Category Archives: Modern Visual Culture

Exam Hell – Examining a Perspective Bias

One common element shared by far majority of TV anime is the high school setting. Many of us who watch anime regularly may have long since gotten used to this subtle background fact of life.

Invariably a lot of the material used to make anime are aimed for the adolescent crowd, so high schools are popular settings by extension. But what is high school life like for a Japanese kid? I have no first-person experience, so I can’t say. I imagine for the lot of the non-Asian viewers, that will be the case.

Even if the Japanese education system is a bit of a hybrid between East and West, the focus on entrance exams has long twisted the Japanese education system, on practical grounds, as a means of a guide to some sort of standard of education, a setting of norm. If you did well in school you would have a shot at getting into a good college, and from that a decent job opportunity. If you’re just an egghead, then you will naturally excel in academics and if you end up in academia, all the more better. If you don’t do so well in school, there’s always hard, sweat-of-the-brow work. Or, marriage and home making.

But being an exaggerated means of escapism, anime and manga as I observed it…well, no one likes to be reminded of their day-to-day reality, especially that one big fat exam which torments their collective, uncertain future. Sure, we all can share with living under that sort of stress to some degree, but it’s another story to experience life in a society where that’s everything.

A bit of sharing: at my cram class today the professor decided to do a bit of public service and reminded us the best way to relieve anxiety is to place the impending exam in context: that there is something more important in life than one’s career, or one’s job prospect, or what will happen to us if we fail. Gain an appreciation for life right now; we are probably more fortunate than many others. At the least, not being totally strung out on stress is likely help your exam performance.

But at the same time, this stress is appreciated. It gives you a perspective.

Utopia is where Manabi Straight takes place. It’s a world without that perspective, or I should say, it actually realizes a set of fears many people in Japan should have: that when people graduate, they won’t have jobs; when people graduate, they’ll find themselves holding a depreciated piece of paper because everyone has one; when people graduate, they’ll do the same things people who are younger are doing a better job with, thanks to the future curve; when people graduate, they won’t find a more fulfilling life than before they graduate.

So what does schooling offer them? Why are we spending time milling away when we could be starting our careers today? Just because some people pay you more later on? Perhaps that is counter to the harsh reality of today, but the stress won’t end.

At the end of it all, I guess, the point is that anime is entertainment, but the healing nature of Manabi Straight comes across as the background theme behind all the commotion that we talk about. It’s a calculated effort; a show for freeters and salarymen and just those people struggling with their grinds from one period of their life to the next.


Hosanna – Manabi Straight Version

Taken from this. The below is just something that struck me like a bad AMV idea. I had to get it out of my system. (To be honest this happens on a regular basis and I have a secret stash of things like this somewhere.) [edit: catch the full song on youtube]

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GAR for November

Remember, remember, the 11th of November,
Of smoking, fangirls and GAR.
I see no reason why contractor, so badassed,
Should ever be forgot.

Maybe they’ll commemorate it by drawing mustaches on Hei’s mask.

The fans will totally demand, whine and ask;
For a disappointing turn.
Like ROD’s Joker, in his second task,
No affection was earned.

Or I think?


Order Made

I know by now a lot of you have watched Touka Gettan 5.

A moment of tenderness...mmmm

Who am I kidding? It’s like the most confusing anime since … Utena? No, this is way more confusing than Utena. Maybe Boogiepop Phantom? But not even that; not everyone looks like eroge superstars with hair that only look good when your robe is half-fallen open (revealing some lacy underpants, if any), sprawling on your bedding, sick with spring fever? Er, I mean too many characters look alike with the hair, hair coloring, and face.

But it’s not just the purposeful confusion or the iroppoi (not eroppoi?) slew of half-possessed, across space and time menagerie of a cast that keeps me watching Touka Gettan. It’s things like that Japanese-style stall/fast food made-to-order store in episode 5. It’s not unlike how you’d buy a woman’s summer outfit:

1) browse in the store

2) pick it out and try it on (complete with “dressing room”)

3) ask the store to modify it, tailoring to your desires. While you wait.

Momoka’s penchant for Nori-ben (and other foods) may be why she’s so attractive, for me. Or is Saori Hayami outdoing Mamiko in a Mamiko role? I foresee a bright future for this … voice actress that I didn’t find any information about in a short time. It’s sort of refreshing to hear a “soft tsun” voice when rest of the show’s cast is doing “come have hot sexxorz” voice, “squeaky kohai” voice, “lol woman playing a boy” voice, or in episode 4 and 5, the Kefka laugh. Guh.

Better cut this post short before I get distracted by all that pr0n.


…This Fully Armed and Operational Comedy Station!

Revisiting Full Metal Panic – Fumoffu is timely, I guess. Enough to blog about.

Kyoto Animation’s new comedy, Lucky Star, has the attention of some people. I think. Not sure.

A while back (over a year ago now?) a popular media retail chain was closing. I raided one of their more urban stores and found some volume 1+box combos eating dust for a low price. As a small reward for having finished school and enjoying a few days’ worth of break, I watched it on the television. It would be the third or fourth time I braved the overly energetic tsun-tsun performance of Satsuki Yukino with otherworldly antics of an animated counter-terrorist.

With the strange word of the director change for LS, it occurred to me to check just how funny Fumoffu is rather than my rosy memory of how it was. Two birds in one stone, right? I also feel kind of bleh lately. Too much staring at the computer either for WoW or anything else…

And it’s funny still. It no longer has that shock factor to it, because I remember too much of it (as the series is quite memorable). But also because you need an audience to watch that show with; watching it by yourself is a little… Like eating a meal alone, I suppose.

The sharing nature of a piece of anime was something that Kyoani does well to imbue into their works. Even that random dance sequence… Someone must like that stuff, and it shows.