Category Archives: Franchises

Year in Review 2013: Love Lab Is about Diligence

April is when I last spent any quality time with Rinko Kobayakawa. The self-titled virtual girlfriend from Love Plus is a neat headtrick: you play a game of maintaining your relationship with a piece of software that runs on a clock. Rather than maintaining your relationship with a pet animal by feeding it, taking care of it, and spending time with it, now you can do the same using your Nintendo DS (or a 3DS in this case, being New Love Plus).

Is this really that different than Natsuo’s stuffed boyfriend? Yes. Of course it’s different. But I want to draw you to the similarity to highlight what I think is the really great thing about Love Lab and what is great about great people: diligence. Oh, mild spoilers on Love Lab ahoy.

Riko = This blog post

A top-tier Love Plus BF has to do at least one thing–spend time playing the game. You’d be surprised, it actually takes a lot of time, and despite that the game in its latest rendition works okay for burst play, and you can always manipulate the clock to your advantage, but it takes time and dedication. An average date is somewhere upwards an hour or more. And you can go to them at least once a week if you are any good. I quit playing, partly because it simply takes a lot of time away from other things I could do that I consider similar in priority–like watching anime such as this Love Lab show.

The story in Love Lab is not particularly interesting except it is framed in a way that makes it interesting. Here we have a girl who is sicken like many of her disposition–with fantasies of romance. Without having actual experience but too much pent-up energy, she ends up pulling in a bunch of other girls who are not so much sick with fancy, but equally curious and seek to have fun with others. The way Love Lab tells its story is through the formation of friendships and the way people come together because someone out there crosses all the Ts and dot the Is, the kind of thing that impresses the valedictorian in an all-girls prep school. It doesn’t come overnight like some of the tricks Natsuo and Maki did to politely rebel against authority or pull a quick one on them. In fact, that they go as far as that is the surprise.

That isn’t the point I want to drive at; it’s a good example of how, when sufficiently cogently woven, the wool over the adults’ eyes will work. Pulling it is typical and expectant of a bunch of kids living in a high-class, high-pressure environment. It’s the essence of a “seishun” type story. Doing it A-Team style is, however, not. Nor the fact that they do so in the name of love. It’s like gaming god master race Keima from Kaminomi who ditches class in the name of lovevideo games, except somehow when Natsuo does it, it’s all ~scandalous~. Would it be scandalous to ditch class because you want to get really into the nitpickery details of Love Plus? Would it be scandalous to publish an underground newsletter for your campus to get really into the nitpickery details of romance?

Japan celebrates its diligent men, women and children. Love Lab likewise cooks more like Alton Brown than Julia Child (they don’t call ’em love handles for nothing). Point here is that love comes to all, those who are and those who are not. The issue is about framing it, and when we see these girls work hard to achieve this goal, we get wrapped up with them. That is the rub. A half-assed rebellion is the story some may be more familiar with in the story about Valvrave or Code Geass. Here, the rebels stick their guns towards the individuals that suppresses their wills, not the cultural expectations that both sides abides. Through hard work within the framework and thinking outside of it, the Love Lab members achieve what they want. It’s a rebellion within the rules. Perhaps it’s all a tad too close to that Yamato Nadeshiko spirit kind of thing that some find a little patronizingly misogynistic, but, that too, celebrates diligence.

Year in Review 2013 Index:


Year in Review 2013: The Junior High Second Year Bridge Across Escapism, New World Disorder

When I was watching episode 10 of Yuushibu the thought dawned on me: this is about a new world order. If we take the narrative about the lost generation of Japan to heart, the young adults of Japan has to prime themselves to a new reality where job security is an unicorn and living the life their parents do 40 years earlier is just how things not going to be–until they find the wind beneath their wings. It’s the reality today’s Millennial are dealing with in America, but things are trickier out in Japan.

The big picture view is that Asia, on the whole, are still banging out explosive growths. You can say China may have “landed” but it’s still growing hella fast. India is probably going to get caught up. On the other hand Japan is like the edge of a Red Giant, where fusion go beyond helium and into the heavier elements, eventually crunching back into something more suitable for a dying star. I guess things may go to hell if China and India crash hard enough? I guess that’s kind of a grim analogy.

