Category Archives: Franchises

Winter 2017 Anime

So instead of going about things normally, I have been watching Legends of Galactic Heroes on a binge. That said this is sort of a weak-ass style of binge where I am only 40 episodes in after starting 3 weeks ago. With that said, LOGH episode 40 is a good place to take a breather. Just to say the obvious: This show is great and I’m glad I am doing it. In years past I’ve casually tried to start, and last Cyber Monday I picked up the translated novels on Kindle so I started reading the first book–only to stop because it feels kind of lame. Kind of like how Guin Saga initially felt. But there’s this epic anime I could watch instead, hmm.

Interspersed between all this are my usual eventing and at least one work-related trip, disrupting my usual viewing schedule. Such is life.

Kemono Friends – This is setting my meme world on fire. It’s a bit like MLP set in Humanity Has Declined. Or rather, the last humanity inside a dead mobile game? It’s tanoshi and sugoi and all that, and this friend who likes to blog recommend approaching this janky anime on its face. It’s nothing really special, until you unwrap this layered zoo to get the meta. It’s actually not a bad show, but it’s definitely not meant for everyone. The amazing thing about Kemono Friends is that I don’t think there is anything to “get.” If you just think about it, there’s enough content and bread crumbs to get you going.

Gabriel Dropout – I sort of enjoyed this show, but it’s not as funny as the play time warrants. And I don’t even mean this kind of sand-counting sense of humor. I enjoy the jokes but they are too little for too high of an investment. I’ll probably trudge on.

Chaos;Child – This is kind of why I trudge on Gabdro because the alternatives is to watch more dreary things like this. That said I’m a few eps behind so I’ll try to catch up, because I like the concept. I think this is the kind of stuff these semicolon IPs do best, except somehow only Steins;Gate had a decent anime…? O;9 was such a wasted opportunity…

Yojo Senki – This is hilarious, but also kind of dreary. I think the main weakness is the occasional focus on some existential BS, and not a little girl doing ruthless war stuff. [His Yang comparison I find a bit in poor taste, in fact.] Thankfully the balance of it leans heavily on the latter so it’s good so far. As far as these kind of fantasies go this is very satisfying. It would be even better if it wasn’t Y.Aoi behind the helm though.

Demi-chan – I don’t really know where this show is going so I’m along for the ride. It has harem aspects but also plainly focused on these half-human, daily life issues, and I think it does an admirable job on that. The characters come together in a way that isn’t terribly annoying and I really enjoy the cast, so it’s on the short list.

LWA TV – LOL licensing. Why Netflix…

Minamikamakura – The setting really wins here but I’m a little slow on this. Maybe I’ll catch up. The first couple episodes reminded me some stories I heard when Lawson took some anibloggers there to find obscure temples, up and down the mountains…

Kuzu – Is it me or this show is a lot of boring? I guess naughty sex is all there is for it? I’m curious so I might stick with a few more.

BanG Dream – It’s basically Love Live but better. Forget Aqours. So far I like it except that Arisa character is like a less charming Nico and as the characters say sometimes, Kasumi can be really annoying. I guess she’s just a Friend who likes weird guitars. I actually enjoy it except for literally Arisa, and the need to get myself to ignore the Hard Push. If gorioshi had a name, it’d be called BanG Dream, in that this is the least natural and most artificial story of a band coming together since forever. And it airs in the same season as Fuuka. That said I think there isn’t enough to make a call on this show yet, outside of the production issues.

Chain Chronicles – The characters were a little familiar but that’s where the show ends, considering my history with the game. The story is familiar, however, so I had fun following it along. I’m not invested in the characters so I think it’ll get dropped (currently at 5).

Rakugo S2 – Same o’ but more seiyuu rakugo is good?

ACCA – It’s like LOGH but without the charm, which is probably not a normal comparison but at this writing, attention span burnt on ACCA probably fills the same need as a couple episodes of LOGH. It’s curious enough to keep following.

Konosuba 2 – Still good.

Hand Shakers – I would watch it if I had more time, but not so much lately. After 3 episodes at least the girls are cute? After K I don’t know why people complain about Go Hands, other than some of the business practices. Yeah it’s a bit of eye torture, but so was K.

Maid Dragon – I like this enough for the animation, but the story doesn’t require the deft hand of comedy to play on beat every time, which is a bonus in this case because I’m not sure if humor is one of Maid Dragon’s strengths. A hint of plain nerd works like a dash of vanilla essence in a simple custard and it makes everything come together.

School Girl Strikers – It’s alright. Not sure if I’ll watch beyond 3.

Seiren – It’s not as much a brain-press as PhotoKano but it’s not that good. The gamer girl so far is at least beyond garden variety attractive and so far Seiren has done a good job with the side characters. I’m not sure I can stay with it without at least a back-of-the-knee moment. The deer mating is cute but not enough… (BTW Shikaco is in this anime as bus-ko which is, what, this joke almost tells itself.)

