Okane Muyo GXP – NY International Auto Show

It’s good to be home.

Fuzzy Honda Light Show
(Apologies for the crap photos. The camera I used is probably worse than most phone cams–it’s a freebie from one of my dad’s training exercise giveaway. It uses SDRAM and doubles as a decent webcam; but once you remove the internal AAA batteries, you lose all photos stored. A fine pin-hole camera, on that note, even if it overexposes like crazy. Anyways, it’s not like you need my pictures; plenty of professional images of these babies online.)

Wednesday the week after seems to be a good day to visit the 2006 New York International Auto Show. It’s becoming an annual tradition for my father and I; especially now he works in the auto industry, it’s unavoidable. A grunt worker like him actually benefits the intel, and I got a bit of his sales pitch when we were doing “how fast can you fold down the back seats of an Odyssey?” versus “LOL I can fold down the back seat of a Sienna faster than you.”

But he’s good company; his perspective takes him to a weird place that’s something between a detached critic and a zealot Honda boy who doesn’t care for things like the S2000 or the Civic, si senor? I mean, which Honda boy doesn’t? So he isn’t one. Maybe until the 4-door ones come out :).

The first vendor we hit up greeted us over the PA with slightly accented English followed by “Konnichiwa, Minnasama” and the Japanese (for service?) was pretty surreal. Sadly most of their new Nissan models were the preproduction 2007 line, so we can’t even sit in them. The new Sentra GTR is way better than what my friend Steve drives, that said. I spotted the infamous X-Box360-mobile and took a shot, failing to locate the sweet new GTR prototype… That didn’t really bother us, all said and done. Infiniti’s simple offering reveals just how badass the M35/45 are when it comes to interior pimpage. So nice. We sat in the Q after that and the design just wasn’t up to standard with the new M’s. In retrospect we should’ve came back to Nissan some more, but oh well.

Toyota and Lexus offers much the same. Avalon is still a nice old fogie car, and it really makes you wonder if getting something like the new ES or GS is worth it. They are nicer, but are they worth the tags? The new LS is definitely really nice, but I don’t know if I can really appreciate the difference. In any event you can’t help but to compare them with the Infiniti M45…still doesn’t match up. And now that there’s no more MR2 or Celica, Toyota is eh.

Of course, the bad boys of Europe still offer the most affordable (at least they let you sit in the cars), top-of-the-line luxury. The innards of a Mercedes S550 is still remarkable. The BMW 650 is nice, but not that nice; considering they’re almost the same price-wise, eh. I’ll stick to a BMW 550 or just go for the M6. Which looks just like a M5 from the inside. They really like them paddle shifters, too! It’s in like every damn car.

We grazed through some of the American offerings on the top level. Woo Pontiac. Woo Dodge Woo Saturn. Woo Chrysler. The new ‘vette is not new anymore, so that’s pretty boring. They still don’t let you sit inside the viper. The Charger Super Bee is the cutest muscle car I’ve ever seen, and I think they’re copying the interior from the Mustangs, or something.

Around the bend and through what’s left of Saab is the land of Ford. Well, besides THEM APPLES. Mmmm apples. The A3 is as expected, and if you can bring the price tag down by a few notches it would really be a nice car to own for yuppies. Yuppies with paddle shifters and DSG and nice zoom-zoom…hmm. The Q7 is crap, that said; you would expect a high-end consumer label from Europe to pimp their ride better.

Before I forget I should also mention we breezed through Honda somewhere back there. We played black magic with the Fit’s back seats and we did the same with several other hatchback small-fries. I think a couple other cars came pretty close, like the A3, but dang, the Fit is Go–go stuff the hell out of it. Then again, the Aveo still starts a couple G’s below (even if it evens out once you add the safety options).

But yes, the land of Ford. And there is like, 20 Mustangs out there. All it did was confuse me because they all look different, some are even modded. I was like, “zomg where is the Shelby Mustang?” Oh, not that. Well, not too much excitement; we spent more time looking at the new sedans. Mazda wasn’t too exciting either; sat in the Shinka and the MX-5… it is more refined. I was kinda surprised at the Pontiac Solstice; the GXP model has like 350HP or something, and it looks just like a meaner MX-5 (with hardtop!) that cost just a tad more. It’s definitely an American alternative. Copying? It’s always good to have options at that level; even if when the newer cars can also be like crap (relatively), like the Saturn Sky Redline. All the more makes this really pretty baby hopeful. Com’on Mazda, you can do it!

