Category Archives: Seiyuu, Idol, Pop

Flood OreImo Web Radio with Your Overflowing Affection

“Otakus of the world, unite!”

DJ KURONEKO is probably a real DJ.

Should I put a [sic] there? I guess not. Anyway, Oreimo season 2 web radio has this corner where they are reading international fan mail. So it’s really neat. What’s even more awesome is how the web radio page got a translation so you can just waltz over and type in nonsense and hit submit. I think it would be great if all the oversea viewers of OreImo got to send their messages to the radio show.

To do it right, I think you also need to try a few things.

  • If you have some Japanese ability, try to write your message in Japanese. It’s okay to use terrible Japanese if you are a legit gaijin, and I think it’s kind of a good thing, as that gives them something to talk about. But it’s also impressive if your written Japanese is top notch.
  • Approach the message like a letter. Write a “Dear Miss Taketatsu and Miss Hanazawa” in there or something. It’s okay to close with “sincerely yours” but it’s probably not as important as the initial bit of the letter. It’s tempting to treat it like an internet blog comment, but this is a radio show still, folks.
  • Include where you are from in the letter. And generally stick to topic.
  • Additionally if you can handle listening to the previous episodes (well, just ep 2 and 3), give it a spin and hear what they say about the segment to give you an idea what to write.

I ended up using machine translated text. Great thing about Google’s web interface is that it has text-to-speech, so I can translate the text and hit playback to at least make sure what I wrote sounds okay, even if I can’t read it.

Most of these tie-in radio shows are pre-recorded, and so is this one. New episodes come out twice a month on alternating Thursdays (Japan time), but it makes me think that they’re recorded at the same time. At least, given episodes 1 and 2. I’m guessing if we submit comments to the show today, it probably won’t show up in the next week’s episode.

I think this is a great way to show that oversea fans can represent. They’re asking for it. Let’s give it to them.

PS. Just want to document this … thing some more.

https://twitter.com/oreimo_anime/status/335005608908582912


~Spring~ 2013 Anison Albums

I put ~ around Spring because the albums I’ll cover in this post go before Spring. Basically, the crap I alluded to in this post.

As a commenter on Danbooru would have it, "DES Metal!"

Actually the main reason I want to share these opinions is so I can write a sentence about something from Angela to Zwei. And it really reflects the sort of releases we’re seeing for the first half of 2013. There’s also some observable trends. The “vocaloidzation of seiyuu idol music” is really the number one thing. That, and the appeal of groups.

By “vocaloidzation” I mean it in a simple, one plus one sort of way. Just like how I can enjoy a Kuchiroro track because of the seiyuu connection (and also because Kuchiroro is ballers), same can be said of producing seiyuu music in a similar way–just treat their vocals as samples rather than cohesive part of an idol image. Well, the vocals are part of the idol image, may it be reduced more so in recent years, but you gotta wonder how many people stopped listening to the likes of Mamiko Noto because it kind of hurts. Well, maybe it’s better to say that thanks to vocaloid fandom, now there is another framework in which we can make idol music. Because as cool as showa-era idols are, it’s a tough thing to ask of anyone. The sad fact is that while there are a lot more pretty faces today among the seiyuu idol crowd, and there are a number of decent singers, the two still rarely overlap.

Joking aside, with Yuikaori graduating from StylipS (and I feel this is something they sort of planned from ages ago), or how the Yuki Aoi x Taketatsu Ayana combination is now a thing, what does this mean? On the other hand Itou Shizuka is still putting out stuff and there’s that Pikasha woman with her album debut eminent. Aniplex’s Hanazawa project is going swimmingly, and it really does complement the array of artists they have under their thumb. With competent production companies and pipelines, idols gonna idol…? Money will part from fools, all is well with the world. And let’s get a move on– [aff links ahoy]

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Notes on Tokyo 2013

I went to Japan to do otaku stuff, to meet with people, and to relax. I think I accomplished all three to some extent, and now the internet gets to hear about it. Actually, it’s just about the food and the nerd stuff. Bullet-style.

