Category Archives: Modern Visual Culture

Something Positive about Some Anime

I’m watching way too many anime. And I don’t know what to cut. I don’t even want to cut, but it’s robbing me sleep, and while that’s fine now and then I don’t know if I’ll live for 3 months like this. Well, it’s not so serious; I just want my 7hr of sleep and all the other social perks that comes with living it up, you know?

Thinking about it, there are a lot of pretty interesting shows doing something right this season. I’m going to try to say a little bit about all the shows that I really want to follow, and can be cut. If a show is not listed here it means I am not watching it, or I can’t cut it, or if it’s Hoshizora Kakeru Hashi. Because that show…I have nothing to say about it, even if I am kind of watching it. Also, Moshidora is over already, so…

After writing up the list, I noticed the more I write about something, the higher chances that I am more attached I am to it than a show with a shorter point. It’s not always the case but that’s just how it ended up.

30-sai – Practical advice in a humorous form. If Moshidora is Drucker High School, 30-sai is your gossipy older sister or married friend who is trying to help you out.

A Channel – It’s just quirky enough to stand out.

AnoHana – Anal hair styles, and Jintan’s t-shirts (tho they could be more sarcastic). More seriously, it does a good job showing how circumstances amplifiy positive and negative emotions, and it’s almost like being mesmerized by a cell screensaver. Less seriously, I want to see “Team Menma” cosplays where a bunch of Yukiatsu cosplayers line up with pride.

[C] – Tomatsu makes a fiery pokemon, she’s fun to watch.

Blue Exorcist – It looks really good.

Deadman Wonderland – The only thing pushing this show forward is the mystery element, but it is a pretty good one because it is covered up by the weirdly large setting they have in place.

Hen Zemi – In a Qwaser sort of way, but more close to home in terms of how over the top some of these characters can be.

Hidan no Aria – I keep talking about the Segue + Uzi combo, but that’s so clever I can’t stop myself.

Kaminomi – As others have said, the best thing was how Saori Hayami’s Haqua worked out as well as it did, contrary to expectation (or lack of in my case).

Lotte no Omocha – Besides the fact that Horie’s character got her boobs milked, the iyashikei focus is a nice touch. It kind of makes me wonder why this hasn’t happened earlier, the iyashikei x harem angle.

Moshidora – The daily presentation is helping a lot. I don’t think my attention span would have survived 10 weeks. Nor is it fair to ask for that much for a (even if it is inspiring) display of Drucker management basics. I think two weeks is about right from a syllabus planning perspective.

Nichijou – It’s funny, and there is at least enough number of gags per episode to not miss any one single week.

OreTsuba – The narrative style presents a very weird premise with a lot of intrigue via its nonlinear presentation of life as is from independent third-person perspectives that are connected plot-wise. Of course it is still an act of deception via omission, but at least it ordered things right so that when it does tell you the trick, it makes sense and carries dramatic impact.

Seishun Otoko – The Seishun point system. It adds a “game” layer that is fun to wrap your mind around, kind of like seeing Mahoro’s expiration date but without the cheap emotional play.

Sket-dan – If anything, pacing is  fast and on the dot for this Jump manga adaptation.

Steins;Gate – Okarin is very likable, kind of like Wah but actually crazy and use Real Facts to back up his statements. It works well with the overall mood of the show.

SoftTeni – Cute girls doing amusing things.

Tiger & Bunny – It’s the better superhero anime this season, mainly because it’s the traditional, character-driven drama that anime is best known for outside the violence and porn perception of the west.


Sing for Lelangir, Help Japan, Maybe

So Lelangir has been working with some folks on a vocaloid piece. It’s all more magical and touching when he described it, but the gist is that he is submitting this vocaloid song for charity. The chartiable effort is known as #charity_song, and you can view their site (JP) here. I believe the point is to make these original vocaloid pieces, sell them for monies, and donate the proceeds. I think in the coming weeks there will be some info on that in English on #charity_song’s site.

What we can do to help is not only buy #charity_song’s first album on US iTunes store (Charity Song 404), or any of their Japanese offerings, but also record some voice clips for Lelangir to mix into his piece. You can hear a work-in-progress clip over at his post on this matter, as well as all the information I’m about to parrot now: record what you want, zip it up and toss it on to one of those file locker services like sendspace or megaupload or whatever, and email him a link. You can also just email it as an attachment. He’s looking for people who can speak all sort of stuff, in all sorts of language, I hope you get what he’s going for. [He has stopped taking submissions!]