Volvo is still boring, that said. I sat in a Lincoln Town & Country for a breather. Then I realized luxury only makes impression when you can excel at something truly special. Like having a mad amount of interior room; or awesome console design and ergonomics? Super leather work (yeah, Jag XK is badass)! Which automatically brings me back to the M.

Downstairs are where the trucks and SUVs are, plus some of the other vendors like Mitsubishi, Kia, Subaru, and VW. We did the tour fairly fast; played backseat magic with Sienna and Odyssey. And then there was ZOMG WHAT THE HELL IS THAT? The boothlady was doing a spiel on the new Dodge concept, which seemed to be the way they’re going. It’s basically out-Ridgeline the Ridgeline. Now that’s free market economics at its best. If you’re a car critic that rated the Ridgeline to be some badass thing even if everyone else you know bought a damned Avalanche, thank you. I look forward to hearing about the Rampage.

Some other notables include the VW Eon. It felt like something in between a Jetta and a low-end Passat. I guess if you think the TT isn’t for you, this will fit the bill. And yeah, paddles and DSG… Speaking of which, the GTI interior is rather nice, so if you’re looking to do that, you have my blessing.

The new WRX is more refined; but that doesn’t mean very much. The new Eclipse is also more refined…and that also doesn’t mean very much. The other surprise, as far as refinement goes, is the Subaru Tribeca. I always despised the car because it’s got an ugly rear, but the inside is really pimp. It almost reminded me some of the German copycats like the Mercedes R. For 3 and a half grand it’s a good deal. On the other hand the Kia Amanti went up in price but dropped a bunch of interior niceties. It also marks the first time I put my butt in a Rio. It’s not too bad.

We looked at some pickups, walked inside a Sprinter–my dad has some weird attachment to that car–took some pictures at the Toyota Nascar thing (just for you Zek!) and call it a day. We’ll skip the marketing up on the third floor and head home. Well, that’s not before stopping by Scion (they always have fun prototypes) by parking my rear in a tC and the Mazda thing outside across the street from Javits Center.

Kero-Chan Check style list:

  • Best Luxury Offering: Infiniti M45. Sweet design wins the day.
  • Most Innovative Vehicle: Dodge Rampage. Hopefully beating the Ridgeline
  • Best Prototype: Mazda Kabura. I want it already~
  • Biggest Crowd: Ford. People like them. They be from da hoods, yo!
  • Best Value: Pontaic Solstice, Porche Cayman S. I didn’t know they were so “cheap”!
  • Coolest Car: Audi RS4. Dang, man.
  • Interesting New Pick: Acura RDX. It’s CR-V Si.
  • Best Looking Car: Charger Super Bee, Audi S4. I’m a sucker for classic.
  • What’s In: paddle shifters, GPS
  • What’s Out: gadgets, exotics and pure sports.
  • What’s missing: Nissan GTR prototype, the new Lamborghini

New Season Checklist 3

And 40 days after the flood of new anime had stopped, The Bad Guy opened a window and let loose a pair of CRV7 70mm rockets.
Black Lagoon 1

I think the winners, barring the remaining contestants, are clear.

Notice how each of those are spearheaded by a different significant production studio. Deen, for example, has their lovely Simoun flying machines complete with sound effects akin of Vader’s Custom TIE. It’s a war out there. Well, with exception of Bones and Madhouse, who also manages to hit really, really hard with Juuousei, the Lord-of-the-Flies tale of survival and becoming something more; and Black Lagoon, probably my #1 selection for the masses this season. Sucks to be Gonzo right now, though…wait a few months? This season, it seems, the studios have taken cues from 1-2 years ago and suddenly every one of them produced shows that started at around the same time, all very appealing.

