KOTOKO – Kuchuu Puzzle Tour 2014 at AiiA Theater, Shibuya

Aiia Theater

Let’s break it down before IM@S breaks me down.

  1. My-Les
  2. WING OF ZERO-the ring-
  3. 黙れよ、ピーター
  4. フシ-ギナ-アナ
  5. サ・ヨ・ナ…ラ
  6. frozen fir tree
  7. 冬の雫
  8. snow angel
  9. 原罪のレクイエム
  10. agony
  11. 海豚
  12. 雪華の神話
  13. Largo
  14. サクラノアメモエギノヨ
  15. ささくれ
  16. Re-sublimity
  17. Loop-the-Loop
  18. Rock☆DE フルーツバスケット♪
  19. Flower!
  20. Light My Fire
  21. Pâ—‡liGâ–³n
  22. 空中パズル

Encore 1

  1. Presto
  2. 開け!ソラノオト
  3. →unfinished→-Album ver.-

Encore 2

  1. SHOOT!-KOTOKO.ver-

Check Kotoko’s blog for pics of her outfits. And all the stuff I was gonna say until I read it www.

So let me keep it personal and point out the big things. First, there were two costume changes in the main set. Encore has the usual t-shirt + skirt combo and she puts on No. 11 jersey for Shoot! She also tried to score a couple handicapped freethrows, and makes the last one of three.

The “Winter” set is in her snow-fairy-peter-pan inspired getup. I really like how it gave her an excuse to sing all these old snow-theme songs. The stage had this fake snow setup where it’ll spew out mysterious snow-like substance that floats down much slower than actual snow. It would be neat except I’m kind of sick of snow at the time given how it interrupted travels so much.

The first costume change happened during a really long instrumental solo if I recall correctly. The second outfit I remember liking more, because it’s got this weird white theme going on and is a little bit like a wedding dress except the huge ribbon-like thing on her shoulder. I could be wrong.

I was too busy rocking out to have an opinion of the third one.

KOTOKO isn’t so much what I call “a sight for sore eyes” both visually or musically, but the strongest immediate reaction was that I really missed her, and I didn’t even know it. Her music in the live context just gets me.

The crowd was another point of observation. I’ve never seen her live over in Japan so it’s not clear to me how the fans move. So it turns out they move the same way as they do in the States, basically. There aren’t too many songs with calls, and those that do tend to be just anime or game songs that go by the usual pattern and/or hooks into some other franchise, like Shoot, which has the full cheer-ppph-thundersnake thing built in. Just rock and thrash as usual guys!

Can’t wait for her Raleigh stage!


Thought-Dump Japan 2014 Part 1

So what kills blogging is not twitter, it’s a grueling schedule of a) line up early for goods/events/etc b) events c) post-event hangout d) post-even hangout pt 2. e) oh hey it’s 4am. f) repeat.

But I’ll take this time to write up some stuff. I hope to go to bed soon so should be short. Right.

Bunny berry pink penlight

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The Trip, 2014

I never got to wax much nostalgia about my trip last April when I went to see that PA Works show, along with Coorie and Tamayura. I traveled for about 10 days and did the otaku mecca thing, while focused on taking it easy, eating (and didn’t even do much of that beyond local recs) and hanging out. Watched a couple anime movies, at least. It was actually quite a blast, but I definitely could’ve done more if I was more organized or adventurous.

Makoto goes traveling on a Jitensha w

This year I’m going with a herd of other foreigners and in the span of about also 10 days, I would have hit up 2-3 theater greetings, probably will watch the same two anime movies like, in four different occasions (funny considering I could also watch Buddha 2 or the new Tiger & Bunny film that’ll get a theatrical run in a month), will attend a radio recording, plus at least five concerts. FIVE. Maybe more if I want to do that underground idol thing. So most likely this means I won’t have time to try my luck at Kancolle cafe, just a couple days for shopping, and who knows how many places I can go eat? I get the feeling those things will take care of themselves however.

Here’s the event list, at least the confirmed ones. A few are not yet and are marked TBD:

There are a ton of events that I wished I could attend, either because it runs against one of the other events, or because I can’t get the proper tickets (like WUG handshake sessions…or Yui Ogura handshake sessions…or Milk Lariat S conflict with KOTOKO…or Kanon 2014 conflict with IM@S with Yanagi Nagi live etc).

And that’s just events! There are tons of other stuff on the agenda, none perhaps less epic than the chronicles detailed here. But I will do my best with the whole enjoy Japan thing. Food, scenery, shopping, you name it. Definitely want to revisit A-Button and Garten once.

Anyway, if this blog stops updating the next 2 weeks, you know what’s up. Actually I will still be updating the non IM@S stuff here, so watch for that; but as you can see there’s not a whole lot of that.


Mai Mai Miracle on Kickstarter

Kickstarter projects are all over the place, and in 2014 the platform is used for all different kinds of business purposes. I think however if this means having fans able to pool together money to get Mai Mai Miracle out in the wild, translated, it’s well worth doing.

Kiiko

I’m not sure if it’s well-documented, so I assume it’s not, but Mai Mai Miracle is one of those “for kids” movies that is actually for adults. It belongs in the same category as, say, Wolf Children or The Wind Rises in that I am not sure if kids can get everything out of it. Well, no, I don’t think most kids could. The whole thing seemed to be like a mistake from the beginning. The planning and development of the movie binned the movie as a for-the-family affair, mainly for kids. The story and final product, however, beame this precarious and sensitively piece that has a full-blown magical Inaka, where kids in their seats will tire and bore but the old guys will cry. It’s one of those movies that had a bad open but revenue per theater increases as the screening went on. It’s not going to be many children’s favorite, but it can win festival awards.

