Category Archives: Modern Visual Culture

Animelo Summer Live 2010, Finally

Ever since Animelo summer lives switched to the 2-day format, it takes some kind of planned approach to even watch the home video release. All is well, it takes a lot of effort to attend these things, so we homebodies are just getting a small taste!

Over 10 hours of anison artists parading themselves up and down Saitama Super Arena is probably noteworthy, I think, regardless of DVD or BD or Nico stream or actually being there or whatever. So here goes.

First off, this is the first time ever that if you pay the bucks to buy the release, you get all the footage. I don’t get why it took like 5 years for this to happen, because it seems kind of retarded. Yeah, maybe sometimes it just can’t be helped, but it’s money for the taking! Anyways, it’s a great thing, and I hope they can continue this next year.

Overall, I think day 1 is just better than day 2 in terms of average quality of acts, but it feels like day 2 acts probably have the larger fan populations. Since this is anison, I don’t think quality is something I’m going to be too concerned about anyways. And did I just insult everyone just now? Even if it’s not what I intended? Oh well.

As for special duets, I think 2010 is definitely on the weak side, although there were two good ones on day two: Get Wild and Unchain World. Day one was severely lacking, plus when Kurinoko stood in for the opening JamPro song on day one, it feels like we shouldn’t count that. I thought Aki Misato’s performance last year was the one to top, when it comes to JamPro collabs.

I’m going to approach this in a non-chronological order. You can get a better breakdown from elsewhere already, and you can always watch it yourself now that it’s well-distributed…

Minami Kuribayashi – I think lately she’s on a hot streak, but this took place right before that broke out. Pro. Regardless of your opinion on her bust size, she always dresses well. It’s a pretty good constant to have for day one. I think she’ll be fun to watch this summer in Anisama 2011.

Yuuka Nanri – Speaking of well-dressed, she was by far the best dressed singer on day one, if not both days. She’s a complete package: the look, the style, the voice, the type of music, plus seiyuu chops. She was slotted in a good spot during day one, when people are still fresh enough and not overly dazzled by all the acts yet, but warmed-up enough to welcome a pretty tight act. It’s perfect.

Jam Project – Their small set was also a tight act. Group karaoke was a good way to naturally “evolve” from their usual 10-minute-SKILL calls. I suppose “evolution” is a theme they thought up after all, so they follow it? I think the choice is good, too. Gong is awesome when taken slowly. Great way to end day 1.

Yukari Tamura – She’s one of those acts that I can’t take seriously, but when inserted into this omnibus format I think her stuff really shine. That cuteness stood out and I think the crowd calling wasn’t impacted by the fact that not all people are into her stuff. Otagei by and large is easy to follow along, right? Right? And I guess the same thousands of people who packs out her shows were obviously in force on day 2.

And, man, You & Me. LOL. Is that white strip on Motsu’s shirt a racing stripe?

Halko Momoi – Another day-2 act, she also stood out in terms of being weird, or cute, depends on how you look at it. I think there’s definitely some cross-pollination and marketing between her and Yukarin, but it’s the same schtik I guess. She played classics, which is probably suitable for this oft-repeated Animelo attendee. I think it’s good she preceded the weirdest visual act….

Ali Project – I think Arika takes the weirdest title again. It’s both classic and  new. I liked the song choices, and the motif is pretty awesome, much less weird than Ishikawa’s on Day 1, which also had samurai folks with swords, I guess. Historic …aristocrat?  just works better with those okama-types. But being the weirdest visual act I think her role in Anisama has always been the same, probably much like her fans. In other words, when you dress up as some kind of fusion geisha type and then wave at people with your katana, while singing something from Katanagatari, it might work.

Fripside – I think these guys may rank number two for weird, mainly for the magician acts. Yeah, throwing ears at the crowd. Yoshino Nanjou is cute in that outfit. Also makes me wonder if Qwaser will have an attach to Fripside… It would work. All in all it was an odd way to begin Day One.

Chiaki Ishikawa – Another improvement from previous year, her dress makes her looks 10 years younger. It’s like she took cues from Chihhi from last year. But her stuff is all about the composition and vocals, and no amounts of fabric can change that. Solid choices  for an otherwise uneventful year for her. Day 1.

