Otakon 2012: Day 2

We ended the night spending 3 hours at a tapas place, chatting and drinking. It was actually quite pleasant and I would love to do it again when I’m not running on fumes. When we got back to the hotel room, well, there was this still.

As for the con, it was fairly condensed. Content ran from early in the day (NISA’s first East Coast anime panel complete with audience plant for Umineko’s announcement) and ended also early in the afternoon (was done after Maruyama’s MAPPA panel/Madoka autograph, unless you were pressed into doing Yuuka’s, er, press events–all by 6pm or earlier). Well, 6 was kind of late. Instead I played Tanto Cuore at the dealer’s room and spreading that Love maid love. Only wish if I had a chance to play some Riichi with all those mahjong addicted guys. I guess we could’ve played tenhou IRL, which is less pathetic than tweeting across the dinner table.

Ai Nonaka’s panel was quite something. I’m obviously way biased as a long-time fan, but it’s not usual when the Japanese seiyuu guest goes on the stage and says “take lots of photos!” and goes double-V for all the guys in front. Well, there were a couple girls in the front row after all. That’s just the start. Her English was passible although she stuck to very simple phrases when she could, and went to the translator (Taka) for the rest. It was an early-morning panel and she was very full of energy. Possibly one of the best seiyuu panel i’ve been to for a girl.

Yuuka’s panel was fairly predictable, but she played it straight.

Aya Hirano’s was actually also predictable. She’s a good sport and very pro at this stuff. Katja line required some guts! I think she got in the spirit of thing while keeping it under control. Definitely pro.

Can’t complaint. I got my main targets today. Urobuchi’s interview went well, although I could use another 10 minutes, if not an hour. He’s “one of us” in a lot of ways.

Lots of MJ and Tanto. Good times.


Otakon 2012: Day 0, 1

Actually I was already in Baltimore by day -1. Day 0 was mostly enjoyable for a sweltering-hot day at the Camden Yards. James Shields pitched into trouble and that was the end of that. I also realize how tough it is to be an O’s fan. I hope they make the playoffs this year.

“I don’t need THIS ONE!”

By Day 1 I was able to meet/greet most of the internet/twitter dudes I wanted to see. Hopefully I can catch the rest tomorrow. For now, a little bit of sleep.

Nanri Yuuka, when dolled up, is a little exotic actually. She’s got this natural beauty that doesn’t show up on pinup shots. But at the same time I don’t disagree with Momotato’s “type 3″ cute estimate. Not that I know what he means. When she’s just walking around the con, you would barely notice this 4’11” Japanese woman just walking around.

The Aniplex guy working with Urobuchi recognizes my script from AX, LOL. Maybe when the time is right I might donate it. I’m in that kind of mood. For that to happen more people need to watch Fate/Zero. By that I mean having it being a meaningful donation and would fetch a higher price.

This Mikako Joho girl is pretty okay.

Best part of the day that I can blog about was probably when the Baltimore Fogo had no lines, and is $30/person. A+ deal will do it again.


Otakon 2012: Day -2

Here’s the deal.

All vitals are on their website here.

There are a lot of details about Kakihara’s autograph session, the best thing to do is read Loy’s post. The key takeaway is that for both of his sessions, there will be no more than 1 hour or 100 autographs, although in times past the autograph staffers have powers to make a plea and if the guest’s management is nice enough, the autographing will extend to accommodate as reasonably possible. The booth Kakki session is with Bandai and require a purchased item for a ticket, which probably limits you to just Gundam related items for autograph. (You can find more details about that if you read the same thread.)

For everyone else, expect the usual treatment. To spell it out– be ready 90 to 75 minutes before the con autograph session time. Session will last for an hour. Same location as last year. Most likely not ticketed. Contact autograph staffer at location for specifics. For booth deals, consult specific booths for their location and time, but most likely the English-language dudes as well as Aipon, Butch, and Kakki (as mentioned before).

