Category Archives: Franchises

Cute Microbes Looking for Warm Fansubbing Home

To be honest the real reason I’m blogging is because I can’t have such an inviting picture of Mao Mizusawa on my website, for so long. It’s not exactly safe for work, and it’s actually a distraction… I guess I’m just weak against her.

Moyashimon needs more marketing. Or less, because its author won awards, it’s been out for a couple years as an appropriately odd but appealing manga series for an older crowd, and it’s on Noitamina. Noitamina has an incredible track record with me and I don’t see why I won’t like the story about educating the public about microorganisms that have been coexisting with mankind for thousands of years.

As well as, well, odd culinary preferences. It’s not lutefisk but more like surstromming? Anyways. This show reaches enough technological complexity that it needs subs to explain which microbe lives in which food and what it means when you get a saggy brown blob floating in the air instead of a youthful brown blob floating in the air.

And those microbes are cute looking. One thing that struck me immediately was that in the context of agriculture, we are to embrace our germ-like overlords. I know in America people are much more likely to be germophobic and this is a very healthy counter-message to that effect. Maybe the world in general needs to just learn more about these things so it spends less money buying useless crap that kills germs unnecessarily so. It’s nice to put a happy face on those friendly microbes because they are some of man’s best friends.

And if you haven’t heard from anyone yet, please check out the OP/ED. They are fantastic, odd (along the lines of Honey & Clover OP), and just wow.


The Story of Redemptive Violence, or Gundam Will Continue Forever

Make Love, not War?

Redemptive violence is the bigger, badder, more brainy term to describe violence justified. This ranges from executions to “eye-for-an-eye” to even a war to end all wars and even using violence to protect someone and catch criminals. Gundam 00 throws a nice, juicy fat herring from the get go, tying terms like “dunamis” and “kyrios” (Greek for Holy Spirit and Trinity) with “oh noes I’m a kid fighting a terrible war excused by religious reasons and there’s no god poo hoo”?

Sigh, I feel like an 8th grade kid trying to explain to random internet people the point behind faith and love.

And thankfully, most Gundam shows do make a point to talk about faith and love (or maybe just hope and love?). Because it’s only in these incredibly human, idealized feelings like faith and love that we can even stand, point and laugh at the folly of war, of greed, and the tragedy of looking at people not as people. (And also, I’m sure, that the producers feel the moral burden upon them, with all those 8th grade kids watching their shows.)

Most Gundam shows also do make a point about Gundam as some kind of idol, too. The whole “I want more power/to be stronger” nonsense goes hand in hand with the “there’s someone I want to protect” nonsense or the “this world sucks” nonsense. In fact this probably explains why a lot of anime have crappy endings, not limited to just Gundam shows.

Still, I think unlike a lot of other stories told in popular media, Gundam tells a much more elaborate, and philosophically complex stories about redemptive violence (and, even showing the myth of it as well) by actually telling you these things up front, instead of using characterization and theme to explain things to you. For better or worse, this gets the message across faster and clearer usually.

That said, it’s probably unfair to pin so much of Gundam into the pigeonhole that is redemptive violence. A lot of other people have said their piece about Gundam’s stories, their motivations, and the intent behind them. And indeed, Gundam means a lot of different things to everybody. And it doesn’t help that the franchise has gotten to a point, that each series keeps on repackaging the same story, myth, legend, troupe, and theme that I am never so sure what it was saying at the end.

Maybe that is why to date Turn-A has been my favorite Gundam series in how it walks that tight rope between redemptive violence and redemption itself, that war is never the answer to anything besides “how do we kill a lot of stuff real fast and make a lot of trouble for everybody.” That the feeling to protect someone is only going to make the person you protect into a bitter, old maid as the other lover of the person you died protecting ditches her because your death made things complicated. That by loving your enemy’s hairdo as your own is the first plank to build a bridge for reconciliation and peace. Or cross-dressing. I’m not sure which works better.

I hope 00 makes a similar effort to tackle the core moral dilemma instead of pandering to mere drama. That’s what makes the Gundam franchise more than just a nice boat (even if the roots are rather nice boat-ish). As the myth of redemptive violence perpetrates today’s society in its core, the ongoing saga of the Gundam franchise will continue and draw a lot of attention for being the marketplace and battleground of ideas between pacifism and the school of redemptive violence. Maybe eventually it’ll surprise me with a valid answer?

