Mouretsu Pirates

One of the reasons why I hit myself for camping the autograph line too much at AX 2012 is because I wanted to stalk down Sato and talk shop about Mouretsu Pirates. I also want to talk about Flower of Rinne but maybe we can write about that after season 2.

There is this silly irony going on, too, because the last episode aired in Japan during AX. If it aired on Thursday I could have camped out at his press gig and filed questions there, on Friday. But by the time it aired Saturday AM Pacific time, I only had one shot to talk about it, and it’s at his autograph line. It would’ve been the best if they just screened episode 26 at the con and did a Q&A right afterwards. (I guess that is one major AX fail on the part of AX?)

So yes, there’s the movie announcement. So yes, I have questions about the way the last episode collates the plot thread in the last anime-original arc. I also think that one cosplayer I saw in line dressed up as Marika has it right: I too rather like the anime-original stuff.

The thing is, episode 25 was just so good. There was no way the arc could end in just one episode while topping 25. And to some extent that was the same with Nadesico as well, except that one actually capped a different narrative thread in the last episode, resulting in that inter-spatial spat and kiss. I’m not so hopeful about the announced movie as a result. It’s wiser to just take what’s on the table.

Author is a little slow on the uptake but he is correct–all those calligraphic end cards are direct works of director Sato. He signs off using that little character doohicky. If I recall correctly the voice actress for Marika also writes for a particular episode earlier on, but other than that slide, every one is a Tatsuo Sato work.

Some other burning questions I might ask:

  • What’s up with the name? Aside from the people who call it “Mouretsu Uchuu Kaizoku” I think the other permutations seem kind of interesting, wondering if there’s anything behind it.
  • The movie? The movie.
  • How do you depict three dimensional fleet combat?
  • What’s up with the chef’s sons? And what is up with those giants?
  • How do you deal with FTL transmission of the pirate songs?
  • Isn’t the final battle just a scaled-up version of the yacht club’s little mission?

Well, it can continue on. Maybe it’s easier if I just wait until the movie becomes available.

PS. Is it me or in the past 5 days every blog I follow (for example, Anipages) updated several times? Is there a mandate to update your blog this past week even if your average blog post/wk rate is below 1? What is this?


Anime Expo 2012: Day 4 And Wrap

Welp, I’m home. And it’s like, TL;DR let’s-just-hit-mark-all-as-read.

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Anime Expo 2012: Day 1

More LiSA, more everyone. Cosplay, learning to use my camera–two people I know got themselves NEX-5Ns so I guess that’s kind of the sweet spot.

Tatsuo Sato is great, it’s the kind of thing I wish I could go do the press circus for, but this year AX’s setup for that is less than optimal, let’s just say. Instead I ended up going to his fan panel and having breakfast, taking pictures of cosplay… Probably I only have myself to blame?

At any rate, Sato is a good sport and despite the panel’s overt intention to make you ask questions about Mouretsu Pirates, the usual complains still surfaces about Nadesico and what not. Nobody talked about Stellvia for some reason. I did what I could and Sato fessed up about how they modeled the scene in episode 25 after the recording studio Komatsu  and Hanazawa did their session in. Yeah, why not right? But yes, episode 21 and onward, anime original stuff.

Otherwise I wasted most of the day buying loot and lining up for autograph. Tamiyasu Tomoe is great, I hope she gets some well-deserved fame for her Little Buster gig coming up this fall. FictionJunction’s show on Day 2 is gonna be awesome. Kind of sucked that I missed out on Animetal USA though.

AX this year has this 21-and-over lounge thing. It’s great because after the dealer’s room closes you have somewhere to go. It’s kinda bad because everyone goes there, turning it into this crowded place with loud music. At least the live music it provides (and some of the non-live stuff) is pretty okay. What isn’t pretty okay is the expensive drinks. $7 for domestic beers is highway robbery if the term can ever be used on anything. It’s a cool idea I suppose, just needs to be executed better.

No blogger dinner, but it’s like a tweet-up all over this time with protein overdose.

Moral of the story: spend over $200 at the NISA booth with your Anohana purchase and get a towel? Buy a LiSA CD to option for a photo session with the cute Japanese girl? I haven’t even seen Aimi and Izumi Kitta yet what is up with this? Bushiroad’s Dr. K is easily confused with Dr. O (I learned more about Cardfight Vangard the game more than I ever wanted to)? “Ufotable”? The world may never know.

Best cosplay (that I got a picture of) of the day:

PS. I saw a pretty good Nyaruko, but couldn’t get it.


Anime Expo 2012: Day 0

Blogger party was pretty smashing but old guys like us retire earlier. For our credit we are still on East Coast time and had to wake up quite a bit earlier than the younger, fresher local dudes and dudettes.

Longest press reg line ever.

I took over 900 pics at the various press functions. Lisa’s little dance routine is, well, something to behold. It’s nice to see all of FictionJunction–Keiko, Yuriko, Karoi, Wakana, and the band. Or in Animetal’s case, the band. The madhouse guys are serious but it’s nice to see two senior director types: Sato and Asaka. Aoki looks positively a greenhorn compared.

Enjoy!

 


Anime Expo 2012: Guh Harder

I like many of the guests and the people I know attending Anime Expo this year, but I am just not motivated enough to think it’s worth the effort. For the first time ever I am going to a con feeling like it’s work. You know? I am not sure why this is (besides not at all liking the way press panels are done this year) but it’s a small price to pay for the sort of thing I get out of it.

Let’s put it in context. Otakon just announced Nonaka Ai as a guest. That alone has gotten me more excited than the entirety of Anime Expo. On top you add the stuff they already announced (Hirano, Eminence crap) that already bumps Otakon well beyond AX this year. That has a lot more to do with my own tastes and leanings but I don’t think what I enjoy is all that niche among other guest-chasers. It isn’t like AX is not loaded to the gills with oversea guests, after all.

Give me one reason, AX?

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