I’ve done my little line or two, and it may seem kind of weird at first, so here are some probably unnecessary pointers (seriously, how can you screw this up): Figure out what you want to say before hand. What works best are short sentences or phrases. Say it a few times and see if you like the sound of it, record it a few times to see if it comes out right. I used Audacity, but anything that can record and save would probably work. If you have nothing to say, you could just come up with simple things like “doooo your bestttt” or whatever, and it can be in different languages as well. Also, you can submit as many clips as you want, I don’t think it’s a problem as long as you don’t make way too many so it’s logistically difficult to handle. If you want to farm some smart thing to say, twitter tags about Japan’s ordeal is one place to look. Speeches given by people about the topic is another.

Personally, I hope #charity_song would get on the US Amazon music store as well. I’m not a iTunes person and it’s annoying to get around the geoblock for those stores.

[Update] This past weekend #charity_song launched its English-language site, so now you know what’s going on.

[Update #2] Lelangir stopped taking submissions. You can see the final work on Nico here (registration required).


Cheers for Managers Everywhere

I enjoy Moshidora, otherwise known as a relatively stale, sponsored-by-NHK affair. I think the below explains why. I mean, why I enjoy it. If a show can naturally illustrate the problem with Drucker-style management, it’s quite something. And I quote:

It’s not really funny. It’s not trying to be, I don’t think, but as a drama it doesn’t really make sense. The lead character is supposed to be the one who manages everything, but she’s infinitely worse at it than pretty much everyone else. Hell, the short-haired girl picks up a copy of Management and is a genius statistician so I’m not entirely sure why they even need Minami anymore. She doesn’t seem to contribute anything that can’t be replicated by her friends (being good at management tasks, slapping whiny little bitches) or the coach and team captain (knowing something about baseball).

Did I Miss Something?

She doesn’t even manage anything! She just says random bullshit and somebody else does all the work for her! Then she takes all the credit!

Wait, fuck, she’s an amazing manager.

I laughed, because I was thinking the same thing. It goes on–by episode 5 the management team has ballooned from 2 to 4, one “promoted” to management from the players. That’s like, 1:2 management to player ratio (counting the coach as a manager). It’s true to concept, but the ridiculousness highlights the downsides of that style of management. I’m not even particularly concerned about the “negative enforcement loop” thing, because that’s just being unnecessarily cynical. There are plenty of problems even if you are quite positive about the whole affair. And what’s more, in order to go on, they end up recruiting more people, thinning out from a bunch of other people who has their dreams crushed.

If anything, Minami’s background as an ex-player weakens that sharp satirical view, which may detract from the overall concept. Well, it is educational for a smart apple, but I’m not sure any of them is watching this show. Still, honestly, that’s more enjoyment than I get out of your average anime.

Well, it is still educational. I mean, think about it: whose children grow up to want to be a manager? I guess now a boy whose parents tuned him to this NHK’s little special might want to grow up to date a manager instead. Or, perhaps more shockingly, become a manager himself? That move may get him teased and bullied in school, but it could land him a job after graduation, so all is well. The surprisingly progressive angle is just sprinkles on the icing on the cake, I guess.


Animelo Summer Live 2010, Finally

Ever since Animelo summer lives switched to the 2-day format, it takes some kind of planned approach to even watch the home video release. All is well, it takes a lot of effort to attend these things, so we homebodies are just getting a small taste!

Over 10 hours of anison artists parading themselves up and down Saitama Super Arena is probably noteworthy, I think, regardless of DVD or BD or Nico stream or actually being there or whatever. So here goes.

First off, this is the first time ever that if you pay the bucks to buy the release, you get all the footage. I don’t get why it took like 5 years for this to happen, because it seems kind of retarded. Yeah, maybe sometimes it just can’t be helped, but it’s money for the taking! Anyways, it’s a great thing, and I hope they can continue this next year.

Overall, I think day 1 is just better than day 2 in terms of average quality of acts, but it feels like day 2 acts probably have the larger fan populations. Since this is anison, I don’t think quality is something I’m going to be too concerned about anyways. And did I just insult everyone just now? Even if it’s not what I intended? Oh well.