Idol Incident – Partly what inspired me to watch LOGH, gonna be honest. It’s not terrible but unless you’re into that political narrative it’s not particularly fun, since that’s where the jokes are. I might keep going but it needs to have some good jabs! Too soft so far.

Akiba’s Trip – It’s technically partly what inspired me to watch LOGH too, because it’s not that different than Idol Incident. The collabs and cameos are great in the show though. Is it any good? Saa…

Tekketsu – Ooops she did it again! Joke aside I really enjoyed the catch-up from last season, and kind of am glad, in retrospect, that I did it now and not at the end of the second season, for spoiler dodging reasons. It definitely is the “least” Gundam of recent memory, just something about it is different, and it’s hard to put a finger on it.

Fuuka – As a stereotypical example of a fan of Seo’s works, I can only deeply apologize that it exists, and it’s going to egg on some cool seiyuu collabs (as it has already done so). The main story is just a side dish. FWIW I stopped following his crap after I”s so Fuuka is mostly new (but yet so familiar) to me.

I tried Masamune-kun, and it was OK but I’m not in a mood for something this substantial. The two Granblue Fantasy episodes were spot on, except one might wonder if the right characters are going to appear. One Room was LOL.

A fairly fun season of shows that I look forward to every week, I’d say. Kemono Friends, Yojo Senki, ACCA, BanG Dream and Demi-chan probably are the ones I mind the most.


Why Seiren?

I read this and I’m like, is there some global conspiracy to remove Photokano from this discussion? Why are there pent-up expectation for Seiren to be the next Amagami when during pre-prod it looked like a limp resurrection of the concept that was put into the grave by Photokano? Is Photokano anime the Tsukihime of anime?

Anyways, as someone who’s actually watched Photokano to its (rewarding?) end (little sister episode yeah?) I can’t imagine Seiren, from the big picture point of view, to be an improvement. People who expected Amagami should just go watch more Amagami. Or better yet, play the games. I don’t think Kimikiss or Amagami anime can be topped at this point, there’s just too much rose-colored crap clogging people’s thinking at this point.


Producer Meeting 2017

I flew last weekend to attend the IDOLM@STER Producer Meeting event. It ran for two days and you can see the official page here for the exacts. This time the main draw is the full cast, even if at first the event seemed to be a part-life, part-talk sort of a deal. Leading up to it for over half a year was the release of IDOLM@STER Platinum Stars, as it was the first lottery round. Since we had plenty of time to prepare we did a flower stand again, and there’s more details about that I’ll post on HPT site sometime later here.

Because this is a talk-and-sing sort of an event I won’t be able to give you a lot of the details on the talk part, since I don’t do Japanese. I can’t even walk the setlist, as you’d expect, so I’ll just keep it pretty brief and add the travelogue stuff too.

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Demichangs

I guess I don’t read too many anime blogs these days but I’m glad someone blogged about Demi-chan’s disability discourse. It’s an easy one to make as people like myself (as in most people educated about literary analysis on some level) would see fantastical characters as some parallel, real-world analogy. He makes the same point I make–it’s easy to take that comparison to the extreme (which is, anything outside the lit mechanism we’re using) and it’s kind of ableist to make these sort of claims. To that end I think it’s much better to just say what the mechanism is–by creating these fantasy characters with unusual daily challenges it lets us appreciate people who are different from us, that the real-life-parallels in some cases may have challenges we’re unaware of or unable to appreciate. It’s racist (as a joke–I guess)? If you think of Demi-chan as a work to express some thematic concerns to the Japanese manga-reading audience then the cultural context would be a lot more black and white for that very homogeneous society (speaking as an American living in a ideologically and racially diverse metropolitan area) known as Japan.

Would we have this discussion if they were X-mens? Let’s not even mention the rarest character of them all–the mid-30s adult harem lead–but that a daily-life take forces the analysis from, say, plain racism, to ableism? That’s a nice trick, one that might make Miyazaki proud.

I do want to talk a bit about the succubus character and the trials she puts up with in order to not let her special powers bother the human people around her. It’s just so charming. It’s a kind of gap moe. It’s a kind of seeing something genuinely new and unusual with familiar material. It’s kind of what Monmusu was missing for me (even if I don’t quite expect that from anything). This is kind of why I watch anime at all, because I can’t imagine anybody in the west would make a story like this in a multimedia format.

OK, back to packing for P-meeting. Hopefully I’ll be able to write up that prompto.


Year in Review 2016: N-listing

I’m putting this out first because the other post can stand by itself, introspection or not. Hey, it’s not March yet.

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