Takagaki Ayahi Laughs and Cries

One of the intangible factor that floats seiyuu-idol pop group Sphere is its classically-trained vocalist Takagaki Ayahi. Ayahi (or Ayahime) is gifted with a decent singing voice and majority of Sphere fans probably concur that hers is the best, even if hers may not be their favorite. Indeed there are probably the fewest Ayahi fans out of the whole group, especially given her relatively few otaku roles on her relatively short CV. She gets outshined by her groupmates, who are popular on their own in a lot of ways.

There is this enjoyable irony, thus.

I think Ayahime works great in these PA Works T_T anime projects, Tari Tari being the latest. It’s a bit like her gig in Fate/Zero–the earnest girl that laughed and cried within the same episode. It’s what she did in Tari Tari 6. It isn’t that her acting is actually that great, but in a way Ayahi’s voice is something you just don’t hear very much of, partly because she’s just not in so many shows and her voice has enough of a uniqueness to it to take note. Enough for a lead character, enough for a cappella 5-piece, enough to stand out between a Noto-and-Hayami manzai gag (how many times has that happened anyway?), and enough to delight Noe supporters throughout the ages.

Which in retrospect plays to all of her strengths, and it’s a pretty tall list to stand up against. Then again my favorite Ayahi performance is still the brat from Mitsudomoe, so what do I know?

I certainly don’t follow her solo vocalist career, or what little bits of it. Thing is, even when you up the ante and play with operatic stuff, Ayahime comes across as, at best, a delightful, if pedestrian, passer-by who is best known for her seiyuu idol status, and not because she lights up the ball. Yes, we know she can sing, but is she any good? More importantly, does she have what it takes? She may be able to wrestle a standing fan (something most opera singers have not done, I imagine), but how about a whole bunch of them? I think the jury is still out on this, even after the third Sphere album. At least, I don’t really know.


Manabi Straight on Blu-ray

It’s always kind of a gamble to buy a BD release of a show created during the post-digital, pre-high-def era of TV anime. That’s pretty much any show created between like 1998 and 2008 or so, which includes Manabi Straight. Manabi Straight is one of the last TV anime that was created for the 4:3 format and watching it gave my plasma temporary burn-in. LOL for cheap TV I guess.

That unfortunate circumstance aside, I lament that I just don’t have all the time in the world to rewatch this gem. I managed to just catch the last episode, the OVA episode (now slotted chronologically onto disc 3 of 4) and the Machiasobi event from last November (also on disc 3). It’s a little odd to see Nonaka on stage again, after just seeing her not too long ago in person. Equally odd was how the event is about showing the audience the PQ difference for the Manabi BD box, and get everyone to sing the Seiou Gakuen Kouka. I mean, a sing-along event with a video of Horie Yui teaching you (well, it’s a joke) how to emote it? Okay.

The oddness of the event bleeds into the home video version. At the event, they have this kind of small screen on stage where they showed you side-by-side between DVD and BD of episode 11 (and some other clips). It looks great on home video because, well, you see the actual video. I just don’t know if anyone present at the actual event can tell from that distance.

I haven’t taken a close look at anything other than disc 3 and disc 4. Disc 4 contains the final 4 episodes of the series, plus all the TV spots (TV ads and DVD ads), trailers, and the karaoke video for the five image songs for the main characters. But what’s probably more of interest to perspective buyers and Viewers Like Myself is the last episode and how it’s “reshot” or whatever ANN uses to describe the work ufotable put in. To make it clear, episodes 1-11 + OVA episodes have had their composition redone for the BD release, but they went out and redid episode 12 by recreating the CG effects. If I know Japanese I probably could tell you, because they talked about this at the Machiasobi event. Yeah, I think it’s odd to have Nonaka and the King Record producer guy tell you how good this transfer is, in the thing you just bought.

If composition is what I think it is, redoing it means now the scenes are rendered at a higher resolution as it is being composed by whatever software they use. This is drastically different than doing an upscale because the software that spits out the re-composed scenes are working from the original property, rather than the end result video that gets interpolated by the upscale software. I guess you can think of it as being one step closer (in reality, probably more than one step). And I think given the way anime is put together these days,  that might be the best thing you can do for a TV anime of that vintage. What is amusing is I can totally see someone do this to 2k or 4k, give them another 10 years.

Anyway, this is also why the CG, which is sometimes generated dynamically at composition, need to be re-done. Because it would look like ass otherwise. Since I don’t have a BD drive I can’t cap them for you, but let’s just say the cherry blossom scene at the beginning of episode 12 (this is the naming convention used by the BD box; OAV episode is labeled as such, not 6.5 or whatever) looked reminiscent of 5cm/s. There are a lot of pans and sky cuts in episode 12 and they look gorgeous. When Mikan popped out in the epilogue by herself I thought “only if Evangelion TV on Blu-ray would look this good.” There’s just all this detail in the scene when Mei was driving to the airport with the crew.

However, when you just look at the normal foreground animation, they don’t look too different than the previous episodes. It looks better than upscaled; the lines are well-defined, if a bit rough. The show has its share of derpy faces, after all.

The other notable thing about Manabi BD in terms of PQ is the stop motion ending. It looks great, and that should be the case because I’m going to assume they shot the whole thing using some DSLR, and that means it was put together using whatever-megapixel photographs. 1080 is only 2 megapixels; 4k is only 9.4 megapixels.