Bandai Visual has outed some guests and autograph session details besides what Loy has posted publicly. That includes a Sasaki Shin autograph session at their booth Friday at 6pm,with Sinterniklaas. Sinterniklaas also will have a session Sunday at 11. I’m going to assume they are signing official goods only at their booth, and will have freebies to provide if you don’t have something.

I haven’t read anything from NISA about Otakon specifically, in terms of what they have in store for the con. I guess that’ll be on their agenda hopefully before Wednesday’s out. On that note, I looked for NISA on the dealer room listing, and I didn’t see it. This probably means they won’t have a real booth, and may sell through another retailer at the con. It may also mean they will just do their ninja stuff for the two panels they have Saturday and be done with it. I don’t know, they haven’t said anything to any degree and it doesn’t look like they need to. Maybe they still will.

Aniplex is fronting the Madoka guests, and their panel time and detail can be found on their calendar/website. To summarize, there is one booth session for Nonaka at 3:30 Saturday and another booth session for Urobuchi at 5 on Saturday. Both require a ticket, which comes with purchase. And, yeah, that means you have to buy Madoka BD/DVD for Aipon and Madoka BD/DVD or Fate/Zero BD for Butch. Hah. I’m going to say that at the con, they might have more things to sell that may come with tickets, or they may be giving tickets to people who do certain things at their panels and booth shows (like they usually do). But a copy of Madoka on DVD is not ridiculously expensive.

Unfortunately, that second Aipon session lands right smack in the middle of the Maruyama panel I wanted to go to, and may cut into the Hirano panel. Bah, I might go anyway if by that time I am “satisfied.”

Funimation isn’t doing anything special that isn’t handled by the con. They are doing the usual con-special bonus item stuff, including leftover Panty Stocking stuff, but new with One Piece bonus items and something for Steins;Gate? Nothing looking very interesting. No more Fractale bonus items, I see. Which means losing that $60 plastic bag at AX kinda sucks… [Totally side note, while looking for some Lost & Found function at AX, I came across this, the guy who bought the Takeuchi sketch from Otakon 2011 (at a low price to boot). He also had the “high score” at this year’s AX auction.]

The Matsuri would be a good way to kill time. It’s located in the First Mariner Arena parking deck. I don’t know how that works, but given the ~100 degree weather you might be experiencing on Thursday, it would be more preferable than out in the open. Kind of interested in Hsu-nami but blargh.

There’s some details on the charity auction already, but hopefully it will pile on with the donations from the attending industry and guests. Will the East Cost wota gang continue their quest for full concert wardrobes? Aya Hirano probably won’t have the time to donate her sweat-drenched gear given the timing, so too bad! If a certain somebody’s mannequin had a head, he could buy, say, Aipon’s hat?

I wonder if I will have time to make it worth the while of carrying around a copy of Tanto Cuore. Speaking of maids, maybe the Maid Cafe is worth a visit, to just go and chill. It could be a more baller location, even with the $10 cover charge. Well, I’ll think about it. The karaoke room/Otacafe is always a good fallback.

Lastly, there’s going to be an Otakon…video game. I don’t even.

Personally, my schedule is not set. I have at least one commitment and probably two that I have to go to that isn’t set in stone. Most likely I will try to catch a game Thursday, get some nice dinner on Friday, hang out at the late-night panels Friday and Saturday, and hit Aya Hirano’s show. For loot, I really want at least get Butch to sign my AX loot, and get my Manabi Straight DVD set up to 3/5. I did buy the blu-ray and that shipped last night. The odds of me getting it by tomorrow is pretty slim but I should be fine without it. I would be elated to just set eyes on Nanrietta, to be honest. Autograph is a bonus.

Hope to see you there! James Shields is pitching Thursday, which means that I would have seen every one of their quality starter in the past few years, which is amazing–just how many games did I go see in the past few years? Not very many at all. But what I do not want is an extra-innings affair when it’s going to be like 99F outside. Speaking of hot and humid weather, that’s something Ichiro now has to live with, huh?