As for special duets, I think 2010 is definitely on the weak side, although there were two good ones on day two: Get Wild and Unchain World. Day one was severely lacking, plus when Kurinoko stood in for the opening JamPro song on day one, it feels like we shouldn’t count that. I thought Aki Misato’s performance last year was the one to top, when it comes to JamPro collabs.

I’m going to approach this in a non-chronological order. You can get a better breakdown from elsewhere already, and you can always watch it yourself now that it’s well-distributed…

Minami Kuribayashi – I think lately she’s on a hot streak, but this took place right before that broke out. Pro. Regardless of your opinion on her bust size, she always dresses well. It’s a pretty good constant to have for day one. I think she’ll be fun to watch this summer in Anisama 2011.

Yuuka Nanri – Speaking of well-dressed, she was by far the best dressed singer on day one, if not both days. She’s a complete package: the look, the style, the voice, the type of music, plus seiyuu chops. She was slotted in a good spot during day one, when people are still fresh enough and not overly dazzled by all the acts yet, but warmed-up enough to welcome a pretty tight act. It’s perfect.

Jam Project – Their small set was also a tight act. Group karaoke was a good way to naturally “evolve” from their usual 10-minute-SKILL calls. I suppose “evolution” is a theme they thought up after all, so they follow it? I think the choice is good, too. Gong is awesome when taken slowly. Great way to end day 1.

Yukari Tamura – She’s one of those acts that I can’t take seriously, but when inserted into this omnibus format I think her stuff really shine. That cuteness stood out and I think the crowd calling wasn’t impacted by the fact that not all people are into her stuff. Otagei by and large is easy to follow along, right? Right? And I guess the same thousands of people who packs out her shows were obviously in force on day 2.

And, man, You & Me. LOL. Is that white strip on Motsu’s shirt a racing stripe?

Halko Momoi – Another day-2 act, she also stood out in terms of being weird, or cute, depends on how you look at it. I think there’s definitely some cross-pollination and marketing between her and Yukarin, but it’s the same schtik I guess. She played classics, which is probably suitable for this oft-repeated Animelo attendee. I think it’s good she preceded the weirdest visual act….

Ali Project – I think Arika takes the weirdest title again. It’s both classic and  new. I liked the song choices, and the motif is pretty awesome, much less weird than Ishikawa’s on Day 1, which also had samurai folks with swords, I guess. Historic …aristocrat?  just works better with those okama-types. But being the weirdest visual act I think her role in Anisama has always been the same, probably much like her fans. In other words, when you dress up as some kind of fusion geisha type and then wave at people with your katana, while singing something from Katanagatari, it might work.

Fripside – I think these guys may rank number two for weird, mainly for the magician acts. Yeah, throwing ears at the crowd. Yoshino Nanjou is cute in that outfit. Also makes me wonder if Qwaser will have an attach to Fripside… It would work. All in all it was an odd way to begin Day One.

Chiaki Ishikawa – Another improvement from previous year, her dress makes her looks 10 years younger. It’s like she took cues from Chihhi from last year. But her stuff is all about the composition and vocals, and no amounts of fabric can change that. Solid choices  for an otherwise uneventful year for her. Day 1.

Chihiro Yonekura – Also day 1. She looks much more like her age this year, and she sings the stuff you think of when her name gets mentioned anywhere. But the thing is, you know she can sing, and it’s just a matter of her singing something new, in order to have something new to sing? It’s just something she isn’t doing for whatever reason.

Which makes a lot of sense that she gets paired with Naomi Tamura. As much as seeing Naomi Tamura at Otakon was, I guess. The song is epic anison from the 90s, the only thing better would be a 3-way duet with Atsuko or medley into MKR OP3.

Lia – She’s pretty good contrast to Chihhi in that she’s also being mom-ish now, and her excellent English enunciation is like an UO in a dark room of Engrishness of Day One. But unlike Chihhi, she has new songs! And she sings old ones too. I definitely enjoy Lia a lot partly because recently I’ve been looping some of her older CDs, but she’s just another one of those singers that makes day one stand out more than day two IMO.

Perfect con guest, but probably nesting for the near future.

Elisa – Another day one guest, she is more a gag now than anything. Ok, she is also beautiful and sings pretty okay. So the humor thing is just another charm point to an otherwise competent but uninspiring artist. I wonder how they’ll do those Kaminomi songs this year, if they even do them.