But that’s exactly how it feels for our protagonists who had to swallow their dreams and go live a part-timer’s life working in a big-box electronics store. And in some ways this is what is truly adult about that sort of a story, it’s not about people living their dreams, doing anything they can. It’s about finding out about yourself as you find a place for yourself in the world. Like a good football defense: bend but not break.

In Hatarake Maousama, the story plays itself out differently but the concept is the same. A fantasy big shot learns to be a great McD assistant manager. But here’s the thing: if you make it as a shift manager at a Wal-mart or Best Buy, you can surely make a decent living? It’s a real salary, although you may have to work a lot of off hours. It’s like Yuusha’s job doing customer service for DoCoMo. I don’t know, but some of these jobs are not entirely terrible.

It’s a much more telling story for All A, I guess.

Here’s exactly the thing. Torn between, say, an inaka narrative, where we always give a lot of face for farmers, doing service jobs or even blue-collar type jobs in today’s cities and suburbs just don’t get the same kind of respect, even if said jobs are often much better and preferred than farming. Or any of the traditional arts of the land–brewing sake for example. Unless you got electron microscopes for eyes? I am not sure what makes the disenchanted feel better. However as far as head tricks go, you can do worse than Yuushibu and Hatarake Maousama. You can do worse than Kyon in Haruhi or Goto in Samumenco. You can do worse, only because it’s like everybody is doing it. Log Horizon? Outbreak Company? LOL Maoyu?? Maybe this is me looking like a hammer because everything seems to fit like a nail, but in 2013 everything looks like it.

All of this just goes and point out Yet Another Reason Why SAO is problematic. It’s the difference between a new world and an old one: it’s a world where the meek conquers the strong as lion rest next to the lamb. As far as fantasies go, it’s a classic, and herbivores sure eat it up. And this is also why nobody is procreating; it’s some new world order. (Versus just jamming it in as if you haven’t done it for two years. Virtually.)

And of course, unless you’ve seen Yuushibu up to episode 10, you might not know what I’m even talking about. Let’s just frame it real-quick-like–domesticated devil queen heiress decides to apply big box retail to the demonic world in a stereotypical fantasy hero-versus-maou setting, people think she’s a fool, but the idea comes across brilliantly.

Makio

And this is why Love Lab is one hella good anime that y’all should watch.

Year in Review 2013 Index:


The Sidonia Maneuver

I'd buy this Miku

News broke today when Netflix finally got in the anime simulcast game. I use the term simulcast loosely to describe going direct to Japan to procure this content. Previously, Netflix offered anime content in North America via local distributors and licensees. I’m not sure if an usual licensee is in the mix of this, but so far it seems like a Netflix special.

There are a few other attributes worth noting. First, this is a world-wide stream, and will be dub-localized to their respective regions. We know there will be an EN dub for UK and US/Can. But what about other non-EN regions like Mexico, South America and the rest of Europe?

Second, the PR seems to word it so it implies the whole series will be available in Summer 2014. This seems to mean that it’s not a simulcast as we know it, but a … simul-marathon-cast? Basically, for weekly viewers, the Netflix stream is bullocks. For users who marathon shows, however, this is just as good. It may not make a lot of sense coming from a CR/Hulu type consumption pattern but here at Omonomono I watch anime every ever which way, and it fits the typical Netflix TV consumer pattern–when you put on 24, you want to watch it all.

Too bad this is Knights of Sidonia, not another season of Aria. Oh wait, you probably won’t want to marathon a show like that either.

This reminds me of how simulcasting is a part of the marketing aspect of a show. By doing it after it’s all over you kind of lose part of that marketing impact. I mean if it’s screening the whole three months you get three month of free WOM buzz. Worse, if the show tanks from the Japanese TV airing, now you just have a product nobody is going to bite. And they’re dubbing it! I mean when Funimation decided to go all in with Space Dandy, that show has all the creds to be something salable in the long run. I wonder what Netflix is trying here in terms of Sidonia. I’m sure the story (the manga seems my bag of tea, actually, though I’ve yet to read it) is fine, but it’s done by a 3DCG firm so it’s likely going to rattle conventional viewers, as in the people who will be talking up the show before the Netflix stream.