[Updated: NISA newsletter]

There will be a “special anime announcement” at NISA’s anime panel. I guess it can’t hurt to check it out. Saturday 9am! Plus the usual giveaways, I’m going to assume.


You Had Me at Episode 3: Summer 2012

Coming in, I thought this season is a weak season. But after looking around, it’s probably not that bad; maybe even slightly over average. It’s not as great as last season for sure, but looking around I see a lot of bloggers thinking this season is weak. I don’t know. If we throw all these shows on the wall and see which sticks, there might be an average amount of winners in that bunch. Wish times like this I have a magical power that summons empirical studies of whatever at my command. Like, “Magical makeup! Summon science!” [Of course, if you are one of those people who think Fujiko was the best anime last season and only one worth watching, you can save us some time and just go die in a fire.]

I’m ordering this by no order, and shows I don’t list are either ongoing, dropped before I get to 3, or in a couple cases, I didn’t even try them. Hopefully I didn’t miss anything [edit: now that I added Joshiraku].

  • Jinrui wa Suitaishimashita: Thumb up. Solid satire with some bite, and easy to go down like all good satire. So good, I can do episodic, and tempted to do so!
  • Total Eclipse: Thumbs missing. My initial impression of Muv-luv Alternative: Total Eclipse was actually this “pervy” figure of Cryska, followed by Yui with a SMG. You can tentacle some armada if you are interested in more details, plus some backdrop to the Total Eclipse story. I got my first real piece of the action at AX where we got backed-to-back episodes one and two right after a Kurinoko/ayami performance. I think I liked that more. But to be fair, the first episode after the two set-up episodes felt like kind of like this, where it’s trying to “throw back” to a Top Gun-ish narrative. I’m going to wait to episode 5 before really risking for a call since to me the story didn’t quite begin until ep3.
  • Tari-Tari: Thumb up. It paves its own path, which is reason enough to watch if you are interested in the subject matter at all. Looks sharp and entertaining for the most part; just waiting for the story to gel and the CDs to come out.
  • Oda Nobuna no Yabou: Thumb up. Probably the one dark horse anime this season. It’s surprising competent, production-wise. Studio Gokumi x Madhouse = woah. Kanae’s performance props the show up as much as the good pace things are going. Its only drawback is that some prerequisite knowledge about history through the games really helps your enjoyment.
  • Campione: Thumb down. The only things going for it are the delicious fanservice and voice cast. The concept could be interesting but it’s executed in a very dull way.
  • Kokoro Connect: Thumb up. Character drama needs good acting and we have it. I feared Hisako Kanemoto would be the weakest link but with the Yui episode come and gone, she actually did a pretty good job. The animation seems like that knock-off Kyoani style but there’s nothing offensive about it.
  • Sword Art Online: Thumb down. I don’t like it but it’s a compelling watch. The production value is nice and I can empathize with the grief…as in, oh hey you just got trained sort of grief. Or in episode 3’s case, some one in their guild went Leeroy. I suspect though at the end of the series that might become true for actual viewers of this anime, at least the griefing part. The best strategy is to enjoy what little kernels of joy each episode provide you now, rather than later.
  • Kono Naka ni Hitori, Imouto ga Iru: Thumb down. Nakaimo is a trash show you can drop but it’s definitely the one good trash show out of the rest of the trash show this season. Main credit for being interesting in terms of plot and presentation. Conceptually it is way worse than most shows this season…if not THE worse. Which also is a credit to its favor if you look at it the other way.
  • Koi to Senkyo to Chocolate: Thumb down. I like this show’s approach to politics and elections but it’s not going to cut it. Only for harem/visual novel types (eg., this is kind of trashy). Not thrilled about the art style, but it does the job. I’ll probably end up watching it LOL.
  • Dakara Boku wa, H ga Dekinai: Thumb down. Sorry to say, Aya Endo fans, but this is worse than QB season 3 I think.
  • Natsuyuki Rendezvous: Thumb up. Why? Because I like the persistent take from the NTR angle. It really juices up this otherwise kind of boring josei fantasy. I’m also impressed how it can fit both manservice and womanservice in that tidy package. Kou Matsuo and his crew aside, it’s back to the basics of noitaminA, which is usually worth at least a look.
  • Binbougami ga: Thumb up. Another show with a potentially downward outlook, the opening episodes have a big impact but it’s the kind of show that often will settle into a pattern and it’ll get repetitive quick. I won’t be surprised if I end up dropping this show in a few weeks. It’s good to hear Hanazawa in an unusual role but I’m not a big fan of this performance. Toilet-level slapstick comedy, however, scratches my itch. It’s like the companion piece of Jintai.
  • Hagure Yuusha no AESTHETICA: Thumb down. Speaking of toilet humor, this one reached bottom first. I think I probably would enjoy this show if it can crank up the level of ridiculous over time, but that also means this show is not for most people. Perhaps if it looked better, a few of the more voracious viewers would give it a chance and get as far as the Kanatan-voiced, stoic-dere loli character….which is to say, yeah, you’re not missing much. If you’re on the Kana Ueda yuri-kei train of thought, though, consider Hagure Yuusha that bullet train from Yuriseijin taking you to heaven. If you like the populist nonsense in this show…well don’t get too serious.
  • Utakoi: Thumb up. Because it’s kind of the dirty josei/shoujo stuff some of you like, but also it’s better than average for its category (edutainment). I probably should drop it, but given how all the shows I want to watch airs between Thursday and Sunday, it fits into those empty Tuesday-Wednesday slots.
  • Joshiraku: Thumb up. I have a soft spot for the stuff that goes on in the ED, but that aside, the jokes tend to come at a good clip and enough of them hit. And sure, I like the girls enough, but more as people than as cute girls. (Are they even cute? Even Kigu?) I realized I can enjoy enough of the jokes raw (which is to say, not very many at all) but the tedious buildup to the punchline makes the whole thing not fun when you’re mired with the not-funny stuff. So I guess dropping this show would be the thing to do if the fansubs stop.