Faylan – I think she single-handedly redeemed the first disc on day two. Last year she was pretty shakey, but showed a lot of promise. This year? She’s spot on and she has a pretty winsome smile. Probably the third most winsome on day two, which is no easy feat.

Nana Mizuki – The difference between the reigning Queen of Anison and her cohorts on Day 2 is less than one may imagine. But the overall impression is pretty awesome and very different, it’s like once everyone turns on their UOs, I get teleported back through time and space to some baseball stadium… But in essence, her act is not a huge leap forward compared to even Ayane’s.

The duet with Makkun is pretty awesome, as one would expect. Makkun’s outfit looks like something out of a K-ON music video, lol. Also, stick play is tricky! Minorin needs to learn a couple moves from them!

As far as duets go, Makkun is probably one of the best duet combo you could have since she’s insta-spot on for harmonization. You can tell this was not the case for Minorin x May’n’s on day two for Sousei no Aquarion, and despite the massive nostalgia value of Northern Lights, it was two good vocalists belting out karaoke; there’s not a lot of skills being played between them.

Minori Chihara – Porcelain-skinned Goddess is still white and smooth. At least she knows to pick the one song I actually like on day 2!

Motsu – Not a real act, but the encore is 100% better with him than without. I like how they play on this on day 2 with the lift intro and all.

Crush Tears – Yu’s best singing is during the encore. That says something. Well, apologies to Elisa, because this is a real gag, right? This is a cute addition to day two, but I think everyone was disappointed that Kobayashi wore pants. At least there was screaming.

Lisa & Marina – They’re suppose to be gags, but they’re both solid hitters in day one’s lineup. I think Lisa just sold a lot of CD that day. Too bad her first solo CD came out right at the same time as the BD/DVD for Anisama! Marina was slightly not what I was expecting, being the first time I saw her perform for reals, but she did good. Kind of like the bassist and guitarist that were with them. I really need to watch that live tour video…

The 3-way collab on Aoi Tada’s piece was great, because they probably all are better than she is?

May’n – So young and so pro! Second most winning smile. I think they gave her more face time this year, and she did a good job holding up the show for day two. Universal Bunny was somehow more interesting this time than the one time I saw it live. Interestingly she didn’t mention her US live when the MC turned international, where as Yukarin used that to talk about her Japan Expo live. Citizenship be damned.

KOTOKO – No longer so young but still pro, and it feels a bit out of place. But man, Kotoko slays. Kind of like hearing FJ last year. Totally a full-room-of-UO kind of performance. Except it’s kind of a cold showing. I don’t know why. Also, she wasn’t in on the encore for some reason, probably had to run!

Masaaki Endou – I was expecting him to go all out more and do something outrageous, but I guess this works for day 2. I think the Jam Pro solo stuff is more filler material, but I guess he and Makkun did have some activity outside the group.

Masami Okui – Well, you know how I feel about her. Which is to say, she is always awesome despite rapidly aging out of this segment, and maybe she should have a real act with the Anisama band, since that’s kind of how it works. Also noted how they even have the rights to show the Koihime Mousou clips during her song, lol.

Ayane – I was impressed, she reminded me of that generic, high-energy Elements Garden type sort of act. It’s nice. The duet was a lot of fun, but nothing really memorable for me, a non-fan of sorts. Good job with the dance choreography. It may feel jaded, but I rather liked her act. In a way it reminds me of Yui Sakakibara’s thing from last year.

Milky Holmes – Fun group, but probably better live than on video. They’re the deers-in-headlights group for day two.

SPHERE – These girls are the deers-in-headlights group for day one. I’m not sure how they feel, but I was happy that they got 3 songs. NowSka is always a pleasant experience. Too bad behind the scenes cut out all their stuff :( On the other hand, Milky Holmes puts these girls to utter shame in terms of their dancing abilities.

Milktub – Nice hat, I like the songs from 2011 more than 2010, so looking forward to that. An unremarkable day two guest, but one on the rise.

The duet, as I mentioned before, was a great choice and matches YUFFY very well. Milktub was just hitting it straight though.

Psychic Lover – Wow, that Shinkenger song is pretty awesome. Too bad I feel sorry for him on video, sweating and exhausted after that! Day 2 jammers gonna jam, I guess.

