Category Archives: Conventions and Concerts

Anime Boston 2012: Day 2, 3

Besides making a hole in the wall, day 2 went without a hitch. I think this is possibly the lowest energy day 2 I’ve ever had. Probably has to do with skipping lunch for press duties, but I lived.

Day three was equally laid back and presented possibly the biggest schedule conflict at the con when Ito Kanako’s music game conflicted with Momoi’s autograph session. But as fate would have it, I don’t think things would’ve turned out in the same way if I optimized it the right way. I got a couple photos with Momoi between the two days, and that was very neat. She’s like the older sister-imouto type, if you get what I’m saying. Sometimes the wile comes out and it causes giggling. She’s a storyteller, but coming from her it just feels kind of off. Doesn’t quite match that Akiba idol idea. Just like how being an otaku is cause for dissonance in Japan.

Kanako Itou, in some ways, is the total opposite of Momoi. Itou is an easy-going and funny person with funny habits. I’m not sure how to pin-point her besides that she’s a mean singing machine in the way she emotes through music, and happens to be very easy to get along with. It’s kind of tough to do an article on her without getting a good handle, but sometimes that’s just how these acts roll I guess.

And in case you didn’t know, writing up Momoi is like, writing up Akihabara. Mission accomplished for her I guess.

Day three, despite being like, half as long as day two, has all the fun stories. Like how I janken’d someone out of an iM@S poster. I hope he scores some consolation prizes. This year’s AB is pretty chillax, as chilling and relax as Boston plus Momoists can be. It’s that west coast mentality, perhaps. Something to dilute my New York pace. Lowering my engagement a tad and avoiding a lot of conflicts make the con that much more easier to deal with. PAX may have helped. Easter may have helped. Every little thing counted.

And I’m home. Good times. Loot shot. Life resumes. Lots of words left to spill before I can put this one away, yet.


Anime Boston 2012: Day 0, 1

Oysters? Check. Little-neck clams? Sure. Shrimp? Why not. Crab? Ok. No lobster though. Squid? Definitely.

Yes to hamburgers, Momoi-ist Hardcore-ist, cheap vacation suites made out of converted historic apartment buildings.

Say hello.

Say hello to sad songs, and happy songs.

And friends. (By the way if you know I took pictures of you and want the full size copy, leave me a comment using your email address or just uh, email/twitter me).

Pretty laid back otherwise. Meeting new friends and old alike.

Having PAX in town did drastically lower the population at the con, too, so life’s not as congested even compared to 2010.

Got content for my obligations. Good stuff.

Good times.


Random Thoughts: Cold-Call Stalker

I wasted a perfectly good Saturday wormed in front a couple Nico streams for ACE. It’s something I probably have never really done before, although I may have had in different variations over the years. I think one of the strongest thing NND has over Youtube is precisely this sort of live content programming, the sort of stuff that resembles more like sports programming than, say, some pre-produced thing someone uploaded to some video service. NND’s coverage of ACE is actually pretty good once you ignore the fact that half of the content happen in the wee hours of the day for EDT and some of the better stuff is either not streamed or geoblocked.

As much as I casually (or maybe beyond “casually,” I’m not objective enough to tell) follow these new-comer seiyuu scenes, these ACE streams mark the first time I’ve seen some of them live with any prolong period of time. I guess it’s kind of interesting seeing Kayano do her little Menma corner in that interesting getup. Interesting, because I don’t really have another word for it.

It was enjoyable to see Mizuhashi and Shintani pimp the new Hidamari Sketch TV show. Man, I remember Shintani when she was like, 18 years old. Time flies. Mizuhashi was interesting and pro. The Madoka stage was rather uneventful other than seeing your favorite seiyuu on stage. In my case it’s mostly just Nonaka. I really need to dig out more videos of her, she’s like tailor made for my weak points. And I guess that’s the thing: I just don’t spend the time to watch seiyuu videos and the like, so there’s a sense of wonder left when I subject myself to this sort of manufactured marketing drivel.

On the other hand, you kind of have to be all keyed in to that stuff to enjoy, say, the iM@S x YuruYuri x Milky Holmes variety show. I was pretty happy about NND broadcasting that one in their US portal. Also, you can tell iM@S team is just more together, having better chemistry and more experience. Not too surprising given that they’ve been around the longest and have done so much together, even including newcomer Asakura/Yukiho.

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Remember that seiyuu phone call app? Originally it started out with a list of A and B rank seiyuu and you have to pay to get the full “calls.” Now it’s flush with a bunch of C rank (I’m not sure why I’m using these letter grades but I hope it gives you the idea) seiyuu that are free. It’s kind of cool because it’s one way to find out about some interesting voices, like Chiyo Ousaki. Definitely a budding eroge queen!

Is this creepy? At first yeah, even for me. But as I go through the various selections it’s actually kind of fun. Fun in the sense that it’s like you get to hear someone new and check out what they sound like, how they act out a scenario–something I think that is fundamental about being a seiyuu person. This along with that card game where you can pick up seiyuu by voice provide an interesting way for new voice actors to get themselves out there and for seiyuu fans to pick up “relevant entertainment” cheaply. Win-win for marketing and consumers IMO.

Then again, you get people like this. Which is kind of neat but, well, LOL. Anyway, you can read about the list of newbies at Seiyuu+plus’s site.

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Anime Boston, PAX East, and Easter are all happening at the same time! As mentioned earlier I’ll be enjoying (hopefully) the first Momoi concert of my life and it is with slight trepidation that I look forward to how the Momoists handle it. On one hand I hope it’s a lot of fun when fans put so much effort and energy into it, but on the other hand I just want to see the crowd being the way they are–lackadaisical and KY–without getting too worked up by wotagei. As much as the calls are part of the whole thing, it feels kind of too stiff sometimes. But then again, con crowds are typically easy and it’s not like I go to the con for the crowd anyway!

And that brings us to the true topic: obviously, I go to Boston for some fresh and tasty oysters. I think if there’s a staple thing to have in Boston, that is it. All the other seafood-y things are a little bit overrated. I mean I can get a perfectly good lobster roll or a cup of chowder in Manhattan today, why even bother doing it when I’m just 4 hours up north?

I wonder if there’s any good oyster omelette place in Boston.

Itou Kanako, I’m looking forward to that show without any reservations. Thank God.

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Back to ACE, and this time, 4/1. I’m as impacted as anyone else about April Fools. I’m fine with people complaining about it, but I think OreImo season 2 announcement on 4/1 is well-played. When the marketing is this self-aware, I have problems with people faulting that. It’s like they just don’t get it. Well, nobody’s perfect I guess.


Random Grab Bag

Life’s pretty chill when you have time to rest when you are weary and things to do when you are not. Kick back and relax to something like:

Help yourselves.

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Author explains his thing about Haganai. I am sympathetic because I didn’t agree with the general discourse on the topic from the blogs I’ve read either. Like, the whole thing comparing the anime to the manga. I thought the anime was slightly more authentic in that the girls are genuinely unlikeable, versus some kind of semi-tsundere moe that gets you in the manga. I understand the whole “clumsy but likable” distinction but I didn’t think that was the point of the original works? But I didn’t really care about Haganai beyond the visuals and voice acting, so I didn’t really want to state an opinion. Well, I guess on occasion it was genuinely funny, and that was why I watched it in the first place.

The thing I wanted to see the most is that proposed crossover between Seitokai no Ichizon and Haganai. I hope they make an anime based on that.

Also, I kind of like the OP, even if it happened right in the middle of that Aki Toyosaki stalker drama. Props to Tom H@ck. I also have a history of liking these painful anime OP, so take it with some salt.

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Con season 2012 is still a ways away, but now that Halko Momoi is landing somewhere a bus ride away, I will try to oblige. See you there?

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I understand why, in theory, a Ritsuko or Kotori figure would be desirable, but I think this is a good real-life example.

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MOOOOOOOOOOO MOURETSU! The PV and the live dance OP are, well, common idol schticks, but I can’t imagine iM@S to come up with something like this, even if songs like Honey Heartbeat rivals it in awfulness. These two videos have a strange addictive qualities to them. I recommend checking them out just for how weird they are.

The fusion of idol and anison is power!


Year in Review: N-Listing

So, the tradition continues. 12 lists of 12 things. Some are ranked, others are not. One this year is not ranked but merely numerated.

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