I think that’s it. Other shows of note:

  • Eureka 7 Ao: Episode 12-13 kicks things up a gear, which is sooner than the first series. The setting plays a bigger role than ever, which is nice for long-time fans. I wonder if they can actually tie this in with Xam’d setting-wise wwwwww.
  • Rinne no Lagrange: In Stellvia we have the group-cry episode. Now we have the group-yuri episode. Thanks, Tatsuo Sato. At least you are consistent!
  • Space Brothers: Yawn.
  • Yuru Yuri: Yawn♪♪
  • Sengoku Collection: At least I have no idea what the next episode is going to be about! But it’s getting kind of boring, at least in the past month; they need to spice stuff up.
  • Moyashimon Returns: Put me in the camp of people who think season 1 was special and season 2 is missing that special something. Nonetheless it is still a decent watch.
  • Dog Days: Hopefully season 2 will way surpass season 1. So far it has. But I’m not watching this show~
  • Accel World: I was hoping to see this plot concept earlier, but I guess it’s okay to have this story now.
  • Hyouka: Still really dull, even if the school festival episodes have been really a treat.
  • Horizon in the Middle of Nowhere 2: The barometer is, “will I doze off during any of their long exposition/tirades?” If yes, it’s a so-so episode; if no, it is a good episode.  So far the count is about 1 to 2 and I suspect by the end of season 2 it’ll come close to even.

And I’m still watching Sket Dance. It’s still my type of humor.