Chihiro Yonekura – Also day 1. She looks much more like her age this year, and she sings the stuff you think of when her name gets mentioned anywhere. But the thing is, you know she can sing, and it’s just a matter of her singing something new, in order to have something new to sing? It’s just something she isn’t doing for whatever reason.

Which makes a lot of sense that she gets paired with Naomi Tamura. As much as seeing Naomi Tamura at Otakon was, I guess. The song is epic anison from the 90s, the only thing better would be a 3-way duet with Atsuko or medley into MKR OP3.

Lia – She’s pretty good contrast to Chihhi in that she’s also being mom-ish now, and her excellent English enunciation is like an UO in a dark room of Engrishness of Day One. But unlike Chihhi, she has new songs! And she sings old ones too. I definitely enjoy Lia a lot partly because recently I’ve been looping some of her older CDs, but she’s just another one of those singers that makes day one stand out more than day two IMO.

Perfect con guest, but probably nesting for the near future.

Elisa – Another day one guest, she is more a gag now than anything. Ok, she is also beautiful and sings pretty okay. So the humor thing is just another charm point to an otherwise competent but uninspiring artist. I wonder how they’ll do those Kaminomi songs this year, if they even do them.

Faylan – I think she single-handedly redeemed the first disc on day two. Last year she was pretty shakey, but showed a lot of promise. This year? She’s spot on and she has a pretty winsome smile. Probably the third most winsome on day two, which is no easy feat.

Nana Mizuki – The difference between the reigning Queen of Anison and her cohorts on Day 2 is less than one may imagine. But the overall impression is pretty awesome and very different, it’s like once everyone turns on their UOs, I get teleported back through time and space to some baseball stadium… But in essence, her act is not a huge leap forward compared to even Ayane’s.

The duet with Makkun is pretty awesome, as one would expect. Makkun’s outfit looks like something out of a K-ON music video, lol. Also, stick play is tricky! Minorin needs to learn a couple moves from them!

As far as duets go, Makkun is probably one of the best duet combo you could have since she’s insta-spot on for harmonization. You can tell this was not the case for Minorin x May’n’s on day two for Sousei no Aquarion, and despite the massive nostalgia value of Northern Lights, it was two good vocalists belting out karaoke; there’s not a lot of skills being played between them.

Minori Chihara – Porcelain-skinned Goddess is still white and smooth. At least she knows to pick the one song I actually like on day 2!

Motsu – Not a real act, but the encore is 100% better with him than without. I like how they play on this on day 2 with the lift intro and all.

Crush Tears – Yu’s best singing is during the encore. That says something. Well, apologies to Elisa, because this is a real gag, right? This is a cute addition to day two, but I think everyone was disappointed that Kobayashi wore pants. At least there was screaming.

Lisa & Marina – They’re suppose to be gags, but they’re both solid hitters in day one’s lineup. I think Lisa just sold a lot of CD that day. Too bad her first solo CD came out right at the same time as the BD/DVD for Anisama! Marina was slightly not what I was expecting, being the first time I saw her perform for reals, but she did good. Kind of like the bassist and guitarist that were with them. I really need to watch that live tour video…

The 3-way collab on Aoi Tada’s piece was great, because they probably all are better than she is?

May’n – So young and so pro! Second most winning smile. I think they gave her more face time this year, and she did a good job holding up the show for day two. Universal Bunny was somehow more interesting this time than the one time I saw it live. Interestingly she didn’t mention her US live when the MC turned international, where as Yukarin used that to talk about her Japan Expo live. Citizenship be damned.

KOTOKO – No longer so young but still pro, and it feels a bit out of place. But man, Kotoko slays. Kind of like hearing FJ last year. Totally a full-room-of-UO kind of performance. Except it’s kind of a cold showing. I don’t know why. Also, she wasn’t in on the encore for some reason, probably had to run!

Masaaki Endou – I was expecting him to go all out more and do something outrageous, but I guess this works for day 2. I think the Jam Pro solo stuff is more filler material, but I guess he and Makkun did have some activity outside the group.

Masami Okui – Well, you know how I feel about her. Which is to say, she is always awesome despite rapidly aging out of this segment, and maybe she should have a real act with the Anisama band, since that’s kind of how it works. Also noted how they even have the rights to show the Koihime Mousou clips during her song, lol.