But first, loot pic. And this isn’t even everything.

Lots of loot

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True Tears x Hanasaku Iroha x Tari Tari Festival

It came and went like a brisk sunset at Tokyo Bay.

The PA Works festival, for the uninitiated, is a typical anime event where people involved with the show do a little show and tell, except in this case it’s focused on the music. It’s particularly appropriate since Tari Tari is a story heavily reliant on music.

The show was at Maihama, the JR terminal to Tokyo Disneyland. On a Saturday it was full of normal tourists, but now there’s your usual otaku crowd.

Maihama Ampitheater

I had a great time just chilling outside. Originally I thought goods sales ended at 3pm and I didn’t make it to the venue until twenty past four, so instead I waited outside for my Japan travel buddy who was coming straight from Narita Terminal 2. The weather was too nice to be stuck indoor waiting with a bunch of hot-blooded anime otaku.

I scored a pretty cool wallscroll that they were selling for this specific occasion. It turns out all the goods would go on sale in Akiba until May anyways, so it’s no big deal that I didn’t really spent any time shopping then, and they were still selling it at the venue after the goods sale time.

The event was pretty much an Anisama-class thing for me, except I actually care about all the music since I pretty much adored all three shows to some varying degree. Seeing Riya doing True Tears stuff was definitely one of the biggest highlight, along with seeing Sphere finally in the flesh and hearing the Tari Tari seiyuu doing vocal harmonies.

I don’t really have a tracklist, but basically all the bands play the OP/ED pieces. Nano.ripe in particular played a couple c/w tracks I believe, or maybe they were for other mix-media releases that I don’t recall or know about. I can say for sure my impression for Sphere and Aira Yuuki changed because of this event.

There were a lot of cm segments because of all the bands coming in and out of the stage. I think Nano.ripe set up three times including the encore, so that’s kind of lol-tastic. The bassist for Clammbon is actually an otaku of sorts (and was asked to pick from True Tears after he siad he liked it the most) and it’s always fun to hear the Sphere girls do their usual routines. What’s a bonus is to see Asami Seto goofing up because she was too nervous. That girl is something special. Saori Hayami felt like a much more capable Noto except she trades some presence for singing and dancing abilities.

Aki Toyosaki wore a tall hat. I was exploding.

What is unexpected were the True Tours tie-in as Riya sang a couple of the themes, and Minori Chihaya’s string backup band played a 4-piece medley of the themes from the three anime series. There were flying streamers, camera poses, and a trio between nano.Ripe, Riya and Airi. It’s kind of cool, I guess.

Other notes:

  • Ayahi Takagaki had 4 costume changes. She sang the Aburamushi song.
  • There is one cool t-shirt that the Tari Tari seiyuu all wore.
  • Despite that the concert website advertised only 4 of the 5 Tari Tari seiyuu, Air Daichi not only performed, also existed in the flesh to do Shiokaze no Harmony, which is pretty epic.
  • Ah, yes, the high school choir. The interesting thing is that because this concert is in mid April, the choir is now half made up of different people as seniors from last year’s choir all graduated in March.
  • My seat was on the right side of the stage at the back of the front section (row 9). It’s actually the handicap seats, which is kind of a rip given how much we paid for the seats, but it’s also convenient since it gave us extra space.

It’s a cool show, and I’m glad I was able to see it in person, even if it is something that’ll probably end up on Blu-ray. The night ended with hanging out with a bunch of locals at A-Button. We all recommend the curry. We also hung out way too long.

This blog post is brought to you by jetlag and local draft beers.


Seiyuu Hats

Just to clarify, not the TF2 virtual currency kind of hats, but ones people rock because, well, it’s useful while stylish.

It must be my sleep-deprived brain, ravaged by Simcity, that I felt a need to write about hats. I guess in a sense the power of hats is how it covers your head, both to protect it from the elements but also to hide what’s beneath. Still, regardless why these people wear them, I find them kind of fascinating, especially when it’s a woman rocking one.

It’s been a while since I wrote one of these.

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