PS. What is amazing (again) is that other than Hyouka and Joshiraku, every show on this list is getting a North American “stream.” (Funi’s 2 new shows aside, which I presume they will play catch up at some point in the very near future.) I wonder why…

PPS. I’m actually keeping up with over 20 shows at the moment. And I thought it would get better after last season….time to cutcutcutcut. I guess I did with AKB0048 already…

PPPS. Yep I missed a show. To make up for it, here are some links to peeps from GG and their notes on Joshiraku. It’s pretty fun to read. Check it out.

PPPPS. I went back and watched Joshiraku 3 and slotted it in. And removed Ebiten because, well, it’s just clutter at this point. So yeah. By the way, Ebiten HP is LOLs.


From Dennou Coil to SAO: We’ve Gone Post HCI

https://twitter.com/Fencedude/status/226879040613666816

Technology moves really fast, especially in areas where there is a lot of economic incentive to innovate. HCI stuff, big time. But it wasn’t too long ago that science fiction begin to imagine what it would be like in the next “dimension”; the orthogonal turn from linear improvement of, say, how fast and power computers are, but to how these faster and more powerful computers enable things that we cannot even dream of doing before. For example, AI is one of those very staple thing, but mimicking intelligence is as old as when the first monkey learned from mimicking the next. None of these forefathers were big about, say, streaming from the cloud. Or being able to torrent to dropbox. Or be able to control sex toys via USB.

The reality of the situation is that, well, reality has long since caught up to fiction. When Google demoed their skydiving glasses (go to 1:27:00 or so) during this past Google I/O, the only thing missing was Densuke. The reality was that wearable visual augmentation hooked up to a computer with network capabilities was something that was around since I was in undergrad, and that was a long ass time ago. It was just a problem of how practical you can make it, and figure out what the heck people would use it for. I think Brin & co is still working on that.

So what does fiction do when reality has caught up to it? In Japan’s case, you make a moe heroine and pour some kind of white, viscous fluid on her, using this new technology. Yep!

Well, entertainment and fanservice aside, I think Sword Art Online approaches the whole virualized reality thing by playing on the experiences of hardcore MMORPG gamers. And by that I mean games like UO, EQ or FFXI, and by that I mean definitely not WoW, although WoW probably gives players enough of an in given how similar that was to those two games. While it probably isn’t the first anything to build on some kind of new HCI paradigm, SAO is the first one that I know which builds on the newly introduced concepts that came with the advent of MMORPG.

By definition, MMORPGs are constructs that are significantly different than their historical, single-player-offline sort of deal. Compare that to, say, Dennou Coil’s Densuke or thermonuclear beard war, people probably have an easier time imagining dealing with the mechanics of SAO (the game) than having to walk Densuke everyday, even if we do walk our dogs and what not. There’s just too much of a gap between walking your dog versus walking your virtual dog that lives in your glasses; or rather, since we have no idea how it walking your virtual dog, we can only think of it like walking with a real dog. On the other hand, we can imagine a virtual reality WoW experience easily, and it is nothing like actual WoW.

(The point I want to make by excluding games like WoW is because I get the feeling SAO is created by someone who has realized how punishing and annoying some of these games are. And WoW is basically the polar opposite of punishing. The whole exclusive, “leet” streak Kirito takes is all too much for me to take seriously without questioning the credentials of what’s at stake, or how this story got to the point it did by episode 3. Soloing in a game means different things if you grew up with FFXI versus, say, any WoW and post-WoW games, let’s just say.)

Anyway, I think it would be interesting to see if SAO is indeed pulling from the viewer/reader’s experience to construct the emotional context that the story takes place. It certainly is considered otaku material, so we do have that going. If we contrast SAO with Accel World, I feel that connection is the biggest difference between the two. In SAO you feel like playing a MMORPG (albeit in a very chuu2 way); in Accel World it feels like just another chuu2-shounen manga formula.

PS. You know SAO is otaku lit when the game is populated largely by guys. In reality more women play MMORPGs than any other types of games! At least, in the west.