Or at least get all their fancy-pants Greek Gundam names to match. What’s Exia? Exegesis? I mean that’d be the poetically fitting reference.


Aspect Ratio of My Heart

…is not 4:3.

Sorry, unlike other busy bees I won’t be waiting for the 16:9 CLANNAD but I will very definitely use that excuse to watch it again. CLANNAD is one of those games that I didn’t want to try to play after seeing how AIR and KANON turned out, and thankfully Kyoto Animation is the kind of studio that you trust to bring a good adaptation.

No matter because of the framing, because of the clipping, because of the Golden Rectangle, or because 4:3 is not how it was meant to be seen, it doesn’t negate the fact that CLANNAD is a show that does take advantage of these elements in an anime’s presentation.

What’s amusing is how did the folks in Japanese TV broadcasting come upon this idea as a way to sway subscribers…? Viva the otaku revolution. Then again, looking at a fair sample of the blogs out there talking about CLANNAD, the issue is more or less silent. I guess most people still don’t care?

I know when I dream, I don’t dream in 4:3. Nor should you.


ROW ROW FIGHT DA POWAH

DNAra +4

It deserves repeating.

A nice rap song for a nice clock show. No matter if you liked or disliked Gurren Lagann, in whole or in part, its a show that has a deep message. It inspires, but it also breaks people’s hearts. That’s the power.

It doesn’t help that I’ve been in a “fight the power” mood lately either.

But a English-language rap song for a clock show? Heck, that’s gotta do more for the English-language literacy rate for Japan than any other anime out there right now.

GG Taku Iwasaki. I hope you get my share of monies spent on this little album set. It’s big and proud but also finely sliced like gourmet sashimi. Yummie! Oh by the way I’ll promptly discard the DVD and other CD that may come with it…merf.


Naoki Satou FTW!

Listening to the new El Cazador soundtrack reminds me how Yuki Kajiura can hit left and feint right. But after doing it so many times, I no longer care about the feinting as much as how she does it. And oddly enough she only impressed me once since Aquarian Age TV, in Mai-Hime. I still don’t quite get why people get so riled up about her .Hack or Xenosaga, for praise or scorn.

But listening to Naoki Satou? It’s totally like a 10yr old listening to John William for the first time. And so far, every time. It’s not that he does anything really original or anything like that, but ever since I first heard him through X TV‘s soundtracks, it feels at first so powerful, that like Kajiura’s earlier works, the music drives the imagery by itself. We don’t need anime or animation to tell a story, if it’s going to be like that.

But unlike MADLAX’s “lol still pan + YAMANI” nonsense that lots of Kajiura fans like, different directors did it differently with Naoki Satou. X was probably a more conventional take about sweeping destinies crossed in a forest of revenge, much like Noir. And the musical presentation came across similarly. But not so in Eureka 7.

Eureka 7 was the place where I first took a good and hard look at his stuff. It was incredible at times, but yet it left a weak impression. Maybe it has to do with how musically Eureka 7 was all over the place, or maybe because the direction was trying to tell a story about people instead of trying to present a moving slide show with a nice soundtrack. The soundtrack albums themselves were epic enough but it didn’t quite give off that orange, legendary glow.

It is much like The Heroic Age. The two soundtracks for the show that are out now helped me understand a bit better what I’m experiencing. As far as music in the show goes, unlike E7, Heroic Age was mostly typical of “lol grand space epic” sort of thing. Some of the main themes and pieces that are repeated on the soundtrack got a lot of prominent use in the show. Some of the music stood out but it wasn’t remarkable. Yet listening to the soundtrack themselves tells a different, similar, but much more engaging epic. The music definitely does not go all over the place like E7 but yet listening to the album arrangements was just a delight.

In fact, it makes me sort of sad that so much of the great stuff from the second OST is just obscured by the silly show, and sort of wished that a show with slow-moving space battles and lofty racial politics can afford some stillness and sing us a few new tunes. The key is in the arrangement, I guess.

The Heroic Age has fast moving space battles as well, so that might be what’s taking up all the sound space? Maybe Naoki Satou needs to write for the next Simoun-like show. That’ll be beyond legendary.