More importantly, who is going to do the home video deal? I guess Netflix could, but LOL? Netflix furthermore has its own original programming agendas. If House of Cards is a guide, then it just means in Summer 2015 Sidonia will be available in all your usual venues, plus some unusual ones (Amazon on demand?). How will it be priced?

Obligatory: How much of this has to do with the Chernin Group buy-in of CR? Heh.

Maybe I should revisit this if Knights of Sidonia is actually any good, because until we know it’s worth watching, this is all just nonsense.


Madoka: Rebellion

Just to capture some highlights and impressions before it gets wiped out. Spoilers ahead.

Akemi Homura, Akuma ver

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Year in Review 2013: Introduction

It didn’t feel like Christmas until the calendar turned the corner on American Thanksgiving, which is really the main signal for American to switch gears from “normal” to “holiday.” Given this year Thanksgiving was at its latest possible date, the whole holiday feel sprung on me very suddenly. But it didn’t hit home until I saw this in the news.

People have already been rolling up the holiday preps. I see people doing end-of-year blogging (at least writing it, not publishing it) and what secret santa things. I will do my two cents worth of sprucing up the holidays here.

Chihaya, Miki, Haruka

Looking back in 2013, it’s a year when a lot of things came together. On the internet, I’ve been doing more writing than ever, and a lot of it is on Japanator. For better or for worse I’m kind of writing for them in a capacity that I imagined I would for the longest time. I guess this does mean I am now forced with the choices of cutting something somewhere so I can write more consistently. For better or worse, I am also watching more anime now than ever, which just means my novel reading has come to almost a halt. I think I finished 2 books in 2013. Blame it on LTE technology, I guess. And video games. Having all three Shiny Festa games on the iPad, or that I own a Vita now, or having the opportunity to crash through Project Diva and Ni no Kuni, stuff like that.

In some ways I wish I could’ve seen 12 Ghibli films in a month, again, but instead I will spend time getting ready. Or getting L@DY as they say. Thing is, I’ve been doing this crap for too long to shortchange the depth and passion of the Producer fandom. iM@S Ps. Nerds who love idolm@ster. Whatever. That has been kind of a thing this year more so than 2011 or 2012.

But that hasn’t been a theme, if you get what I am saying. What has been a theme is that slowly what excited me beyond anime and manga has consistently been simply things that enhanced the experience. Like meeting a seiyuu I like or going to a concert full of music from shows I loved. Both of these things happened this year (and somewhat surprisingly, every year in recent times). I mean, Otakon 20, man. If I didn’t already jumped the shark back in 2009 this would have been one awesome memorable Otakon, not that it wasn’t awesome. Cons are still tiresome but that is about as tiresome as not getting sleep; I could have skipped out on sleep to marathon some crap anime or play some video game, too. What I’m saying is just that, the totality of the fandom experience for the monetary enabled, hardcore otaku overseas has narrowed closer to the Japanese, in recent years, by some significant amount. And the simulcast business is just a small piece of that pie.

It’s just easy to point to Daisuki and Anime Sols, I guess, because they are entities out there promoting themselves. But this Producer-wannabe (I feel unworthy to truly partake in this fandom, but I will still make some business cards) is trying to board an airplane comes February to go see M@STER OF IDOL WORLD 2014. Having made a similar trip in 2013, it really kind of unsettles me in that I am not sure if, well, I will be ready for two Japan trips within 12 months. It feels that the logistic and legal hurdle between Japan and its distributed works are slowly but surely eroding. I guess that’s great if your business operates on hauling butts across the Pacific in giant flying metal cages. Or the Atlantic as I met my first UK Producer this year, heyo.

The “World Is All One” aside, I did have a good time in 2013. I just wish I could do my next trip not just purely to hit up concerts, as this trip is shaping out to be another “stay in Tokyo the whole time” kind of thing. I guess I could sight see on a day trip to go to… Mt. Takao or something. LOL. I mean they have a Yama no Suzume trail right? Right?

At least that hike is short.

Year in Review 2013 Index: