As Expected, Nobody Understands Girlish Number

When I watch Girlish Number I think I understand the story from the point of view of a seiyuu otaku. When I read this post I’m not sure what is going on. But rather, let me consider this hypothesis: I don’t understand how non-seiota approach the show not because they don’t understand (or even care to being to understand their ignorance, and if they did know, they don’t care anyway), but because I don’t want (or care) to understand the plebs and their alternative approach to digesting something and repurposing it for their own entertainment.

Chitose may or may not be a bitch and that’s besides the point. The idea is that a heroine like her is, as the large number of Batman x Oregairu memes preordained, Chitose is the heroine this (or our, my precious) rotten industry deserves, not the heroine it wants. This is not unexpected given our passive-aggressive mastermind behind Girlish Number’s creation. Actually, I was surprised, when the dialog almost outright said this in one of the drinking sessions.

Which is just to say, it’s a form of gap analysis, to put it in different terms. I mean, that’s the essence of passive aggression as an expression after all. But it all comes down to the core ask I have: If you don’t understand what the gap is, why would Girlish Number even be interesting? Chitose embodies the broken ideals that makes Girlish Number sting, and sing, in that her strength overcomes her flaws, that she appeals to the shallow but it’s where rubber meets the road in this corrupt world she operates in. Yae, for example, is not only like a real female seiyuu in the same disposition, but is personification of this gap. So if you didn’t know or can then review your own otaku culture and digest the commentary/criticism, trying to enjoy Girlish Number is being just as shallow as Chitose? Surely not.

If anything, it’s kind of amusing to see how outsiders think. It’s like a typical staple shonen manga plot/character where the newcomer who revolutionizes the situation because she doesn’t play by the rules. Chitose probably plays by the rules too much, that she forgot some of the other ones? I don’t know. But it’s the calculations that my brain does when I watch the show. Not the fact that Chitose’s attitude bother me, but rather, what does it really mean?

And I think that’s the kind of literary analysis that should go without saying, similar to that  how Chitose is still self-aware enough about her predicaments, in that both she doesn’t give a damn (since she has no chance in hell to make her dreams true %-wise) and she gives all the damns in the world (since she’s in it to win it, it’s her dreams and passion and what her personality demands). It’s that kind of shitty industry after all.

And it’s like a beta-nerd thing to passively and pre-emptively guard yourself by saying your anime suck, Watarin. Suck it up like Chitose! I guess this is why she’s the heroine.


Hibike! Euphonium! Hot Take

First, read this translated interview from the novel author, the creator of the series.

Then go watch the series, it’s really good! Also because there will be spoilers.

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Year in Review 2016: Eventing

Please first peruse my event log here. I think I’m done for the year so it’s time to wrap that up. I guess I ended up talking about the meta (eg., flying).

(I watched the 2015 season Super Bowl, live via satellite TV, inside of an ANA 737. That has to count for something!)

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Year in Review 2016: Introduction

Twenty-sixteen was a fun year for me. I mean, on some level, it had to be, when I am producing these awesome weekender packages that some nerds only dream of? But wait a second, who dreams of weekending to Japan just so they can watch CG 4th? You? You have problems. And I know by experience that you have problems.

This is the season for introspection. Introverts introspect. This is the introduction to a series of introspections by an introvert. That hasn’t changed in 2016, but the amount of time I spend doing this has.

I am writing less and less. In exchange I was able to maintain a good portion of my anime time and even occasionally some gaming. I still don’t have a S-ranked idol in Platinum Star because its mobage-style life rubs me the wrong way–I’d rather just buy DLCs ala OFA and leave it at that. I played some fun games this year too, like my current jam: Shadowverse. If I couldn’t get the rest of the series out, it’s because a new expansion for Shadowverse drops tomorrow.

The bulk of the time I spent is eventing. What comes with eventing are weekends you spent doing the events. The times you take to travel to and from. The time you take to get prepard (and I usually try). And then there’s the time you take to recover from eventing, which, I also know by experience, increase as you get older.

I am getting old. And this eventing and related fatigue, as I know from experience, really knocks me out from doing auxiliary things, such as writing here. But rather than blaming my extravagant single lifestyle, I think I also spent too much time working and all these hardcore hobbying is running up against the Real Life.

As for this fandom from the perspective of an American, I think overall we’re heading to a good direction. Con-wise, every year with a good AX is a good year, hate saying it but it’s true. I went to Hawaii for a con, and that was great, at least the Hawaii parts. I went to Canada for a con (that’s not new) and produced a crazy-butt offkai, albeit not as good as 2015’s I think. I miss Poole’s.

I miss my staycations. I’m going to get just that this holiday season. Stay tuned?

Year-in-review 2016:


Mahouiku Is Actually About Magical Girls

Spoilers about Mahou Shoujo Ikusei Keikaku, or Magical Girls Raising Project: the TL;DR is that it’s a story with consistent and overarching thematic points that make sense, despite seemingly underhanded ploy to appeal to emotion through relatively cheap tricks (of killing people). More details after the jump, but it is at least something I can deal with mentally after it’s all said and done.

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