Ayane – I was impressed, she reminded me of that generic, high-energy Elements Garden type sort of act. It’s nice. The duet was a lot of fun, but nothing really memorable for me, a non-fan of sorts. Good job with the dance choreography. It may feel jaded, but I rather liked her act. In a way it reminds me of Yui Sakakibara’s thing from last year.

Milky Holmes – Fun group, but probably better live than on video. They’re the deers-in-headlights group for day two.

SPHERE – These girls are the deers-in-headlights group for day one. I’m not sure how they feel, but I was happy that they got 3 songs. NowSka is always a pleasant experience. Too bad behind the scenes cut out all their stuff :( On the other hand, Milky Holmes puts these girls to utter shame in terms of their dancing abilities.

Milktub – Nice hat, I like the songs from 2011 more than 2010, so looking forward to that. An unremarkable day two guest, but one on the rise.

The duet, as I mentioned before, was a great choice and matches YUFFY very well. Milktub was just hitting it straight though.

Psychic Lover – Wow, that Shinkenger song is pretty awesome. Too bad I feel sorry for him on video, sweating and exhausted after that! Day 2 jammers gonna jam, I guess.

Angela – I always liked them, and I probably could chart how I feel about them over the years and it would come out like a sine wave. That said, 2010 was a good year for their songs, and it helped that I trucked through the anime attached to them. Aoi Haru is awesome, and it’s actually not as hard to sing as you’d imagine. But doing it at anisama? Priceless. I enjoyed Alternative too, with the weird outfit Atsuko’s got on.

Naozomi Takahashi – I was doing the dishes. It’s not bad though. Good day one choice, because I think the cool dudes were largely on day 2.

Kanako Itou – She still looks freaky, but somehow she looks freaky even among a cast of weirdly-decked-out performers. Thankfully she’s pretty good at singing. Certainly upping the weird quotient for day one. Or is it upping the number of female performers that hunches over and swayed a lot? I think that’s what’s freaky about her more than her outfit or hair. She gets really intense-looking and it’s like o.O

nomico & Masayoshi Minoshima – Bad Apple is bad ass, I think the whole “NND meme” thing is in play. But it sure is interesting to see some internet person sing the thing in the flesh. She’s not bad at it either. Another little perk to make day 1 over day 2… Plus, nomico’s line during the encore was cute.

GOMBAND – Definitely the worst act for day one. Or may be they are the second set of deers-in-headlight for the day? Musically they’re okay I guess, but they feel too much like someone popped out of some cohesive marketing scheme to make a bunch of journeymen do silly stuff.

Granrodeo – Rose-hip Bullet is pretty catchy, but I want my Psychic Lover plz. These guys are not bad, just not my thing. I guess it had to do for day one.

Some final thoughts.

I think Anisama lives are hitting a turning point. The 3 spin-off events–Shanghai and the two Girls Night shows–are clearly where they want to go next in terms of moving things onward and growing the fan base. I think it’s the right direction, but I don’t know if it will be able to overcome some of the obvious logistical and financial difficulties to hoist this ever-larger festival onward to an even larger future. From what I can tell the GN and oversea shows are pretty successful, so at least to the larger market in East Asia and around the Pacific Rim, there’s hope for more cool stuff like this.

But there are other ways for Animelo evolve. It was always a premium stage for new and smaller acts. I think it’s doing that even better this year, among the likes of Faylan, LiSA, and even May’n and others. That’s good. What I want to see even more is the meme-farming that has been happening every year, where somehow, one of Nico’s largest act show up one time a year. I think we can expand that. We can also expand the line-up to have more fresh blood. I think that % is the lowest this year versus prior years.

Also, it needs more seiyuu ensembles. I thought the Zetsubo Sensei act was one of the best things to roll around Animelo since forever, and more of them would be welcomed.

Totally looking forward to Anisama 2011!


That Anime Character Contest I Get Involved in Every Year…

I have been running a little game over at Megatokyo forums (LOL) for the past few years. Few refers to some number I lost track of, but probably greater than 5. This year, for a change, I wasn’t running the game. But somehow I am now, again.

Long story short,  you get a forum account, you find a poll that has the person(s) you like, and you vote for that person. There’s a schedule of when things happen, and there is a bracket prediction contest in which the winner gets a box of random junk from me and several other people who have stuff to give away. In years past it consists of mostly DVDs, CDs, figures, books of all kinds, stationary, and what weird things you may find in your daily CD Japan email subscription for their goods store. In years past I mail the thing on my own dime, but only as far as Romania. Or was it in some Latin American nation? My geography is not so good. Of course others contributed to the pot via helping out on shipping.

