Anime Expo 2017: Wrap

I don’t think I caught something, but I might have, at Anime Expo 2017. The lack of sleep was definitely the contributing factor. I feel OK enough to work but some part(s) of my body is not operating at optimal conditions, I guess.

Just to put it into the history books, AX this year was pretty epic mainly because of AWM. Outside of these Cool Japan-sponsored music festivals, AX was its usual self. It’s huge and it’s got a ton of programming, but it’s also got a ton of people and pretty disappointing line management practices which means if you want to see 10 things in 3 days, you might get to see 3-6 of those things. I wanted to see maybe 8 things, I got to see like, 4? And I have a Premiere badge.

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Anime Expo 2017 Anime World Matsuri (July 1) Japan Super Live

Without all the added fandom stuff, Japan Super Live was a lot more laid back but probably just as hyped for me. I spent the day dying and running into WUGchans. It was kind of a nonsense day but I had Row A 300s seat to make up for it.

Overall the setlist falls into place as expected, already know what everyone was gonna play, just a matter of how many songs for who. That doesn’t stop the show from surprising us.

The show started again about 30-40 minutes after 8pm. The live band was a given but always welcomed. Konomin and Angela walks onto the stage in the dark but I was like WTF. The surprises are the collabs! (Setlist & photos copied from Resonance’s PR.)

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Anime Expo 2017 Anime World Matsuri (June 30) Japan Kawaii Live

The long blog post title aside, I don’t have a whole lot to say actually. Actually let me cap the whole day, since that’s how I have been looking at this from the start.

There is more to the experience of seeing an IDOLM@STER live than the live alone. I think in this case we put together something that a lot of producers could enjoy. There was a call book thing, there was some goods sold, there is the offkai. There’s the line-up and socializing. I think people had a good time, at least based on the feedback. There were also things that can screw us up, like AX’s ticket pickup policy. But first things first.

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On the 2017 Spring Season Light Novel Meta

When light novel anime is making statements on light novels we know we are in some kind of a twilight zone. I guess it’s not that unusual to see YA lit turn into cartoons for teens and young adults (and some older adults, too). I just want to highlight some of the scenes I’ve seen and think about it a bit.

Tsukigakirei to me is the one that threw the first punch. To put it into categorically database-y terms, the jock girl and the quiet, book guy hooked up because they have, I guess, similar dispositions? The draw for viewers is this charming 15-yo pairing doing what junior high schoolers do so well, but the boy in the story has this career tangent about becoming a writer. At one point he went and interviewed for a publisher who encouraged him to write light novels, because that’s likely the (only) audience who will find his works interesting. He snubbed the idea, because in his heart he’s a classicists, as his soliloquies are often dotted by quotes from the likes of Dazai and Souseki (thus the name of the show). He writes serious fiction…for young people. Well, good luck kiddo, at least you got that snobbery attitude down, hope the rest of that hipster lit writer bit will follow. Lastly, it’s important to note that Tsukigakirei is an anime original–in some ways it’s a lot easier to write in a reactive attitude that snobs light novels without being one itself.

Eromanga Sensei is the story about young makers of light novels. It involves at its core a light novel author and his shut-in adopted little sister, who also is the illustrator for his books. It’s really that simple, but the story is about how a series of weirdos come upon the “light novel protagonist” (a well-meaning but appropriately appraised insult used within the show, no less), while the little sister becomes slightly more adjusted to society after a series of tragedies that traumatized the unfortunate siblings. As a story where most characters are involved in the light novel industry (illustrator, writers, a couple editors, and a bookstore employee/owner, plus one dick-calling classmate), it has a lot to say about light novels. Most of the time the story only make sharp comments about the industry (as a fan-critic would, thankfully at least) as part of the jokes Eromanga Sensei trots out every few episodes. Its main thrust is providing an enjoyable show (well, to me at least, but I understand it’s not for everyone) while calling you names, and calling itself names. I think there’s definitely a market for this stuff, but I also understand why some might find it too, I don’t know, meta-kinky, for straightface (or even one degree removed ironic, FWIW) consumption.

Saekano season two is not about light novels, but it has a main character whose day job is writing light novels. Instead, the work the team in Saekano tries to complete is a visual novel. How do visual novel relate to light novel (Saekano is a light novel-turn-anime)? This is a deep question, but in a honest-to-goodness media-mix world it’s all a spectrum, as part of the drama towards the end of the series relates to another media-mix IP that’s not a visual novel, let’s just say. The focus of the story and the theme in the story this season largely rests on the creative process and how to create stuff, what motivates people, and so on. The romance angle is pretty well done in this context, but it’s no puppy love story. I think ultimately it makes some very compelling arguments from perspective of someone who’s been doing it a lot, in as much in this season’s meta, Saekano answers the question asked in Tsukigakirei very well. More importantly, Saekano plays with an even tone for the most part, with our Mr. Ethics showing us what not to do the whole way, no matter if they are creating a light novel, a visual novel, or just any creative-creative thing. Actually, you should read this to get a sense of what I mean. This story is as much about producing as it is about creating.

I watched Rokuaka and find it unremarkable on the meta ground as far as light novels go, although it demonstrates, to me, the strength of an anime based on the medium. Danmachi’s spinoff is on this season as well but I have not touched it (yet?). I dropped Clockwork Planet, but it is pretty much just straight-faced as well. There’s not much to say about Sukasuka, perhaps aside from its post-rock style title. Are there any other light novel trash about light novel trash this season?

It’s safe to say we’re beyond peak Light Novel Anime. I think things seem stabilized, but this level of self-awareness is only possible after a full embrace of this mode of media. We’re technically past an inflection point, but I’m not sure where things are going. I’m not so much into forecasting on the industry level on this, but I think Eromanga Sensei is a standard bearer in this regard; it’s very much a version two, after carefully adjusting from version one of the thing. Its success(?) or failure(?) will be informative.


Eromanga Sensei

Eromanga Sensei anime is the Gamera of late night anime, in the Roger Ebert sense. Speaking as someone who saw Air Force One but not much in terms of giant city-wrecking turtle movies, I’m on shaky grounds to appraise either. Eromanga Sensei is in my wheelhouse, though. A little bit of spoilers ahead. Also some Oreimo spoilers ahead, too.

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