And they fight like as if it’s a war–in the flea market of our minds. Some of the arsenals include kiss. Lots of kisses–girl-girl, girl-boy, boy-girl, boy-boy (well, we tried to avoid this one). Lots of blood, even more action (some involving kissing); comedy shoujo-style, comedy-no-style, no-comedy. No romance, lots of romance, mostly in-between. Low blows. Guns; lots of guns. Hot moms, lots of sisters; bunny girls? CG, fake CG, CG-looking-like-it’s-not, REALLY BAD CG. Snail-pace, non-linear storytelling, action-packed. And of course, fanservice; the shoujo/josei crowd is still at the lead of that (so much sex in Nana, so little time), of course, closely followed by the snuffy Tokko (funded by Manga Entertainment???). Can maid boys beat out magical girls from the 90s? Only if you’re a dream user…

The casualties are lost in the mindshare bloodbath, deemed to wander in the obscurity known as “faint recollections” when one browses through a list of anime at their favorite torrent site or wallpaper listing. Who the hell cares if your close friends are gargoyles or a badass tank AI?

It’s fierce, and as well it should be. That said I am not holding my breath; the second half of this year has some of the more exciting titles coming out. UFOTable’s newest project and more KyoAni in the form of Kanon are just some rememberable teasers waiting to happen.


Conventional Wisdom

Collage of Con Pics

The annual Summer Convention Season is almost upon us. First glances:

Otakon. This is my bread & butter summer escape. Baltimore wins for its location and cost associated, plus I’ve done this for so many years. The only complaint I have is how it is kind of in the middle of summer and it takes a concerted effort to go to it. A rumormongering little bird of viral marketing told me this year, unlike last, will be very cool. Reading the Otakon boards seems to confirm.

Anime Expo. I went last year and it was lots of fun. I don’t like SoCal but it’s a fun place to visit every now and then. This year their guest list is flowing out just now, considering only three months are left it’s a bit of a pinch. I suppose both this and Otakon are mainly mired by the locals and those dedicated enough to make it there on purpose. That said I’m pretty sure I will skip it this year.

A-Kon. It’s only on my radar for being one of the oldest con and KOTOKO. Never been there, so it’s pretty exciting. Right now, 50% of going; pending time and monetary issues.

Anime North. KOTOKO, again, but it’s not super far, and it might be fun to actually go to Toronto for, well, fun. Somehow Dallas just doesn’t seem that way. It’s also cheaper than Dallas. It takes place over memorial weekend, so that means I’ll miss out on some good BBQ opportunities if I do go.

Normally Anime Central would show up on my radar too, but this year (and last year) they’ve been pretty weak with the guests. The two years I’ve been to Acen things were already pretty rough, even if they did hit the spot in 2004 and 2003.

In retrospect, if I stuck to Otakon every year and went to nothing else, I probably would have saved a few thousand dollars. It comes both in terms of mere expenses of traveling, but also in splurging and what not. The hurt in the wallet makes me ask why if it’s worth it.

Alas, however, like community service, I tell myself every year how it is really all about, being a fan. It is one thing to look at the masses at the con, to soak in the cosplayers, to revel in the hustle of the dealer’s room… but it’s another to realize how happy it can make you feel, and how happy others are in the middle of their metaphysical orgy. They’re geeking out. It’s a little sad to see people go crazy over such little things, on the other hand, it just makes me more apperciative the goodness that’s left in this world. Our freedom to geek out, to express ourselves. It’s priceless.


Suzumiya Mania – Examining HARUHI ISM

Isle Haruhi

This past semester I’ve taken some classes about the power of an idea–in the context of intellectual property and mass media branding. More than just a couple times Key the Metal Idol came to mind while sitting in class. The worth of a brand and the legal protections ideas have when they come into play commercially–clasically and in today’s mass media market–can be in the billions of USDs just for a single brand.

It’s just a matter of time until that train of thought crashes into Haruhi. “How?” One might ask. Legal education is the short (and probably true) answer, but bear with me for a moment as we look into the “why?” (Which is, really, why I’m interested in the question at all.)