The final round ends in another day or two, and it boils down to Kuroneko versus Homura. I think Kuroneko also headlines Japanator’s “saimoe” contest. That one has a sample size not too different than the one I’m running, maybe 10-15% fewer voters show up there.

I think that is probably going to be a good indicator of Korea’s Best Moe. How will 2ch’s annual Saimoe unfold, that’ll be hard to tell. But I think Homura and Kuroneko are both going to be forerunners, and Kanade will also make a strong show. What are some other “big” polls running out there along the same rules? AnimeSuki does one too, right? And I kind of ignore ISML just because it runs on for way too long and requires too much book keeping.

Personally Ruri Gokou may be the first pure otaku type that I liked since…may be as far back since Hikaru Amano. Man, that’s a long streak. I don’t know how I was largely immune to the girls’ charms from Genshiken, but I was. I typically dislike those otaku-type characters, too. Maybe for once, snark is being done right.


Joy of Mail Order, or How Figures Are the Worst

You know you are buying too much stuff when there’s a backlog of packages to be opened.

I almost miss the days when I would tackle something I get in the post with glee and anticipation. I say almost because I still do on occasion, depending on what I’m getting. I remember getting my N1 last year, that was like Christmas in March. I remember getting my Rakkyo box, but that was more me gawking at the amount of disrobing required to get to a few, simple plastic discs. It’s been a while since I had to do that. There were others but they were few.

The sad thing is, being an anime nerd and collector invariably meaning buying your own loot. It’s something that can’t be avoided, and in fact when you collect seriously, it is part of the art. For the truly serious, it’s gotten to a point where you talk to other collectors and buyers and do it like a MMORPG: via teamwork and/or by proxy. It’s complicated.

The issue I want to examine is how to recapture the same joy we all experience when it happens. It’s Christmas every month or every week, for some people, when they bulk ship from your favorite e-retailers here and abroad. Things like Amazon Prime are basically taking the joy out of shipping (and making it a seamless process). It can’t help but to feel that after a while, it just doesn’t matter anymore. #firstworldproblem indeed. And who should be interested? Those who wants to look at the bright side of life aside, probably retailers. And no, I’m not advocating you should buy each other loot, to somehow salvage this sorry situation. I’m talking more about making the buying experience a little less mercenary and a little more magical.

I collect DVD and Blu-ray Disc media: I buy to archive. It’s not a surprise that probably a good 1/3 of my collection is still shrinkwrapped. So when I get a package of something like that I systematically process it and store it somewhere. It’s only when I end up buying something I found particular attachments for, that I stop and smell the roses. Or maybe I should just slow down, make less money, consume less anime, or some such. But what I find overwhelmingly today is that most SKU from R1 publishers are these no-nonsense stuff, these budget super-econo-bargain sets. We all love a good bargain, but for the archiver they literally are just that: data on a disc. Of course, it didn’t help back in 2005 when there were some value-added incentives, like CDs (more data on a disc!) or T-shirts (worthless and kind of unremarkable, like cheap promo items) or flimsy cardboard crap (lol gondola). Sorry, but no.

The irony is Japan is awesome at making such purchases “value-added.” If you can import anime, why don’t you guys import this other paradigm at retail as well?

It feels entirely against some notion of old-timer otaku, the ones that best described by the likes of Satoshi Kon (RIP) when he talked about his younger days, how Japan, back then, is not a rich or affluent nation. Anime was something that happened once a week on TV, and for a school boy that’s going to be a short 25 minutes of joy to last through a whole week. In comparison we (of the 21st century) are living life in a very different way, yet it’s only in such a prosumer perspective that we can see how awkwardly out of line we are with how things used to be.

I want to savor the experience. Isn’t this something obvious? Why is almost nobody selling it? Or are we too accustomed of doing it ourselves for cheap? Sorry, but as much as people are good at it, it still falls short at a pro’s take. I guess that’s part of the problem too, right? That there are no pros working at this in the anime space, sans importing from Japan.