Furthermore, I think Mai Mai Miracle channels that Asian mid-boom feel, like how Whisper of the Heart succinctly captures the 1980s in urban sprawl Tokyo. Mai Mai just goes another 20 years back. It’s not as meticulous as Ghibli’s works, but that masterful mise en scene, the “relax” look for which animation breaths life, and the whimsical thread that carries forward the movie are just the same. What would Ben say about this ex-Telecom key figure? (By the way, he hasn’t said much about Katabuchi, at least in the posts.)

The kickstarter pegs the DVD/BD SKU at around $55. That’s typical anime pricing I suppose. I would take a step and say that it is also kickstarter pricing. And it’s [/drumroll] Aniplex pricing, coincidentally, on a per-minute basis. What is more notable is the 200-page artbook the Kickstarter is promising. It is not the standard 3000y settings and screencap artbook that you can get from Amazon or any major bookseller. It is a totally new product, which is good, because no way it would be worth $75 even after shipping.

Anyway, go back it. The movie is great if you enjoy kuukikei/Inaka style stuff. It’s great if you are East Asian and can handle a slow film. It’s great if you are an animation buff. But you already know this, don’t you? People who read my blog probably already do!

Also, this is the first UK-based kickstarter that does anime distro for R1, isn’t it.

For old time’s sake (since the only copy of my Mai Mai Miracle blog post seems to be on my desktop), here’s a link to Shii’s breakdown of Sora no Woto, which is basically a digression of the Inaka value as mapped to otaku entertainment.

And oh, the kickstarter.


Ask John: A Lesson about Disparate Impact

When I was in high school, I wrote a paper about Title VII discrimination based on disparate impact. Welcome to America’s Black  History Month, folks. It’s also where I first learned about this “liberal” concept. And it appeals to my sense of fairness.

Actually, more like, welcome to American Ps going to Japan to celebrate iM@S month, since I’ve been really busy working on it. But here’s a segue into John’s post, which feels more like a troll post (like many of his notable columns in recent years):

In a word, “No.” America’s 2008 anime industry collapse was caused by a number of interconnected circumstances, but fickle female anime fans were not one of those factors. In order for female otaku to have significantly destabilized the domestic anime industry with a sudden emigration, they would have had to have been a substantive supporting audience in the first place.

Kou is the best

I think the easy, take-home lesson that John failed to grasp is that girls love shounen anime. And it’s not just him. A lot of people don’t understand that girls love shounen anime. I mean, just look at One Piece. The other takeaway is that nobody buys shoujo anime. Shoujo manga is basically a quaint, dying art form in Japan. It lives on (and will forever so) as an aesthetic, a style, a genre, a bundle of tropes, a few rows in an otaku’s database; but it’s near death commercially. It’s like cyberpunk as a literary genre.

As for anime, there are few shoujo anime to begin with, percent-wise. After 1997 that % plummets to abysmal levels. Most shoujo anime fall into the category that Precure is in–mainstream kids franchises. Licensing them internationally is a serious endeavor with real costs, nothing that even mid-bubble American industry could have really approached.

So John could’ve just said what I just say and be totally PC. But he would still get point #1 wrong. To his credit, the question he was asking wasn’t asking about the impact of shoujo anime, so he tried to use the sales of shoujo anime as some kind of support to his premise that few girls buy anime to begin with. Well, I have no idea if that’s true or not, but that’s like me saying nobody buys shoujo anime–it’s only true in the aggregate at best. For example, Fruits Basket sold gangbusters, and it’s as shoujo as it gets. But that is still just a drop in the bucket compared to all that DBZ FUNi sold. So John may very well be right about girls not buying anime, it’s just there’s no substantiation on this point. Plenty of guys bought Fruits Baskets, FWIW. I did just for the omake. So for all we know more boys buy shoujo anime than, say, a show like Penguindrum (which is kind of in a grey area) or Twelve Kingdoms (which is …technically shoujo but not manga).

Actually the worse thing John demonstrated is a total blind spot for shows like Kurobas, No. 6, Gravitation, and Free. Those are not “shoujo” either. Or maybe I should say, can we blame fangirls for the lack of financial support for Oofuri? Maybe in some MRA dream world.

What does this has to do with disparate impact? The concept, for those unfamiliar with it, is about how certain discrimination-neutral practices once implemented, gives rise to a systemic result that equals discrimination based on whatever that is discriminating. In the race case, it could be, say, a poll test, because one race of people are less educated than another race due to past discrimination patterns. The test itself is not a factor that discriminate based on race, but the result may very well be the same as a racially discriminating device.

So it’s easy to think that “hey anime that shamelessly pander to women is way rare compared to every other kind of anime, so fewer women watch/buy anime.” Except that’s just bullocks. It doesn’t mean anything, because these marketing labels (shoujo, shounen, seinen) are meaningless in this context. As in, the way to prove disparate impact is use numbers, and really numbers only. Maybe this is more like reverse disparate impact, like you hire by race and the result pool matches the general local demographic. Kind of like limiting the Asians admissions of Ivy League schools to keep the old boys club going.