Angela – I always liked them, and I probably could chart how I feel about them over the years and it would come out like a sine wave. That said, 2010 was a good year for their songs, and it helped that I trucked through the anime attached to them. Aoi Haru is awesome, and it’s actually not as hard to sing as you’d imagine. But doing it at anisama? Priceless. I enjoyed Alternative too, with the weird outfit Atsuko’s got on.

Naozomi Takahashi – I was doing the dishes. It’s not bad though. Good day one choice, because I think the cool dudes were largely on day 2.

Kanako Itou – She still looks freaky, but somehow she looks freaky even among a cast of weirdly-decked-out performers. Thankfully she’s pretty good at singing. Certainly upping the weird quotient for day one. Or is it upping the number of female performers that hunches over and swayed a lot? I think that’s what’s freaky about her more than her outfit or hair. She gets really intense-looking and it’s like o.O

nomico & Masayoshi Minoshima – Bad Apple is bad ass, I think the whole “NND meme” thing is in play. But it sure is interesting to see some internet person sing the thing in the flesh. She’s not bad at it either. Another little perk to make day 1 over day 2… Plus, nomico’s line during the encore was cute.

GOMBAND – Definitely the worst act for day one. Or may be they are the second set of deers-in-headlight for the day? Musically they’re okay I guess, but they feel too much like someone popped out of some cohesive marketing scheme to make a bunch of journeymen do silly stuff.

Granrodeo – Rose-hip Bullet is pretty catchy, but I want my Psychic Lover plz. These guys are not bad, just not my thing. I guess it had to do for day one.

Some final thoughts.

I think Anisama lives are hitting a turning point. The 3 spin-off events–Shanghai and the two Girls Night shows–are clearly where they want to go next in terms of moving things onward and growing the fan base. I think it’s the right direction, but I don’t know if it will be able to overcome some of the obvious logistical and financial difficulties to hoist this ever-larger festival onward to an even larger future. From what I can tell the GN and oversea shows are pretty successful, so at least to the larger market in East Asia and around the Pacific Rim, there’s hope for more cool stuff like this.

But there are other ways for Animelo evolve. It was always a premium stage for new and smaller acts. I think it’s doing that even better this year, among the likes of Faylan, LiSA, and even May’n and others. That’s good. What I want to see even more is the meme-farming that has been happening every year, where somehow, one of Nico’s largest act show up one time a year. I think we can expand that. We can also expand the line-up to have more fresh blood. I think that % is the lowest this year versus prior years.

Also, it needs more seiyuu ensembles. I thought the Zetsubo Sensei act was one of the best things to roll around Animelo since forever, and more of them would be welcomed.

Totally looking forward to Anisama 2011!


That Anime Character Contest I Get Involved in Every Year…

I have been running a little game over at Megatokyo forums (LOL) for the past few years. Few refers to some number I lost track of, but probably greater than 5. This year, for a change, I wasn’t running the game. But somehow I am now, again.

Long story short,  you get a forum account, you find a poll that has the person(s) you like, and you vote for that person. There’s a schedule of when things happen, and there is a bracket prediction contest in which the winner gets a box of random junk from me and several other people who have stuff to give away. In years past it consists of mostly DVDs, CDs, figures, books of all kinds, stationary, and what weird things you may find in your daily CD Japan email subscription for their goods store. In years past I mail the thing on my own dime, but only as far as Romania. Or was it in some Latin American nation? My geography is not so good. Of course others contributed to the pot via helping out on shipping.

The final round ends in another day or two, and it boils down to Kuroneko versus Homura. I think Kuroneko also headlines Japanator’s “saimoe” contest. That one has a sample size not too different than the one I’m running, maybe 10-15% fewer voters show up there.

I think that is probably going to be a good indicator of Korea’s Best Moe. How will 2ch’s annual Saimoe unfold, that’ll be hard to tell. But I think Homura and Kuroneko are both going to be forerunners, and Kanade will also make a strong show. What are some other “big” polls running out there along the same rules? AnimeSuki does one too, right? And I kind of ignore ISML just because it runs on for way too long and requires too much book keeping.

Personally Ruri Gokou may be the first pure otaku type that I liked since…may be as far back since Hikaru Amano. Man, that’s a long streak. I don’t know how I was largely immune to the girls’ charms from Genshiken, but I was. I typically dislike those otaku-type characters, too. Maybe for once, snark is being done right.