players would run into problems until they figure it out. I had problems with this until I was told to just osusume in the outfit screen. Later on the game evolves big times on this front and gear selection becomes a major aspect of the game. By then osusume will not cut it.
  • The early game is pretty hard I think, once the game opens up more it gets easier, especially if you were able to get some good gear via luck and/or timely EX Clears.
  • The game “ends” after you clear the Extreme Live set of events. Doing it for the first time unlocks M@STER difficulty for songs.
  • Song difficulty for the most part doesn’t matter in terms of score, but it does give an edge if you can FC hard songs. This edge increases as your song rank increases. Thankfully for most people this is something we can live without.
  • The game boils down to the following: fans, appeals (levels), burst, omoide (and hearts), and the gear/outfits you own. The rest are just resources to increase these values. I put outfit in here not because it adds to your overall score (beyond just adding stats–they give skills, which effectively can multiply your base score), but because later on the specific outfits you have determines if you can clear a live or not, as a factor of outfit type and the skills they bestow on your idols.
  • The game plays up a lot to a modern view of SNS-driven fandom. I like it, because it’s like every retelling of the IM@S girls the characters move on into a new era.
  • The cute little animations between each part of the turn is something to watch for. But it’s hard to say anything about those. Just that sometimes I wish I can just look at it and do nothing else.

A couple personal notes. I bought a PS4 just to play this game. What’s nice is that earlier this year Sony enabled remote play on PC, and that made playing this game so much easier. Second, I joined a chat with some other guys talking about the game, and we did a quick-and-dirty FAQ. Like, buying it off PSN and playing it on launch? Watching the countdown timer hit 0 and boot into the game (while at work, because I remote-play via a Vita)? That was really cool. Thanks Sony.

 


Yes-Fly List

There are some seiyuu that I like. How and why I like a particular voice talent can vary a lot between any given two person. Some of them I like because of the characters they voice. Some because of the performances they put on in the shows or games they are in. I like some because of their TV/radio/Niconama/stage personality. I like some for their solo music artist careers. Some I like for their singing. I like some for their style/looks/presence. I like some for their background or personal story. Some of them are just really funny. Among other things. It really vary a lot, and it should not be a surprise that there are a plurality of reasons why I like the ones I most favor.

Some people make elaborate rankings, or lists, or whatever, to track who they like. It’s a basic nerd/otaku tendency, I suppose. I do too, usually in the form of guest request lists for conventions in NA. But that list also takes into account my estimation of the maturity of the seiyuu in their career (will they be able to open up to a crowd overseas), their affiliations (are they easy guests), and how they would handle a bunch of young Americans at an anime con (eg., what would they do when “Nico Nico Knee” comes up in a panel, etc). I’ve been meaning to write up some kind of mega-list at some point, for that purpose. The rationale behind it would be to make it easier for con organizers to know which seiyuu are good picks and worth going after. It would add considerations based on affiliated agency, the type of work they’re known for, among other things.

But, that’s work. Work I don’t quite have the time for. But maybe we can crowd-source it in the near future.

Next best list, I guess, is a list of seiyuu that I’d fly to see domestically. The reason is basically, I have some skin in this game–it’s not just lip service. Where your treasure is, your heart is also, I suppose? But it’s a lot more nuanced than that too. For example, some seiyuu I might not estimate much in my affections, but I would try to fly and see just as a matter of repping them, because they might not be all that popular with an oversea crowd. Sometimes a certain person’s coming to a country by itself is worth the trip. With sufficient amount of care, fans and nerds can build enough context, and meaning, of everything their cherished idols do.

By domestically in the last paragraph, I count Hawaii and Alaska in these I suppose. So, thus the list below. This is entirely a different list than just seiyuu I like, but I guess I do like all these to a degree? “Degree” enough to list? And in no particular order:

  • IDOLM@STER 765Pro AllStars+ – For franchise reasons. They can come in single or duos or whatever… (13)
    • Hirata Hiromi, Nakamura Eriko, Wakabayashi Hiromi, Nigo Mayako, Kugimiya Rie, Asakura Azumi, Numakura Manami, Imai Asami, and Takahashi Chiaki are probably more of a draw for me than Hara Yumi, Shimoda Asami and Hasegawa Akiko, since I got to see them at cons already. Still would seriously think about flying to see Asapon, even if it’s for the 4th time…
    • Yeah, I will try to see Takita Juri too, but she’s not likely to be an oversea con guest.
  • Hase Yurina or whatever name she goes by these days… naturally for reasons above.
  • Kuwashima Houko – One of my earliest Yes-Fly list items.
  • Kana Asumi – Late 00’s brightest in my opinion…
  • Hanazawa Kana – Still really cool for a con, especially now. Especially since I’ve yet to really see her anywhere.
  • Mizuki Nana – Just for the spectacle. How many people have her on their Yes-Fly list? Can’t just be me right? To me going to see Nana at a con is more for that fact, rather than going to see Nana, since her dome lives are not that hard to get into.
  • Mitsuishi Kotono – Not sure if she’s on my list anymore but why not. These Showa idol types are great to see in person and I would try to go see her again if I could.
  • Tamura Yukari – Oh man. But not really high on my list and other than nostalgia boosting her…
  • IDOLM@STER MILLION STARS – After missing Miina last year I’m definitely kind of hurting. So especially now with ML3rd under the belt I feel this is where I’m most vulnerable. (37)
    • Top tier: Pyon, Koro, Mochi, 10ch, Nansu, Aimin, Stef, Ueshama, Popotan, Yunkon, Miina, Suwa, Mikku, Maple, SEED, Suzie, Rieshon, Ibuibu, Kotorin, Keiko, Chouchou, Ashu, Bei, Machico, Rally, Aberika, and Rikanee
    • Almost top tier: Yuucha, Zekki, Yukke, Yuiton, Pirami, Kakku, Denchan, Chakichan, Hamasaki Nana, and Atsuhime
    • This is terrible in that I’d fly for all of them, the difference is how easy I can talk myself out of it.
  • Taketatsu Ayana – I like her, I don’t even know why. Definitely someone I want to see in person at least once (more).
  • Sphere – Especially Ayahi and Aki, but probably also Tomatsu and maybe even Minako?
  • Ohashi Ayaka – Why not, Red Leader of HoriPro.
  • M.A.O – Kaomoji jai nai yeah. All-around talent.
  • Cinderella Girls – These I like mainly because of their IM@S work, so rather not clutter the list…
    • Riccasama, Iida Yuko, Waki Azumi, Aoki Ruriko, Matsuzaki Rei, Yamamoto Nozomi, Igarashi Hiromi, Fukuhara Ayaka
  • Yoshimura Haruka – She’s kind of mysterious so I want to get a better look.
  • Ousaki Chiyo – Been rooting for her in a long while now, such adorable personality.
  • Uesaka Sumire – She’s kind of OP, so it’s worth visiting an event with her in it, especially in the States where fashion is a big deal.
  • Tsuda Minami – Slowly becoming my YRYR oshi.
  • Kurosawa Tomoyo – Kinda sad of not seeing her last year…regret?
  • Wake Up, Girls! – Insta-fly in this case actually, but I may be hard-pressed if it wasn’t the full team…or at least if no Myu.
  • Kayano Ai – Another long-time favorite I guess.
  • Sakura Taisen – At one point in my life it would be pretty close to Hanagumi, Pari-gumi and NY-gumi. But now it will take some careful consideration. I think Yokoyama Chisa might still be on the list just as the poster-girl for the franchise, but my connection to the lot of them has more to do with how much time has changed my mind and eroded my feelings for the characters. To keep it short, let’s just say 5-6.

PS. BONUS ROUND

  • Saki Fujita – Because I need to complete my Manabi Straight collection? And she’s great too.
  • Certain seiyuu at certain cons. North American cons are cool for various reasons, and these kind of events are found nowhere else. But even so not all cons are equal. For example Chihara Minori at NYAF was one thing, but she would be a draw for me at a different con if there was less competition and more access.
  • The people at Animazement. I would fly to see them if not for the conflict of various IM@S guests at Anime North. Or the fact that it’s in driving distance/and I can carpool, so flying is often not necessary…

 


Anime Expo 2016: Wrap

This a short wrap for a long con with a lot of stuff happening and even more to write about. One of the core realization in my mind is the ever-merging interest of Japanese (and US) companies trying to make something good happen with fans who love their stuff. This means that the growing closeness between the notion of “fan” cons versus “industry” cons is an overall good to attendees. TL;DR: Industry Booths are good too, especially when fan booths are the same show as always.

This AX was great, despite what AX has done, I guess.

Ayumi Mocho meets Ayumi Mocho nendo

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Eventing 2016

[Last Updated 12/27/2016, That’s a wrap!]

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Clinton’s Copyright Platform Is Probably Good for Anime

Iowa Primary

United States presidential hopeful Hillary Clinton recently revealed her campaign platform on tech, and here’s the relevant segment:

And she will encourage stakeholders to work together on creative solutions that remove barriers to the seamless and efficient licensing of content in the U.S. and abroad.

Since nobody else has done one of these yet, at least nobody interesting, here is probably all there is to it in this election. Given her opponent Donald Trump’s current style of campaign so far, it’s hard to say if there will be a policy document for the Republican side. Of course, these are just campaign promises, which don’t translate into actual policy implementation all the time, or if the implementation would ease international licensing. It’s just merely on the table as an idea.

And when it comes to relatively fringe issues like international licensing, having that is way better than usual. For example Obama gave some pretty vague statement about reforms on IP during his campaign, and other than the patent reforms that went in during his second term, the current President didn’t really do much during his time in the Office. Historically it’s just not a subject area that gets much lip service during any presidential campaign. The past couple cycles have been a little different, and obviously I think a lot of hot topic issues today are tech oriented, so it’s nice to see some splash over to archaic copyright law.