The intangible details aside, here are the stats [Amazon, King Records, ufotable]:

  • 4 BD discs, 1 DVD disc (materials for your PC…?)
  • contains episodes 1-12 plus OVA episode (on disc 3)
  • Discs 1, 2 are single layer, discs 3 and 4 are dual layer.
  • Comes with a slip case with a huge obi-thing that covers the bottom and the back of the packaging.
  • Also has a 108-page book containing all sorts of supplementary material, fits in the slip case.
  • Discs sit inside of a 5-part digipak that holds all 5.
  • First week sales: below reporting threshold

You can get more nitty gritty if you see the listing on Amazon and the like. There was a contest where people can vote for the cover image on the BD BOX, on ufotable’s website. It ran for about a month and you can get all the non-winner pictures as A4 postcard-things if you buy the BD BOX direct from ufotable.

Rewatching the series is definitely on my to-do list. I’m due one anyway.


The Other 2.5D, Scarlet Rain

You know how there’s a furry scale? There’s probably something like a mecha scale too.

No, not really about Strike Witches (even if that’s a good example of both types of scales). Actually, one of the more attractive aspect of mechanical design for popular media is its ability to transform. A big reason people like the F-14 is its moving-sweeping wings. It is not a surprise to see the now-retired assault aircraft pairing off with futuristic valks in Macross Zero. And as you know, these witches transform into furry beings by magic and military weapons by mechanical parts.

The value in transformation almost implicitly point out that the degree of mechanization for a mechamusume is not a quantized value, but a sliding scale. It’s one thing to paint a girl’s picture to the side of your aircraft or bomb or tank. It’s another to replace the giant robot and replace it with a girl-android-thing. Maybe we can even put, at the extreme ends, just girls piloting these things on one side, and girls piloting these other things on the other end of the scale.

You know Aegis from Persona 3? She’s a pretty much middle-of-the-road for mechamusume. Now by definition mechamusume is combing traditional mecha with that moe bishoujo aesthetics, like “girl+tank” or “girl+RX-78“. Aegis is just a straight-up android, and by definition human-like robots will exhabit some humanlike-ness. If that style of femininity is what the android has, it might be difficult to consider that as mechamusume. Perhaps as a new dimensionality?

But to a degree one end of the mechamusume spectrum is kind of like how people get off on guro or, say, ableist porn–it’s all normal except insert-the-blank, where the blank is some kind of abnormal physiology. Androids approach this idea from the opposite, in that the question is how human-like that they may be, except for their ears and the on-off switch, as an example. I would say these kinds of mechamusume are almost just normal people; that’s kind of their schtik. That’s the 0%. After all we don’t quite put Miku in this category.

I think Scarlet Rain is a pretty good example of both the more extreme form of mechamusume, as well as the idea of this non-fixed value of how much of a mechamusume a character could be. For one, in Accel World, you are your avatar, and it isn’t something you pilot exactly–you could kind of control it, but it is ultimately presented as the version of you in Accel World. So in that sense, when Scarlet Rain is doing her bit of the story inside the Accel World universe, she’s only known as Scarlet Rain, and not Yuniko. It’s a pretty serious transformation in contrast with Strike Witches, don’t you think?

Or maybe better yet, perhaps we can posit that it is Strike Witches that is progressive in combining the mechanical aspect of the girls with the innate identities thereof. Yuniko is still just Yuniko in the real world, after all. To the degree Power Ranger Pink can transform from mundane to magical (sometimes with the hardware), it speaks a lot about the place our characters inhibit within the scope of what makes of mechamusume. As I would put it, it’s about venturing into that 2.5D land, that gap between the common-sensical and the fantastically two-dimensional construct of the mechamusume.

I suppose Drossel has met her match, though. Long live the (tsundere imouto) Red King!

[I wrote this before Summer Wanfest 2012, so for reference check out this and that. Or this plamo KOS-MOS, the most moe weapons platform]


Otakon 2012: Wrap

This con, I had a lot of fun. It’s definitely one of the more memorable Otakon personally. But that’s got a lot to do with some non-con related things. It’s just that I’ve been going to too many cons and taking too many days off work, I don’t know when I can really afford a real vacation. And I need one.

If you ever do cons with me you know I take it pretty seriously. Well, you can tell just by the blogging I’m doing I guess. One side effect is that I burn out on cons; it’s like a huge party to begin with, but now not only I don’t get much sleep, I spend the entire day doing stuff. There’s very little down time, and it can be exhausting. So cons are not like vacations…with exception to maybe Animazement.

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Upcoming Anime Music Preorders

The goal of this post is to streamline what I want to buy in a post so I can click on it. If you would so kind and suggest in the comments things to add to this list, that would be excellent.

In general, my thoughts on Tari Tari is like this. I’m not gonna lie: the cheesy chorus music appeals to me in some primal way that is probably coded in my DNA. Also, partly what prompted this post.

Music Album: Music album: Utattari, Kanadetari

ED: Shiokaze Harmony

Masami Okui in my Horizon in the Middle of Nowhere season 2? I think the term is “Out of Nowhere.”

Season 2 ED1: Side SunRise: Sora no Uta

By wota idol standards, MomoClo is weapon grade catchy. They renamed themselves for Joshiraku ED and I’m happy to oblige.

ED: Nippon Egao Hyakkei (by Momokuroteiichimon)

I am on the fence, but Kurinoko doing an anison that is more like a power ballad is a good thing. Multiple editions to gorge your money, that Muv-luv Alternative: Total Eclipse anime…

ED: signs - Sakutsuki Hitoyo [CD/DVD Artist version]

ED: signs - Sakutsuki Hitoyo [CD/DVD Anime version LE]

My first foray into iM@S music will probably be the delayed Namassuka special #1. Yes, of course.

ANIM@TION MASTER Namassuka SPECIAL 01

Well that’s it for now. Any other suggestions? AFA is getting Sphere? Great, good for them. Just don’t drink their water now.