Granted, I don’t know if that’s a good or a bad thing–probably neither. But I think the way we approach this sort of consumption will have a drastic impact in the way we view the stuff we consume. It reminds me of Last Exile, the value of water, and the strange eats Lavie and Claus had a chance at towards the very end. Except it’s not so populist, just elitist. And maybe this is one place where we can see a clear democratizing effect of internet on media. For one, not only I can buy, without too much effort, special orders that were originally available to Japanese buyers, but even finding out about them in the first place is a big deal. We lose some, but we gain some too.

It’s easy to see it in the distribution of anime, but it’s harder to see it in other tracks of the same fandom. I am going to single out figures only because out of all the unopened stuff I own, those take up the most space, and have the most “value” to be opened, and yet I have the most of these packed and unopened… Still, the compulsion to buy figures never really ceases in correlation to accumulated number of figures. At worse it is a problem (again, #firstworldproblem) but that is an issue separate and usually unrelated to the desire to buy the latest pretty thing. I mean, a number of collectors buy figures that they don’t know about just on the merits of a figure’s design and craftsmanship. It’s like getting stone lions for my front doors, except these are nubile anime girls or giant robots (but small-sized) with colors of the rainbow.

And typically this habit all started somewhere, probably with some not-so-nerdy-but-a-little-bit dude’s physical desktop (not the one on your PC) where you could put a UFO catcher thing here or a Nendoroid there, it’s kind of cool; like putting a work-friendly-sized photo of your wife (not waifu) on your desk. Then it just goes on from there. Sooner or later you might find yourself in this situation. And then from there it is truly a slippery slope to something like a top scorer on this site, unless common sense or your bank account stops you.

The value in this stuff is the aesthetics appreciation, and maybe for some interior decoration, on top of the usual achievements and ticks for collectors. So it behooves buyers to “consume” figures by digging into them. It’s a great “Christmas” effect item. And all of these reasons points contrary to the issue I’m having.

And I don’t know why. The only explanation I came up with is that the “savoring” thing I previously describes is the thing I buy figures for. And once you’ve got a lot of them lined up, you probably want to take it easy and slowly. You know, to savor the whole present-opening experience. It’s totally creepy, but it’s the only one that makes sense.

That, and I’m running out of display space so I would have to spend some time to make room first. I suppose there is no point reasoning with a man and his 8″ plastic little army of Sabers.


So, That Magical Girls Genre Subversion…

Spoilers for Mahou Shoujo Madoka Magica ahead.

Break!

Continue reading


Things I Learned From Anime: Spring 2011 Edition

Good ideas:

  • It’s not okay to catch giant salamanders in the stream, naked.

  • You can beat yourself up over your inner weakness, not because it makes you weak but because it makes you want to kiss some video game nerd.

  • It’s always good to pay Matsurika.

  • Don’t visit your elementary school at night.

  • Don’t run inside a supermarket.

  • Be nice to the crêpe lady.

  • To modulate the smell of your fart, do it in the bath.

  • You don’t just eat meat, you defeat it.

  • Ninja Warriors are better than normal wars.

  • Segues make great weapon platforms.

Bad ideas:

  • To neutralize someone much stronger than you, take away their favorite field hockey stick. It will make them totally weak. (inb4 Sket Dance is a much better magical girl subversion than Madoka.)

  • It’s okay to call your girl your asset. In fact only winners do this.

  • The world is a much better place if crazy people wrapped themselves in futons.

  • As long as you provide insightful examination to the inner qualities of the real-life individuals, it’s okay to write them into your slash light erotica.

  • You can get away with fake yuri breast-sucking as long as you are a magical boy in drag, in an all-girls school. (This one isn’t so bad isn’t it.)

  • Virtual reality makes you learn stuff faster.

  • It’s okay to carve graffiti into things you don’t own as long as you are a little kid.

  • Chasing a wild monkey will lead you to fateful encounters.

  • Physical touching makes a strong first impression. Be sure to poke that person’s face.

  • Hire your shoujo manga editors based on their looks.

  • Drink Pepsi Nex.

  • Combine a prison with an amusement park.

Special Madoka Bonus Idea:

  • Madoka Died For Your Sins.

Happy Easter? I guess? LOLOL whoever thought Madoka had anything to do with Good Friday LOLOLOL. I am missing a few shows, so forgive me. In fact I am still not done with watching ep1 of all the shows I want to check out…