In some ways Haruhi is categorically a “High School Girl Idol” show. A powerful, influential, eccentric character takes the lead in the narrative. A slew of side shows play off to mirror the construct of this main character. It’s different than, say, School Rumble, as a pulp romantic comedy; different than a high school harem (of any kind of gender combination); and probably different than the hybrid (slice of lifes, for instance). Perhaps it is cousin to Gokujo Seitokai, and daughter of Yamamoto Yohko?

The story about an idol-like character is just that. My interest is in my own (and like myself, a good amount of others) facination with this idol. It’s one thing to just tell a story but harder to tell it well. But is that it? What is special with this girl? That she is a girl? That she’s a creative literary concept? I think while for many we’re still stuck at the “who is she?” stage of the game, the general topic is probably more interesting: what would an anime look like if it was to make you a fan of one of its character? Is that the same as how it would look if it was to make you a fan of itself? Are the two the same?

Idol culture ultimately hangs on that question. Building an anime that’s great to watch is well and good; but building a character means you are building a franchise that transcends the medium it first existed. Do we like Lara Croft rather than Tomb Raider? I think most of us are like that today.

To answer the “why” question more directly, yes, Suzumiya Haruhi no Yuuutsu is well-directed, written, produced, animated, and pitched after a year of rather mediocre TV animation offering. It’s exciting and fun to watch beyond its abstraction. It’s not so crude as slapstick but mysteriously unidentifiable upon first look. I can go on about it but I think that’s answering the “why” question superficially.

The next level of abstraction is a little less exciting; after all, it’s the story about an extraordinary high school girl, mired in her own genius and unteathered to this world’s mindsets. A mania in her own right, the little bit of spark of extraordinary in her ordinary world brings out the little girl unobservable otherwise from her otherworldly shell. I suppose all of that is not uncommon in anime and the art of reciting stories for escapist young adults.

Is there more to it? Do we want to care about Haruhi beyond that point? Maybe–at least by this stage of the game (episode 2), we know no metaphysical genius is an island. Haruhi will not be the Haruhi we know and we will not see an end to her meloncholy without Kyon. SOS-dan recreates a context for our hero and heroine not unlike that of an alternate world. Maybe an analogy is Otakon to Baltimore? The analysis has to end at this point, though, because I don’t have enough to go on.

But do you? I think the concept is wildly interesting when you bring idol-ism into this context. Part of why, at least for me, is my sensitivity to general idol worshipping; but otherwise in the art of manipulating people’s will, mind, emotion, and spending habits, it’s pretty cool.


Law of the Blog?

Do you think, for us American bloggers with our sites hosted in the US, with an English, non-discriminating (aside from subject matter) audience, are we entitled to our First Amendment rights? Do we violate copyrights by including caps, lyrics, quotes from other texts (commonly other blogs, news, wikis, etc)? How about music? Designs (like a WP theme)? How about flaming and things like that?

IMO they’re all valid questions–just where the line is drawn? Obviously there’s little in terms of previous instances where a court said something. Blogging is generally new. We all know the Internet is the super copyright infringement machine, and even in that area of law the dust is far from settling. The niche that bloggers belong to seems like the least of all worries. Just how marketable are blogs? I guess they are as long as you’re not comparing them to selling CDs and DVDs.

I don’t have any real answers. What I’m trying to get at is that are two opposite but converging perspectives to look at the issue: free speech versus copyright. At times these two views are in conflict, but that’s rare; usually they mind themselves. But just when should good faith and interest in free expression overcome commercial interests?

After all, ultimately as long as you’re not just doing detail summaries with screen caps, you are probably putting a lot of copyright-able material into your blog. That’s good. It’s important to cite back either with a simple text saying where, or a trackback, or whatever, when you cop something. It is good to avoid plagerism. But neither is the case we worry about usually; or rather, it’s the opposite. We don’t want to be just merely pawning off pretty pictures from anime to “generate a lot of site traffic” or merely retelling a textual by-the-book synopsis as a public resource. There may be places for that, but are those uses “fair”? Is the world a better place without blogs telling you what’s hot in Japan so you can infringe copyright in a smart and efficient manner?

I don’t know. But it’s good to look on the other side of the coin every now and then.